Applications of geometric shapes for the little ones. Application of geometric shapes for children

Tatiana Nogina

Dear colleagues! Glad to see you on my blog! I have been conducting circle work for two years now. This is a very rewarding and exciting job. This work not only helps you remember geometric figures, but also to fantasize, develops logical thinking. And the aroused interest in work helps to remember better geometric figures. Children themselves can come up with an idea for what figure It is better to use for any detail.

There lived a cheerful hippopotamus.

His stomach didn't bother him.

He lived noisily in the swamp

And he was friends with frogs.

He loved to sing very, very much.

He sang with wahs until the night. (Loseva S.)


Huge wonderful hippopotamus

Lives only in Africa.

Round and big belly

Wide open mouth. (Volkov P.)

The children were delighted with the work done. Everyone got their own “Cheerful Hippo”. You can not only admire them, but also play with them. And if you stick a magnet on the back side, you can stick it on the refrigerator.

I would be glad if I helped someone with their work.

Publications on the topic:

Educational goal: To organize children’s activities to consolidate the concepts of what a circle, a triangle are and the ability to distinguish from each other.

Dear teachers and parents, I offer you an applique of geometric shapes that you can do with your children. Applications will help your.

A very easy to make game "Geometric Shapes". Kira chooses geometric figures, matching them with the figures on the game board.

Leisure “In the Land of Geometric Shapes” Leisure “In the Land of Geometric Shapes” Technologies: 1. Energy saving. 2. Problem-based games. 3. Developmental. 4. Informational. 5. Cognitive.

Summary of integrated educational activities in the middle group “Applique of geometric shapes “Lion Cub” Integration of educational.

Short-term educational practice “Applique of geometric shapes” Applique is a very popular type of children's creativity. Applique classes are of great importance for the all-round development of preschoolers.

DRAWING BY REPRESENTATION: COMPOSITION OF GEOMETRIC BODIES. STEP-BY-STEP GUIDE. REVIEW

Volumetric composition of geometric bodies. How to draw?

A composition of geometric bodies is a group of geometric bodies, the proportions of which are regulated according to a table of modules embedded in each other and thereby forming a single array. Often such a group is also called architectural drawing and architectural composition. Although the formation of a composition, like any other production, begins with a sketch idea - where the general mass and silhouette, foreground and background can be determined, the work must be “built” sequentially. In other words, to have as its beginning a compositional core, and only then, through calculated sections, to “grow” with new volumes. In addition, this allows you to avoid accidental errors - “unknown” sizes, too small indents, awkward insets. Yes, we must immediately make a reservation that topics raised in almost every drawing textbook, such as “Organization of the workplace,” “Varieties of paints, pencils and erasers,” and so on, will not be considered here.

Composition of geometric shapes, drawing

Before moving on to the exam exercise - “Composition of three-dimensional geometric shapes”, you must, obviously, learn how to depict the geometric bodies themselves. And only after this can you move directly to the spatial composition of geometric bodies.

How to draw a cube correctly?

Using the example of geometric bodies, it is easiest to master the basics of drawing: perspective, the formation of the volumetric-spatial structure of an object, the patterns of light and shadow. Studying the construction of geometric bodies does not allow you to be distracted by small details, which means you can better understand the basics of drawing. The depiction of volumetric geometric primitives contributes to the competent depiction of more complex geometric shapes. To depict an observed object correctly means to show the hidden structure of the object. But in order to achieve this, the existing tools, even from leading universities, are not enough. So, on the left side, there is a cube tested in a “standard” way, widespread in most art schools, colleges and universities. However, if you check such a cube using the same descriptive geometry, presenting it in plan, then it turns out that this is not a cube at all, but some geometric body, with a certain angle, probably only reminiscent of the position of the horizon line and vanishing points.

Cubes. Left is wrong, right is right

It’s not enough to put a cube and ask someone to draw it. Most often, such a task leads to proportional and perspective errors, among which the most famous are: reverse perspective, partial replacement of an angular perspective with a frontal one, that is, the replacement of a perspective image with an axonometric one. There is no doubt that these errors are caused by a misunderstanding of the laws of perspective. Knowing perspective helps not only to prevent serious mistakes at the very first stages of form construction, but also stimulates you to analyze your work.

Perspective. Cubes in space

Geometric bodies

It shows combined orthogonal projections of geometric bodies, namely: cube, sphere, tetrahedral prism, cylinder, hexagonal prism, cone and pyramid. The upper left part of the figure shows lateral projections of geometric bodies, and the lower part shows a top view or plan. Such an image is also called a modular scheme, since it regulates the sizes of bodies in the depicted composition. Thus, from the figure it is clear that at the base all geometric bodies have one module (the side of a square), and the height of a cylinder, pyramid, cone, tetrahedral and hexagonal prisms is equal to 1.5 times the size of a cube.

Geometric bodies

Still life of geometric shapes - we go to the composition step by step

However, before moving on to the composition, you should complete a couple of still lifes consisting of geometric bodies. The exercise “Drawing a still life from geometric bodies using orthogonal projections” will be even more beneficial. The exercise is quite difficult, which should be taken with due seriousness. Let's say more: without understanding linear perspective, mastering still life using orthogonal projections will be even more difficult.

Still life of geometric bodies

Insets of geometric bodies

Insertion of geometric bodies is such a mutual arrangement of geometric bodies when one body partially enters another - it crashes. Studying the variations of insets will be useful for every draftsman, because it provokes the analysis of one form or another, architectural or living in equal measure. It is always more useful and effective to consider any depicted object from the position of geometric analysis. Sidebars can be roughly divided into simple and complex, but it should be noted that even the so-called “simple sidebars” require great responsibility in the approach to the exercise. That is, in order to make the insertion simple, you should decide in advance where you would like to place the embedded body. The simplest option is such an arrangement when the body is shifted from the previous one in all three coordinates by half the size of the module (that is, half the side of the square). The general search principle for all inserts is the construction of the inserted body from its internal part, that is, the insertion of a body, as well as its formation itself, begins with a section.

Section planes

Composition of geometric shapes, step-by-step exercise

There is a widespread belief that it is easier and faster to form a composition by placing bodies in space through the “chaotic” overlay of their silhouettes on top of each other. Perhaps this is what prompts many teachers to demand the presence of a plan and a façade in assignments. This is how, at least, the exercise is already presented in the main Russian architectural universities.

Volumetric-spatial composition of geometric bodies considered in stages

Chiaroscuro

Chiaroscuro is the distribution of illumination observed on an object. It appears in the drawing through tone. Tone is a pictorial means that allows one to convey natural relationships of light and shadows. It is relationships, since even such graphic materials as charcoal pencil and white paper are usually not able to accurately convey the depth of natural shadows and the brightness of natural light.

Basic Concepts

Conclusion

It should be said that geometric accuracy is not inherent in the drawing; Thus, in specialized universities and colleges, using a ruler in classes is strictly prohibited. Trying to correct a drawing using a ruler leads to even more mistakes. Therefore, it is difficult to belittle the importance of practical experience - since only experience can train the eye, consolidate skills and strengthen artistic flair. At the same time, only through the consistent execution of images of geometric bodies, their mutual insets, familiarization with perspective analysis, and aerial perspective, is it possible to develop the necessary skills. In other words, the ability to depict simple geometric bodies, the ability to represent them in space, the ability to connect them with each other and, no less important, with orthogonal projections, opens up broad prospects for mastering more complex geometric shapes, be they household objects or the human figure and head, architectural structures and details or cityscapes.

Very often in the world of artists there are paintings that are significantly different from oil and pastel canvases. They are more reminiscent of drawings, patterns, sketches and are completely incomprehensible to the average viewer. Now we will talk about compositions of geometric shapes, discuss what they are like, what load they carry and why they generally occupy such an honorable place in the art of drawing and painting.

Simple compositions

Every master of the brush who started his journey at an art school will tell you that precise lines and their combinations are the first thing they teach there. Our vision and brain are designed in such a way that if we initially learn to harmoniously combine simple forms, then in the future it will be easier to draw complex pictures. Compositions of geometric shapes allow us to feel the balance of the picture, visually determine its center, calculate the incidence of light, and determine the properties of its components.

It is worth noting that, despite the clarity and directness of such images, they are drawn entirely by hand, without rulers or other auxiliary objects. The parameters of figures are measured using proportions, which can be located in a two-dimensional dimension (flat picture), or can go into perspective, to a single vanishing point of all lines.

Beginning artists draw compositions from geometric shapes in two dimensions. For such paintings, one of the sides is chosen - the plan or the facade. In the first case, all the figures are depicted in a “top view”, that is, the cone and cylinder become a circle, the prism takes on the shape of its base. If figures are depicted in a façade, one of their sides is shown, most often the front. In the picture we see triangles, squares, parallelograms, etc.

3D paintings

In order to develop a sense of perspective, artists learn to depict compositions from three-dimensional geometric shapes that go into perspective. Such an image is considered three-dimensional, and in order to transfer it to paper, you need to clearly imagine everything. Similar drawing techniques are relevant in construction and architectural universities; they are used as exercises. However, students often make real ones out of these “picturesque studies” by drawing incredible insets of figures, dissecting compositions with planes and half-planes, and depicting pictures in cross-section.

In general, we can say that clarity and linearity are the main properties that any composition of geometric shapes has. At the same time, a drawing can be static or dynamic - it depends on the type of figures depicted and their location. If the picture contains mainly cones, triangular prisms, and balls, then it seems to be “flying” - this is definitely dynamic. Cylinders, squares, tetrahedral prisms are static.

Examples in painting

Geometric shapes have found their place in painting, along with romanticism and other trends. A striking example of this is the artist Juan Gris and his most famous painting “Man in a Cafe”, which, like a mosaic, consists of triangles, squares and circles. Another abstract composition of geometric shapes is the canvas “Pierrot” by artist B. Kubisht. Bright, clear and very unique picture.

Composition translated from Latin literally means composing, linking, connecting parts.

Composition is the most important organizing moment of the artistic form, giving the work unity and integrity, subordinating its elements to each other and to the whole. It combines particular aspects of the construction of an artistic form (real or illusory formation of space and volume, symmetry and asymmetry, scale, rhythm and proportions, nuance and contrast, perspective, grouping, color scheme, etc.).

Composition is the most important means of constructing the whole. By composition we mean the purposeful construction of a whole, where the arrangement and interconnection of parts are determined by the meaning, content, purpose and harmony of the whole.

The completed work is also called a composition, for example, a work of art - a painting, a piece of music, a ballet performance of numbers interconnected by a single idea, the composition of metal alloys, perfumes, etc.

There is no composition in the chaotic accumulation of objects. It is also absent where the content is homogeneous, unambiguous, elementary. And, conversely, composition is necessary for any holistic structure, quite complex, be it a work of art, a scientific work, an information message or an organism created by nature.

Composition provides a logical and beautiful arrangement of the parts that make up the whole, giving clarity and harmony to the form and making the content intelligible.

Without understanding compositional structure as a means of organizing material, it is impossible to make a judgment about works of art, much less create them.

The task of the compositional construction of a work is to distribute the material of the future work in such a way and in such a sequence, in such an interrelation of the parts of the work, as to best reveal the meaning and purpose of the work and create an expressive and harmonious artistic form.

There are two ways of artistic vision when organizing a composition:

    Paying attention to a separate object as the dominant feature of the entire composition and perceiving the rest only in relation to it. In this case, the environment is seen by the so-called peripheral vision and is deformed, obeying the center of attention and working for it.

    Vision as a whole, without highlighting a separate object, while any details are subordinate to the whole and lose their independence. In such a composition there is neither main nor secondary - it is a single ensemble.

Construction.

Basic Rules

There can be no composition if there is no order. Order defines the place of each thing and brings clarity, simplicity and power of impact.

Start by looking for a background color; it should be calm and emphasize the expressiveness of the objects. Don’t forget about light, proper and expressive lighting of objects.

There should be nothing superfluous from the items. Beware of variegation. It is advisable to have no more than four primary colors in the composition. Start the layout by outlining a rectangle that determines the format of the future drawing, for example, a wall with adjacent objects. Make an initial sketch of the objects in pencil. Determine the scale of the depicted objects. Determine the final color ratio in the composition.

Can you make animals from geometric shapes?

Never tried it?

Then it’s worth looking at the pictures on the website, where various animals are made from geometric shapes. Offer these drawings to your children: they will surely appreciate their originality.

Geometric world

In everything that surrounds us, we can find elements of geometry.

A table can be round or square, our houses are parallelepipeds, etc. Haven't you watched how artists paint? They first outline the contours of an object with a base of geometric shapes, and only then draw smooth lines around them. They see the world as geometric, and smooth or soft lines only hide the real essence of things.

In pedagogy for preschool children, there is even a whole direction where children are taught to see pure geometric shapes in everything. This is Mary's pedagogy. She believed that pure geometric shapes contributed to children's better development and orientation in the world. This is not to say that this system is ideal, but it has found its supporters.

Now let's remember the works of artists of the era of modernism and postmodernism. Pictures appear before your eyes, filled with squares, triangles, circles, trapezoids and all kinds of shapes, painted in different colors. This is how the painters of the new era saw the world, and there had to be a basis for this. They tried to convey this world untouched by human hands. Their desire was to show that we all and all objects around us are composed of geometric shapes. Our whole world, if you look closely, is solid geometry.

How to use pictures when working with children

It is quite clear that the question arises: artists are one thing, but why do children need such a vision of the world?

Of course, pictures with animals made from geometric shapes do not aim to impose on the child an extraordinary vision of the world. However, why not show that such an interpretation of everything that surrounds us is possible.

Using the pictures you can learn the names of geometric shapes in an interesting and exciting way. From simple demonstration and repetition, the child quickly gets tired and begins to refuse classes, even if they are taught by the mother at home. It’s another matter if figures need to be found in animals. This is where genuine curiosity awakens.

When you have fully explored with your child the names of the shapes and their appearance, ask the child to show his vision of the world. Let us take an animal or any object as an example.

Ask: what geometric figure does it resemble?

Such exercises:

  1. - develop observation skills;
  2. — improve logical and spatial thinking;
  3. - contribute to the vision of an object hidden behind the outer shell.

The baby learns to see and observe what others cannot or do not know how to see. Isn't this the education of an artist and a creative person?

Or you can play the reverse game. Imagine that you are abstract artists. Have one of you draw something consisting of geometric shapes, and the other try to guess what is drawn. Postmodernist painters often encrypted their drawings on a canvas filled with squares, rectangles, trapezoids... the same puzzles were previously offered in children's magazines.

You can create such a puzzle yourself: you just need a little imagination and a look at the world through the prism of geometry.


Click on the picture to download this workbook with tasks for children for free.
Examples of notebook pages with applications for children from 1 to 3 years old.


Applications for children from 4 to 7 years old. Click on the picture to download this book.