Analysis of the poems “Go away, my dear Rus'”, “Soviet Rus'”, “The feather grass is sleeping…. Analysis of the poem “Go you, Rus', my dear” by Yesenin

Analysis of Yesenin’s poem “Go you, my dear Rus'...”

The poet Sergei Yesenin had the opportunity to visit many countries of the world, but he invariably returned to Russia, believing that this was where his home was located. The author of many lyrical works dedicated to his homeland was not an idealist and perfectly saw all the shortcomings of the country in which he happened to be born. Nevertheless, he forgave Russia the dirt and broken roads, the constant drunkenness of the peasants and the tyranny of the landowners, the absolute belief in a good tsar and the miserable existence of the people. Yesenin loved his homeland as it was, and, having the opportunity to stay abroad forever, still chose to return to die where he was born.

One of the works in which the author glorifies his land is the poem “Go you, my dear Rus'...”, written in 1914. By this time, Sergei Yesenin was already living in Moscow, having become a fairly famous poet. Nevertheless, large cities brought melancholy to him, which Yesenin unsuccessfully tried to drown in wine, and forced him to mentally turn to the recent past, when he was an unknown peasant boy, free and truly happy.

In the poem “Go you, Rus', my dear...” the author again recalls his past life. More precisely, the sensations that he experienced while wandering through the endless Russian meadows and enjoying the beauty of his native land. In this work, Yesenin identifies himself with a “wandering pilgrim” who came to worship his land, and, having performed this simple ritual, will go to foreign lands. The poet’s homeland, with all its shortcomings, is associated with one huge temple, bright and pure, which is capable of healing the soul of any wanderer and returning him to his spiritual roots.

As a matter of fact, before the revolution, Russia was a single temple, which Yesenin emphasizes in his poem. The author emphasizes that in Rus' “the huts are in the vestments of the image.” And, at the same time, he cannot ignore the poverty and primitiveness of the Russian way of life, where “near the low outskirts the poplars wither loudly.”

Thanks to his skill and poetic talent in the poem “Go you, Rus', my dear...” Yesenin manages to recreate a very contrasting and contradictory image of his homeland. It organically intertwines beauty and wretchedness, purity and dirt, earthly and divine. However, the poet notes that he would not exchange for anything the aroma of apples and honey that accompanies the summer Savior, and the girlish laughter, the ringing of which the poet compares to earrings. Despite the many problems that Yesenin sees in the life of the peasants, their life seems to him more correct and reasonable than his own. If only because they honor the traditions of their ancestors and know how to enjoy little things, they appreciate what they have. The poet kindly envies the villagers, who have their main wealth - fertile land, rivers, forests and meadows, which never cease to amaze Yesenin with their pristine beauty. And that is why the author claims that if there is a paradise in the world, then it is located right here, in the rural Russian outback, which has not yet been spoiled by civilization, and has managed to maintain its attractiveness.

“There is no need for paradise, give me my homeland,” - with this simple and devoid of “high calm” line, the poet completes the poem “Go away, my dear Rus'...”, as if summing up some conclusion. In fact, the author only wants to emphasize that he is immensely happy to have the opportunity to live where he feels part of his people. And this awareness for Yesenin is much more important than all the treasures of the world, which can never replace a person’s love for his native land, absorbed with mother’s milk, and protecting him throughout his life.

“Go away, Rus', my dear...” Sergei Yesenin

Goy, Rus', my dear,
Huts - in the vestments of the image...
No end in sight -
Only blue sucks his eyes.

Like a visiting pilgrim,
I'm looking at your fields.
And at the low outskirts
The poplars are dying loudly.

Smells like apple and honey
Through the churches, your meek Savior.
And it buzzes behind the bush
There is a merry dance in the meadows.

I'll run along the crumpled stitch
Free green forests,
Towards me, like earrings,
A girl's laughter will ring out.

If the holy army shouts:
“Throw away Rus', live in paradise!”
I will say: “There is no need for heaven,
Give me my homeland."

Sergei Yesenin visited many countries, but always returned to Russia. The poet saw all the shortcomings: broken roads, drunkenness and poverty of the peasants, tyranny of the landowners, absolute faith in the tsar. But despite all this, he loved his homeland and considered it the best place in the world. Below is an analysis of “Go away, my dear Rus'.”

Features of the poet's creativity

In a brief analysis of “Go you, my dear Rus',” one of the points is to consider the distinctive features of Yesenin’s poetry. Love for the Motherland has always occupied a special place in his work. But the poet wrote about rural landscapes with special tenderness.

This poem was created in 1914, by that time Yesenin had already lived for some time in Moscow, but its noise and bustle tired him, so he yearned more and more for the times when he was a simple peasant boy. Yesenin expressed his melancholy and affection in poetry. For the poet, the life of ordinary people always remained correct, even though one of the main problems was poverty. But they respected traditions and family foundations, which delighted the poet.

In the analysis of “Go you, Rus', my dear,” it is necessary to point out that in it Yesenin emphasizes his love for the Motherland by the fact that he would not exchange the smell of honey and apples, churches that bring a blissful mood, and endless green meadows for anything. In this poem, the poet writes about his love for his homeland and village life.

Image of Rus'

In the analysis of “Go you, Rus', my dear,” it is important to determine what place the image of Rus' occupies in this creation. Why does Yesenin call Russia this way? Perhaps because in that era of the ancient Russian state the people were closer to nature and honored all the important church holidays and customs of their ancestors. The poet, who loved villages and land, missed the time when agriculture was the main occupation of the Slavs.

In the analysis of “Go you, Rus', my dear,” it should also be noted that the poet compares the Motherland with a temple that unites everything and everyone. Behind this image stands the poet’s entire life philosophy, which consisted of love for one’s roots and acceptance of one’s homeland as it is. But the ensuing revolution destroyed this temple, dividing the entire society, and therefore the poet yearned even more for his native land.

Literary means of expression

The next point in the analysis of the poem “Go away, my dear Rus'” is to determine what paths and stylistic means the poet used. Personifications allow the poet to “revive” the image of Rus', and epithets help convey the blissful state of mind of the lyrical hero. A peaceful state for both the hero and the peasants is achieved through unity with nature.

And the metaphor gives even greater significance to the image of Rus' in the poem. The poet associates the color blue not only with the vastness of the blue sky and the surface of the water, but also with the Motherland. The golden color is also metaphorical, which is not expressed so clearly in the lines, but it manifests itself in the details. This is honey, thatched roofs of houses, yellowed leaves, fields. This color design makes the image of Rus' even more sublime and significant.

And verbs that are used in the future tense indicate the hero’s desire to travel around his country, across its endless expanses, to see all the most beautiful things.

End of the work

In the analysis of the poem “Go you, my dear Rus',” you can take a closer look at its ending. Yesenin ends his work with a simple line, written in a non-sublime style. He emphasizes the simple life that was the most correct for the poet.

In the last lines, Yesenin shows all his love for the Motherland: he does not need anything, only his Rus', which is paradise for him. Perhaps this also refers to a call to revolutionaries who changed the usual way of life. And perhaps the poet wanted to tell them not to touch everything that was beautiful that Rus' had.

An analysis of Yesenin’s “Go away, Rus', my dear” shows how strong his love for the country, the peasant life for which he yearned. He would not exchange all the delights of the rural landscape and the unique charm of Russian nature for anything. All words breathe with enthusiasm and adoration, which increases with each line.

It is this love for the Motherland, acceptance of its shortcomings, the ability to admire and admire everything beautiful that it has - this is the main distinguishing feature of the poet’s work. And in this poem, Yesenin showed it with the help of the diversity of the Russian language, using a simple syllable to emphasize the love of simple life.

“Go away, Rus', my dear...” Sergei Yesenin

Goy, Rus', my dear,
The huts are in the robes of the image...
No end in sight -
Only blue sucks his eyes.

Like a visiting pilgrim,
I'm looking at your fields.
And at the low outskirts
The poplars are dying loudly.

Smells like apple and honey
Through the churches, your meek Savior.
And it buzzes behind the bush
There is a merry dance in the meadows.

I'll run along the crumpled stitch
Free green forests,
Towards me, like earrings,
A girl's laughter will ring out.

If the holy army shouts:
“Throw away Rus', live in paradise!”
I will say: “There is no need for heaven,
Give me my homeland."

Analysis of Yesenin’s poem “Go you, my dear Rus'...”

In the poem “Go you, Rus', my dear...” the author again recalls his past life. More precisely, the sensations that he experienced while wandering through the endless Russian meadows and enjoying the beauty of his native land. In this work, Yesenin identifies himself with a “wandering pilgrim” who came to worship his land, and, having performed this simple ritual, will go to foreign lands. The poet’s homeland, with all its shortcomings, is associated with one huge temple, bright and pure, which is capable of healing the soul of any wanderer and returning him to his spiritual roots.

Surely, you won’t even have time to fully read the question: “Which poet can be called a real singer of Russian nature?”, before the image of Sergei Yesenin will appear in your mind.

He was born in the village of Konstantinovo, Ryazan province. From his first years, the boy was surrounded by nature untouched by man. He admired her beauty; it was she who inspired creativity and inspired the then very young boy to create his first works.

Since then, the theme of nature has become the main theme of the poetry of Sergei Aleksandrovich Yesenin. Having moved to the capital, the poet yearned for his small Motherland, for its pristine beauty and silence. The poet always considered rural Russia his home and loved it with all his heart. He was not an absolute idealist: Yesenin, of course, saw that the village needed development, he did not hide his eyes from its pressing problems from broken roads to the continuous drunkenness of some residents. Being a speaker, the poet spoke about this. But he loved his homeland for what it was and was proud of its achievements. Yesenin had the opportunity to live and create in the West, but the poet’s heart could not beat somewhere far from Russia. Yesenin could only breathe Russian air.

One of the most famous poems in which this author glorifies the Motherland is “Go you, my dear Rus'...”, created in 1914. At this time, Yesenin had already lived in Moscow for two years and managed to become a fairly popular poet.

For all its shortcomings, Yesenin associates Russia with God’s temple, where the suffering soul finds peace. And huts for him are something other than “in the vestments of an image.” But the author notes the sad fact that with all this solemnity and openness, poverty, drunkenness and dirt are closely intertwined with their dried poplars near the outskirts.

Yesenin's homeland is true, it is contradictory and not entirely clear. But at the same time, the author is definitely sure that he would not exchange the smell of ripe apples, the perky laughter of a Russian girl, the aroma of honey and the sounds of church bells for any wealth in the world. After all, nowhere else except rural Russia will you find anything like this.

Despite understanding the severity of peasant life, the poet notes that ordinary people live real life, experience true emotions, know how to rejoice at a successful day, enjoy the beauty of nature, and appreciate the little they have. Their lives are truthful and complete. Yesenin declares that the life of a villager is a hundred times better than his present one, if only because they have not forgotten how to honor the traditions of their ancestors, and their main asset is clean and endless fields and meadows, forests and rivers. According to Yesenin, if in his contemporary world there remains paradise on Earth, then it is hidden precisely in the village.

The poem is filled with figurative and expressive means. Already at the very beginning we meet personification: the poet addresses Rus' as a living person, he understands Russia as a certain living organism living according to its own special laws and rules.

Yesenin’s favorite technique, color painting, can also be found here. We read the lines and clearly see what is described: the sky is bright blue, the foliage is green, the images and tops of churches are golden. Metaphors such as “the poplars are withering” and epithets such as “low outskirts” are also actively used in the text. Without them, the picture would not be complete.

Yesenin is a singer of the Russian village. He loved her with all his heart, not only for the beauty created without human participation, but also for her simplicity and spirituality, which he had never encountered anywhere else.

As a matter of fact, before the revolution, Russia was a single temple, which Yesenin emphasizes in his poem. The author emphasizes that in Rus' “the huts are in the vestments of the image.” And, at the same time, he cannot ignore the poverty and primitiveness of the Russian way of life, where “poplars are withering loudly near the low outskirts.”

“There is no need for paradise, give me my homeland,” - with this simple and devoid of “high calm” line, the poet completes the poem “Go you, Rus', my dear...”, as if summing up some conclusion. In fact, the author only wants to emphasize that he is immensely happy to have the opportunity to live where he feels part of his people. And this awareness for Yesenin is much more important than all the treasures of the world, which can never replace a person’s love for his native land, absorbed with mother’s milk, and protecting him throughout his life.

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Analysis of Yesenin’s poem “Go you, Rus', my dear”