Arkady Adamov scientific articles teishebaini. Arkady Adamov - ...With many unknowns
Arkady Grigorievich Adamov(July 13, 1920 - June 26, 1991) - Russian Soviet writer, author of detective stories. Son of the writer Grigory Adamov.
After demobilization, he studied at the history department of Moscow State University and graduated in 1948. At the same time, he was engaged in literary activities, experimenting in various genres: the story “Shelikhov on Kodiak” (1948) and the collection of stories “On Unknown Paths” (1948-1950) about travel and the adventures of a Russian explorer, navigator and merchant in Russian America, the story “Vasily Pyatov” (1952).
In 1952, he contacted the leaders of the Moscow Criminal Investigation Department with the wish to give him the opportunity to study the work of the criminal investigation department and, based on the collected materials, prepare literary works that would shed light on the tasks and methods of modern police in a new way. The facts of political repression, which received the widest publicity after Stalin's death, created the most negative attitude in society towards employees of internal affairs bodies. The situation needed to be corrected, and Adamov received permission to obtain all the necessary information. A well-known commentator on A. Adamov’s books, Evgeniy Ryss, recalls:
| The writer could limit himself to conversations with investigators, operational workers and specialists from the scientific and technical department. But maybe A. Adamov understood that it was impossible to write a good book after such conversations, or maybe he was simply fascinated by the specifics of investigative work, the combination of logic and risk, objective scientific data and bold logical constructions. One way or another, A. Adamov, fortunately, did not limit himself to conversations. He went on operations, participated in searches and ambushes, was on duty at night at the MUR and went with task forces to crime scenes. In short, he doesn't know things from stories. He survived, like his heroes, tense hours in ambush, when you can neither cough, nor smoke, nor move. I sat at operational meetings. Participated in searches when it is known for sure that a major criminal is hiding here, in this room or in this apartment, but it is not possible to find him. |
Working on the first story The case of the “motley” was completed in 1956. But refusal after refusal followed from the editors. The everyday life of the police was considered a topic unworthy of literature; a robbed ordinary person was not the hero of a proper plot. Valentin Kataev, editor-in-chief of Yunost, spotted possible reader interest. In this magazine in 1956, Adamov made his debut as the founder of the genre of the new Soviet detective story.
Adamov published about 30 of his works, including journalistic notes “My favorite genre is detective” and studies on foreign detective literature.
Adamov was awarded the All-Union Literary Competition of the Ministry of Internal Affairs of the USSR, the Union of Writers of the USSR and the State Committee for Publishing of the USSR, dedicated to the 60th anniversary of the Soviet police in 1977. The trilogy “Inspector Losev” was awarded the Gold Medal named after Hero of the Soviet Union N. Kuznetsov for the best heroic adventure work 1981 year, established by the joint venture of the RSFSR.
Criticism and reviews
Anatoly Korolev, writer, for RIA Novosti: “Arkady Adamov formed the golden template of mass literature and mass spectacles, where there must be a mistaken hero, a young man with a feeling of involuntary guilt, and at the same time necessarily in love with a girl who was briefly carried away by some unattractive type ; where the love of two hearts must be linked to a desperate battle against a cruel underground world, where there is everything: gold, power, secrets, money, blood, betrayal, crime, but only pure beautiful love.”
List of works
- Shelikhov on Kodiak (story, 1948)
- Along unknown paths (stories, 1950)
- Vasily Pyatov (story, 1952)
- The Case of the “Motley” (story, 1956). Filmed in 1958.
- Black Moth (story, 1958).
- The Last Business (story, 1961)
- Personal search (story, 1963)
- Trace of the Fox (story) (1965)
- Flock (story, 1966)
- With many unknowns (story, 1968)
- Corner of a White Wall (story, 1970)
- One o'clock in the morning (story)
- Circles on the water (story, 1970)
- With an Evil Wind (novel, 1975). Filmed in 1982.
- Loop (novel, 1975). Filmed in
- My favorite genre is detective (1980)
- To the Free Space (novel, 1982)
- Swamp grass (story, 1986)
- Evening Circle (story, 1982)
- A manhunt is underway (novel, 1985)
Notes
Categories:
- Personalities in alphabetical order
- Writers by alphabet
- Born on July 13
- Born in 1920
- Born in Moscow
- Died June 26
- Died in 1991
- Died in Moscow
- Knights of the Order of the Patriotic War, 1st degree
- Knights of the Order of the Patriotic War, II degree
- Knights of the Order of Friendship of Peoples
- Recipients of the medal "For Military Merit"
- Recipients of the medal "For the Defense of Moscow"
- Russian writers of the 20th century
- Writers of Russia of the 20th century
- Graduates of the Faculty of History of Moscow State University
- Writers of the USSR
- Authors of detective fiction
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See what “Adamov, Arkady Grigorievich” is in other dictionaries:
Adamov Arkady Grigorievich- Russian Soviet writer, author of police detective stories Arkady Grigorievich Adamov was born on July 13, 1920. The son of the writer Grigory Adamov. In 1941, while a fourth-year student at the Aviation Institute, Arkady Adamov volunteered for... ... Encyclopedia of Newsmakers
ADAMOV Arkady Grigorievich- (b. 1920), Russian Soviet writer. Detective adventure new. “The Motley Case” (1956), “Black Moth” (1958), “The Last Business” (1961), “Personal Search” (1963), “Trace of the Fox” (1965), “The Pack” (1966), “ With many... ... Literary encyclopedic dictionary
Adamov Arkady Grigorievich- ... Wikipedia
Arkady Grigorievich Adamov(July 13, 1920 - June 26, 1991) - Russian Soviet writer, author of detective stories. Son of the writer Grigory Adamov.
After demobilization, he studied at the history department of Moscow State University and graduated in 1948. At the same time, he was engaged in literary activities, experimenting in various genres: the story “Shelikhov on Kodiak” (1948) and the collection of stories “On Unknown Paths” (1948-1950) about travel and the adventures of a Russian explorer, navigator and merchant in Russian America, the story “Vasily Pyatov” (1952).
In 1952, he contacted the leaders of the Moscow Criminal Investigation Department with the wish to give him the opportunity to study the work of the criminal investigation department and, based on the collected materials, prepare literary works that would shed light on the tasks and methods of modern police in a new way. The facts of political repression, which received the widest publicity after Stalin's death, created the most negative attitude in society towards employees of internal affairs bodies. The situation needed to be corrected, and Adamov received permission to obtain all the necessary information. A well-known commentator on A. Adamov’s books, Evgeniy Ryss, recalls:
| The writer could limit himself to conversations with investigators, operational workers and specialists from the scientific and technical department. But maybe A. Adamov understood that it was impossible to write a good book after such conversations, or maybe he was simply fascinated by the specifics of investigative work, the combination of logic and risk, objective scientific data and bold logical constructions. One way or another, A. Adamov, fortunately, did not limit himself to conversations. He went on operations, participated in searches and ambushes, was on duty at night at the MUR and went with task forces to crime scenes. In short, he doesn't know things from stories. He survived, like his heroes, tense hours in ambush, when you can neither cough, nor smoke, nor move. I sat at operational meetings. Participated in searches when it is known for sure that a major criminal is hiding here, in this room or in this apartment, but it is not possible to find him. |
Working on the first story The case of the “motley” was completed in 1956. But refusal after refusal followed from the editors. The everyday life of the police was considered a topic unworthy of literature; a robbed ordinary person was not the hero of a proper plot. Valentin Kataev, editor-in-chief of Yunost, spotted possible reader interest. In this magazine in 1956, Adamov made his debut as the founder of the genre of the new Soviet detective story.
Adamov published about 30 of his works, including journalistic notes “My favorite genre is detective” and studies on foreign detective literature.
Adamov was awarded the All-Union Literary Competition of the Ministry of Internal Affairs of the USSR, the Union of Writers of the USSR and the State Committee for Publishing of the USSR, dedicated to the 60th anniversary of the Soviet police in 1977. The trilogy “Inspector Losev” was awarded the Gold Medal named after Hero of the Soviet Union N. Kuznetsov for the best heroic adventure work 1981 year, established by the joint venture of the RSFSR.
Criticism and reviews
Anatoly Korolev, writer, for RIA Novosti: “Arkady Adamov formed the golden template of mass literature and mass spectacles, where there must be a mistaken hero, a young man with a feeling of involuntary guilt, and at the same time necessarily in love with a girl who was briefly carried away by some unattractive type ; where the love of two hearts must be linked to a desperate battle against a cruel underground world, where there is everything: gold, power, secrets, money, blood, betrayal, crime, but only pure beautiful love.”
List of works
- Shelikhov on Kodiak (story, 1948)
- Along unknown paths (stories, 1950)
- Vasily Pyatov (story, 1952)
- The Case of the “Motley” (story, 1956). Filmed in 1958.
- Black Moth (story, 1958).
- The Last Business (story, 1961)
- Personal search (story, 1963)
- Trace of the Fox (story) (1965)
- Flock (story, 1966)
- With many unknowns (story, 1968)
- Corner of a White Wall (story, 1970)
- One o'clock in the morning (story)
- Circles on the water (story, 1970)
- With an Evil Wind (novel, 1975). Filmed in 1982.
- Loop (novel, 1975). Filmed in
- My favorite genre is detective (1980)
- To the Free Space (novel, 1982)
- Swamp grass (story, 1986)
- Evening Circle (story, 1982)
- A manhunt is underway (novel, 1985)
Notes
Categories:
- Personalities in alphabetical order
- Writers by alphabet
- Born on July 13
- Born in 1920
- Born in Moscow
- Died June 26
- Died in 1991
- Died in Moscow
- Knights of the Order of the Patriotic War, 1st degree
- Knights of the Order of the Patriotic War, II degree
- Knights of the Order of Friendship of Peoples
- Recipients of the medal "For Military Merit"
- Recipients of the medal "For the Defense of Moscow"
- Russian writers of the 20th century
- Writers of Russia of the 20th century
- Graduates of the Faculty of History of Moscow State University
- Writers of the USSR
- Authors of detective fiction
Wikimedia Foundation. 2010.
See what “Adamov, Arkady Grigorievich” is in other dictionaries:
Adamov Arkady Grigorievich- Russian Soviet writer, author of police detective stories Arkady Grigorievich Adamov was born on July 13, 1920. The son of the writer Grigory Adamov. In 1941, while a fourth-year student at the Aviation Institute, Arkady Adamov volunteered for... ... Encyclopedia of Newsmakers
ADAMOV Arkady Grigorievich- (b. 1920), Russian Soviet writer. Detective adventure new. “The Motley Case” (1956), “Black Moth” (1958), “The Last Business” (1961), “Personal Search” (1963), “Trace of the Fox” (1965), “The Pack” (1966), “ With many... ... Literary encyclopedic dictionary
- ... Wikipedia
Today we will tell you who Grigory Adamov is. The books of this Soviet writer are written in the fantasy genre. He was born in 1886, May 6 (18). The author's real name is Gibs.
Biography
The writer Grigory Adamov was born in Kherson. Some sources indicate Zhytomyr as his place of birth. Comes from a family of woodworking workers. He was the seventh child. At the age of 15 he became a member of a circle of revolutionary youth. He joined the Kherson Bolshevik organization. He was arrested several times. For this reason, he fled to Nikolaev.
Revolution and first work
Grigory Adamov studied at the gymnasium. He was expelled from the penultimate class. In 1906 he was exiled. The reason was a violation of public order. He ended up in the Arkhangelsk province. He ran. He took part in the action, the purpose of which was to destroy court documents relating to the uprising in Sevastopol on the battleship Prince Potemkin-Tavrichesky. He was convicted for carrying out revolutionary agitation on ships belonging to the Black Sea Fleet. Served 3 years in Kherson prison. After his release from prison, he worked as a journalist. From 1911 to 1914 he edited the Social Democratic newspaper Yug. After 1917 he worked at the State Publishing House and the People's Commissariat for Food. Published on the pages of the magazine “Our Achievements”. He held the post of correspondent for a newspaper called “For Industrialization.” Since 1930 he became a professional writer. In 1934 he began creating works for youth and children. At first it was stories. Later he wrote novels and stories. Member of the USSR Joint Venture. Our hero’s son’s name is Arkady Grigorievich Adamov. He is also a writer. He works in the detective genre.
Literary activity
Grigory Adamov began his journalistic work by editing the newspaper “Yug”. In 1931 he published a collection of essays and short stories, “United Columns.” Mainly known for his science fiction works. The first publication in this genre took place in 1934. The work is called "Diego's Story". The works “Accident” and “Oasis of the Sun” are devoted to the theme of the energy of the future in the Karakum Desert and the Arctic. The writer's first novel in the science fiction genre is called "Winners of the Subsoil." Its main theme is mastery of energy sources. The plot is based on travel on an “underground vehicle”, as well as the construction of an underground power plant in the depths of the Earth. After the publication of this novel, the author received a positive assessment from Academician V. A. Obruchev. Adamov’s most famous work is called “The Mystery of Two Oceans.” In 1940, the writer began to create a new work, “The Expulsion of the Lord.” This work reveals the theme of heating the northern territories by increasing the temperature of the Gulf Stream. The author went to the Arctic and began collecting materials. The novel was published in 1946, when the writer passed away.
Bibliography
- In 1934, "Diego's Story" appeared.
- In 1935, the work “Accident” was published.
- In 1936, the story “Oasis of the Sun” appeared.
- In 1937, the science fiction novel “Winners of the Subsoil” appeared.
- In 1938, Grigory Adamov published the works “In the Stratosphere”, “Attack of Magnetic Torpedoes”, “In Captivity in Ice”.
- In 1941, the book “In the Arctic of the Future” appeared.
Best book
“The Mystery of Two Oceans” is a work that describes the voyage of a USSR submarine called “Pioneer” to Vladivostok from Leningrad. The novel was written in the 1930s - in the wake of Stalinist patriotism. For the first time, the work was partially published on the pages of the magazine “Knowledge is Power”. It was then published by a newspaper called “Pionerskaya Pravda” in 1938. The book edition was first published in 1939. The versions of the novel that were published after 1953 have textual differences from the earlier ones, since statements associated with Stalin were removed from them. The book tells the story of how a boy, only 14 years old, named Pavlik, the son of a diplomat from the USSR, finds himself in the water after a shipwreck that occurred in the North Atlantic. He is taken on board a submarine from the USSR called Pioneer. This is a unique ship that incorporates the best achievements of science. The boat is heading to the Pacific Fleet from Leningrad. Its goal is to create a counterbalance to Japan's growing naval power. The ship passes near Cape Horn. Miraculously escapes death in the Antarctic seas. Falls into the waters of the Pacific Ocean. There, the cruiser Izumo, a representative of the Japanese fleet, is attacked. "Pioneer" destroys the enemy using an ultrasonic beam. One crew member turns out to be an enemy agent. He damages the boat. However, the crew is repairing the ship near Easter Island, while on the ocean floor. The saboteur is neutralized, and “Pioneer” is successfully brought to Vladivostok. The novel describes scientific and technical science fiction innovations used on the ship.
Arkady Grigorievich Adamov(July 13, 1920 - June 26, 1991) - Russian Soviet writer of the detective genre. Son of science fiction writer G. Adamov.
After demobilization, he studied at the history department of Moscow State University and graduated in 1948. At the same time, he was engaged in literary activities, experimenting in various genres: the story “Shelikhov on Kodiak” (1948) and the collection of stories “On Unknown Paths” (1948-1950) about travel and the adventures of a Russian explorer, navigator and merchant in Russian America, the story “Vasily Pyatov” (1952).
In 1952, he contacted the leaders of the Moscow Criminal Investigation Department with the wish to give him the opportunity to study the work of the criminal investigation department and, based on the collected materials, prepare literary works that would shed light on the tasks and methods of modern police in a new way. Adamov received permission to obtain all the necessary information. A well-known commentator on A. Adamov’s books, Evgeniy Ryss, recalls:
| The writer could limit himself to conversations with investigators, operational workers and specialists from the scientific and technical department. But maybe A. Adamov understood that it was impossible to write a good book after such conversations, or maybe he was simply fascinated by the specifics of investigative work, the combination of logic and risk, objective scientific data and bold logical constructions. One way or another, A. Adamov, fortunately, did not limit himself to conversations. He went on operations, participated in searches and ambushes, was on duty at night at the MUR and went with task forces to crime scenes. In short, he doesn't know things from stories. He survived, like his heroes, tense hours in ambush, when you can neither cough, nor smoke, nor move. I sat at operational meetings. Participated in searches when it is known for sure that a major criminal is hiding here, in this room or in this apartment, but it is not possible to find him. |
Working on the first story The case of the “motley” was completed in 1956. But refusal after refusal followed from the editors. The everyday life of the police was considered a topic unworthy of literature; a robbed ordinary person was not the hero of a proper plot. Valentin Kataev, editor-in-chief of Yunost, spotted possible reader interest. In this magazine in 1956, Adamov made his debut as the founder of the genre of the new Soviet detective story. Thanks to both the interest of the Ministry of Internal Affairs at that moment in promoting the positive image of a policeman, and the success of “The Motley Case” among readers, in 1957-1958. The story was filmed, becoming one of the first Soviet detective films.
Adamov published about 30 of his works, including journalistic notes “My favorite genre is detective” and studies on foreign detective literature.
Adamov was awarded the All-Union Literary Competition of the Ministry of Internal Affairs of the USSR, the Union of Writers of the USSR and the State Committee for Publishing of the USSR, dedicated to the 60th anniversary of the Soviet police in 1977. The trilogy “Inspector Losev” was awarded the Gold Medal named after Hero of the Soviet Union Nikolai Kuznetsov for the best heroic adventure work of 1981 , established by the joint venture of the RSFSR.
Criticism and reviews
List of works
- Shelikhov on Kodiak (story, 1948)
- Along unknown paths (stories, 1950)
- Vasily Pyatov (story, 1952)
- The Case of the “Motley” (story, 1956). Filmed in 1958.
- Black Moth (story, 1958).
- The Last Business (story, 1961)
- Personal search (story, 1963)
- "Trace of the Fox" (story) (1965)
- Flock (story, 1966)
- With many unknowns (story, 1968)
- Circles on the water (story, 1970)
- Corner of a White Wall (story, 1970)
- With an Evil Wind (novel, 1975). Filmed in 1982.
- Loop (novel, 1975). Filmed in
- One o'clock in the morning (story, 1976)
- My favorite genre is detective (1980)
- Evening Circle (story, 1981)
- To the Free Space (novel, 1982)
- A manhunt is underway (novel, 1985)
- Swamp grass (story, 1986)
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Excerpt characterizing Adamov, Arkady Grigorievich
Another hussar also rushed to the horse, but Bondarenko had already thrown over the reins of the bit. It was obvious that the cadet spent a lot of money on vodka, and that it was profitable to serve him. Rostov stroked the horse’s neck, then its rump, and stopped on the porch.“Nice! This will be the horse!” he said to himself and, smiling and holding his saber, ran up onto the porch, rattling his spurs. The German owner, in a sweatshirt and cap, with a pitchfork with which he was clearing out manure, looked out of the barn. The German's face suddenly brightened as soon as he saw Rostov. He smiled cheerfully and winked: “Schon, gut Morgen!” Schon, gut Morgen! [Wonderful, good morning!] he repeated, apparently finding pleasure in greeting the young man.
- Schon fleissig! [Already at work!] - said Rostov with the same joyful, brotherly smile that never left his animated face. - Hoch Oestreicher! Hoch Russen! Kaiser Alexander hoch! [Hurray Austrians! Hurray Russians! Emperor Alexander, hurray!] - he turned to the German, repeating the words often spoken by the German owner.
The German laughed, walked completely out of the barn door, pulled
cap and, waving it over his head, shouted:
– Und die ganze Welt hoch! [And the whole world cheers!]
Rostov himself, just like a German, waved his cap over his head and, laughing, shouted: “Und Vivat die ganze Welt”! Although there was no reason for special joy either for the German, who was cleaning out his barn, or for Rostov, who was riding with his platoon for hay, both these people looked at each other with happy delight and brotherly love, shook their heads as a sign of mutual love and parted smiling - the German to the cowshed, and Rostov to the hut he occupied with Denisov.
- What is it, master? - he asked Lavrushka, Denisov’s lackey, a rogue known to the entire regiment.
- Haven't been since last night. That’s right, we lost,” Lavrushka answered. “I already know that if they win, they’ll come early to brag, but if they don’t win until morning, that means they’ve lost their minds, and they’ll come angry.” Would you like some coffee?
- Come on, come on.
After 10 minutes, Lavrushka brought coffee. They're coming! - he said, - now there’s trouble. - Rostov looked out the window and saw Denisov returning home. Denisov was a small man with a red face, shiny black eyes, and black tousled mustache and hair. He had an unbuttoned mantle, wide chikchirs lowered in folds, and a crumpled hussar cap on the back of his head. He gloomily, with his head down, approached the porch.
“Lavg’ushka,” he shouted loudly and angrily. “Well, take it off, you idiot!”
“Yes, I’m filming anyway,” Lavrushka’s voice answered.
- A! “You’re already up,” Denisov said, entering the room.
“A long time ago,” said Rostov, “I already went for hay and saw the maid of honor Matilda.”
- That's how it is! And I puffed up, bg"at, why"a, like a son of a bitch! - Denisov shouted, without pronouncing the word. - Such a misfortune! Such a misfortune! As you left, so it went. Hey, some tea!
Denisov, wrinkling his face, as if smiling and showing his short, strong teeth, began to ruffle his fluffy black thick hair with both hands with short fingers, like a dog.
“Why didn’t I have the money to go to this kg”ysa (the officer’s nickname),” he said, rubbing his forehead and face with both hands. “Can you imagine, not a single one, not a single one?” "You didn't give it.
Denisov took the lit pipe that was handed to him, clenched it into a fist, and, scattering fire, hit it on the floor, continuing to scream.
- Sempel will give, pag"ol will beat; Sempel will give, pag"ol will beat.
He scattered fire, broke the pipe and threw it away. Denisov paused and suddenly looked cheerfully at Rostov with his sparkling black eyes.
- If only there were women. Otherwise, there’s nothing to do here, just like drinking. If only I could drink and drink.
- Hey, who's there? - he turned to the door, hearing the stopped steps of thick boots with the clanking of spurs and a respectful cough.
- Sergeant! - said Lavrushka.
Denisov wrinkled his face even more.
“Skveg,” he said, throwing away a wallet with several gold pieces. “G’ostov, count, my dear, how much is left there, and put the wallet under the pillow,” he said and went out to the sergeant.
Rostov took the money and, mechanically, putting aside and arranging old and new gold pieces in piles, began to count them.
- A! Telyanin! Zdog "ovo! They blew me away!" – Denisov’s voice was heard from another room.
- Who? At Bykov’s, at the rat’s?... I knew,” said another thin voice, and after that Lieutenant Telyanin, a small officer of the same squadron, entered the room.
Rostov threw his wallet under the pillow and shook the small, damp hand extended to him. Telyanin was transferred from the guard for something before the campaign. He behaved very well in the regiment; but they did not like him, and in particular Rostov could neither overcome nor hide his causeless disgust for this officer.
- Well, young cavalryman, how is my Grachik serving you? - he asked. (Grachik was a riding horse, a carriage, sold by Telyanin to Rostov.)
The lieutenant never looked into the eyes of the person he was talking to; his eyes constantly darted from one object to another.
- I saw you passed by today...
“It’s okay, he’s a good horse,” Rostov answered, despite the fact that this horse, which he bought for 700 rubles, was not worth even half of that price. “She started falling on the left front...,” he added. - The hoof is cracked! It's nothing. I will teach you and show you which rivet to use.
“Yes, please show me,” said Rostov.
“I’ll show you, I’ll show you, it’s not a secret.” And you will be grateful for the horse.
“So I’ll order the horse to be brought,” said Rostov, wanting to get rid of Telyanin, and went out to order the horse to be brought.
In the entryway, Denisov, holding a pipe, huddled on the threshold, sat in front of the sergeant, who was reporting something. Seeing Rostov, Denisov winced and, pointing over his shoulder with his thumb into the room in which Telyanin was sitting, winced and shook with disgust.
“Oh, I don’t like the fellow,” he said, not embarrassed by the sergeant’s presence.
Rostov shrugged his shoulders, as if saying: “Me too, but what can I do!” and, having given orders, returned to Telyanin.
Telyanin was still sitting in the same lazy position in which Rostov had left him, rubbing his small white hands.
“There are such nasty faces,” Rostov thought as he entered the room.
- Well, did they tell you to bring the horse? - Telyanin said, getting up and looking around casually.
- I ordered it.
- Let's go on our own. I just came in to ask Denisov about yesterday’s order. Got it, Denisov?
- Not yet. Where are you going?
“I want to teach a young man how to shoe a horse,” said Telyanin.
They went out onto the porch and into the stables. The lieutenant showed how to make a rivet and went home.
When Rostov returned, there was a bottle of vodka and sausage on the table. Denisov sat in front of the table and cracked his pen on paper. He looked gloomily into Rostov's face.
“I’m writing to her,” he said.
He leaned his elbows on the table with a pen in his hand, and, obviously delighted at the opportunity to quickly say in words everything he wanted to write, expressed his letter to Rostov.
Arkady Grigorievich Adamov (July 13, 1920 - June 26, 1991) - Russian Soviet writer, author of detective stories. Son of the writer Grigory Adamov.
After graduating from high school in 1937, he entered the Moscow Aviation Institute. In 1941, without completing his studies, he volunteered for the front. Red Army soldier OMSBON, participated in the Battle of Moscow and other operations of the Western Front. He was wounded and transferred to the reserve due to illness in 1943. After demobilization, he studied at the history department of Moscow State University and graduated in 1948. At the same time, he was engaged in literary activities, experimenting in various genres.
In 1952, he contacted the leaders of the Moscow Criminal Investigation Department with the wish to give him the opportunity to study the work of the criminal investigation department and, based on the collected materials, prepare literary works that would shed light on the tasks and methods of modern police in a new way. Work on the first story, The Case of the “Motley”, was completed in 1956. But refusal after refusal followed from the editors. The everyday life of the police was considered a topic unworthy of literature; a robbed ordinary person was not the hero of a proper plot. Valentin Kataev, editor-in-chief of Yunost, spotted possible reader interest. In this magazine in 1956, Adamov made his debut as the founder of the genre of the new Soviet detective story.
Adamov published about 30 of his works, including journalistic notes “My favorite genre is detective” and studies on foreign detective literature. A. Adamov is a member of the Union of Writers of the USSR.
