Encyclopedia of fairy-tale characters: "Cinderella". Review of the fairy tale by Charles Perrault “Cinderella or the Glass Slipper Charles Perrault Cinderella main characters

Cinderella is one of the most ancient fairy tale characters. The girl has been wandering around the world for 2.5 thousand years. The plot, artistic outline and set of characters have changed countless times. The fairy tale has not lost one single detail - the shoe, which the heroine inevitably loses.

History of creation

It is impossible to say exactly who wrote the fairy tale about Cinderella. Its roots go back to ancient times. The amazing events that happened to the girl Rhodopis were described by the Greek historian Strabo in the 1st century BC. Although researchers believe that the story was heard from the lips of himself, and this is the 6th-7th centuries BC. Ancient Egypt had its own Cinderella - the beautiful prostitute Photodoris. While she was bathing in the river, the eagle pulled off the shoes and brought them to the palace of the pharaoh, who, just looking at the miniature sandal, immediately became inflamed with love for the girl.

The Egyptian “Cinderella” lost this sandal instead of a shoe

The tale in different versions traveled all over the world: children were introduced to the happy stepdaughter in Italy and Spain, Sweden and Finland, Ireland and Scotland. And the shoe appeared everywhere. True, the shoes were made not of crystal, but of wood. The fact is that the people put religious motives into the work. Women's shoes had a place in sacred rites. In addition, wherever the fairy tale was told, the name of the main character was invariably associated with ashes (Cinderella, Papyalushka, Popelushka), which ranks her among the cohort of priestesses whose rituals required fire.

And after a series of geographical discoveries, European writers found traces of Cinderella in China and even Korea. The plot is repeated with minor changes: the unloved stepdaughter works until she sweats, for which she receives a reward from divine powers in the form of a noble groom. The girls in these fairy tales have shoes made of cloth and gold.

Foreign and Russian cinema today cannot do without magical stories borrowed from ancient fairy tales. On Valentine's Day in 2012, the director delighted fans of Russian cinema with the romantic comedy "Cinderella", in which she tried on the character.

• The film studio "" presented the children with the full-length film "Cinderella" (1950). Based on this cartoon and other fairy tales released at the studio, the animated film “Tangled Story” was created in 2010.
• Russia and Ukraine have their own Cinderellas: this international heroine is reminiscent of the main characters of folk tales “Chernushka” and “The Golden Cherevich”.

• She reincarnated into the image of Cinderella by participating in a photo project that was in the nature of an advertisement for the Disney studio. In addition to Scarlett, the advertising campaign was decorated with other celebrities dressed as Alice in Wonderland.

Quotes

The film “Cinderella” is rich in vivid quotes that audiences still laugh at:

Forester (to the King about his wife):

“Her sister was eaten by a cannibal, poisoned and died. You can see for yourself, Your Majesty, what poisonous characters there are in this family.”

Stepmother:

“I work like a horse: I run, I fuss, I beg, I ask, I beg, I charm...”

“...“ha-ha” - 1 time, “it’s blowing here” - 1 time... Five and three are nine signs of attention. Well, now, my dears, I will achieve an order to recognize you as the first beauties!”

“It’s a pity, the kingdom is too small, I have nowhere to roam. Well, it’s okay, I’ll quarrel with my neighbors. I can do this!”

“Hey, soldiers, to the palace, march barefoot behind the royal mother-in-law!”

Cinderella:

“Good people, where are you?! Good, oh, good people!”

King:

“Why should I look at the leg when I can see from the face that it’s not her!”

Charles Perrault's fairy tale "Cinderella"

The main characters of the fairy tale "Cinderella" and their characteristics

1. Cinderella, a young girl of 18 years old, very kind, very beautiful, hard-working. generous, charming, has every conceivable positive quality.
2. A prince, young and handsome, persistent, faithful. Easily fell in love with Cinderella.
3. Stepmother, evil and not kind. She loved only her daughters, and treated Cinderella very poorly.
4. The sisters, daughters of their stepmother, took after their mother in character.
5. Father, quiet and obedient man, henpecked
6. Fairy, sorceress who does good.

1. Mother's death
2. Evil stepmother
3. Evil sisters
4. The prince gives a ball
5. Poppy and millet
6. The appearance of a fairy
7. Magic
8. Cinderella at the ball
9. Beans and peas
10. Cinderella loses her shoe
11. The prince is looking for a princess
12. Weddings of Cinderella and sisters.

1. After the death of his wife, Cinderella's father marries the evil stepmother.
2. The prince gives a ball, and the stepmother and her daughters go to the ball.
3. The fairy gives Cinderella a carriage and horses, a beautiful dress, but warns about midnight
4. Everyone really likes Cinderella, but on the second day she forgets about time and loses her shoe.
5. The prince is looking for a beautiful stranger and the shoe fits Cinderella.
6. Cinderella marries the prince.

What does the fairy tale "Cinderella" teach?
This fairy tale teaches us to appreciate the positive qualities in a person. Do not pay attention to appearance, but judge a person by his actions. Teaches not to hold a grudge against envious people and to be able to forgive what can be forgiven. Teaches that goodness will always be rewarded.

Review of the fairy tale "Cinderella"
I really like the fairy tale “Cinderella”, because it has a completely happy ending. Of course, the behavior of the stepmother and her daughters deserves reproach, but Cinderella forgave them and that’s just wonderful. Cinderella was very beautiful and at the same time very kind, and therefore she deserved her happiness with the prince.

Signs of a fairy tale in the fairy tale "Cinderella"

1. Magic transformations: carriage, horses, coachman, footmen, dress
2. Magic assistant, fairy-tale creature - fairy and magic wand.

Summary, brief retelling of the fairy tale "Cinderella"
Until the age of 16, Cinderella lived happily with her parents, but then the girl’s mother died.
Two years later, Cinderella’s father married someone else and her stepmother began to force Cinderella to do all the housework, so the girl was always dirty and covered in ashes.
Cinderella's sisters were as evil as her stepmother and picked on Cinderella because of her beauty.
One day the prince announced that he was giving a ball for several days and the stepmother and her sisters were going to go to the ball. The stepmother hoped to marry one of her daughters to a prince and the other to a minister.
She gave Cinderella the task of separating poppy seeds from millet and left with her daughters.
Cinderella burst into tears, but then a beautiful fairy appeared and instantly separated the poppy from the millet.
Then she told Cinderella to bring a pumpkin and made a carriage out of it. Six mice from the mousetrap became horses, and a rat became a coachman. The fairy turned six lizards into footmen, and Cinderella’s dress into a beautiful outfit of gold and silver brocade. The fairy also gave Cinderella beautiful shoes and warned that at midnight her magic would lose its power.
Cinderella went to the ball and everyone was amazed by the beauty of the unknown princess. The prince himself constantly danced with Cinderella and treated her to fruit.
And Cinderella shared the oranges with her sisters and spoke politely to them.
Cinderella left the palace at five minutes to twelve.
When the stepmother and sisters returned they talked a lot about the princess and were angry that all the housework had been done.
The next day, the stepmother and sisters left for the ball again, and Cinderella went after her, because the fairy again helped her - she separated the bag of peas from the bag of beans.
This time Cinderella forgot about the time, and when the clock began to strike midnight, she hurriedly ran away, losing her shoe along the way.
The stepmother and sisters believed that the prince was in love with an unknown princess.
And indeed the prince ordered all the girls in the country to try on the shoe.
Cinderella’s sisters also tried it on, but the shoe didn’t fit anyone.
Then the prince was about to leave, but his father remembered Cinderella and the prince gave her a shoe to try on. The shoe came at the right time, and Cinderella took out the second one.
The prince recognized his princess, and the fairy again turned Cinderella’s dress into an elegant one.
Cinderella married the prince and married her sisters to nobles.

Illustrations and drawings for the fairy tale "Cinderella"

CINDERELLA (fr. Cinderella) - the heroine of the fairy tale “Cinderella” by C. Perrault (1697). “Kind, friendly, sweet” - this is how the author characterizes her heroine. This is truly one of the most subtle and charming images among fairy-tale heroines. 3. modest, hardworking, flexible, friendly. The daughter of a respectable and noble man, Z., oppressed by an evil stepmother, lives in her own house as a servant, doing all the menial housework, completely resignedly. She cleans cauldrons and pots, washes stairs; she takes care of her stepsisters, who repay her with black ingratitude, sleeps in the attic right under the roof, on a prickly straw bed, and silently endures all insults, not even daring to complain to her father. She was nicknamed Cinderella for her dress that was always stained with ash.

A fairy tale is a fairy tale, and 3. gets to the ball. Her fairy godmother helps her. 3. so beautiful that the prince singles her out from all the ladies present, and the guests are also fascinated by the stranger. And here she would 3. take revenge on her sisters and stepmother, do something unpleasant to them, but she, on the contrary, “found them, said a few pleasant words to each, and treated them to oranges and lemons, which the prince himself brought her.” Having married the prince, Z. immediately forgave all the insults to her sisters, because, as Perrault writes, “she was not only pretty, but also kind.”

Image 3. has captivated many artists. The German storytellers the Brothers Grimm (1814) created their version of the story. The Italian composer D. Rossini wrote a lyric-comic opera on this plot (1817), and S.S. Prokofiev wrote a ballet of the same name (1944). The domestic film “Cinderella” (1947) with Y. Zheimo in the title role (based on the play and script by E.L. Shvarts) is recognized as a classic of children's cinema.

O.G. Petrova

Meanings in other dictionaries

JOURDAIN (French Jourdain) is the hero of Moliere’s comedy “The Bourgeois Gentilhomme” (Le bourgeois gentilhomme - lit., translation - “The Bourgeois Nobleman”, 1670). Mr. J. is one of the funniest characters of the great comedian. The characters in the play, the readers, and the spectators make fun of him equally. In fact, what could be more absurd for others than an elderly merchant who suddenly became obsessed with...

Julien Sorel

JULIEN SOREL (French: Julien Sorel) is the hero of F. Stendhal’s novel “Red and Black” (1830). The subtitle of the novel is “Chronicle of the 19th Century.” Real prototypes - Antoine Berthe and Adrien Lafargue. Berthe is the son of a rural blacksmith, a pupil of a priest, a teacher in the bourgeois family of Mishu in the town of Brang, near Grenoble. Madame Michoux, Berthe's mistress, upset his marriage to a young girl, after which he tried to shoot her...

Types of characters in the fairy tale "Cinderella"

main character

Before we move on to considering the main character, it should be noted that in its content the tale of Cinderella has a deep social character. The main conflict of this tale can be described as the conflict between stepmother and stepdaughter, which has deep historical social roots.

So, the main character of the fairy tale is Cinderella, after whom the fairy tale itself is named. It is easy to notice that in all the fairy tales of Charles Perrault the main characters do not have real names. The author gives them certain nicknames, most often based on the peculiarities of their appearance on the principle of a stylistic device - metonymy. So is the case with Cinderella. In the beginning of the tale we see an explanation for the nickname given to her: “Lorsqu"elle avait fait son ouvrage, elle s"allait mettre au coin de la cheminee, et s"asseoir dans les cendres, ce qui faisait qu"on l"appelait communement dans le logis Culcendron. La cadette, qui n"etait pas si malhonnete que son ainee, l"appelait Cendrillon." Thus, Cinderella got her nickname due to the fact that she constantly walked around smeared with ash. Naturally, we are not talking about her Together with this nickname and the reason for its occurrence, we see the low position that the girl occupies in the family, which forces her to huddle, like a frightened animal, in the farthest, dusty corner of the house.

Of course, the word formation of these two words is also of interest, expressing directly the attitude of the two sisters to Cinderella. So, in the original French version of the tale, these two nicknames sound like Cucendron and Cendrillon. Firstly, the diminutive suffixes -ron/-illon help us intuitively determine the age and build of a girl. Secondly, as we have already indicated above, they can also indicate to us the attitude of two sisters towards their half-sister and partly determine their level of moral qualities. Thus, in the word Cucendron, used by one of the sisters, who, as the author indicates, is more evil, we hear shades of a derogatory nature. At the same time, this nickname emphasizes the heroine’s humility and patience, expressed in humility with this unpleasant name. In the word Cendrillon, used by the younger, kinder sister, we hear persistent notes of benevolent attitude thanks to the affectionate suffix -illon.

The first thing we pay attention to when meeting Cinderella is her moral qualities, which is the author’s original goal when describing the main character. So at the beginning of the work the author writes: “Le Mari avait de son cote une jeune fille, mais d"une douceur et d"une bonte sans exemple; “elle tenait cela de sa mere, qui etait la meilleure personne du monde.” The mention of the girl’s mother and her kindness is also not accidental. Thus, from the very beginning, the author gives us the opportunity to contrast the feminine principles, so to speak, represented by representatives of two different families, in two generations. And here, it seems acceptable to us to note the principle of binary, expressed in the opposition of negative and positive principles. And it is on this opposition that the main conflict of the fairy tale is built. The author emphasizes that Cinderella’s very good disposition gave birth to hatred on the part of the evil stepmother, who “ne put souffrir les bonnes qualites de cette jeune enfant, qui rendaient ses filles encore plus haissables.” This reveals the divergence of the characters in this fairy tale, generated by the mother’s envy towards her kind-hearted stepdaughter, who was superior to her daughters both morally and physically. Cinderella is not only spiritually superior to them, but also much more beautiful in appearance: “...cependant Cendrillon, avec ses mechants habits, ne laissait pas d"etre cent fois plus belle que ses soeurs, quoique vetues tres magnifiquement." Thus, in the heroine We see Cinderella as an idealized image of a beautiful and kind girl who cannot be spoiled by anything.

So, the initial situation of the fairy tale is connected with a family conflict between a persecuted stepdaughter, her stepmother and stepsisters. The author introduces us to a girl who is humiliated, oppressed in all respects, whose name tells us about her low social status in the family, which she acquired after the death of her mother. Her position in the family is indicated not only by her speaking name, but also by the items of her toilet mentioned by the author, the things surrounding her, the responsibilities imposed by her stepmother: “...avec ses mechants habit...”, “Elle la chargea des plus viles occupations de la Maison: c "etait elle qui nettoyait la vaisselle et les montees, qui frottait la chambre de Madame, et celles de Mesdemoiselles ses filles...", "...elle couchait tout au haut de la maison, dans un grenier, sur une mechante paillasse..." Thus, in the person of Cinderella we see a typical heroine-victim. But we should not forget about her true origin. So in the exposition of the fairy tale, the author writes about Cinderella's father: "Il etait une fois un Gentilhomme ...". Consequently, Cinderella, being his own daughter, was in fact a girl of high society, as evidenced by her skills, skills and social manners, without which she would not have been able to make the proper impression at the ball. To confirm the above, we cite An example is the following excerpts of phrases: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon. Cendrillon les conseilla le mieux du monde...", "Elle dansa avec tant de grace...".

An interesting fact is that throughout the development of the plot, Cinderella is not subjected to tests as such, which we are accustomed to seeing in other fairy tales. She does not fight, does not struggle, does not seek anything and does not solve difficult problems. However, from the context of the fairy tale, we understand that the very existence of Cinderella as a servant to her stepmother and stepsisters, whom she addresses as “you” and calls young ladies, is a kind of test of her moral qualities, namely her kindness , tolerance. In a situation where the sisters are going to a ball, asking Cinderella for advice, despite all their ridicule, the good girl does not seek revenge: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon.” Cendrillon les conseilla le mieux du monde, et s"offrit meme a les coiffer; ce qu"elles voulurent bien", "Une autre que Cendrillon les aurait coiffees de travers; mais elle etait bonne, et elle les coiffa parfaitement bien.” This shows the girl’s selflessness, which undoubtedly should be rewarded, according to the laws of a fairy tale.

An important stage in the fairy tale can be called the holding of a royal ball. It is a turning point in Cinderella's fate on the path to eventual happiness. The narration of this important event begins with the phrase “Il arriva que...”, which indicates to us a certain intrigue that will have certain consequences. The next episode, which tells us about the preparations of two sisters, is also of interest from a historical point of view, as it reveals to us a certain culture of the French nobility in the specified period. But, at this stage, we are interested in the direct role of Cinderella in this episode. And here we again find evidence of her low position in the family: “nouvelle peine pour Cendrillon, car c"etait elle qui repassait le linge de ses soeurs et qui godronnait leurs manchettes.” It can be assumed that the above activities presented significant difficulty during the reign of Louis The fourteenth, but Cinderella had to carry them out without complaint and this was just a new concern for her, which certainly oppressed her morally.

Preparing for such an important event as the royal ball, the sisters ask Cinderella for advice, which demonstrates the hidden importance of the poor girl in the family and her open exploitation.

Interestingly, despite her low position, Cinderella hoped to get to the royal ball. For her, this was extremely important and she wanted it with all her heart, although in her case it was an unrealistic event. We feel that Cinderella’s existence in such conditions became unbearable for her. We can imagine the feelings of a young girl who feels injustice towards herself on the part of her family members, who do not give her the opportunity to open up, to find herself, her true “I”, which was taken away from her with the appearance of an evil stepmother. But she could only silently experience this injustice: “Enfin l"heureux jour arriva, on partit, et Cendrillon les suivit des yeux le plus longtemps qu"elle put; lorsqu"elle ne les vit plus, elle se mit a pleurer." You should pay attention to the phrase happy day, which can be viewed in two ways. On the one hand, this is a happy day for Cinderella’s sisters, who go to the ball, but, on the other hand, we understand that this was not a happy day for Cinderella. In this situation, we see an element of lack, expressed in injustice towards poor Cinderella, who felt very unhappy, comparing the capabilities of her sisters and her own. And here the main action begins .

Cinderella, with the help of her godmother and miraculous transformations, gets the opportunity to go to the royal ball: “Elle part, ne se sentant pas de joie.” At the entrance to the palace she is met by the prince, who was informed about the arrival of some noble princess. The prince introduces her into the hall, and here the author begins to describe the impression that the “disguised” Cinderella made on everyone with her beauty: “...tant on etait attentif a contempler les grandes beautes de cette inconnue,” “Le Roi meme, tout vieux qu"il etait, ne laissait pas de la regarder et de dire tout bas a la Reine qu"il y avait longtemps qu"il n"avait vu une si belle et si aimable personne", "Toutes les Dames etaient attentives a considerer sa coiffure et ses habits, pour en avoir des le lendemain de semblables...” It was with her beauty and appearance that Cinderella fell in love with the prince. She seemed to everyone like an unknown beautiful princess. And the prince fell in love with her as a beautiful princess, and not as a grimy Cinderella. Thus, we see that in this situation, it is Cinderella’s “masquerade” that gives her the opportunity to win the prince’s heart at first sight, and not her inner qualities. An unusual outfit for Cinderella became a way for her to become something she was not at the moment. This technique of dressing up and reincarnation is often used in fairy tales and is a certain stage on the path to the well-deserved happiness of the main characters.

At the ball, Cinderella, having met her sisters, again shows the readers her kindness and forgivingness: “Elle alla s"asseoir aupres de ses soeurs, et leur fit mille honnetetes: elle leur fit part des oranges et des citrons que le Prince lui avait donnes, ce qui les etonna fort, car elles ne la connaissaient point.”

The last episode of the fairy-tale action finally reveals the true face of Cinderella, which was hidden either behind the rags of a dirty woman or behind the beautiful outfits of the princess. Cinderella tries on a shoe, which, to everyone's surprise, fits her perfectly. And here we also find veiled proof of the extraordinary beauty of Cinderella, her origin, since at any time, a small foot in Europe was considered a sign of beauty, miniature and high origin of a girl. The very motif of the shoe in this tale is also interesting, since it is known that trying on shoes has long been a sign of election or elevation to dignity.

The search for a true hero is successfully completed, Cinderella gains social independence from her stepmother and sisters, and also finds the love of a prince.

Thus, Cinderella is rewarded for all the trials of her kindness and patience that befell the girl. The fabulous justice of the fairy tale has triumphed. Toward the denouement, the author also unexpectedly changes the usual course of things in a traditional fairy tale. So the harmful and evil sisters are not punished by Cinderella, but on the contrary, she generously forgives them: “Cendrillon les releva, et leur dit, en les embrassant, qu"elle leur pardonnait de bon coeur, et qu"elle les priait de l"aimer bien toujours." Having married the prince, having found her happiness, she seems to share this happiness with her stepsisters, marrying them off to nobles: "Cendrillon qui etait aussi bonne que belle, fit loger ses deux soeurs au Palais, et les maria des le jour meme a deux grands Seigneurs de la Cour." Thus, Cinderella retained all her moral qualities to the end, which also lies in the charm of the fairy tale and its educational aspect.

Full name: Ella (real name; 2015 film, Once Upon a Time), Handmaid, Princess Cinderella

Occupation: Tremaine family maid (formerly), Princess

Character type: Positive

Pets: Bruno (dog), Major (horse)

Fate: Married the Prince

Goal: Get rid of your terrible life and find happiness (accomplished)

Living model: Helen Stanley, Scarlett Johansson

Prototype(s): Cinderella from the original fairy tale by Charles Perrault

« How much light there is in the simple word “Cinderella”
This name is like the sun outside the window
Always obedient and modest in old shoes
She deserves to be the best of princesses.»

An example of pure animation excellence from Walt Disney Studios. The picture was published in 1950. After being financially stagnant and busy producing educational films during the war years, Disney dreamed of returning to large animation forms. Walt chose the story of Cinderella for its touching plot, for the magic of the triumph of good over evil, for the emotional appeal that was so necessary in those difficult post-war times. “I want to hit the viewer right in the heart,” the master told his artists during the production process. In addition, the story of a poor dishwasher girl who turned into a princess was close to Walt and was similar to his personal fate.

Character Creation

Character development and animation

The lead animators for Cinderella were Mark Davis and Erik Larson. When creating the image of the heroine, some “disagreements” arose between the two animators. As with previous cartoons, at Walt Disney's insistence, actor-models were hired to perform live-action scenes as props for the animators. Helen Stanley (who would go on to be the live-action model for Princess Aurora in the animated film "" and Anita Radcliffe in the animated film "101 Dalmatians"). Artists drew animation frames of Cinderella from the actress's movements, which required a lot of effort. According to Walt Disney, this procedure helped to avoid unnecessary costs for test animation.

« Disney stated that all scenes involving human characters must first be performed by live actors to determine how they would look before starting the expensive animation process. The animators didn't like this way of working and felt it distracted them from creating the characters. [...] [The animators] understood the need for this approach and later admitted that Disney handled the situation with great subtlety.»

―Christopher Finch.

Voice acting

About 400 applicants auditioned for the role of Cinderella, including actresses such as Dinah Shore and Dinah Durbin. But Walt Disney chose Eileen Woods, who was working in radio at the time and knew nothing about auditioning for the role of Cinderella. Her work colleagues invited her to sing songs from the cartoon "Cinderella" and she agreed. Then, without telling her a word, Eileen's friends handed over the films to the Disney office. After listening to the material, Walt Disney immediately decided that he had found the voice with which his main character should speak and sing, and contacted Eileen. Immediately after this, Eileen Woods was cast in the role.

Character

Cinderella is a stubborn and independent girl who never allows anger or grief to get the better of her. She is very kind to those around her and is not portrayed as naive or childish in any way.

Appearance description

Cinderella is a young girl with classically beautiful features. She has medium-length brown hair, smooth white skin, and bright gray eyes. At the beginning of the cartoon, she wears a brown sundress-apron with a blue shirt, then wears a beautiful blue dress with crystal slippers to the ball.

Capabilities

What did Cinderella bring?

The film premiered on February 15, 1950, as a romantic Valentine's Day gift from the Disney studio.

Staging Cinderella after the creative and financial decline of the war years was associated with great risk for Disney - if the studio failed, it would be difficult to recover from the damage, since $2.5 million was spent on filming. But the film was “doomed to success” and with The very first release brought in $4 million, strengthening the studio’s financial position.

Over the many years of its existence, the cartoon “Cinderella” has not lost its magical charm. All new generations of children admire his wonderful animation, the vivid emotions of the characters, wonderful music and good humor. In “Cinderella,” as in other Disney films, there is soul, love and some kind of invisible attraction that captures the viewer from the first minutes and does not let go until the very end.

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Cinderella is the central heroine of Cinderella Perrault’s fairy tale “Cinderella, or the Shoe Trimmed with Fur” (“Cendrillon ou La petite pantoufle de vair”, published 1697), the daughter of a nobleman, a girl of “meekness and unparalleled kindness.”
At the insistence of her stepmother, she did all the menial housework. She prepares dresses and hairstyles for her stepmother and her two daughters for the ball given by the king's son. The godmother (sorceress) sees the grief of Cinderella, who was not taken to the ball, and helps her go there, turning mice, pumpkins, etc. into a carriage with horses, her wretched dress into a luxurious outfit, giving her shoes trimmed with fur, but stipulating the condition that she leave the ball before midnight, when the magic ends. Cinderella went to the ball twice, and then listened to stories from her stepmother and her daughters about the beautiful princess with whom the prince became infatuated. But the second time she was almost late to leave the ball before midnight and, while running away, dropped one shoe. The prince, in search of a beautiful stranger, orders all the women to try on the shoe he finds: the one to whom it fits will become his wife. The shoe turned out to be too small for the stepmother's daughters, but it suited Cinderella, then she took out the second shoe. The godmother appears and turns Cinderella's dress into an even more beautiful outfit than those in which she appeared at the balls. The sisters ask her forgiveness for their bad treatment, and Cinderella forgives them. The prince marries Cinderella, and she marries her two sisters to noble courtiers.
The name of the heroine in Perrault's fairy tale is unknown, only nicknames are given (Zamarashka, Cinderella). Her appearance is indefinable: her stepmother and sisters cannot recognize her in a different outfit (cf. the Wolf in “Little Red Riding Hood”, the Puss in “Puss in Boots”, Donkey Skin). Perrault's fairy-tale world is strange: faces are not visible in it, voices are not distinguishable, only things have certainty. Such is the shoe trimmed with fur (due to the fact that in some French editions the word “vair” - “fur for trim” was mistakenly replaced by the word “verre” - “glass”), in translations of Perrault’s fairy tales into a number of languages, including and into Russian, an exquisite but incomprehensible image of a “crystal slipper” appeared).
The fairy tale emphasizes the kindness of Cinderella, which corresponds to the fundamental position set out by Perrault in the preface to the publication of three poetic fairy tales (1695), which was directed against the call of the “ancients” to imitate ancient models: in ancient fairy tales there are no moral instructions, but “such are not the fairy tales composed our ancestors for their children - they did not tell them with such grace and decoration as the Greeks and Romans decorated their myths; they always took great care that their tales contained a laudable and instructive moral. Everywhere in them virtue is rewarded and vice is punished. They all strive to show how beneficial it is to be honest, patient, reasonable, hardworking, obedient, and what evil befalls those who are not.” However, the poetic “Morality” that ends the tale speaks not of kindness, but of grace, which alone can win hearts: “Not a step without him, but at least to the kingdom with him.”
The thought in “Another Morality” is even more playful: “But the best gifts will be useless, / Until he decides to bewitch for us / Even a gossip, even a kind little kumanek...” This contradiction was eliminated by the fact that the poetic “Morals” completely dropped out of the consciousness of the reading public; only the main plot was preserved.
The source of the image of Cinderella dates back to ancient times and the early stages of human society. The representative of the mythological school P. Sentiv believed that Cinderella is the “Queen of Ashes,” personifying the arrival of spring and the spring carnival; the stepmother is the old year, and her daughters are January and February (the pre-spring months of the new year); Cinderella's costume, her carriage, and her servants are of a ritual-carnival nature. W. R. Cox, in an 1893 study, identifies 345 variations of the Cinderella plot. In literature, it is first found in the “Geography” of the Greek scientist Strabo (c. 63 BC - c. 20 AD), who relied on the unextant ancient Egyptian

Title of the work: "Cinderella".

Number of pages: 32.

Genre of the work: fairy tale.

Main characters: Cinderella, Stepmother and her daughters, Cinderella's Dad, Prince, King, Fairy Godmother.

Brief summary of the fairy tale "Cinderella" for the reader's diary

Cinderella's dad decided to marry a second time.

His chosen one was a woman with two daughters.

The stepmother immediately disliked Cinderella and placed all the housework on her fragile shoulders.

One day the King decided to hold a gala ball so that the Prince could find a bride.

The stepmother and her daughters could not miss such an event and ordered Cinderella to sew dresses for them.

And the girl herself was left at home and ordered to clean the cellar.

When Cinderella was cleaning, her godmother appeared and conjured a dress, shoes and a carriage with a crew for her.

At the ball, Cinderella met the Prince, who immediately fell in love with her.

But when the clock struck midnight, the girl left the palace and lost her shoe.

The prince found Cinderella, returned her shoe and married the girl.

Plan for retelling the fairy tale "Cinderella"

1. The father's marriage and the appearance of the evil stepmother.

2. Cinderella follows all the orders of the Stepmother.

3. Ball in the palace.

4. Cinderella stays at home and sorts out the cereals.

5. The unexpected appearance of the Fairy Godmother.

6. Miraculous transformation.

7. Cinderella's appearance at the ball.

8. The prince is attracted to a beautiful stranger.

9. Midnight: Cinderella leaves the palace.

10. The family goes to the second ball again without Cinderella.

11. Cinderella dances with the Prince.

12. Losing the glass slipper.

13. Search for the Prince's beloved.

14. Cinderella tries on a shoe.

15. The prince finds his beloved and marries her.

The main idea of ​​the fairy tale "Cinderella"

The main idea of ​​the fairy tale about Cinderella is that good always triumphs over evil, and that any hard work is always appreciated and rewarded.

What does the fairy tale "Cinderella" teach?

The good fairy tale about Cinderella by Charles Perrault teaches us to be patient, kind, modest and hardworking.

A streak of bad luck is always followed by a streak of happiness.

For all the girl’s efforts, she was generously rewarded and all her dreams came true.

Cinderella patiently followed all the orders of her Stepmother, continued to dream, and her dreams came true.

The fairy tale teaches us that we need to believe in our dreams and they will definitely come true.

The fairy tale teaches us to wait, hope and believe that the best is yet to come.

A short review of the fairy tale "Cinderella" for the reader's diary

The fairy tale "Cinderella" by Charles Perrault is one of my favorites.

Many cartoons and films have been made based on this fairy tale, but a fairy tale is always more interesting to read.

This is a story about an ordinary hard-working girl who did not succumb to the evil attacks from her Stepmother, but managed to remain just as sweet and sympathetic.

As a reward for her hard work, she went to the ball, where she met the love of her life.

The tale of Cinderella is not only a bright and kind story, but also an instructive one.

I believe that Cinderella rightfully received all the awards and got married.

After all, the trials she endured for you couldn’t have been any other way.

From this fairy tale, I understood that we must always remain ourselves in everything, and if we deserve it, then fate will reward us for everything.

What proverbs are suitable for the work "Cinderella"

"Patience and a little effort".

"What goes around comes around".

"After a thunderstorm - a bucket, after grief - joy."

"Do a good deed and throw it into the water."

“You see less often, you love more.”

Unknown words and their meanings

Milliner - dressmaker.

The dirty one is dirty.

Harness is an accessory for harnessing horses.

Lackey - servant.

Liveries are uniforms.

Galun is a stripe on clothing.

The main character of the fairy tale by the French writer Charles Perrault “Cinderella or the Crystal Slipper” is a kind, beautiful and friendly girl who was left without a mother. Her father remarried a woman with two daughters. But the new wife had an unenviable character. She immediately disliked her stepdaughter, who was much more beautiful than her daughters. The girl had the hardest and dirtiest work around the house, and she had to live in the attic. In the evenings, after work, she rested on a box of ash and for this she was nicknamed Cinderella.

One day, the king's son decided to throw a ball and Cinderella's sisters received an invitation to it. In preparation for the ball, they kept Cinderella busy with various errands. When the sisters and their stepmother left for the ball, Cinderella burst into tears - she really wanted to go to this ball. It so happened that her godmother, a fairy, came to visit her. Having learned about Cinderella's desire, the fairy did not hesitate for a long time. She turned a pumpkin into a carriage, mice into horses, and a rat into a coachman. At the rear of the carriage stood footmen in liveries that had previously been lizards. Then the fairy transformed the girl's old clothes into a beautiful ball gown and gave her rock crystal slippers. Sending Cinderella to the ball, her godmother ordered her to return before midnight, and later all magical transformations would lose their power.

The appearance of an unknown beauty in the palace did not go unnoticed. And the king, and the prince, and the guests - everyone was in admiration of her beauty. The prince danced with the beautiful stranger all evening, entertained her and treated her to sweets. At some point, Cinderella even found her sisters and talked to them, but they didn’t recognize her at all. When there was very little time left until midnight, the beautiful stranger said goodbye to everyone and quickly left the royal palace.

The next day, Cinderella went to the ball again. But this time she missed the moment when it was time to leave, and she had to urgently run away from the palace. In her haste, she lost one shoe, which the prince later found.

A few days later, the prince announced that the one who would fit the glass slipper would become his wife. The shoe was tried on by all the girls in the kingdom, but it did not fit anyone. Finally, it was the turn of Cinderella and her sisters. The shoe did not fit the sisters, although they tried very hard to put it on. But the shoe fit Cinderella. And when she took out the second shoe and put it on too, everyone realized who that beautiful stranger was. Cinderella was taken to the palace, where her wedding to the prince took place.

This is the summary of the tale.

The main meaning of the fairy tale “Cinderella” is that behind an unsightly appearance, people often do not notice the positive qualities of a person. The good in the fairy tale is helped to defeat the forces of good. The fairy tale “Cinderella” teaches us to help loved ones in difficult times, not to lose human dignity, and to believe in goodness.

In the fairy tale, I liked the fairy, Cinderella’s godmother, who came to the girl’s aid in time and managed, literally out of nothing, to organize a magnificent carriage and a beautiful outfit for a trip to the ball.

Cinderella also evokes sympathy. Her positive qualities played a significant role in her destiny. Her beauty, which was hidden from others by old, unsightly clothes, as well as her kind and sweet disposition, so charmed the prince that he made every effort to find the mysterious owner of the glass slipper.

What proverbs fit the fairy tale?

They meet you by their clothes, they see them off by their intelligence.
Helped on time - helped twice.
As you live, so will your reputation.

Types of characters in the fairy tale "Cinderella"

main character

Before we move on to considering the main character, it should be noted that in its content the tale of Cinderella has a deep social character. The main conflict of this tale can be described as the conflict between stepmother and stepdaughter, which has deep historical social roots.

So, the main character of the fairy tale is Cinderella, after whom the fairy tale itself is named. It is easy to notice that in all the fairy tales of Charles Perrault the main characters do not have real names. The author gives them certain nicknames, most often based on the peculiarities of their appearance on the principle of a stylistic device - metonymy. So is the case with Cinderella. In the beginning of the tale we see an explanation for the nickname given to her: “Lorsqu"elle avait fait son ouvrage, elle s"allait mettre au coin de la cheminee, et s"asseoir dans les cendres, ce qui faisait qu"on l"appelait communement dans le logis Culcendron. La cadette, qui n"etait pas si malhonnete que son ainee, l"appelait Cendrillon." Thus, Cinderella got her nickname due to the fact that she constantly walked around smeared with ash. Naturally, we are not talking about her Together with this nickname and the reason for its occurrence, we see the low position that the girl occupies in the family, which forces her to huddle, like a frightened animal, in the farthest, dusty corner of the house.

Of course, the word formation of these two words is also of interest, expressing directly the attitude of the two sisters to Cinderella. So, in the original French version of the tale, these two nicknames sound like Cucendron and Cendrillon. Firstly, the diminutive suffixes -ron/-illon help us intuitively determine the age and build of a girl. Secondly, as we have already indicated above, they can also indicate to us the attitude of two sisters towards their half-sister and partly determine their level of moral qualities. Thus, in the word Cucendron, used by one of the sisters, who, as the author indicates, is more evil, we hear shades of a derogatory nature. At the same time, this nickname emphasizes the heroine’s humility and patience, expressed in humility with this unpleasant name. In the word Cendrillon, used by the younger, kinder sister, we hear persistent notes of benevolent attitude thanks to the affectionate suffix -illon.

The first thing we pay attention to when meeting Cinderella is her moral qualities, which is the author’s original goal when describing the main character. So at the beginning of the work the author writes: “Le Mari avait de son cote une jeune fille, mais d"une douceur et d"une bonte sans exemple; “elle tenait cela de sa mere, qui etait la meilleure personne du monde.” The mention of the girl’s mother and her kindness is also not accidental. Thus, from the very beginning, the author gives us the opportunity to contrast the feminine principles, so to speak, represented by representatives of two different families, in two generations. And here, it seems acceptable to us to note the principle of binary, expressed in the opposition of negative and positive principles. And it is on this opposition that the main conflict of the fairy tale is built. The author emphasizes that Cinderella’s very good disposition gave birth to hatred on the part of the evil stepmother, who “ne put souffrir les bonnes qualites de cette jeune enfant, qui rendaient ses filles encore plus haissables.” This reveals the divergence of the characters in this fairy tale, generated by the mother’s envy towards her kind-hearted stepdaughter, who was superior to her daughters both morally and physically. Cinderella is not only spiritually superior to them, but also much more beautiful in appearance: “...cependant Cendrillon, avec ses mechants habits, ne laissait pas d"etre cent fois plus belle que ses soeurs, quoique vetues tres magnifiquement." Thus, in the heroine We see Cinderella as an idealized image of a beautiful and kind girl who cannot be spoiled by anything.

So, the initial situation of the fairy tale is connected with a family conflict between a persecuted stepdaughter, her stepmother and stepsisters. The author introduces us to a girl who is humiliated, oppressed in all respects, whose name tells us about her low social status in the family, which she acquired after the death of her mother. Her position in the family is indicated not only by her speaking name, but also by the items of her toilet mentioned by the author, the things surrounding her, the responsibilities imposed by her stepmother: “...avec ses mechants habit...”, “Elle la chargea des plus viles occupations de la Maison: c "etait elle qui nettoyait la vaisselle et les montees, qui frottait la chambre de Madame, et celles de Mesdemoiselles ses filles...", "...elle couchait tout au haut de la maison, dans un grenier, sur une mechante paillasse..." Thus, in the person of Cinderella we see a typical heroine-victim. But we should not forget about her true origin. So in the exposition of the fairy tale, the author writes about Cinderella's father: "Il etait une fois un Gentilhomme ...". Consequently, Cinderella, being his own daughter, was in fact a girl of high society, as evidenced by her skills, skills and social manners, without which she would not have been able to make the proper impression at the ball. To confirm the above, we cite An example is the following excerpts of phrases: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon. Cendrillon les conseilla le mieux du monde...", "Elle dansa avec tant de grace...".

An interesting fact is that throughout the development of the plot, Cinderella is not subjected to tests as such, which we are accustomed to seeing in other fairy tales. She does not fight, does not struggle, does not seek anything and does not solve difficult problems. However, from the context of the fairy tale, we understand that the very existence of Cinderella as a servant to her stepmother and stepsisters, whom she addresses as “you” and calls young ladies, is a kind of test of her moral qualities, namely her kindness , tolerance. In a situation where the sisters are going to a ball, asking Cinderella for advice, despite all their ridicule, the good girl does not seek revenge: “elles appelerent Cendrillon pour lui demander son avis, car elle avait le gout bon.” Cendrillon les conseilla le mieux du monde, et s"offrit meme a les coiffer; ce qu"elles voulurent bien", "Une autre que Cendrillon les aurait coiffees de travers; mais elle etait bonne, et elle les coiffa parfaitement bien.” This shows the girl’s selflessness, which undoubtedly should be rewarded, according to the laws of a fairy tale.

An important stage in the fairy tale can be called the holding of a royal ball. It is a turning point in Cinderella's fate on the path to eventual happiness. The narration of this important event begins with the phrase “Il arriva que...”, which indicates to us a certain intrigue that will have certain consequences. The next episode, which tells us about the preparations of two sisters, is also of interest from a historical point of view, as it reveals to us a certain culture of the French nobility in the specified period. But, at this stage, we are interested in the direct role of Cinderella in this episode. And here we again find evidence of her low position in the family: “nouvelle peine pour Cendrillon, car c"etait elle qui repassait le linge de ses soeurs et qui godronnait leurs manchettes.” It can be assumed that the above activities presented significant difficulty during the reign of Louis The fourteenth, but Cinderella had to carry them out without complaint and this was just a new concern for her, which certainly oppressed her morally.

Preparing for such an important event as the royal ball, the sisters ask Cinderella for advice, which demonstrates the hidden importance of the poor girl in the family and her open exploitation.

Interestingly, despite her low position, Cinderella hoped to get to the royal ball. For her, this was extremely important and she wanted it with all her heart, although in her case it was an unrealistic event. We feel that Cinderella’s existence in such conditions became unbearable for her. We can imagine the feelings of a young girl who feels injustice towards herself on the part of her family members, who do not give her the opportunity to open up, to find herself, her true “I”, which was taken away from her with the appearance of an evil stepmother. But she could only silently experience this injustice: “Enfin l"heureux jour arriva, on partit, et Cendrillon les suivit des yeux le plus longtemps qu"elle put; lorsqu"elle ne les vit plus, elle se mit a pleurer." You should pay attention to the phrase happy day, which can be viewed in two ways. On the one hand, this is a happy day for Cinderella’s sisters, who go to the ball, but, on the other hand, we understand that this was not a happy day for Cinderella. In this situation, we see an element of lack, expressed in injustice towards poor Cinderella, who felt very unhappy, comparing the capabilities of her sisters and her own. And here the main action begins .

Cinderella, with the help of her godmother and miraculous transformations, gets the opportunity to go to the royal ball: “Elle part, ne se sentant pas de joie.” At the entrance to the palace she is met by the prince, who was informed about the arrival of some noble princess. The prince introduces her into the hall, and here the author begins to describe the impression that the “disguised” Cinderella made on everyone with her beauty: “...tant on etait attentif a contempler les grandes beautes de cette inconnue,” “Le Roi meme, tout vieux qu"il etait, ne laissait pas de la regarder et de dire tout bas a la Reine qu"il y avait longtemps qu"il n"avait vu une si belle et si aimable personne", "Toutes les Dames etaient attentives a considerer sa coiffure et ses habits, pour en avoir des le lendemain de semblables...” It was with her beauty and appearance that Cinderella fell in love with the prince. She seemed to everyone like an unknown beautiful princess. And the prince fell in love with her as a beautiful princess, and not as a grimy Cinderella. Thus, we see that in this situation, it is Cinderella’s “masquerade” that gives her the opportunity to win the prince’s heart at first sight, and not her inner qualities. An unusual outfit for Cinderella became a way for her to become something she was not at the moment. This technique of dressing up and reincarnation is often used in fairy tales and is a certain stage on the path to the well-deserved happiness of the main characters.

At the ball, Cinderella, having met her sisters, again shows the readers her kindness and forgivingness: “Elle alla s"asseoir aupres de ses soeurs, et leur fit mille honnetetes: elle leur fit part des oranges et des citrons que le Prince lui avait donnes, ce qui les etonna fort, car elles ne la connaissaient point.”

The last episode of the fairy-tale action finally reveals the true face of Cinderella, which was hidden either behind the rags of a dirty woman or behind the beautiful outfits of the princess. Cinderella tries on a shoe, which, to everyone's surprise, fits her perfectly. And here we also find veiled proof of the extraordinary beauty of Cinderella, her origin, since at any time, a small foot in Europe was considered a sign of beauty, miniature and high origin of a girl. The very motif of the shoe in this tale is also interesting, since it is known that trying on shoes has long been a sign of election or elevation to dignity.

The search for a true hero is successfully completed, Cinderella gains social independence from her stepmother and sisters, and also finds the love of a prince.

Thus, Cinderella is rewarded for all the trials of her kindness and patience that befell the girl. The fabulous justice of the fairy tale has triumphed. Toward the denouement, the author also unexpectedly changes the usual course of things in a traditional fairy tale. So the harmful and evil sisters are not punished by Cinderella, but on the contrary, she generously forgives them: “Cendrillon les releva, et leur dit, en les embrassant, qu"elle leur pardonnait de bon coeur, et qu"elle les priait de l"aimer bien toujours." Having married the prince, having found her happiness, she seems to share this happiness with her stepsisters, marrying them off to nobles: "Cendrillon qui etait aussi bonne que belle, fit loger ses deux soeurs au Palais, et les maria des le jour meme a deux grands Seigneurs de la Cour." Thus, Cinderella retained all her moral qualities to the end, which also lies in the charm of the fairy tale and its educational aspect.