The image of one of the main characters of the play A.N.

In Ostrovsky’s play “The Thunderstorm,” the characters can be divided into representatives of the “dark kingdom” and its victims. The representatives include Dikoy and Kabanikha, but among the victims they name Katerina, Tikhon and Boris. However, is it possible to say with confidence that the last of those listed is really a victim of the “dark kingdom”? Let's try to understand this issue. The characterization of Boris in the play “The Thunderstorm” can fit in one sentence: a weak-willed young man who is ready to sacrifice his moral principles in order to get money. And indeed it is. But does that make him a victim?

Little has been said about the appearance of Boris from the play “The Thunderstorm”. This is a young man who came from Moscow. He is dressed differently than the residents of Kalinov, in a capital style, in a foreign style. Boris differs from the Kalinovites in his perception of the world, but he himself seems to be proud of it. Of course, the fact that Boris received an education adds a share of snobbery. But here, in Kalinov, no one is interested in this. His motives for coming to the city, actions in life situations and attitude towards others become much more important and revealing.

Boris Grigorievich, Dikiy’s nephew, did not come to the city because he missed his relative. Boris, like everyone else in the city, just needs money. Dikoy, being a stingy and greedy person, does not want to give away the inheritance that is due to his nephew. And Boris, realizing that you won’t get the money legally, decides to “establish relations” with his uncle so that he will be kinder and give the amount. But neither the nephew nor the Wild have any kindred feelings. Savl Prokofievich insults and scolds Boris, and he does not want to stay in Kalinov anymore, but steps over his principles for the sake of money.

The image of Boris in the play “The Thunderstorm” by Ostrovsky is associated with a love line. Boris falls in love with Katerina, at least that’s what he thinks. But with Tikhon’s arrival, several days of secret meetings with Katya pass, and here Boris’s real face, cowardly and petty, is revealed. Katerina was determined to confess her feelings to the whole family just to live honestly with Boris, but Boris thought differently. He was very afraid that Katya would talk about their walks, and tried to persuade the girl to remain silent. The young man lamented that everything was already over at that moment when Katerina had not yet said anything to her husband and mother-in-law. That is, he refused to take responsibility for the girl and for his feelings; it is easier for Boris to escape from the problem and regret what was lost. Unfortunately, neither he nor Tikhon were able and could never protect Katerina from the kingdom of lies and deceit. The last conversation between Boris and Katya is especially indicative in this regard. Boris understands that something is wrong with the girl, but does not ask about her condition. Instead, Boris makes the situation worse: he needs to go to Siberia for a long time, he doesn’t want to take Katya. With similar words, he makes it clear to the girl that in fact Boris did not actually experience any deep feelings. While he felt good and easy, he was with Katya. As soon as the problems started, he left.

The given description of the image of Boris will be useful to 10th grade students when collecting material for an essay on the topic “Characterization of Boris in the play “The Thunderstorm” by Ostrovsky.”

Work test

Lidia Korneevna Chukovskaya (1907-1996) - editor, writer, poet, publicist, memoirist, dissident. Daughter of Korney Chukovsky and Maria Borisovna Goldfeld. In 1955, her biography of the writer Boris Stepanovich Zhitkov (1882-1938), born in Novgorod, was published. Below is a fragment from this book dedicated to the early childhood of Boris Zhitkov.

Zhitkov grew up in an intelligent family. His father, Stepan Vasilyevich, was a mathematics teacher and author of textbooks; mother, Tatyana Pavlovna, pianist. The Zhitkov House was one of the cultural centers, first in Novgorod, where Stepan Vasilyevich settled in 1878, expelled from two higher educational institutions for participating in the revolutionary movement, then, from 1890, in Odessa, on a military pier, in the port. Professors, scientists, and musicians visited the house. Here the latest books from the capital's magazines were discussed, the piano and violin were played; here, in my father’s office, there was a telescope - small, but real, through which one could see the rings of Saturn. The children lived among books and music notebooks, among conversations about mathematics, physics, music, Tolstoy, Mendeleev, Mozart.

In Zhitkov’s mother’s desk, music notebooks with Anton Rubinstein’s handwritten notes were carefully kept - Tatyana Pavlovna studied with him in her youth. Boris Zhitkov played the violin since childhood, knew poetry by heart - scenes from "Woe from Wit", chapters from "Eugene Onegin", poems and poems by Lermontov... But this house had another property that was organically inherent in it and had a strong impact on all life and Zhitkov’s literary path: this family, like many advanced Russian intelligent families, lived not in isolation from the people, but in close communication with them. While teaching mathematics at the Novgorod teacher's seminary, Stepan Vasilyevich did not isolate himself within the walls of the school - he set up libraries in the villages, and so skillfully selected works that they awakened critical revolutionary thought in readers.<...>

In those years when the family lived in Novgorod, they moved to the village for the summer; Boris and his sisters, together with the village children, herded sheep, traveled at night... In Novgorod, political exiles lived for a long time in the Zhitkov house. Among Stepan Vasilyevich’s bosom friends there was a man who took Sophia Perovskaya away in a cab after the assassination attempt on the Tsar. Accepting exiles until they found work and shelter became such a firmly established tradition of the family that father and mother, returning home in the evening, sometimes found a stranger in the dining room drinking tea: the cook and the nanny, knowing that the owners would be happy, They themselves warmly welcomed another guest...<...>

Since childhood, Boris Zhitkov was attracted to the sea. We can say that love for the sea, for work at sea, was in his blood. “Father’s three brothers,” writes V.S. Arnold, sister of Boris Zhitkov, sailed on warships (two of them were Sevastopol heroes); all three died retired admirals; the fourth - a naval engineer - built lighthouses on the Black Sea; the fifth drowned young during a training voyage around the world.” Since childhood, Zhitkov was interested in boats, steamships, barges, and “oak trees.” The Zhitkov sisters say that once, back in Novgorod, three-year-old Boris, clutching a penny in his fist, sneaked out of the house and went to the Trade Side to buy a steamer.

“The characters can be roughly divided into representatives of the “dark kingdom” and its victims. The representatives include Dikoy and Kabanikha, but among the victims they name Katerina, Tikhon and Boris. However, is it possible to say with confidence that the last of those listed is really a victim of the “dark kingdom”? Let's try to understand this issue. The characterization of Boris in the play “The Thunderstorm” can fit in one sentence: a weak-willed young man who is ready to sacrifice his moral principles in order to get money. And indeed it is. But does that make him a victim?

The image of Boris in the play “The Thunderstorm” by Ostrovsky is associated with a love line. Boris falls in love with Katerina, at least that’s what he thinks. But with Tikhon’s arrival, several days of secret meetings with Katya pass, and here Boris’s real face, cowardly and petty, is revealed. Katerina was determined to confess her feelings to the whole family just to live honestly with Boris, but Boris thought differently. He was very afraid that Katya would talk about their walks, and tried to persuade the girl to remain silent. The young man lamented that everything was already over at that moment when Katerina had not yet said anything to her husband and mother-in-law. That is, he refused to take responsibility for the girl and for his feelings; it is easier for Boris to escape from the problem and regret what was lost. Unfortunately, neither he nor Tikhon were able and could never protect Katerina from the kingdom of lies and deceit. The last conversation between Boris and Katya is especially indicative in this regard. Boris understands that something is wrong with the girl, but does not ask about her condition. Instead, Boris makes the situation worse: he needs to go to Siberia for a long time, he doesn’t want to take Katya. With similar words, he makes it clear to the girl that in fact Boris did not actually experience any deep feelings.
While he felt good and easy, he was with Katya. As soon as the problems started, he left.

Characteristics of Boris from the play “The Thunderstorm” by Ostrovsky, an essay on the topic of the image of the hero |

Question: Write a related story answering questions about the work “The Thunderstorm”. 1. How does Boris differ from all the characters in the drama? 2. Tell us about Boris’s childhood and his past 3. What is his origin? 4.What did his mother tell about life with his father’s relatives? 5. Boris is not only different, but also a stranger in this environment. Prove this with his own statements. 6.What epithets does he give himself? 7.What do you think is the root of his tragedy? 8. Why does Boris live with Dikiy? 9.Draw conclusions about Boris’s character traits

Question:

Write a related story answering questions about the work “The Thunderstorm”. 1. How does Boris differ from all the characters in the drama? 2. Tell us about Boris’s childhood and his past 3. What is his origin? 4.What did his mother tell about life with his father’s relatives? 5. Boris is not only different, but also a stranger in this environment. Prove this with his own statements. 6.What epithets does he give himself? 7.What do you think is the root of his tragedy? 8. Why does Boris live with Dikiy? 9.Draw conclusions about Boris’s character traits

Answers:

1. Boris differs from other heroes of the play in that he had a completely different upbringing, educated. 2) He and his sister lived with their parents in Moscow, he studied at the Commercial Academy. Parents did not spare anything for them. 3) a poor merchant; 4) she said that she couldn’t get along with her relatives for even three days, she seemed very wild 8) the grandmother left an inheritance that Dikoy must pay but on the condition that he please Dikoy. 7) the root of his tragedy is that he was left without parents and he has to humiliate himself and he doesn't know how to love.

Story line

The plot is built on feelings and emotions, on and outside of it. In those distant times, the people of a small town lived like one big family, the tragedy of one person affected everyone and was discussed by everyone.

This happened with Tikhon’s family. The reason was a situation in which Boris’s characteristics were most clearly demonstrated. “The Thunderstorm” is a play whose main meaning lies in the tragic consequences of betrayal, but betrayal in the name of love. How will this event affect each family member, how will the true essence of the human soul manifest itself and be revealed? For example, the main character Boris, whose moral principles were at odds with the current situation, decided to abandon his loved one, stop communicating with Katerina, thereby wounding her to the very heart. Did you act like a coward or... a hero? What exactly is Boris's characteristic? A thunderstorm is a natural phenomenon that can reveal and convey the torment of all the main characters. Experiences and doubts, the correctness of actions and the correctness of choice in the face of fear and death...

Characteristics of the hero: Boris. "Thunderstorm" - a great tragedy of a small human soul

Already from the first scene of the play, it is clear that Boris, who came from Moscow, stands out from the crowd with his noble behavior, respectful attitude and good manners. He himself says that he was “trained in literacy and languages,” studied diligently and strived for the best. After the death of his parents, who tragically died from the cholera epidemic raging at that time, he had to come to his only relative - his uncle - to receive his inheritance. According to the terms of the will, he will receive it only if he is respectful to the merchant Dikiy. Well-mannered and meek, courteous and cultured - this is the characteristic of Boris. “The Thunderstorm” is a work that reveals the inner world of such people in the best possible way. He was ready to harbor resentment and the understanding that he would not receive an inheritance, while continuing to play the role of a loving nephew, remaining to live in this town and putting up with his rude and impudent uncle, not wishing him harm and treating him with understanding. This characterizes him as a person with a big and bright soul, open and kind, but at the same time he becomes more and more depressed and gloomy, his feelings are written on his face.

Fateful decision

Fate cannot be deceived - it is this folk wisdom that characterizes the behavior and actions of the main characters. Boris fell in love with Katerina, a woman with whom, as he himself said, he was not destined to even talk, because his love was already married. This circumstance greatly influenced the main character, he admitted that he was crushed and killed by the mere thought of impossible intimacy with a loved one, but “the ways of the Lord are inscrutable,” and fate brought two loving hearts together, giving a spark of hope to both, because Katerina answers the young man reciprocity. At this moment, Boris’s entire characterization changed radically. Thunderstorm - which the author used in this play. It displays and conveys the emotions of all the main characters, their torment and doubts, and the impending tragedy. Katerina's husband had to leave the city. And after her husband leaves, she completely surrenders to emotions.

This happened because Katerina never loved Tikhon and was offended by his entire family for humiliation. She cannot resist the surging feelings and cheats on her husband with Boris, who also could not control himself and threw himself “into the pool headlong,” indulging in sin with a married woman. This moment may characterize him as a frivolous person, but this is far from the case. After Tikhon’s return, he refused to communicate with Katerina in the hope that her husband would forgive her, and did not destroy the family, thereby causing irreparable injury to his beloved. It was much harder for him at that moment, but he agreed to hide his feelings for the sake of the woman’s happiness. In order not to discredit her name, he asked not to confess, but she decided otherwise... We can say that Boris’s characterization (“The Thunderstorm”) manifested itself in cowardice and repentance, but this is the other side of the coin.

Quote from Boris. "Thunderstorm" - a tragedy of feelings

The most famous quote with which Boris described himself: “Harried, downtrodden, and then he foolishly decided to fall in love.” From the very beginning he did not like the bourgeois life in a small town, he was bored; Having left the big city and not finding support here, he began to feel sad, and the very first phrase shows his moral state: “I understand that all this is ours, Russian, native, but still I won’t get used to it.” Such a life was alien to him, he did not want to put up with it, at the same time, pride and selfishness manifested themselves more and more often. He pushed his beloved away, did not communicate or talk to her, and his cowardice led to tragedy - Katerina committed suicide. This is the best characteristic of Boris. “The Thunderstorm” is a play that shows what indifference and playing with the feelings of another person, indecision and cowardice, untimely decisions and bitterness of resentment can lead to.