How to make a panel of autumn leaves with your own hands. Beautiful paintings from dry leaves and flowers with your own hands DIY autumn landscape from leaves

Ministry of Education of the Republic of Mordovia Regional educational district Lyambirsky municipal district Municipal educational institution "Bolsheelkhovskaya secondary school" "Autumn landscape of dry leaves" Author of the work _____________________________________________ K. A. Yambaeva Supervisor of the work ____________________________________ Yu.V. Kuznetsova

Purpose This work is to study the styles of floristry, to show an example of your own work.

To achieve this goal, a consistent solution to the following tasks is proposed within the framework of research work:

1) Get acquainted with floristry styles;

2) study and analyze the materials that florists use;

3) make work from dry leaves

Relevance This work is due to the fact that it is necessary to find interesting and unusual in what is available for observation and study, without requiring special effort and expense.

Natural and artificial materials in floristry

Plant material. Floral material is primarily fresh flowers and plants. Fresh flowers and plants for floristry can be divided into 3 groups. As a rule, plants of all three groups are used in compositions.

First group- linear plant material, it is also often called formative material. Linear material can include the stems of tall grasses, tall ornamental plants or large leaves, which are used to form the structure, or skeleton, of the composition. Examples: forsythia, delphinium, boxwood, privet, gladiolus, tall rose, eucalyptus, jasmine, broom.

Second group- the main plant material or focal material. It consists of large flowers or inflorescences of smaller ones. It is possible to use bright leaves. Examples: gerbera, chrysanthemum, anthurium, lily, peony, tulip, poppy, rose, hydrangea, dahlia, geranium.

Third group- plant material filler or another name - additional material. Plant filler material - various leaves or small flowers, which cover the fasteners and edges of the vase and which, in addition, add variety to the appearance and color scheme of the composition and fill the voids. Examples: carnation, scabiosa, alstroemeria, aster, gypsophila, freesia, euonymus, solidago.

Branches of trees and bushes

Large branches, straight or curved in a bizarre way, are ideal for creating the basis of plant arrangements, and with the help of thin flowering branches you can emphasize the grace or splendor of a bouquet.

Lichens and mosses with an interesting natural structure, they have a set of properties that allow them to become an excellent decor:

They serve as an original decorative edging when creating compositions of dried herbs or fresh flowers.

Needles and cones. Amazing parts of coniferous plants are perfect for Christmas and New Year themed compositions. Winter bouquets made of Christmas tree and pine branches, neat Christmas wreaths on the door, candle stands made of pine branches not only decorate and create a holiday atmosphere with their appearance, but also smell wonderful with resin.

Birch bark - durable and easy to process material has long been used in folk crafts for making bast shoes, tueski, boxes, dishes and even dolls. Flexible, lightweight and water-resistant material is like no other suitable for decorating plant arrangements in a rustic style.

Decorative gravel and soil . Multi-colored pebbles in bright colors are perfect for filling containers made of transparent materials such as glass or plastic. You can achieve an excellent effect by pouring elements of different shades into one container.

Collecting leaves of different shapes and colors that have fallen from trees is an interesting activity. Unfortunately, there is no place to store a lush bouquet of foliage in the apartment. But you can find a way out of this situation by trying, for example, to create beautiful paintings from autumn leaves.

To create a small masterpiece, all you need is desire and a little imagination.

To do this, you don’t need any special professionalism; all you need is the desire to create a small masterpiece and a little imagination.

What techniques and options exist?

There are a lot of techniques that can be used to create real works of art from fallen leaves. We list the most popular options:

Three-dimensional paintings;
Floating leaves on the canvas;
Paintings made from painted dried leaves;
Landscapes with leaf prints;
Stamped paintings;
Flat paintings with dry herbs and leaves;
Landscape;
Portraits;
Application;
Graphic;
Paintings created using mosaic technique;
Bulk paintings made of leaves.

Execution styles in the photo

This picture looks like a real work of art

Original interior decoration

Painted leaves will help create a spectacular composition

Leaf prints can be any color

Painted leaves leave unusual imprints on paper

Combining different flowers, leaves and spikelets will help create an incredibly realistic picture

Autumn landscape, “written” by fallen leaves

Mosaic technique allows you to create very unusual and stylish paintings

Such paintings will help diversify any interior.

You can “draw” a beautiful portrait from leaves

Painting “Autumn Girl”

Necessary materials

Fiberboard measuring 50x40 centimeters;
PVA glue;
Acrylic varnish (best matte);
Acrylic paints (in our example we used gold, white, bronze);
Yellow watercolor paint;
Wide brush;
Decorative materials for decorating the canvas: ears of wheat, autumn leaves, twigs, acorns, herbs, rowan or viburnum berries, etc.

Step-by-step instruction

Helpful tip: Before making a picture of autumn leaves, you need to dry them. To do this, place a few leaves between the pages of the book and leave them there for several days. This way they will dry faster and remain perfectly smooth.

Use a fiberboard sheet as a base. Make the front side of the painting on its rough side.
Mix dry glue with water to form a thick mass to which the necessary materials can be easily attached. The solution can also be prepared in this way: mix dry glue with flour in a ratio of 6 to 3 and add a little PVA glue.
When the mixture reaches the viscous consistency we need, mix everything well and apply to the frame.
Generously coat the canvas with PVA glue along the entire perimeter of the frame. Let it dry a little. Then apply the pre-prepared mass on top (the layer thickness should be approximately 1 centimeter).
Immediately place ears of wheat on top of it and sprinkle with millet. Press them in as tightly as possible, but so that they remain on the surface.
Then lift the painting and gently shake off any excess grain.
After half an hour, mix PVA glue and acrylic varnish (in a ratio of 1 to 1), cover the ears and millet with the resulting mixture. Immediately after application, the color of the composition will be white, but after drying it will turn transparent.
After the glue and varnish are completely dry, paint the frame with gold paint. To do this, use a wide brush. Next, paint the spikelets with bronze paint.
Pour some white acrylic paint into a small container and add water. This way the paint will go on more evenly.
Also paint the surface of the fiberboard. Do this very carefully so as not to touch the frame. Your fiberboard sheet will look like a canvas.
Once the paint has dried a little, begin applying the background.
Make all strokes smooth. Paint the middle, closer to the top, with white paint.
Next, start darkening the background. The middle should be slightly lighter than the main tone of the canvas. The closer you move to the edges (the frame of the painting), the darker the base color. To do this, after painting the center, add a little gold paint to the white paint.
Then add a little yellow tone. Take yellow watercolor paint, first lightly mixing it with white so that it is not too bright, and paint over the white background a little. Set the workpiece aside until completely dry.
For decoration in our example, we used various autumn leaves, thin birch branches and various dry herbs. You may also need rowan berries, some acorns and flowers.
Take the already dried painting blank and start decorating it. Draw a silhouette of a girl on a landscape sheet. If you don't know how to draw, you can find a ready-made sample. Cut it along the outline.
Next, cut off the skirt from the outline and paint the upper part of the female silhouette in gold. You can use the same paint that was used to paint the base. Cut several small strips from the remaining paper. These will be eyelashes.
Glue the top part of the workpiece onto the canvas. Then form a wreath of grass, leaves and rowan berries on the girl’s head. To fix it on the canvas, mix PVA glue and acrylic paint in a 1:1 ratio. You will use this mixture to attach other parts in the future.
Using the previously prepared layout, make a girl’s skirt from leaves. Glue them in rows, starting from the hem and going up.
Attach several branches with leaves near the girl’s hands. You can also use additional decorative elements.
Glue branches and leaves on both sides of the girl, laying them out in the shape of a tree. Glue them from the top level, gradually moving down.
In the lower left corner of the picture, glue several leaves, blades of grass, small flowers and acorns there.
If there is still free space left in the painting, you can fill it in the same way or simply paint it with gold paint.
After finishing the work, paint the entire picture with a mixture of varnish and glue. This will make it more voluminous and shiny.

Step-by-step photos for description

Illustration for point 1

Illustration for point 2

Illustration for point 3

Illustration for point 5

Illustration for point 7

Illustration for point 8

Illustration for paragraphs 12, 13, 14

Illustration for paragraph 16

Illustration for paragraph 17

Illustration for paragraphs 18-21

Illustration for paragraph 22

Illustration for paragraph 24

Large maple leaf

What do you need for work?

A sheet of plywood or thick cardboard;
Pencil;
Maple leaves;
PVA glue;
Brush or sponge.

Stages

Take a small sheet of plywood or thick cardboard and draw the outline of a maple leaf on it with a simple pencil.
Prepare the collected autumn leaves. You can dry them in a book. This will take several days. You can also use a faster drying method: place the leaves on parchment and place in an oven preheated to approximately 120°C for 5-10 minutes.
Place the dry sheets along the contour of the drawing on the plywood, gradually filling the entire sketch. Next, grease each of them with PVA glue and secure it to the base of the picture. Set the workpiece aside until completely dry.
Please note that after the glue has completely dried, the sheets will become very hard. If there are any excess edges left, you can carefully trim them with nail scissors.
Glue the dry blank to a sheet of plywood or cardboard. To make it stick better, use superglue.
To make the stem for our large decorative leaf, take a straight twig and also attach it with superglue.

Master class on making crafts

Illustration for point 1

Illustration for point 3

Illustration for point 5

Final result

Video: Application "Fish" from autumn leaves

Other ideas using photo examples

You will be interested in making this applique with your children.

Please note: varnished painting looks better quality

An original approach to the standard method

Exclusive relief painting

White leaves will help to depict snow in the picture

Multi-colored leaves of various shapes will help you create a portrait of a loved one

Autumn crafts and paintings look very beautiful and original. It’s especially fun to create them with little children. The work is, of course, painstaking, but in the end you will get a unique piece of jewelry that you can give to your family or, for example, use to decorate your interior.

Types of applications

Overlay applique. Try to start by coming up with pictures that do not require cutting out any details from the leaves, but are created by overlaying the leaves. You can come up with a lot of such pictures: butterflies, mushrooms, chickens and other birds... The missing elements can be drawn in with a felt-tip pen or made from other natural materials.

Having mastered simple pictures, children can begin to come up with multi-tiered images. In this technique, leaves are glued on top of each other in layers. The application will turn out bright and cheerful if the leaves are different in color.

Silhouette applique. In this type of appliqué, excess parts of the leaf are cut off so that the result is exactly what the little artist intended.

Modular application (mosaic). Using this technique, a picture is created by gluing many leaves of the same or similar shape and size (or, for example, maple seeds). This way you can make the scales of a fish, the tail of a cockerel or a firebird.

Symmetrical applique. It is used to create individual images or entire paintings with a symmetrical structure, as well as to obtain two completely identical images (for example, reflection in water). To do this, you need to select similar leaves to get an image with its “reflection” or symmetrical in itself (“Butterfly”, “Dragonfly”, “Landscape with a lake”, “Boat on the river”).

Ribbon applique - a type of symmetrical appliqué. Its difference is that it allows you to get not one or two, but many identical images - ornaments. You get a whole “round dance” of trees, flowers, mushrooms, butterflies, etc.

- a universal material for creativity. Pleasant to the touch, amazing in variety and absolutely free. And children love to tinker with it. If you want to entertain the kids with crafts made from the gifts of autumn, hurry up, there are very few leaves left in the parks. And we will share with you tips on how to prepare autumn leaves for appliqué, and ideas for unusual panels and paintings.

The collected leaves need to be dried. You can do this using an iron, ironing each leaf through a layer of paper. Or you can, as in childhood, put the leaves between the pages of a thick book and put them in a warm place. In 6-7 days, the moisture from the leaves will go into the paper, they will level out and dry out.

Dry leaf painting ideas

The leaves are shaped like trees. By combining leaves of different species, you can create the impression of a bright autumn landscape. To make a house, cut out a square of a large maple leaf. In this painting, the leaves are glued together overlapping each other. Make sure that each new layer is glued when the previous one has dried a little.

This landscape combines dry leaves, autumn flower petals, spikelets and maple “airplanes”. The dried material is glued to cardboard with PVA glue.

The leaves have turned into trees, and the ground and distant houses are painted in watercolors.

These graceful figures are assembled from leaves of different sizes. First, we drew the general outlines of the figures, and then filled the outline with leaves that suited the shape.

Pressed floristry originated in Japan about 6 centuries ago. This art was exclusively mastered by samurai. They believed that creating paintings from dried plants helps to gain confidence, achieve peace of mind and learn to comprehend harmony in everything. She helped develop concentration, perseverance, patience and observation.

Leaves, flowers, poplar fluff, seeds, grass, tree bark, etc. are usually used as natural materials.

First, this natural material of plant origin is dried under pressure. At the same time, it becomes flat and sometimes changes color.

Sometimes, before applying the material to a paper base, the paper is treated with watercolor paints.

Despite the apparent simplicity of execution, oshibana is not just appliqués made of dried leaves and flowers. oshibana is a real art, deeper and more meaningful than just a children's craft.

The master created a picture from pressed flowers in a state of total presence - “satori”. Later, the compiled image could serve as a key, a kind of guide for those who were ready to silently experience the very sensations of the author. Therefore, we can say that for samurai who learned the path of a warrior, oshibana was an integral part of life, just like writing hieroglyphs.

The fragility of dried flowers required the development of certain techniques for preserving the unusual natural material. To prevent the works of this original oriental art from fading in the sun and darkening, Japanese masters began to “pump out” the air between the glass and the painting, creating a vacuum that prevents the plants from deteriorating.

Dried flowers for miniatures using the oshibana technique can be selected and purchased in special dried flower stores. But needless to say, for a true master it is much more pleasant to compose pictures from herbs and flowers prepared independently.

To prepare natural material, only fully blossomed flowers that have gained color and shape are collected. It is important to remember that the plants must be dry. If the flowers are nevertheless collected in rainy weather or early in the morning, when the dew has not yet dried, they must certainly be laid out on a flat surface and dried for several hours.

Under the press, the flowers are laid out on newspapers with good porosity of the paper sheet so that natural moisture escapes well during the drying process. That is, glossy magazine pages are unlikely to be suitable for these purposes.

Wildflowers and roses dry faster than other plants - only 2-3 days. However, their color can be preserved under the right storage conditions for decades.

In addition to dried flowers, the master of oshibana art uses thick paper, a stationery knife and a mock-up mat.

Flower petals and various blades of grass are laid out on paper. Using a special pattern, birch bark is cut and a composition is drawn up, then the intended image is cut out. When the drawing is drawn up, it is fixed using a special film.