Comparative characteristics of Gavrila and Chelkash. Comparison of Chelkash and Gavrila

Description of work

In the story "Chelkash" M. Gorky describes "a little drama that played out between two people."
Both heroes - Chelkash and Gavrila - come from the village. Chelkash warms his heart with memories of his rural childhood and youth, and Gavrila dreams of a prosperous life in the village. Chelkash understands Gavrila’s wishes and even feels responsible for his fate.
Chelkash has long been torn off from the earth, he is a drunkard and a thief, and that’s what he lives for.
He loves the sea, loves to walk, Gavrila dreams of freedom, which only money can give him, and Chelkash already feels truly free.

Files: 1 file

Comparison of Chelkash and Gavrila

In the story "Chelkash" M. Gorky describes "a little drama that played out between two people."
Both heroes - Chelkash and Gavrila - come from the village. Chelkash warms his heart with memories of his rural childhood and youth, and Gavrila dreams of a prosperous life in the village. Chelkash understands Gavrila’s wishes and even feels responsible for his fate.
Chelkash has long been torn off from the earth, he is a drunkard and a thief, and that’s what he lives for.
He loves the sea, loves to walk, Gavrila dreams of freedom, which only money can give him, and Chelkash already feels truly free.
Chelkash speaks rudely, threatens to kill Gavrila if he “ruins the business,” but these are only threats. Gavrila is still afraid of ruining his soul by engaging in sinful activities, but for the sake of money he is ready to actually ruin his soul by plotting the murder of Chelkashi.
Being in an equal position, Chelkash is morally superior to Gavrila. He throws money in Gavrila's face and "spits in his clean eyes." Gavrila humbly asks for forgiveness, but still takes the money, greed crushes him. Asking for forgiveness is no longer perceived as a moral act. Chelkash behaves nobly again: he forgives the would-be murderer.
The heroes disperse in opposite directions from the place where their clash occurred. The free tramp and thief Chelkash evokes more sympathy than the God-fearing Gavrila, who may improve his economic affairs, but Chelkash will never reach the moral heights.

MAXIM GORKY IN THE STORY “CHELKASH” REVEALS BEFORE US TWO, ON THE ONE SIDE, VERY SIMILAR, AND ON THE OTHER SIDE, DIFFERENT IMAGES. LET'S TURNS TO EACH OF THEM AND TRY TO FIND WHAT THE DIFFERENCE IS.
GRISHKA CHELKASH IS AN AVERAGE DRINKER, A SMART THIEF, AN OLD POISHED WOLF. HE WAS BOOSE. IN OLD WEAR-OUT PANTS, WITHOUT A HAT, IN A DIRTY CATTEN SHIRT WITH A TURN THAT REVEALED HIS DRY AND ANGULAR BONES, COVERED IN BROWN SKIN. LONG, BONEY AND A LITTLE STUNNED.
GAVRILA IS A YOUNG GUY IN A BLUE SHIRT. IN PLASKE PANTS, LOCKED BRAWKS AND A TORN RED CAP. THE GUY IS BROAD SHOULDERED, STOCKY, WITH A TAN AND WEATHER FACE.
AT FIRST, GAVRILA WOULD SEEM MOST PLEASANT FOR US... WE CAN VILLIANTLY REMIND THE RUSSIAN PROVERB: “WE MEET BY CLOTHES, WEEK AWAY BY MIND.” AND INDEED, THE FIRST IMPRESSION IS DECEPTIVE. WE CAN ABSOLUTELY CALL THESE WORDS CORRECT, KNOWING WHAT HAPPENED AT THE DENOUNIUM OF THE STORY. IN THE NEXT WE SEE WHO IS WHO, REALLY. WE CLEARLY NOTE WHAT ARE THE DIFFERENCES BETWEEN GAVRILA AND CHELKASH.
FIRST, THEY HAVE DIFFERENT ATTITUDES TO LIFE. THEIR MORAL VIEWS AND VALUES ARE DIFFERENT. LET THEY BOTH BE GREED, THEY TREAT MONEY DIFFERENTLY. CHELKASH, UNLIKE GAVRILA, IS NOT ABLE TO GO TO KILL A PERSON. CHELKASH BELIEVES IN GOD, TRYING TO LIVE BY CHRISTIAN RULES, DESPITE THE FACT THAT HE WAS A THIEF. GAVRILA IS A MAN WITHOUT MORAL FOUNDATIONS, IN ORDER TO ACHIEVE HIS GOAL, TO MAKE MONEY, WILL DO ANYTHING: BETRAYAL, LIE, AND EVEN MURDER

Gorky’s early work (90s of the 19th century) was created under the sign of “collecting” the truly human: “I recognized people very early and from my youth began to invent Man in order to satiate my thirst for beauty. Wise people... convinced me that I had invented a bad consolation for myself. Then I went to people again and - it’s so clear! “I am returning from them to Man again,” Gorky wrote at that time.

Stories from the 1890s can be divided into two groups: some of them are based on fiction - the author uses legends or composes them himself; others draw characters and scenes from the real lives of tramps.

The story “Chelkash” is based on a real incident. Later, the writer recalled the tramp who served as the prototype for Chelkash. Gorky met this man in a hospital in the city of Nikolaev (Khersones). “I was amazed at the good-natured mockery of the Odessa tramp, who told me the incident I described in the story “Chelkash”. I remember well his smile, revealing his magnificent white teeth - the smile with which he concluded the story about the treacherous act of the guy he hired ... "

The story has two main characters: Chelkash and Gavrila. Both are tramps, poor, both village men, of peasant origin, accustomed to work. Chelkash met this guy by chance, on the street. Chelkash recognized “one of his own” in him: Gavrila was “wearing the same pants, bast shoes and a tattered red cap.” He was of heavy build. Gorky several times draws our attention to large blue eyes, looking trustingly and good-naturedly. With psychological precision, the guy defined Chelkash’s “profession” - “we cast nets along dry banks, over barns, over whips.”

Gorky contrasts Chelkash with Gavril. Chelkash at first “despised”, and then “hated” the guy for his youth, “clean blue eyes”, healthy tanned face, short strong arms, because he has his own house in the village, that he wants to start a family, but most importantly , as it seems to me, this is that Gavrila has not yet known the life that this experienced man leads, because he dares to love freedom, which he does not know the price of, and which he does not need.

Chelkash seethed and shuddered from the insult inflicted by the guy, from the fact that he dared to object to an adult man.

Gavrila was very afraid to go fishing, because this was his first business of this kind. Chelkash was calm as always, he was amused by the guy’s fear, and he enjoyed it and reveled in what a formidable person he, Chelkash, was.

Chelkash rowed slowly and evenly, Gavrila – quickly, nervously. This speaks of strength of character. Gavrila is a beginner, that’s why his first hike is so difficult for him, for Chelkash this is just another hike, a common thing. This is where the negative side of a man comes into play: he doesn’t show patience and doesn’t understand the guy, he yells at him and intimidates him. However, on the way back, a conversation began, during which Gavrila asked the man: “What are you now without land?” These words made Chelkash think, pictures of his childhood, the past, the life that was before the thieves surfaced. The conversation fell silent, but Chelkash even smelled of the village from Gavrila’s silence. These memories made me feel alone, torn out, thrown out of that life.

The climax of the story is the scene of a fight over money. Gavrila was attacked by greed, he became scary, an incomprehensible excitement moved him. Greed took possession of the young man, who began to demand all the money. Chelkash perfectly understood the condition of his ward, went to meet him halfway and gave him the money.

But Gavrila acted basely, cruelly, humiliated Chelkash, saying that he was an unnecessary person and that no one would have missed him if Gavrila had killed him. This, naturally, hit Chelkash’s self-esteem; anyone in his place would have done the same.

Chelkash is undoubtedly a positive hero; Gorky puts Gavrila in contrast to him.

Chelkash, despite the fact that he leads a riotous lifestyle and steals, would never act as basely as this guy. It seems to me that the main things for Chelkash are life and freedom, and he would not tell anyone that his life is worthless. Unlike the young man, he knows the joys of life and, most importantly, life and moral values.

    • In Maxim Gorky's story "Chelkash" there are two main characters - Grishka Chelkash - an old poisoned sea wolf, an inveterate drunkard and a clever thief, and Gavrila - a simple village guy, a poor man, like Chelkash. Initially, I perceived the image of Chelkash as negative: a drunkard, a thief, all in rags, bones covered in brown leather, a cold predatory look, a gait like the flight of a bird of prey. This description evokes some disgust and hostility. But Gavrila, on the contrary, is broad-shouldered, stocky, tanned, […]
    • The beginning of M. Gorky's creative career occurred during a period of crisis in the social and spiritual life of Russia. According to the writer himself, he was pushed to write by the terrible “poor life” and the lack of hope among people. Gorky saw the reason for the current situation primarily in man. Therefore, he decided to offer society a new ideal of a Protestant man, a fighter against slavery and injustice. Gorky knew well the life of the poor, whom society had turned its back on. In his early youth he himself was a “barefoot.” His stories […]
    • Poets and writers of different times and peoples used descriptions of nature to reveal the inner world of the hero, his character, and mood. The landscape is especially important at the climax of the work, when the conflict, the hero’s problem, and his internal contradiction are described. Maxim Gorky could not do without this in the story “Chelkash”. The story, in fact, begins with artistic sketches. The writer uses dark colors (“the blue southern sky darkened by dust is cloudy”, “the sun looks through a gray veil”, […]
    • Anton Pavlovich Chekhov was a remarkable master of the short story and an outstanding playwright. He was called “an intelligent man from the people.” He was not ashamed of his origins and always said that “a man’s blood flows in him.” Chekhov lived in an era when, after the murder of Tsar Alexander II by the Narodnaya Volya, persecution of literature began. This period of Russian history, which lasted until the mid-90s, was called “twilight and gloomy.” In his literary works, Chekhov, as a doctor by profession, valued authenticity [...]
    • In an interview about the play “At the Lower Depths” in 1903, M. Gorky defined its meaning as follows: “The main question that I wanted to pose is what is better, truth or compassion? What is more needed? Is it necessary to take compassion to the point of using lies? This is not a subjective question, but a general philosophical one. At the beginning of the twentieth century, the debate about truth and comforting illusions was associated with a practical search for a way out for the disadvantaged, oppressed part of society. In the play, this debate takes on a special intensity, since we are talking about the fate of people […]
    • Chekhov's tradition in Gorky's dramaturgy. Gorky said in an original way about Chekhov’s innovation, which “killed realism” (of traditional drama), raising images to a “spiritualized symbol.” This marked the departure of the author of “The Seagull” from the acute clash of characters and from the tense plot. Following Chekhov, Gorky sought to convey the leisurely pace of everyday, “eventless” life and highlight in it the “undercurrent” of the characters’ inner motivations. Naturally, Gorky understood the meaning of this “trend” in his own way. […]
    • Name of the hero How he got to the bottom Peculiarities of speech, characteristic remarks What Bubnov dreams of In the past, he owned a dyeing workshop. Circumstances forced him to leave in order to survive, while his wife got along with the master. He claims that a person cannot change his destiny, so he floats with the flow, sinking to the bottom. Often displays cruelty, skepticism, and lack of good qualities. "All people on earth are superfluous." It’s hard to say that Bubnov is dreaming of something, given [...]
    • The story “The Old Woman Izergil” (1894) is one of the masterpieces of M. Gorky’s early work. The composition of this work is more complex than the composition of the writer's other early stories. The story of Izergil, who has seen a lot in her life, is divided into three independent parts: the legend of Larra, Izergil’s story about her life, and the legend of Danko. At the same time, all three parts are united by a common idea, the author’s desire to reveal the value of human life. The legends about Larra and Danko reveal two concepts of life, two […]
    • The life of M. Gorky was unusually bright and seems truly legendary. What made it so, first of all, was the inextricable connection between the writer and the people. The talent of a writer was combined with the talent of a revolutionary fighter. Contemporaries rightly considered the writer the head of the advanced forces of democratic literature. During the Soviet years, Gorky acted as a publicist, playwright and prose writer. In his stories he reflected the new direction in Russian life. The legends about Larra and Danko show two concepts of life, two ideas about it. One […]
    • The greatest achievement of civilization is not a wheel or a car, not a computer or an airplane. The greatest achievement of any civilization, any human community is language, that method of communication that makes a person human. Not a single animal communicates with its own kind using words, does not pass on records to future generations, does not build a complex non-existent world on paper with such plausibility that the reader believes in it and considers it real. Any language has endless possibilities for […]
    • Gorky's life was full of adventures and events, sharp turns and changes. He began his literary career with a hymn to the madness of the brave and stories glorifying the man-fighter and his desire for freedom. The writer knew the world of ordinary people well. After all, together with them he walked many miles along the roads of Russia, worked in ports, bakeries, with rich owners in the village, spent the night with them in the open air, often falling asleep hungry. Gorky said that his wandering around Rus' was not caused by [...]
    • In the work of early Gorky there is a combination of romanticism and realism. The writer criticized the “leaden abominations” of Russian life. In the stories “Chelkash”, “The Orlov Spouses”, “Once Upon a Time in Autumn”, “Konovalov”, “Malva”, he created images of “tramps”, people broken by the existing system in the state. The writer continued this line in the play “At the Bottom.” In the story "Chelkash" Gorky shows two heroes, Chelkash and Gavrila, the clash of their views on life. Chelkash is a tramp and a thief, but at the same time he despises property and […]
    • Larra Danko Character Brave, decisive, strong, proud and too selfish, cruel, arrogant. Incapable of love, compassion. Strong, proud, but capable of sacrificing his life for the people he loves. Courageous, fearless, merciful. Appearance A handsome young man. Young and handsome. The look is cold and proud, like that of the king of beasts. Illuminates with strength and vital fire. Family ties Son of an eagle and a woman Representative of an ancient tribe Life position Doesn’t want […]
    • The drama opens with an exposition in which the main characters are already introduced, the main themes are formulated, and many problems are posed. Luke's appearance in the rooming house is the beginning of the play. From this point on, different life philosophies and aspirations begin to be tested. Luke's stories about the “righteous land” are the culmination, and the beginning of the denouement is the murder of Kostylev. The composition of the play is strictly subordinated to its ideological and thematic content. The basis of the plot movement is the testing of philosophy by life practice [...]
    • Gorky's romantic stories include “Old Woman Izergil”, “Makar Chudra”, “The Girl and Death”, “Song of the Falcon” and others. The heroes in them are exceptional people. They are not afraid to tell the truth and live honestly. The gypsies in the writer’s romantic stories are full of wisdom and dignity. These illiterate people tell the intellectual hero deep symbolic parables about the meaning of life. The heroes Loiko Zobar and Rada in the story “Makar Chudra” oppose themselves to the crowd and live according to their own laws. More than anything else, they value [...]
    • The revival of the name of Maxim Gorky after reconsidering the place of his work in Russian literature and renaming everything that bore the name of this writer must definitely happen. It seems that the most famous play from Gorky’s dramatic heritage, “At the Lower Depths,” will play a significant role in this. The genre of drama itself assumes the relevance of the work in a society where there are many unresolved social problems, where people know what it means to spend the night and be homeless. M. Gorky's play “At the Lower Depths” is defined as a socio-philosophical drama. […]
    • The play “At the Lower Depths,” according to Gorky, was the result of “almost twenty years of observations of the world of “former people”.” The main philosophical problem of the play is the dispute about truth. Young Gorky, with his characteristic determination, took on a very difficult topic, which the best minds of mankind are still struggling with. Unambiguous answers to the question “What is truth?” haven't found it yet. In the heated debates waged by M. Gorky’s heroes Luka, Bubnov, Satin, the uncertainty of the author himself, the inability to directly answer […]
    • What is truth and what is lie? Humanity has been asking this question for hundreds of years. Truth and lies, good and evil always stand side by side, one simply does not exist without the other. The collision of these concepts is the basis of many world-famous literary works. Among them is M. Gorky’s social and philosophical play “At the Lower Depths”. Its essence lies in the collision of life positions and views of different people. The author asks a question characteristic of Russian literature about two types of humanism and its connection with […]
    • In the early 900s Dramaturgy became the leading one in Gorky’s work: one after another the plays “The Bourgeois” (1901), “At the Lower Depths” (1902), “Summer Residents” (1904), “Children of the Sun” (1905), “Barbarians” (1905), “Enemies” (1906). The social and philosophical drama “At the Lower Depths” was conceived by Gorky back in 1900, first published in Munich in 1902, and on January 10, 1903 the play premiered in Berlin. The play was performed 300 times in a row, and in the spring of 1905 the 500th performance of the play was celebrated. In Russia “At the Lower Depths” was published by […]
    • In his stories, A.P. Chekhov constantly refers to the theme of the “little man.” Chekhov's characters are spiritual slaves of a society devoid of higher values ​​and the meaning of life. A painful, everyday, gray reality surrounds these people. They are isolated in a little world that they have created for themselves. This theme unites the so-called little trilogy, written by Chekhov in the late 1890s. and consisting of three stories: “Man in a Case”, “Gooseberry”, “About Love”. The hero of the first story is a Greek teacher […]
  • Gavrila is one of the central characters in M.A.’s story. Gorky "Chelkash". The narrative is based on the contrast between Chelkash (an experienced and clever thief and an experienced drunkard) and Gavrila (a young unemployed peasant). Let us dwell in more detail on the analysis of the image of the latter.

    Gavrila is a stocky village youth. He failed trying to make money in the city to support himself and his mother. Now all he had to do was return home, marry a wealthy bride and become a farm laborer. Chelkash immediately disliked him for the strength and health that the young man radiated: “... I hated him because he had such clear blue eyes, a healthy tanned face, short strong arms...”, while the main character at first sight I was attracted by the good nature and gullibility of the peasant.

    At the same time, Gavrila is a coward - by agreeing to deal with a thief-smuggler, he appears to the reader as a coward. He is scared to the point of tears, he does not want to complete the matter and wants Chelkash to let him go. Already here we can see the contrast between a fearless and, most importantly, free drunken adventurer and a frightened slave of his life. Chelkash convinces him to finish the job, but then the essence of the hero is revealed to the reader in a new light.

    Gavrila receives a small part of the total proceeds and greed awakens in his soul. The poor peasant is overcome by an uncontrollable feeling of greed, while he feels weaker than his partner, falling to his knees and begging him for money. He is dependent, unlike Chelkash, dependent on his condition, dependent on his passions (greed), dependent on a drunkard he barely knows. The emotions that arise in an unhappy person push him to a rash act - he throws a stone at Chelkash. His tossing and turning - he either runs away, then returns and bitterly repents of what he has done - again testifies to us of the weakness of his personality. He cannot be consistent here either. Fearfulness, cowardice - this is the weakness of his human soul.

    It is important to talk about how Chelkash himself sees his partner. He does not understand how he can torture himself so much for the sake of money; pity for the poor man is combined with disgust for such a vision of the world. Chelkash feels superior to Gavrila, he calls him “young calf” and “child”. He gives the money to the peasant, realizing that nothing can fix such a soul. It is in the comparison of Chelkash and Gavrila that we understand all the pettiness and meanness of the second.

    Lack of self-esteem, steadfastness of character and moral values, fearfulness and greed of Gavrila - these are the qualities that are emphasized by M. Gorky. He lacks that thirst for freedom that is inherent in Chelkash, therefore, despite the fact that in the end most of the money remains with Gavrila, it is Chelkash who emerges from the little drama on the seashore as the winner.

    In the early work of the writer, the main place is occupied by romantic moods. The inseparable connection between man and nature, special attention to the individual, which combines loneliness and freedom, a challenge to society and its laws, the conflict between the protagonist and the antagonist - these features of romanticism are reflected in the story “Chelkash”.

    Option 2

    In his work (Chelkash), Maxim Gorky pays special attention to the personality and inner shell of a person, revealing to the reader how deceptive the outer shell can be. The main theme of the novel is the confrontation between two heroes, Chelkash (a thief and a drunkard) and the unemployed ordinary peasant Gavrila.

    Gavrila is a strong, healthy guy, with brown hair and broad shoulders. It was not possible to make money in Kuban, and he was again forced to return to his village. After the death of his father, Gavrila was forced to go to work as a farm laborer to feed himself and his mother. The young man has a good disposition, beautiful appearance and an open look. It was for this reason that Chelkash was disliked. Although, on the other hand, he liked Gavrila’s simplicity and kind soul.

    Their meeting happened completely by chance. A dispute between them about dexterity and courage led to the fact that the young man agrees to go on a “dark deed” with a smuggler thief. It is this incident that completely reveals the entire essence and nature of Gavrila. He turns out to be an ordinary coward.

    Gavrila experiences panic and tries in every possible way to avoid what is happening. But Chelkash convinces Gavrila to complete his plan. Having received a small amount, the young man is overwhelmed by a feeling of greed and greed. He falls to his knees in front of Chelkash and begins to beg for more money. This moment shows the entire inner essence of Gavrila, he is dependent on circumstances and his own greed.

    The young man is so tormented by his flaring emotions that out of despair, without thinking, he throws a stone at Chelkash. Personal weakness lies in constant confusion and one’s own weakness. The young guy either becomes a coward and runs away, then returns again and repents of what he has done. Chelkash has ambivalent feelings for Gavrila. On the one hand, it is pity and misunderstanding how one can torment oneself so much for the sake of money. On the other hand, he is disgusted by this state of the human soul. In the end he gives most of the money to Gavrila. Chelkash understands all the pettiness and meanness of the young man’s nature.

    The image of Gavrila is the essence of a petty, mean and greedy person who lacks self-esteem and moral values. He is completely dependent on his own desires and circumstances. Cowardice and weakness are the main traits of Gavrila.

    Essay about Gavrila from the work Chelkash

    Maxim Gorky's story "Chelkash" tells the story of a thief. Grigory Chelkash is well known to people who live on the coast. Everyone knows him as an avid drunkard and a brave thief.

    Gavrila, an ordinary peasant man. In Gorky's story, he appears to the reader as a nice guy who works to support his mother and home.

    Such two different people meet completely by chance. A dispute ensues between them about who is better and more dexterous. Chelkash decides to take Gavrila on the case. To do this, he treats the guy in a tavern and thereby gains confidence in him. Chelkash becomes something of a master for Gavrila. He feels strength in Grigory, begins to trust him, and Gavrila is imbued with a certain feeling of gratitude and submission to him.

    While the men are sailing to steal, Gavrila is overcome with fear many times. Here the reader understands that this “nice guy,” a simple peasant, is in fact a coward. Gavrila asks Chelkash to let him go. Because of this, there is noise in the boat and they are almost overtaken by the keepers of order. But everything goes well, the business is completed, and the men sail to sell their booty.

    Gavrila, who was cowardly and timid before the sea, seeing how much money Chelkash received for the stolen thing, begins to think about how much he could do on his land if he had so much money. Here the most terrible human vice awakens in the “nice guy” - greed. The author of the story describes the feeling that arose in Gavril as very exciting, exciting and revealing in a person all the worst that can be.

    Chelkash, although a thief, kept his word and gave Gavrila money. But this was not enough for the hero. Then Gavrila decided to beg Chelkash for all the money. The drama that takes place on the seashore between two people shows the reader the consequences of greed. In this story, Gavrila was ready to kill a person just to get all the money for the stolen item.

    At the beginning of Maxim Gorky's story "Chelkash" Gavrila appears as an ordinary peasant who farms the land and works to feed his family. But subsequently the author reveals in this hero the lowest and most terrible human qualities such as cowardice, greed and anger.

    This story teaches the reader that a person must be honest, be able to live within his means and find the good sides in his life.

    Several interesting essays

    • Essay description based on the painting by Turnip Driver Valya

      I have an interesting task - to look at the painting “Driver Valya”. Of course, it is easy to be deceived - to think that Valya is a man, since he is a driver.

    • The theme of love in the novel Quiet Don Sholokhov essay

      There is no more mysterious and beautiful feeling in the world than love. It is sung in countless works of Russian and foreign literature. It is she who gives a person the opportunity to live and overcome any obstacles.

    • Analysis of Chekhov's story Chamber No. 6, grade 10

      With his amazing talent for writing amazing stories that can touch a nerve, Anton Pavlovich Chekhov amazes the minds of readers. Often the former doctor was worried about thoughts related to the spiritual development of a person

    • The most difficult war in the history of this world was the Great Patriotic War. She tested the strength and will of our people for more than a single year, but our ancestors passed this test with honor.

    • The Battle of Austerlitz in Tolstoy's novel War and Peace (analysis)

      The Battle of Austerlitz was lost from the start. The military understood this. Prince Bagration defiantly did not come to the military council. He knew the outcome of this battle in advance. Other generals

    In this work, the author tried to contrast the main character with another character. This made it possible to most clearly reveal their character and show how strikingly different their views on life are. A comparative description of Chelkash and Gavrila from Maxim Gorky’s story “Chelkash” will introduce the reader to two completely different people, whose true colors were revealed in a specific situation.

    Origin

    Grishka Chelkash and Gavrila both come from the village. They know firsthand what hard work is. Both have been accustomed since childhood to plow from morning to night. Everyone still has a family in the village. Chelkash has a wife and child. Gavrila has an old mother and a fiancee.

    Appearance

    Chelkash. Gregory appears in the form of a tramp and a drunkard. An aged man. In dirty clothes. Sloppy and unkempt. The smell of a body that had not been washed for a long time hit my nose. His appearance makes a repulsive impression. Cold, gray eyes. The nose is straight and predatory. The look is sharp, piercing right through. His brown mustache was constantly quivering. Movements are abrupt and jerky.

    Gavrila. A simple, country guy of about 20 years old. A Russian hero of strong build. Strong shoulders and arms. Skin tanned. Brown hair. Light blue eyes shone with kindness. The look is open and good-natured. He immediately endeared himself to his interlocutor. His image inspired confidence. He dressed modestly. All his clothes were shabby, but at the same time, he looked neat.

    Attitude to freedom

    At Gavrila's The concept of freedom lies in material well-being. Only if he has money can he feel like a human being. He often imagined how he would return home, fix the collapsed household, raise his sick mother to her feet, and get married. Without money, he has no choice but to become a son-in-law to his rich father-in-law, on whom he will have to live the rest of his life.

    Grishka I never put money above all else. They flew away as quickly as they appeared. Freedom for him is a broader concept. He has no responsibility for the family with which he separated long ago, no dependence on social conventions. He doesn’t care where to live or how. Just looking at the sea, he felt absolutely free and happy. At these moments, he invariably felt how his soul was cleansed of filth and he himself seemed to be exalted above the entire world around him and its eternal vanity.

    Character traits

    Chelkash:

    • Kind;
    • responsive;
    • generous;
    • thinking;
    • suffering;
    • capable of deep feelings;
    • romantic;
    • proud;
    • risky;
    • desperate;
    • noble.

    Gavrila:

    • confiding;
    • good-natured;
    • petty;
    • greedy;
    • vile;
    • cowardly;
    • weak;
    • dependent on passions.

    Common cause. The true face of every hero

    Having agreed to earn some money in a dubious way, Gavrila soon regrets the hasty decision. He became cowardly and was ready to go astray without completing the work he started. Having received a small part of the amount earned, greed awakens in the guy. An uncontrollable feeling of greed made him feel weaker than his partner. He begged Chelkash to give him all the money. Unable to control his emotions, he throws a stone at him and runs away from the crime scene along with the proceeds. Fear and cowardice forced him to return to the wounded Chelkash. He asks for forgiveness, trying to atone for a low deed, but how can this cleanse the soul if it is dirty?

    Chelkash is accustomed to treating his work with responsibility. Having completed the task, he receives the amount promised to him. For him, these are just pieces of paper that do not play a special role in life. When he sees that Gavrila needs them more, he easily parts with them, which speaks of his generosity and kindness. He even managed to forgive Gavrila after he found out that the guy wanted to kill him for money. Chelkash evokes admiration and respect, unlike Gavrila, who is capable of committing murder for his own benefit.

    Gorky’s early work (90s of the 19th century) was created under the sign of “collecting” the truly human: “I recognized people very early and from my youth began to invent Man in order to satiate my thirst for beauty. Wise people... convinced me that I had invented a bad consolation for myself.

    Then I went to people again and - it’s so clear! “I am returning from them again to Man,” Gorky wrote at that time.

    Stories from the 1890s can be divided into two groups: some of them are based on fiction - the author uses legends or composes them himself; other

    They draw characters and scenes from the real life of tramps.

    The story “Chelkash” is based on a real incident. Later, the writer recalled the tramp who served as the prototype for Chelkash. Gorky met this man in a hospital in the city of Nikolaev (Khersones). “I was amazed at the good-natured mockery of the Odessa tramp who told me the incident I described in the story “Chelkash.” I remember well his smile, revealing his magnificent white teeth - the smile with which he concluded the story about the treacherous act of the guy he hired ... "

    The story has two main characters: Chelkash and Gavrila.

    Both are tramps, poor, both village men, of peasant origin, accustomed to work. Chelkash met this guy by chance, on the street.

    Chelkash recognized “one of his own” in him: Gavrila was “in the same pants, bast shoes and a tattered red cap.” He was of heavy build. Gorky several times draws our attention to large blue eyes, looking trustingly and good-naturedly.

    With psychological precision, the guy defined Chelkash’s “profession” - “we throw nets along dry banks, over barns, over whips.”

    Gorky contrasts Chelkash with Gavril. Chelkash at first “despised”, and then “hated” the guy for his youth, “clean blue eyes”, healthy tanned face, short strong arms, because he has his own house in the village, that he wants to start a family, but most importantly , as it seems to me, this is that Gavrila has not yet known the life that this experienced man leads, because he dares to love freedom, which he does not know the price of, and which he does not need.

    Chelkash seethed and shuddered from the insult inflicted by the guy, from the fact that he dared to object to an adult man.

    Gavrila was very afraid to go fishing, because this was his first business of this kind. Chelkash was calm as always, he was amused by the guy’s fear, and he enjoyed it and reveled in what a formidable person he, Chelkash, was.

    Chelkash rowed slowly and evenly, Gavrila – quickly, nervously. This speaks of strength of character. Gavrila is a beginner, that’s why his first hike is so difficult for him, for Chelkash this is just another hike, a common thing. This is where the negative side of a man comes into play: he doesn’t show patience and doesn’t understand the guy, he yells at him and intimidates him.

    However, on the way back, a conversation began, during which Gavrila asked the man: “What are you now without land?” These words made Chelkash think, pictures of his childhood, the past, the life that was before the thieves surfaced. The conversation fell silent, but Chelkash even smelled of the village from Gavrila’s silence. These memories made me feel alone, torn out, thrown out of that life.

    The climax of the story is the scene of a fight over money. Gavrila was attacked by greed, he became scary, an incomprehensible excitement moved him. Greed took possession of the young man, who began to demand all the money.

    Chelkash perfectly understood the condition of his ward, went to meet him halfway and gave him the money.

    But Gavrila acted basely, cruelly, humiliated Chelkash, saying that he was an unnecessary person and that no one would have missed him if Gavrila had killed him. This, naturally, hit Chelkash’s self-esteem; anyone in his place would have done the same.

    Chelkash is undoubtedly a positive hero; Gorky puts Gavrila in contrast to him.

    Chelkash, despite the fact that he leads a riotous lifestyle and steals, would never act as basely as this guy. It seems to me that the main things for Chelkash are life and freedom, and he would not tell anyone that his life is worthless. Unlike the young man, he knows the joys of life and, most importantly, life and moral values.


    (No Ratings Yet)


    Related posts:

    1. Chelkash and Gavrila (based on M. Gorky’s story “Chelkash”) Gorky’s early work (90s of the 19th century) was created under the sign of “collecting” the truly human: “I recognized people very early and from my youth I began to invent Man in order satiate my thirst for beauty. Wise people... convinced me that I had invented a bad consolation for myself. Then I went to the people again and [...]
    2. Maxim Gorky wrote his works in the style of realism; in his initial works, notes of romance are felt. The characters in the stories live in harmony with nature. All the heroes of Gorky’s works are very interesting personalities who look at the world around them in their own way. So our two main characters had a conflict, due to the fact that each perceived the world in their own way. Writer […]...
    3. In 1894, the great Russian writer M. Gorky wrote his story “Chelkash”. Already in 1895, “Chelkash” was published in the magazine “Russian Wealth”. This story brought the author wide fame. For the first time in Russian literature, the main character of the work is a thief, Chelkash. At the same time, the author does not criticize his hero, but shows that there are such “correct” people who […]...
    4. Their dissimilarity is manifested primarily in appearance. Grishka Chelkash, “an old poisoned wolf, an inveterate drunkard. He was barefoot, in old worn out corduroy pants, without a hat, in a fine cotton shirt, with a torn collar, revealing his dry angular bones, covered in brown leather.” Chelkash’s whole appearance was predatory, the author compares him to a steppe hawk, his gaze is sharp, his eyes […]...
    5. From early childhood, Maxim Gorky had a hard life “among people.” He worked in different places, which allowed him to observe people's lives and their destinies. He was interested in everything that happened in Russia. And, as far as possible, he tried to participate in everything. Gorky traveled a lot in Italy. Observing the life of the Italian people, he created a book […]...
    6. Most of M. Gorky's works are written in the style of realism, but his early stories have a romantic spirit. The main characters of these stories live in close connection with nature. The writer identifies nature and man. In his works, he gives preference to people who are free from the laws of society. These heroes have interesting views and behavior. The main character always has an antagonist […]...
    7. Many different thoughts and experiences arose in me when I read M. Gorky’s story “Chel-kash”. The writer was able to accurately convey the whole picture of the miserable existence of people, to penetrate into their innermost dreams. He showed what people turn into when they are driven to despair and hopelessness at the sight of someone else's happiness and wealth. “Grishka Chelkash is an inveterate drunkard and a clever, brave thief.” […]...
    8. A comparative description of two heroes in a work helps the author to depict his characters more clearly and clearly. When compared, the images of heroes can be revealed from the most unexpected side. This happened with Chelkash and Gavrila from M. Gorky’s story “Chelkash”. Chelkash is a representative of the “bottom” of a big city. He is well known to everyone working in the harbor, “an inveterate drunkard and a clever, brave thief.” Author […]...
    9. The main feature of Maxim Gorky's work is the exposure of bourgeois morality and individualism. His works glorify heroic deeds in the name of freedom and happiness. He realizes the idea of ​​a man-doer, a fighter, a hero. His works with romantic heroes shocked the Russian reader with faith in the omnipotence of the free human spirit, a passionate, all-encompassing thirst for renewal, and a life-affirming faith in heroism. The main characters of Gorky’s work […]...
    10. In the story “Chelkash” M. Gorky describes “a little drama that played out between two people.” Both heroes - Chelkash and Gavrila - come from the village. Chelkash warms his heart with memories of his rural childhood and youth, and Gavrila dreams of a prosperous life in the village. Chelkash understands Gavrila’s wishes and even feels responsible for his fate. Chelkash has long been torn from the ground, [...]
    11. The drama that played out between Cheklash and Gavrila was that Chelkash provoked, without meaning to, Gavrila’s attempt to kill him. Gavrila, Chelkash’s accomplice in the last theft, placed Chelkash above him in his mind (“unnecessary on earth” - this is how he evaluates Chelkash’s life). He belittled Chelkash with his limitations, lack of understanding of the meaning of life, dislike of the sea and freedom. […]...
    12. In the 90s, M. Gorky turned to the topic of tramps, writing realistic stories in which he depicted a number of images of tramps, people thrown out of life by life itself. In nineteen hundred and two, Gorky wrote the play “At the Depths,” which was an accusatory act against the capitalist system, which mercilessly cripples people. Throughout his life, with all his creativity, Gorky fights for a man with a capital M. […]...
    13. This story is dedicated to the topic of tramping. Tramps are a special category of people who fall to the “bottom” of life. These people themselves choose their way of life - freedom, and this work tells about one story from the life of a tramp (the author calls it a little drama). The main characters are Chelkash and the village boy Gavrila, but the story is called “Chelkash”, so the author singles out the tramp […]...
    14. Grishka Chelkash, “an old poisoned wolf, an avid drunkard. He was barefoot, in old, worn-out corduroy trousers, without a hat, in a fine cotton shirt, with a torn collar, revealing his dry, angular bones, covered in brown leather.” Chelkash's whole appearance was predatory; the author compares him to a steppe hawk, his gaze is sharp, his eyes are cold. The author describes Gavrila as follows: “... young […]...
    15. The story begins with an impressive picture of a trading port: a cacaphony of sounds, colors, piles of goods, long lines of loaders, sweaty, dusty, ragged - everything here “breathes with the powerful sounds of a passionate hymn to Mercury,” the god of trade. In this description, one senses the author’s cruel irony in relation to capitalist civilization, into which Russia was lucky enough to enter in the last quarter of the 19th century. And it ends [...]
    16. Gorky M. 1 Grishka Chelkash appears, “an inveterate drunkard and a clever, brave thief.” “Even here, among hundreds of sharp tramp figures just like him, he immediately attracted attention with his resemblance to a steppe hawk, his predatory thinness and this aiming gait, smooth and calm in appearance, but internally excited and vigilant, like years that […]...
    17. Chelkash... Beggar. He walked barefoot, in old, worn-out pants, without a hat, in a dirty cotton shirt with a torn collar. He was a person of no use to anyone, he had no friends, roughly speaking, he was the dregs of society. He was not interested in tomorrow, he lived for today: “As long as it’s good today, and for tomorrow, we’ll think about it tomorrow.” […]...
    18. Gavrila is one of the central characters in M. A. Gorky’s story “Chelkash”. In the early work of the writer, the main place is occupied by romantic moods. The inseparable connection between man and nature, special attention to the individual, which combines loneliness and freedom, a challenge to society and its laws, the conflict between the protagonist and the antagonist - these features of romanticism are reflected in […]...
    19. The story opens with a description of the port. People's voices barely make it through the noise of steamship propellers, the ringing of anchor chains, etc. 1 Grishka Chelkash appears, “an inveterate drunkard and a clever, brave thief.” “Even here, among hundreds of sharp tramp figures just like him, he immediately attracted attention with his resemblance to a steppe hawk, his predatory thinness and [...]
    20. Chelkash, the hero of the story of the same name by M. Gorky, is a poor drunkard. His appearance was unattractive: he walked barefoot, was dressed in old, worn-out trousers, a dirty cotton shirt, with a torn collar, and without a hat. This man was not needed by anyone, had no friends. People like him were called the scum of society. Tomorrow does not interest him, for him [...]
    21. Ideological and artistic originality “Chelkash” is an early story by Gorky, one of a series of stories about people from the people who carry high ethical qualities. The main pathos is the affirmation of the high creative capabilities of a person from the people. According to the author himself, “Chelkash” is a small drama that plays out between two people. The conflict is associated with a situation of wandering, flight from one’s native nest. On […]...
    22. The story “Chelkash” is the early work of M. Gorky. Gorky finished work on the story in the summer of 1894. But the creation saw the light only in 1895, it was published in the magazine “Russian Wealth” in the June issue. The impetus for writing the story was a story the author heard in a hospital ward in the city of Nikolaev. M. Gorky in this story touches on the main problem of […]...
    23. At the literature lesson we got acquainted with the work of the outstanding Russian poet of the 19th century M. Gorky. The author became especially famous for the story “Chelkash,” written in 1894, which is still relevant today. In the work, the author uses an antithesis, which allows you to pay attention to the distinctive features of the heroes: appearance, speech, social and property status, as well as views, features […]...
    24. The image of Chelkash appears almost at the very beginning of the story, immediately after the description of the harbor, where the main character should soon appear. Among local residents, Chelkash is known as an uncontrollable drunkard, a brave thief and a clever sly. Despite his far from young age, he gets things done often and always successfully. As in other works of Gorky, in this story [...]
    25. In his early romantic stories, Maxim Gorky expressed his attitude to life and people, his view of the era. The heroes of many of these stories are so-called. tramps. The writer portrays them as brave and strong-hearted people. The main thing for them is freedom, which tramps, like all of us, understand in their own way. They dream passionately [...]
    26. The story “Chelkash” was written by M. Gorky in the summer of 1894 and published in No. 6 of the magazine “Russian Wealth” for 1895. The work is based on a story told to the writer by a neighbor in a hospital ward in the city of Nikolaev. The story opens with a detailed description of the port, in which the author emphasizes the contradiction between the scale of the various works and the ridiculous and pitiful figures of the people living in slave […]...
    27. Gorky not only showed the victims of an unjust social system, but deeply penetrated into their psychology, revealing the individual uniqueness of each person, even the most downtrodden person. The severity of life and the struggle for existence distort the psyche of people, giving rise to anger, cruelty, and cunning in them. But in Gorky’s works there also appeared people who highly value human dignity, protest against humiliation, lies and [...]
    28. Landscape in M. Gorky's story “Chelkash” Poets and writers of different times and peoples used descriptions of nature to reveal the inner world of the hero, his character, and mood. The landscape is especially important at the climax of the work, when the conflict, the hero’s problem, and his internal contradiction are described. Maxim Gorky could not do without this in the story “Chelkash”. The story, in fact, begins with artistic [...]
    29. In Maxim Gorky's story "Chelkash" there are two main characters - Grishka Chelkash - an old poisoned sea wolf, an inveterate drunkard and a clever thief, and Gavrila - a simple village guy, a poor man, like Chelkash. Initially, I perceived the image of Chelkash as negative: a drunkard, a thief, all in rags, bones covered in brown leather, a cold predatory look, a gait like the flight of a bird of prey. […]...
    30. Gorky not only showed the victims of an unfair suspense, but also penetrated deeply into their psychology, revealing the individual peculiarity of the skin, like the most downtrodden person. The hardness of life and the struggle for sleep spoil the psyche of people, giving rise to anger, cruelty, and cunning. But among Gorky’s works, people appeared who highly value human goodness, protest against humiliation, nonsense and […]...
    31. Maxim Gorky's stories about tramps reflected a new phenomenon in Russian life. In the 1890s, the number of so-called lumpenproletarians, that is, people essentially doomed to poverty, increased significantly. And if most writers portrayed such heroes as rejected by society, relegated to the lowest degree of degradation, then Gorky looked at the “outcasts” differently. The writer’s heroes are freedom lovers, prone to [...]
    32. 1. Grigory Chelkash “a drunken and experienced thief” appeared. “Even in those places where, besides him, there were dozens of other brave and strong figures, the man knew how to attract attention to himself. He looked like a hawk - a predator of the steppe. His predatory thinness and gait, very smooth and calm at first glance, raged inside and was as watchful as [...]
    33. To begin with, I will retell the story, then I will talk about its place in the writer’s work and voice the main idea. The story begins with a description of the harbor: “The ringing of anchor chains, the dull knock of wood, the rattling of carriage carts...” Then the author describes the appearance in the harbor of Chelkash, an old poisoned wolf, well known to the Havana people, an inveterate drunkard and a clever, brave thief. To go to the next “business”, [...]
    34. The story “Chelkash” belongs to the early romantic works of M. Gorky. It is part of the series of so-called stories about tramps. The writer has always been interested in this “class” of people that formed in Russia in the late 19th and early 20th centuries. Gorky considered tramps to be interesting “human material”, seemingly outside society. In them he saw a kind of embodiment of his human ideals: “I [...]
    35. Exam question (ticket number 15, question 2) The scene of the final explanation of Chelkash and Gavrila as the culmination of the narrative in M. Gorky’s story “Chelkash” The early period of Maxim Gorky’s work is characterized by the creation of a number of works of a romantic orientation. Romantic art is distinguished by the emphasized brightness of human characters and the increased drama of life circumstances. In such stories as “Makar Chudra”, “Old Woman Izergil”, the writer uses […]...
    36. Maxim Gorky Chelkash “The blue southern sky, darkened with dust, is cloudy; the hot sun looks into the greenish sea, as if through a thin gray veil; it is almost not reflected in the water... Vanity and confusion reign in the port. People seem insignificant in this noise. What they created enslaved and depersonalized them.” A line of loaders carrying thousands of pounds of bread in order to [...]
    37. Landscape plays an extremely important role in Gorky's early stories. The sea is where the action takes place. The hero is tested by his relationship to the sea. Chelkash loves and understands the sea, he belongs in the sea, Gavrila is a down-to-earth person, in the literal and figurative sense of the word, he is afraid of the sea. The final landscape suggests that the sea is protesting that [...]
    38. At the very beginning of the work, you can completely immerse yourself in the atmosphere that reigns in the seaport. The people there are all the same, tired and sometimes even dull from this fatigue. Everyone is making noise and shouting. Against the background of human cries one can hear the sounds of the sea, various mechanisms, ferries, ships, birds. This all creates a unified working music that seemed to be playing there. But she becomes [...]
    39. “The blue southern sky, darkened by dust, is cloudy; the hot sun looks into the greenish sea, as if through a thin gray veil; it is almost not reflected in the water... Vanity and confusion reign in the port. People seem insignificant in this noise. What they created enslaved and depersonalized them.” A line of loaders carrying thousands of pounds of bread in order to earn their […]...
    40. Vagility is an interesting phenomenon in the social life of Russia at the end of the 19th and beginning of the 20th century. The Modern Explanatory Dictionary gives the following brief definition of a tramp - “a degraded person from the declassed strata of the population.” But behind this laconic formulation lies a whole philosophy of life, an interesting culture, a special view of the world. M. Gorky is one of many writers who was interested in the phenomenon of trampling. Especially […]...