Presentation on the topic of fathers and sons of Turgenev. Open lesson on literature with presentation "I.S. Turgenev

Slide 1

Artistic originality

novel by I.S. Turgenev

"Fathers and Sons"

Slide 2

The purpose of the lesson: to consider the artistic originality of the novel “Fathers and Sons” and determine what the innovation of I.S. Turgenev was. Lesson plan. 1. The history of the creation of the novel. 2. Socio-historical context. 3. Composition. 4. Speech characteristics 5. Landscape. 6. Genre. 7. Evaluation of the novel in Russian criticism.

Slide 3

The idea for the novel “Fathers and Sons” arose from I.S. Turgenev in 1860 in England during his summer holiday on the Isle of Wight. Work on the work continued the following year in Paris. The figure of the main character captivated I.S. Turgenev so much that he kept a diary on his behalf for some time.

The history of the creation of the novel.

Slide 4

In May 1861, the writer returned home to Spasskoye-Lutovinovo. By August 1861, the novel was largely completed, and in February 1862 it was published in the next issue of the Russian Messenger magazine.

Slide 5

The novel “Fathers and Sons” reflects the historical process of generational change. The 40s of the 19th century in Russia were a time of liberal-minded nobles. They respected science and art, sympathized with the Russian people and believed in natural progress. Later they began to be called “idealists”, “romantics”. In the 50s and 60s, commoners appeared in the public arena. These were educated people of non-noble origins who did not recognize class differences and through their labor made their way into life. They categorically did not accept everything that was associated with noble aristocracy.

Socio-historical context

Slide 6

The composition of the novel “Fathers and Sons” is monocentric: the main character is in the center, and all the “formal” elements of the work are aimed at revealing his character. During his “wanderings,” Bazarov visits the same places twice: Maryino, Nikolskoye, Bazarova. Thus, we first get acquainted with the hero, and then we witness how, under the influence of circumstances (a duel with Pavel Petrovich Kirsanov, a quarrel with Arkady, love for Anna Sergeevna Odintsova, etc.) his views and beliefs change.

COMPOSITION

Slide 7

Ring composition

Maryino (Kirsanov estate)

Bazarov's parents (small house of small nobles)

Nikolskoye (Odintsova’s estate)

Slide 8

The conflict in the novel is two-dimensional: external and internal. External conflict is revealed at the level of the characters’ relationships: between his nihilistic beliefs (theory) and the demands of nature (life).

CONFLICT

Slide 9

I.S. Turgenev pays great attention to the speech characteristics of the heroes. So, for example, a representative of the older generation, Pavel Petrovich Kirsanov, speaks in the language of Alexander’s time, using outdated words “efto” (instead of “this”), “princip” (instead of “principle”), and also uses florid phrases: “But if you please listen” , “I am deeply obliged to you,” “It is advisable for you to joke.” A representative of the younger generation, Bazarov, on the contrary, speaks simply, sometimes even rudely: “The scientists there are efficient people,” “Every person should educate himself - well, at least like me, for example,” “Trash, aristocrat.” In addition, being a physician by training, he often uses medical terms and Latin expressions in his speech.

Speech characteristics

Slide 10

Landscape in literature is primarily an image of a person’s natural environment (although there may also be a city landscape). As a rule, it expresses not only the author’s aesthetic attitude towards the reproduced object, but also serves as a means of psychological characterization of the characters and helps to reveal the social and philosophical problems posed in the work.

What is landscape in literature?

Slide 12

Compared to other novels by I.S. Turgenev, “Fathers and Sons” is much poorer in landscapes. The exception is the description of the area near Maryino in Chapter 3 (the landscape serves as proof of Arkady’s thought: “transformations are necessary”). Evening landscape in Chapter 11 (shows the one-sided views of Bazarov, who believes that “nature is not a temple, but a workshop,” and N.P. Kirsanov, who, admiring nature, does not pay attention to the poverty of the peasants). The picture of an abandoned rural cemetery in chapter 28 (sets the reader up for philosophical reflection).

The originality of the landscape in the novel “Fathers and Sons”

Slide 13

“Fathers and Sons” is a multifaceted novel in terms of genre. The presence of a family-beat theme allows us to call it family, the use of a socio-historical conflict as a concept - social, a deep study of human characters - psychological, and the coverage of philosophical problems - philosophical. Most often, given the degree of development of these aspects, the genre “Fathers and Sons” is defined as a socio-psychological novel.

Slide 14

The novel “Fathers and Sons” caused mixed assessments by I. S. Turgenev’s contemporaries. Critic M.A. Antonovich called Bazarov a talker, a cynic and accused Turgenev of slandering the younger generation, whereas, in fact, ““fathers and sons” are equally right and wrong.” D.I. Pisarev in the article “Bazarov (1865)” defended the main character of the novel. He noted that this is “a man of strong mind and character,” although extremely proud. Bazarov’s problem, according to Pisarev, is that he outright denies those things that he does not know or does not understand.

Evaluation of the novel in Russian criticism

Slide 15

“Fathers and Sons” is not only Turgenev’s best novel, but one of the most brilliant works of the 19th century. The novel reflects not only social, but also universal human problems. It was in “Fathers and Sons” that I.S. Turgenev managed for the first time to create a positive type of figure.

Purpose: Purpose: Observation of the text of the novel, Observation of the text of the novel, to find out the reason for mutual rejection of P.P. Kirsanov and E. Bazarov, find out the reason for the mutual rejection of P.P. Kirsanov and E. Bazarov, determine the author’s attitude towards his heroes, determine the author’s attitude towards his heroes, note the means of creating images used by I.S. Turgenev; note the means of creating images used by I.S. Turgenev; work on the development of monologue speech, the ability to analyze work on the development of monologue speech, the ability to analyze

The history of the creation of the novel. The idea for the novel arises from I. S. Turgenev in I860 in the small seaside town of Ventnor, in England. The idea for the novel arises from I. S. Turgenev in I860 in the small seaside town of Ventnor, in England. It was a difficult time for the writer. His break with Sovremennik magazine had just occurred. The occasion was an article by N. A. Dobrolyubov about the novel “On the Eve”. I. S. Turgenev did not accept the revolutionary conclusions contained in it. The reason for the gap was deeper: rejection of revolutionary ideas, “the peasant democracy of Dobrolyubov and Chernyshevsky” and their intentions to “call Rus' to the axe.” The novel “Fathers and Sons” was an attempt to comprehend the character and direction of the activities of the “new people,” a type of which was just beginning to emerge in Russian society. It was a difficult time for the writer. His break with Sovremennik magazine had just occurred. The occasion was an article by N. A. Dobrolyubov about the novel “On the Eve”. I. S. Turgenev did not accept the revolutionary conclusions contained in it. The reason for the gap was deeper: rejection of revolutionary ideas, “the peasant democracy of Dobrolyubov and Chernyshevsky” and their intentions to “call Rus' to the axe.” The novel “Fathers and Sons” was an attempt to comprehend the character and direction of the activities of the “new people,” a type of which was just beginning to emerge in Russian society.

I.S. Turgenev about the novel “...At the basis of the main figure, Bazarov, lay one personality of a young provincial doctor that struck me. (He died shortly before 1860.) This remarkable man embodied - to my eyes - that barely born, still fermenting principle, which later received the name of nihilism. The impression made on me by this person was very strong and at the same time not entirely clear; At first, I myself could not give myself a good account of it - and I listened intensely and looked closely at everything that surrounded me, as if wanting to check the veracity of my own feelings. I was embarrassed by the following fact: in not a single work of our literature did I even see a hint of what I saw everywhere; Involuntarily, a doubt arose: am I chasing a ghost?” “...At the base of the main figure, Bazarov, lay one personality of a young provincial doctor that struck me. (He died shortly before 1860.) This remarkable man embodied - to my eyes - that barely born, still fermenting principle, which later received the name of nihilism. The impression made on me by this person was very strong and at the same time not entirely clear; At first, I myself could not give myself a good account of it - and I listened intensely and looked closely at everything that surrounded me, as if wanting to check the veracity of my own feelings. I was embarrassed by the following fact: in not a single work of our literature did I even see a hint of what I saw everywhere; Involuntarily, a doubt arose: am I chasing a ghost?”

Work on the novel continued in Paris in September 1860. Work on the novel continued in Paris in September 1860. During the winter, the first chapters were written. In letters from this time there are constantly requests to report on the news of the social life of Russia, seething on the eve of the greatest event in its history - the abolition of serfdom. To get the opportunity to directly become acquainted with the problems of modern Russian reality, I. S. Turgenev comes to Russia. The writer finished the novel, begun before the reform of 1861, after it in his beloved Spassky. The first chapters were written during the winter. In letters from this time there are constantly requests to report on the news of the social life of Russia, seething on the eve of the greatest event in its history - the abolition of serfdom. To get the opportunity to directly become acquainted with the problems of modern Russian reality, I. S. Turgenev comes to Russia. The writer finished the novel, begun before the reform of 1861, after it in his beloved Spassky. In the fall, upon returning to Paris, I. S. Turgenev reads his novel to V. P. Botkin and K. K. Sluchevsky, whose opinion he valued very much. Agreeing and arguing with their judgments, the writer, in his own words, “plows” the text, makes numerous changes and amendments to it. “I corrected and added some things, and in March 1862 “Fathers and Sons” appeared in the “Russian Bulletin” (I. S. Turgenev. “About “Fathers and Sons”). In the fall, upon returning to Paris, I. S. Turgenev reads his novel to V. P. Botkin and K. K. Sluchevsky, whose opinion he valued very much. Agreeing and arguing with their judgments, the writer, in his own words, “plows” the text, makes numerous changes and amendments to it. “I corrected and added some things, and in March 1862 “Fathers and Sons” appeared in the “Russian Bulletin” (I. S. Turgenev. “About “Fathers and Sons”). So, a year and a half after the idea was conceived, the novel “Fathers and Sons” was published on the pages of the February issue of the magazine “Russian Messenger”. I. S. Turgenev dedicated it to V. G. Belinsky. So, a year and a half after the idea was conceived, the novel “Fathers and Sons” was published on the pages of the February issue of the magazine “Russian Messenger”. I. S. Turgenev dedicated it to V. G. Belinsky.

Changes in the socio-political system (constitutional monarchy); softening or abolition of serfdom; allocation of small plots of land to peasants; Russian national identity; Zemsky Sobors - the voice of the people; The only true and moral religion is Orthodoxy. In their opinion, the Russian people have a special spirit of collectivism. By this they explained the special path of Russia. Fought against the worship of the West

They advocated the development of Russia in line with European civilization; advocated the development of Russia in line with European civilization; explained the difference from the West by the historical backwardness of Russia; explained the difference from the West by the historical backwardness of Russia; denied the special role of the peasant community; denied the special role of the peasant community; advocated for widespread education of the people. advocated for widespread education of the people. They looked up to the West in everything, extolled Peter I as the great transformer of Russia. Westerners

They considered the peasantry as the main revolutionary force in the country; combined the idea of ​​a peasant revolution with the ideas of utopian socialism; they believed that Russia, after the abolition of serfdom through the peasant revolution, bypassing capitalism, would come to socialism through the peasant community; advocated for the development of social sciences, literature, and art. N.G. Chernyshevsky, N.A. Dobrolyubov, A.I. Herzen, N.P. Ogarev Magazines “Sovremennik”, “Bell”

So, the novel “Fathers and Sons” was completed by the author in July 1861, published in 1862. These dates are certainly important. It is no coincidence that I.S. At the very beginning of the novel, Turgenev gives a whole series of numbers and dates. What can they tell the attentive reader? So, the novel “Fathers and Sons” was completed by the author in July 1861, published in 1862. These dates are certainly important. It is no coincidence that I.S. At the very beginning of the novel, Turgenev gives a whole series of numbers and dates. What can they tell the attentive reader? Russia in the second half of the 19th century lived on the eve of a huge social event - the abolition of serfdom, which for the country was supposed to become a turning point in all spheres of public life, including the breaking of the worldview of the advanced social strata. What does the expression “time split” mean? II half of the 19th century. “Time has split,” separating the liberal nobles and the “new” people of Russia—the commoners—democrats, “fathers” and “sons” on opposite sides of the historical barrier. II half of the 19th century. “Time has split,” separating the liberal nobles and the “new” people of Russia—the commoners—democrats, “fathers” and “sons” on opposite sides of the historical barrier.

Working with the text of a novel. Reading. Observation. Analysis - How is the confrontation between “fathers” and “children” depicted in the first chapters of the novel? - How is the confrontation between “fathers” and “children” depicted in the first chapters of the novel? This confrontation is revealed even more clearly in Chapter IV, when Pavel Petrovich Kirsanov, the elder brother of Arkady’s father, appears on the stage. This confrontation is revealed even more clearly in Chapter IV, when Pavel Petrovich Kirsanov, the elder brother of Arkady’s father, appears on the stage. Find this scene. We read by role. Find this scene. We read by role. What details caught your attention? What details caught your attention? What technique does the author use? What is its essence? What technique does the author use? What is its essence? Another character in the novel is the author. Based on the description of the heroes, based on the first impression, can one guess whose side he is on? Another character in the novel is the author. Based on the description of the heroes, based on the first impression, can one guess whose side he is on?

Bazarov is in no hurry to greet Father Arkady, emphasizes his simple origins, and abruptly interrupts Nikolai Petrovich when he quotes lines from Eugene Onegin. We see Arkady's secret superiority over his father. Bazarov is in no hurry to greet Father Arkady, emphasizes his simple origins, and abruptly interrupts Nikolai Petrovich when he quotes lines from Eugene Onegin. We see Arkady's secret superiority over his father. Nikolai Petrovich does not understand his son, notices dramatic changes in him, cannot “establish” a conversation, is embarrassed, timid, and silent. Nikolai Petrovich does not understand his son, notices dramatic changes in him, cannot “establish” a conversation, is embarrassed, timid, and silent. The author of the novel “above the fray”, he is equally ironic both in the description of Bazarov and in the description of P.P. Kirsanov, but there will definitely be a fight, and the first serious indication of it is in Chapter. 5 The author of the novel “above the fray”, he is equally ironic both in the description of Bazarov and in the description of P.P. Kirsanov, but there will definitely be a fight, and the first serious indication of it is in Chapter. 5

Analysis of Chapter 5 Again two central figures - Pavel Petrovich and Bazarov. Find their description, pay attention to the word “nihilist” that sounded like a bolt from the blue and puzzled the senior Kirsanovs. Again two central figures - Pavel Petrovich and Bazarov. Find their description, pay attention to the word “nihilist” that sounded like a bolt from the blue and puzzled the senior Kirsanovs. - Have you noticed how Pavel Petrovich’s first question about Bazarov sounds? ("What's happened?"). - Why is Nikolai Petrovich surprised, why did Pavel Petrovich’s hand freeze in the air? - Why is Nikolai Petrovich surprised, why did Pavel Petrovich’s hand freeze in the air? - Compare the interpretations of the word “nihilist” given by Nikolai Petrovich and Pavel Petrovich, what is the difference? - Compare the interpretations of the word “nihilist” given by Nikolai Petrovich and Pavel Petrovich, what is the difference? - A master of detail, Turgenev is true to himself here too, but now this is a different detail. Did you notice her? What is emphasized by this detail? - A master of detail, Turgenev is true to himself here too, but now this is a different detail. Did you notice her? What is emphasized by this detail? - In what phrases is Pavel Petrovich’s attitude towards nihilists expressed? What does he conclude? Do you understand it? - In what phrases is Pavel Petrovich’s attitude towards nihilists expressed? What does he conclude? Do you understand it?

Evgeny Bazarov Long robe with tassels, “clothes”; Long robe with tassels, “clothes”; naked red hand; naked red hand; introduces himself as a man of the people: “Evgeny Vasiliev” introduces himself as a man of the people: “Evgeny Vasiliev” N.P. Kirsanov “didn’t immediately... give his hand”; N.P. Kirsanov “didn’t immediately... give his hand”;

Pavel Petrovich Kirsanov Beautiful hand with long pink nails; Beautiful hand with long pink nails; the snowy whiteness of a sleeve fastened with a single large opal; the snowy whiteness of a sleeve fastened with a single large opal; “He didn’t shake his hand to Bazarov and even put it back in his pocket.” To Bazarov “he didn’t shake his hand and even put it back in his pocket.”

Lesson summary. It was important for us to see the confrontation between old and new, fathers and sons, and also to determine the author’s attitude towards the heroes. Was it a success? Was it a success? Later we will see that Turgenev is ready to understand Pavel Petrovich, it is no coincidence that he cites the story of his life, the old Kirsanovs are closer in spirit to him than Bazarov, with whom the author will nevertheless sincerely sympathize when the “simple” formulas of Yevgeny Bazarov’s life begin to break down “ complicated” relationship with Odintsova. And this will once again prove that the author is trying to be “above the fray”, that the artist’s task is to show the truth of life and he will not impose his assessment on the reader.

Homework: Re-read chapters VI-X, re-read chapters VI-X, make a comparative table: the views of Bazarov and Pavel Petrovich, in which include quotes characterizing the heroes’ attitude to art, love, the Russian people, nature, aristocracy and liberalism and other things about which the heroes will argue. (If you wish, you can make a spreadsheet) create a comparative table: the views of Bazarov and Pavel Petrovich, in which you can add quotes characterizing the heroes’ attitude to art, love, the Russian people, nature, aristocracy and liberalism and other things that the heroes will argue about. (Those who wish can make a spreadsheet) individually: the story of Pavel Petrovich and the story of Bazarov (their lives before meeting in Maryino); individually: the story of Pavel Petrovich and the story of Bazarov (their life before meeting in Maryino); Feelings of Pavel Petrovich and Bazarov. (spreadsheet) Feelings of Pavel Petrovich and Bazarov. (spreadsheet)

To use presentation previews, create a Google account and log in to it: https://accounts.google.com

Slide captions:

I.S. Turgenev “Fathers and Sons.” History of creation, genre, plot, composition

About the novel Year of writing: 1860-1861. Publication - 1862, publishing house "Russian Herald". The novel is set in the summer of 1859 (on the eve of the peasant reform of 1861).

History of the creation of the novel The idea for the novel arose from I.S. Turgenev in 1860 in England during a summer holiday on the Isle of Wight. Work on the novel continued in 1861 in Paris. The main character was so captivated by Turgenev that he kept a diary on his behalf for some time.

Publication of the novel So, a year and a half after the idea was conceived, the novel “Fathers and Sons” was published on the pages of the February issue of the magazine “Russian Messenger”. I. S. Turgenev dedicated it to V. G. Belinsky.

Work on the novel In a letter to P.V. Annenkov, I.S. Turgenev announces the completion of the novel: “My work is finally finished. On July 20 I wrote my blessed last word.” In the fall, upon returning to Paris, I. S. Turgenev reads his novel to V. P. Botkin and K. K. Sluchevsky, whose opinion he valued very much. Agreeing and arguing with their judgments, the writer, in his own words, “plows” the text, makes numerous changes and amendments to it.

The genre of the novel “Fathers and Sons” is a socio-psychological novel in which the main place is given to social conflicts. The work is built on the opposition of the main character - commoner Bazarov - and the rest of the characters. In Bazarov's clashes with other characters, the main character traits of the hero and his views are revealed.

Features of the plot of the novel The plot of the novel is a continuous chain of clashes between Bazarov and other heroes of the novel. The plot of the novel does not have a plot, that is, there is no event in the novel that would be the cause of all Bazarov’s clashes. The main direction in the development of the plot is the deepening and expansion of social conflict.

Plot of the novel With each new clash, the circle of people with whom Bazarov argues increases: the mutual hostility of Bazarov and Pavel Petrovich, revealed at their first meeting; Bazarov's dispute with Pavel Petrovich about principles; the clash between the democrat Bazarov and the aristocrat Odintsova; the clash between the democrat Bazarov and Kukshina and Sitnikov, strangers to him; Bazarov’s “clash” with his parents; a new clash with Pavel Petrovich (duel); a collision with Arkady and a complete break with him.

The composition of the novel The composition of the novel is circular. The composition of the novel is based on the principle of antithesis. The movement of the heroes in the novel is concentrated between five points: Khokhlovsky settlements - Maryino - town *** - Nikolskoye - the village of Bazarov’s parents..

The plot The immediate plot of the action takes place in Maryino, on the Kirsanov estate. And at the beginning the action seems to be moving in the same semicircle - first forward, then to the end in the opposite direction, then again to the end forward: Maryino (Kirsanovs' estate) - city *** - Nikolskoye (Odintsova's estate) - house of Bazarov's parents - Nikolskoye - city *** - Maryino - city *** - Nikolskoye - house of Bazarov’s parents.

Peculiarities of the development of the conflict A peculiarity of the development of the conflict of the novel: two opposite positions - Bazarov and Kirsanov - in the second part begin to converge and turn out to be comparable in the degree of their deviation from the natural norm of human life.

Conclusions The novel “Fathers and Sons” is a topical novel that largely explains the life of Russian society. Turgenev “caught and developed” in the novel the main conflict of the crisis era - the uncompromising struggle of liberals with revolutionary democrats. In the book, Turgenev reflects on the change of generations, on the eternal struggle between old and new, on caring for cultural heritage. These eternal problems have found a succinct formulation in the title of the novel “Fathers and Sons” - this is a “universal coverage of reality” in its entirety: from the past through the present to the future.

Topic: The history of the creation of I. S. Turgenev’s novel “Fathers and Sons” ( 1862) . Composition of the novel.

Shcherbakova Liliya Vladimirovna,

teacher of Russian language and literature.

Epigraph

"Fathers and Sons"

Perhaps the noisiest

and a scandalous book

in Russian literature.

P. Weil, A. Genis.

PROBLEM QUESTION:

Is it really a novel?

“Fathers and Sons” by I.S. Turgenev

is a scandalous work

The appearance of the novel “Fathers and Sons” occurred at a turning point for Russia. The role and place of Turgenev’s novel can only be compared with the comedy “Woe from Wit”

A.S. Griboedova.

• The idea for the novel arises from I. S. Turgenev in I860 in the small seaside town of Ventnor, in England. “...It was in the month of August 1860, when the first thought of “Fathers and Sons” came to my mind...” It was a difficult time for the writer. His break with Sovremennik magazine had just occurred. The novel “Fathers and Sons” was an attempt to comprehend the character and direction of the activities of the “new people,” a type of which was just beginning to emerge in Russian society. “...At the base of the main figure, Bazarov, lay one personality of a young provincial doctor that struck me. (He died shortly before 1860.) This remarkable man embodied - to my eyes - that barely born, still fermenting principle, which later received the name of nihilism. The impression made on me by this person was very strong and at the same time not entirely clear; At first, I myself could not give myself a good account of it - and I listened intensely and looked closely at everything that surrounded me, as if wanting to check the veracity of my own feelings,” wrote I. S. Turgenev in an article about “Fathers and children."

“Well, he got it for Bazarov...” F.M. Dostoevsky

• The novel was published in 1862 in the Russian Messenger magazine. I. S. Turgenev dedicated it to V. G. Belinsky.
• He caused such a storm that no other book has ever caused

"Air of the era"

Time of writing

novel - 1861

Time of action -

1855-1861 – time,

difficult for Russia;

Governing body

Alexandra II

Pursuit

to the formation of various

layers of the population

Are changing

centuries-old foundations

Russia

Writer - visionary

Turgenev, with his characteristic social acuity, grasped and developed the main conflict of the crisis, revolutionary era - the uncompromising struggle of democratic revolutionaries with liberals

Rasnochintsy Democrats

RAZNOCHINETS– in pre-revolutionary Russia: a person from unprivileged classes, from petty bureaucracy, engaged in mental work, usually a bearer of democratic ideology. Common writers.

What are they?

• “Everyone... had to devote all their abilities to natural science. Everyone was mesmerized by the great significance of this science. “(from the memoirs of a contemporary)
• It is not surprising that Turgenev made his hero a physician and forced him to work on serious experiments to study various patterns of the structure of organisms.

Let's get acquainted with the word

Who is called a nihilist?

NIHILIST – 1) A supporter of the democratic movement, denying the foundations and traditions of noble society, serfdom. 2) A person who has a sharply negative, skeptical attitude towards everything

In a letter to K.K. Sluchevsky from Paris dated April 14, 1862, Turgenev names the true “deniers,” the leaders of the democratic movement.

In their teachings, commoner democrats drew material for their theories, for building political and aesthetic programs

"Deniers, or Nihilists"

Dobrolyubov N.A. (1836-61), Russian critic, publicist, revolutionary democrat. Since 1857, a permanent contributor to the Sovremennik magazine.

"Deniers, or Nihilists"

Chernyshevsky Nikolai Gavrilovich(1828-89), writer, literary critic. One of the leaders of the Sovremennik magazine. The ideological inspirer of the revolutionary movement of the 1860s.

"Deniers" or nihilists

Belinsky Vissarion Grigorievich(1811-48), Russian literary critic. Collaborated in the magazines “Telescope”, “Otechestvennye zapiski” and “Sovremennik”

Turgenev knew them personally

The political and philosophical views of Chernyshevsky and Dobrolyubov served as materials and sources for creating the ideological image of the main character of the novel

Great writer

“Turgenev himself will never be Bazarov, but he thought about it and understood it in a way that none of our realists will understand,” – wrote Pisarev

“The connection of times has broken down...”

Time “split,” separating liberal nobles and democratic commoners, fathers and sons on opposite sides of the historical barrier...

"Retired people" and "heirs"

• It was belonging to time that was the source of the conflict between Pavel Petrovich Kirsanov and Evgeny Bazarov
• In the novel, people of the 40s and 60s found themselves face to face. XIX century

Who is right?

As a great artist, overcoming his likes and dislikes both in the depiction of fathers and in the depiction of children, he tried to paint a true picture of the life of Russian society in the 60s XIX century.

Conclusion:

Turgenev's novel reflects the ideological struggle between the main social forces in Russia in the 50s – 60s years XlX centuries.

The composition of the novel “Fathers and Sons” is monocentric: the main character is in the center, and all the “formal” elements of the work are aimed at revealing his character.

During his “wanderings,” Bazarov visits the same places twice: Maryino, Nikolskoye, Bazarova. Thus, we first get acquainted with the hero, and then we witness how, under the influence of circumstances (a duel with Pavel Petrovich Kirsanov, a quarrel with Arkady, love for Anna Sergeevna Odintsova, etc.) his views and beliefs change.

The novel consists of 2 parts

(28 chapters)

Ring composition

Maryino

(Kirsanov estate)

Nikolskoye

(Odintsova’s estate)

Bazarov's parents

(small house

small landed gentry)

The meaning of the novel's title "I tried to imagine conflict of two generations" (I.S. Turgenev)

Fathers children

Social

(conflict of aristocrats

commoners)

Psychological

conflict (conflict

generations)

FATHERS

CHILDREN

RELATIONSHIPS

FATHERS AND SONS

Young people

Aged people

Different generations.

Those who don't understand

each other

Hostility

Indifference

Opposing.

Parents

Frivolous

Hatred

Always arguing.

Wise with experience

Reckless

People in need

Respect

Engines of progress.

Conservatives

Progressive

Symbol of life.

People are outdated

views

Addiction

People of new views

Active

Bazarov Vasily Ivanovich

Very funny, good, old man, dad, nothing, was in the sieve and in the sieve, poor fellow, old man, kindest, eccentric, talks a lot, has no prejudices, etc.

I don’t remember that any literary work caused so much noise and aroused so many conversations as Turgenev’s story “Fathers and Sons.” It can be said positively that “Fathers and Sons” was read even by people who had not picked up books since school.

A. Panaeva

Bazarov faces...

Old men

Bazarovs

Arkady

Fenechka

Bazarov

Odintsova

Kirsanovs

people

False -

nihilists

Turgenev's skill in creating images of a novel

Portrait characteristics

Pavel Petrovich

The face is “long and thin, with a wide forehead, a flat upward, pointed nose downward, with large greenish eyes and hanging sand-colored sideburns... enlivened by a calm smile and expressing self-confidence and intelligence... His dark-blond hair, long and thick , did not hide the large protuberances of the spacious skull.”

“His short-cropped gray hair shone with a dark shine, like new silver; his face, bilious, but without wrinkles, unusually regular and clean, as if carved with a thin and light chisel, showed traces of remarkable beauty; The light, black, oblong eyes were especially beautiful. The whole appearance, graceful and thoroughbred, retained youthful harmony and aspiration upward, away from the earth, which for the most part disappears after twenty years.”

Homework

Using the table, describe the images

Portrait details

Area of ​​interest

I am a hero concept

Hero's story

The fate of a hero

Characteristics given by other heroes.

• re-read chapters VI - X,
• draw up a comparative table: the views of Bazarov and Pavel Petrovich, into which include quotes characterizing the heroes’ attitude to art, love, the Russian people, nature, aristocracy and liberalism and other things that the heroes will argue about.
• individually: Characteristics of images:
• -Pavel Petrovich Kirsanov;
• - Nikolai Petrovich Kirsanov;
• - Arkady Kirsanov;
• - Anna Sergeevna Odintsova;
• - Katya is the younger sister of Anna Sergeevna Odintsova;
• -Fenechka.