What is written in Kuindzhi’s painting, birch grove. Picture A
Arkhip Ivanovich Kuindzhi is one of the recognized Russian masters of landscape. Each of his paintings amazes the viewer with the depth of color rendering and play of color. By skillfully placing accents, the artist ensured that his paintings literally emit light. Kuindzhi's paintings combine naive romanticism and realism, deep philosophical meaning and rustic natural motifs. But each of his paintings is a breakthrough, a new word in the art of landscape.
Among the master’s paintings, one of his early works stands out: “Birch Grove.” Now the painting is exhibited at the Tretyakov Gallery and viewers and critics still note its unusual liveliness and alluring appeal.
The picture was painted in the spirit of romanticism, so beloved by Arkhip Ivanovich. On the canvas you can see a rather ordinary Russian landscape: a clearing illuminated by the bright sun, in the center of a birch grove. Pastoral, bright picture, filled with love for life, nature and the Motherland. Using oil and canvas, Arkhip Ivanovich masterfully conveys the atmosphere of a hot summer day, when sunlight floods a forest clearing, giving life-giving warmth.
But thanks to the sharp contrast of lush greenery of all colors and shades, rich light tones and light brushstrokes, the painting creates the impression of a huge space inside it. It’s as if a whole world is hidden in the frame, with a real forest and living trees. Kuindzhi’s special style creates the illusion of soft flowing light emitted by the painting.
In the background of the picture, the dark crowns of trees are green, standing out brightly against the light blue sky. As the artist approaches the viewer, he singles out individual trees. The crowns are not visible in the picture, only light birch trunks and small branches. The author depicted both very young, thin birch trees, and mature trees, bent by the winds. The soft green grass at the bottom creates a contrast with the dark green of the grove.
The canvas is divided into two parts by a muddy stream. There are more shadows to his left; this part of the grove is not so brightly lit, so it contrasts with the right, sunny and bright half. A stream covered with duckweed, which seems to be a continuation of the sky, resting against its blueness on the horizon, divides the forest into two halves.
The painting did not take on its real appearance right away; before that, the artist made several sketches, where the birches were either half-hidden in thick shadow, or, on the contrary, illuminated by the sun without any hint of shadows. Only bright sparkling light.
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When you hear the word Motherland, everyone begins to think about something different. Homeland does not always mean only the city or country in which a person lives. Homeland - most often this is the place where you were born and began to grow up.
Russian artist A.I. Kuindzhi became known to the public thanks to his landscapes in the style of romanticism. But not a single one of his works gave him as much fame as his painting “Birch Grove,” created in 1879, brought him. This work fell in love with the audience so much that for a long time after its first appearance at the exhibition, all the critics talked only about this painting, and the flow of people wanting to look at “pure beauty,” as this work was called, did not dry up. The artist was touched by this attitude of strangers towards his work; at first he was embarrassed by the sudden fame that had come to him, but after that he was especially proud of this painting. So much so that I decided to write several versions of it so that everyone could see the painting. He also painted many similar paintings on this topic. Birch became an integral part of most of his paintings.
The author does not focus on detail; he does not try to highlight every leaf on the tree or flower on the ground. The main thing for the artist is to convey the contrast of light and shadow, a certain struggle between light and dark. It is contrast that creates the mood.
Most researchers note precisely the mood conveyed by the canvas. In art, this task is much more important than simply conveying features - a clear image of tree branches, branches, grass and every flower. The main thing is to be able to express the feeling that arises when examining the canvas.
In fact, Kuindzhi depicted only a small fragment of a birch grove, what he could see at one glance, without looking around, without raising his head. These are a few birch trunks. Even their crowns did not fit into the picture. Kuindzhi does not need them at all - he believes that the audience’s imagination will imagine them. Here it is important for the artist to be able to convey the victory of light, to depict how the rays of the bright sun change everything around.
The foreground shows dense vegetation over which a shadow falls. The grass literally becomes one with the water of the same shade from the swampy stream. The pond divides the canvas into two even parts.
The middle ground of the picture is created by thin and light birch tree trunks. Behind them lies a meadow heated by the rays of the heavenly body.
In the background is the grove of birch trees that gives the work its name. A piece of clear sky is visible above the trees.
The birches do not stand one by one, as is usually the case, but in small groups. It seems as if the girlfriends were scattered in pairs to gossip about the secret: they leaned towards each other to hear better, and whispered secrets.
Thanks to the clearly expressed lines in the picture, a certain geometric pattern is obtained. Indeed, decorativeness is one of the features of Kuindzhi’s work.
In addition, sometimes it seems that the author has gone too far with the amount of colors - this picture is so rich and colorful. In fact, the author used only shades of green and blue, as well as contrasting white and black colors. But the play of light and shadow allows our gaze to complete in our minds other shades that may appear before the gaze of a person who finds himself in a birch grove on a sunny summer day.
Looking at this picture, a person will certainly want to smile and begin to enjoy the bright sunny day, even if in reality there is a blizzard blowing and a blizzard howling outside the window.
The powerful, original character of Arkhip Ivanovich, illuminated by an aura of artistic genius, left indelible marks in the memory of everyone he met along the path of life. Among the many curious manifestations of his multifaceted life, two characteristic cases that depict Kuindzhi as an artist-teacher, and Kuindzhi as a guardian of his artistic treasure, are especially deeply etched in my memory. In January 1898, my friend and I were preparing our paintings for the “Spring Exhibition” at the Academy of Arts. Having met Arkhip Ivanovich at the Academy, I asked him to come to our apartment to look at our work. The next day, around noon, familiar measured steps were heard in the corridor leading to our room. I rushed to the door. Arkhip Ivanovich stood in front of us in his black overcoat with a beaver collar and a fur hat...
"Moonlit Night on the Dnieper":
In the summer and autumn of 1880, during the break with the Wanderers, A.I. Kuindzhi worked on a new painting. Rumors spread throughout the Russian capital about the enchanting beauty of “Moonlit Night on the Dnieper.” For two hours on Sundays, the artist opened the doors of his studio to those interested, and the St. Petersburg public began to besiege her long before the completion of the work. This picture has gained truly legendary fame. I.S. Turgenev and Ya. Polonsky, I. Kramskoy and P. Chistyakov, D.I. Mendelev came to the workshop of A.I. Kuindzhi, and the famous publisher and collector K.T. Soldatenkov had an eye on the painting. Directly from the workshop, even before the exhibition, “Moonlit Night on the Dnieper” was bought for huge money by Grand Duke Konstantin Konstantinovich...
Kuindzhi's mission in Russian art:
For Russian painting, it was necessary for the appearance of its own Monet - an artist who would so clearly understand the relationships of colors, would so accurately delve into their shades, would so ardently and passionately wish to convey them, that other Russian artists would believe him and would cease to treat the palette as if it were some kind of hardly necessary appendage. Paints in Russian painting, since the times of Kiprensky and Venetsianov, have ceased to play an independent, significant role. The artists themselves treated them as a kind of official costume, without which, only out of prejudice, it would be indecent to appear before the public.
Isaac Ilyich Levitan is an artist who has rightfully gained a reputation as the creator of a “mood landscape.” Nature in his paintings shines with the gentle light of love. Such is Levitan’s painting “Birch Grove,” which the master created at the age of twenty-nine.
Origins
The artist’s biography is shrouded in mystery - he did not like to talk about his childhood and family, and during his lifetime he destroyed his entire archive. A bundle of letters found after his death contained the warning: “Burn without reading,” which was done. From the few recollections of his contemporaries, it can be established that Levitan showed the gift of a draftsman very early and became familiar with this type of art. At the age of 13, he became a student at the Moscow School of Painting, Sculpture and Architecture. His teachers were Polenov and Savrasov, the most famous Russian artists of that time. Levitan's painting "Birch Grove" reminds us of the inextricable and deep connection that unites our landscape painters, who so keenly felt the nature of the wonderful
A landscape painter without equal
The teachers' paintings captured the imagination of young Levitan. He was especially fascinated by the idea of embodying on canvas the very soul of nature, its multifaceted moods. Isaac Ilyich spoke of his teacher A. Savrasov as a painter who knew how to find deeply intimate, unusually touching features in the ordinary, which are so strongly felt in the Russian landscape. The first works of the young Levitan were a little reminiscent of the teacher’s style. Elegiac moods, twilight shades, gloomy and brooding objects - swamps, whirlpools, abandoned rural churchyards - everything demonstrated the closeness of the aesthetics of Levitan's canvases to Savrasov's creative style.
But very soon the student demonstrated his own pictorial “language”, by which everyone now unmistakably recognizes him.
Levitan's painting “Birch Grove”: history of creation
These were the years of rapprochement with the wonderful Russian writer Anton Chekhov. Together with the Chekhov family, Levitan vacationed near the village of Babkino. It was there that Levitan’s magnificent painting “Birch Grove” was born. The master created it for four years, finishing work on the Volga. Today this masterpiece is exhibited in the State Tretyakov Gallery in Moscow.
Breath of the Russian forest
Isaac Levitan's "Birch Grove" should begin with the fact that the real object from which the artist painted trees shining with pearls and emeralds was the Plyos Grove.
This small but expressive painting exudes a mood of unaccountable joy, freshness and optimism. How does Levitan achieve such emotional power? Of course, here there is a fusion of skill and harmony, which formed the basis of the artist’s inner world.
Play of light and shadow
Why is Levitan’s painting “Birch Grove” attractive to a specialist? Analysis of the techniques and techniques used by the artist allows us to restore the unique features of the master’s brush. The entire space of the picture is filled only with grass, in which blue and yellow sparkles of flowers sparkle, trunks, shiny green crowns: the sky is not visible, neither an animal nor a bird flashes anywhere. Nevertheless, the forest lives! We feel his fresh breath, hear the cheerful rustling of leaves. The artist skillfully conveys the movement of warm rays, spiritualizing the landscape with reverent tenderness and joy. Two birch trees in the foreground amaze with their lyricism and verisimilitude. Pink and warm brown spots lay softly on the trunks. The painting is reminiscent of the spontaneity and light, clean rhythm of impressionism.
Contemporaries claim that Levitan's friend Anton Pavlovich Chekhov told the author that in this picture, like in no other, one can feel the smile of a brilliant artist.
Plan
1.What do I see in the painting “Birch Grove”.
2.Why do I like the painting “Birch Grove”.
In the painting “Birch Grove” the artist depicted a clear summer day. I see a green meadow illuminated by the sun and slender white-trunked birch trees.
The leaves on the birch trees are a soft emerald color. A cool, swampy stream flows between the trees. There is not a cloud in the pale blue sky. And in the distance you can see a dense green forest.
I really like the painting “Birch Grove”. She creates a joyful mood. I want to sit in the shade under a tree and listen to the murmur of a brook and the singing of birds.
Essay based on the painting by A.I. Kuindzhi Birch Grove, grade 5
Plan
2. Masterpiece of painting “Birch Grove”.
3.Why I like “Birch Grove”.
From early childhood, Arkhip Kuindzhi showed great talent for drawing. During his life, the master created a huge number of paintings, most of which are dedicated to nature. Kuindzhi is a recognized master of landscape. One of his most famous works is “Birch Grove”.
Arkhip Ivanovich was very fond of Russian birch and painted “Birch Grove” in several versions. In the foreground of the picture are white-trunked beauties illuminated by the sun. It was as if they had escaped from a dark forest, visible in the distance, into an emerald clearing and were now dancing around a cool stream. There is shade under the crowns of birch trees; it’s nice to hide there from the scorching summer heat.
The picture looks so real that when you look at it, it seems that a light breeze is about to touch your face. You want to look at “Birch Grove” and look at it, it attracts the eye. The sad mood immediately improves. I think that there is no person who would not like this work.
painting by A. Kuindzhi Birch Grove photo
Essay based on the painting by A.I. Kuindzhi Birch Grove, grade 6
Plan
1. A word about the artist.
2. Kuindzhevskaya “Birch Grove”.
3.Feelings evoked by “Birch Grove”.
The famous Russian landscape painter Arkhip Ivanovich Kuindzhi was born in Russia in the city of Mariupol, but his nationality is Greek. Kuindzhi had a memorable appearance: he was a tall, muscular, very strong man with dark skin and magnificent curly hair. Since childhood, Arkhip Ivanovich loved to draw and did it wherever possible. Almost all of Kuindzhi’s works are devoted to the description of nature. He is considered a master of landscape painting.
The canvas “Birch Grove” is considered a masterpiece of landscape painting. In its center is a large forest clearing in which the main characters of the picture are located - birches. The clearing looks so real that it seems you can jump in there, hug a birch tree and smell its bark. The birches, like friends, gathered in groups of two or three and seemed to be keeping secrets about something.
The artist painted every branch of the trees with great love. At the same time, the forest in the background of the picture looks like a large green silhouette without drawing details. It seems to me that the painting depicts the beginning of summer, because the green of the grass and leaves is still a delicate emerald shade, which occurs only in June. Above the forest there is a very clear, almost transparent sky with a bluish tint. There is not a breeze in the forest. The clearing seems brightly lit by the sun, the sun is everywhere, although it is not in the picture. And this magical effect is present on many of his canvases. The painting gives me a feeling of joy, happiness and peace. It must be very nice to look at her when it’s winter and frost.
