Analysis of Yesenin's poem goy, my dear Rus'. “Go you, Rus', my dear”: analysis of the poem

Sergei Yesenin is considered one of the “new peasant” poets. Their works are characterized by an appeal to the theme of rural Russia, as well as a close connection with the natural world and oral folk art. The poem “Go you, my dear Rus'...” reflects all these characteristic features.

The poem is dated 1914, when the poet was already in Moscow. Young Yesenin faces many trials: here is the father’s disbelief that his son can live on the income from his creativity, and the need to choose a further path in life - study or service, and the first serious relationship... The difficulties associated with this, as well as in itself life in the city affected the poet’s mood: he yearned for the village, where he lived freely and carefree. This is why in his poems of that period he often depicts a rural environment. By the way, for Yesenin she is the embodiment of the image of the Motherland.

Basic images

How does the poet see the village? This is a free-for-all – “no end in sight” – a place over which the bright blue sky stretches; under it there are fields, arable lands, paths... In many poems, Yesenin also mentions the eternal peasant misfortune - poverty, but here it is clearly not visible (except for the “low outskirts”, where “the poplars are withering loudly”). But it is said that the life of ordinary people is closely connected with the Orthodox faith (“The huts are in the robes of the image...”). What is the mood in the village? Joy and fun (“And the buzz behind the tree // There’s a merry dance in the meadows”).

You can imagine the overall picture like this: the hero first looks around the entire space, looks at the sky; then it walks along houses and fields - slowly for now; but then the sounds of “dancing” were heard - and he, succumbing to this new mood, was already “running along the crumpled stitch”; from an observer, the narrator becomes a participant in the action - and even if these are only memories or, conversely, hopes (since the tense of verbs changes from the present to the future), but it is all the more clearly visible that the village, Motherland, Rus' are forever in the hero’s heart, they are inextricably linked with each other friend.

The poem is written in the first person: the lyrical hero, close to the author, describes what he sees, hears, feels while passing through his native land. He compares himself to a “wandering pilgrim” who came to worship his land, after which he will again go to foreign lands - this creates a lyrical mood permeated with light sadness; however, the cheerfulness, enthusiasm, and fun characteristic of a folk song, to which the poem is very similar in form, gradually take over, reaching its climax towards the finale.

Means of artistic expression

The poem is written in trochaic tetrameter, cross rhyme, precise - all this gives the text melodiousness, smoothness, and melody.

Musicality is a key feature of the poem “Go, my dear Rus'...”. This effect is created by assonance (for example, repetition of sounds [e], [u] in the fourth stanza) and alliteration (especially noteworthy is the repetition of sonorous [r], [l], [m], [n], voiced plosives [b] , [g], [d], sonorous hissing [z], [g], giving sonority, bravura). At the level of vocabulary, similarities with folk speech are revealed: in the characteristic interjection when addressing “goy” (“Go you, Rus' ...”), in dialect words (“korogod” - round dance, “stitch” - road, “lehi” - furrows, arable land ). The poem contains many nouns formed with the help of zero suffixes (“blue”, “Spas”, “dance”, “free”), which is also typical for folk speech. Thus, Yesenin takes the form of a folk song as a basis. By this, firstly, he creates the atmosphere of a Russian village, and secondly, he emphasizes emotionality and depth of feelings. As you know, music and song are a direct expression of the human soul.

What's the point?

The main idea is concentrated in the last stanza of the poem. In it, Rus' is figuratively compared to paradise, which can be understood both literally and figuratively (as any place where a person feels best) - and the hero chooses his homeland. Such a patriarchal, Orthodox, pre-revolutionary homeland is his ideal.

For the reader, this poem gives rise to an idyllic image. Poorly familiar with the reality of rural life, we easily succumb to the influence of the poet, who omits problems and difficulties - after all, he himself, being within the city walls, does not remember them, he sees only the best. This point of view and the bright, strong, aphoristic final stanza make you think about your own attitude towards the Motherland. The reader thinks that, despite all the shortcomings, there is much more beauty in it, and also that love for the fatherland, like love in principle, is an absolute feeling, and for a true patriot there is no other choice than the one with which the poem ends, impossible.

“Go you, Rus', my dear...” - a poem dating back to the early period of Yesenin’s work. It was included in the first edition of Sergei Alexandrovich’s debut collection “Radunitsa”, which was published in 1916. The work, considered one of the best in the poet’s legacy, reflected his boundless love for his native country.

History of creation

The poem “Go away, my dear Rus'...” was created in 1914 (the exact date is unknown). At that time, Yesenin lived in Moscow, worked intermittently in two printing houses, published in the children's magazine "Mirok", the Bolshevik newspaper "Put Pravdy", the magazine "Protalinka" and the newspaper "Nov", in the summer he managed to visit the south - in Sevastopol and Yalta , actively worked on the lyrics.

During Sergei Alexandrovich's lifetime, critics received the poem ambiguously. For the most part, they were divided into two camps. The first noted that the text smells of genuine Russia, that it has a “healthy folk view of their homeland,” that the work is a significant achievement of a poet who has just begun to enter professional literature. According to others, there is nothing “national” in Yesenin’s lyrics, but there is an “unbearable nationalistic bravado” in it, expressed mainly in the excessive use of “folk” vocabulary.

Plot

The poem does not have a clear plot. The lyrical hero simply admires the rural landscapes, enjoys unity with nature, and talks about his homeland. It can be assumed that the action of the work takes place in August. The guess is based on the mention of the Savior. Apparently, this refers to two Orthodox holidays that fall in the last month of summer - Apple Savior and Honey Savior.

Themes and images

The key theme of the poem is the theme of the homeland, which is revealed through the image of rural Rus'. This image was created primarily through the use of metaphor. The poet compares huts to icons in vestments. This comparison arises for a reason. The lyrical hero sees houses with windows decorated with platbands. Because of this, he has an association with icons covered with vestments. The village huts in the poem are an iconostasis located in a large temple - Rus.

The semantic originality in revealing the theme of the homeland in the poem “Go you, Rus', my dear...” lies in the fact that the homeland for the lyrical hero is more attractive than paradise itself. Moreover, it is heaven. This is stated in the final quatrain of the text.

Lyrical hero

The poem begins with the old Russian word “goy”, which means a wish for good health. Next, the lyrical hero compares himself with a visiting pilgrim who has reached the goal of his journey, looking with joy and awe at the land that appears before him. His attitude towards his native land is enthusiastic and at the same time prayerful. For him, Rus' is a place filled with heavenly light, a place where everyday life brings joy and where spiritual beauty reigns. In addition, the lyrical hero is in harmony with nature, subtly feeling it. He notices the smells of honey and apples in the air, the sonorously withering poplars, his gaze seems to be drowning in the endless blue of heaven (“the blue sucks the eyes”).

Meter, rhymes and tropes

The poem is written in trochee tetrameter, and pyrrhic tetrameter is common. The rhyme pattern is cross, masculine and feminine rhymes are used.

The work is replete with artistic means. Among them are metaphors (“blue sucks the eyes”), alliteration on sibilants and assonances, similes (“like a visiting pilgrim”). An important role is played by outdated words - for example, lekha (ridge, furrow) and stezhka (path, road). Thanks to them, as well as the use of nouns with zero suffixes (dance, sin) and the interjection “goy,” Yesenin’s poem becomes close to folk speech.

Literary direction

Yesenin's early work is usually attributed to new peasant poetry. This is not exactly a literary movement. Rather, it is a conventional name for the work of Russian poets of the Silver Age who were of rural origin. Among them are Klyuev, Oreshin, Shiryaevets. They did not form a creative association, they did not proclaim manifestos. Despite this, there were some common features in the lyrics of the new peasant poets. For example, an appeal to the theme of rural Russia, closeness to folklore. The poem “Go away, my dear Rus'...” is just a striking example of new peasant poetry.

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Sergei Yesenin is a great poet who is equally connected by blood with his people and fatherland. The power of his words is imbued with unprecedented sincerity and honesty.

Sergei Yesenin, like most poets, tried not only to convey love for the Motherland in his poems, but also to create in them a unique, integral image of it. The strength and depth of Yesenin’s lyrics lies in the fact that the bottomless feeling of love for Russia is expressed not rhetorically and abstractly, but specifically, in visible material images, through the depiction of the native landscape. Love for the Motherland was also reflected not only in the semantic load of the poems, but also in their artistic form itself, which is evidenced, first of all, by the deep internal connection of his poetry with folk oral creativity.

Analysis of the poems “Go away, my dear Rus'”

The most famous work of the early period of creativity of Sergei Yesenin is “Go away, Rus', my dear”, is a kind of ode to the Motherland. The verse carries an extraordinary philosophy of values: ordinary simple things acquire divine meaning and spiritual content. The poet compares peasant huts with icons (“huts - in the vestments of an image ...”). Yesenin admires the extraordinary beauty and majesty of his native expanses, he feels himself a part of them. The author perceives Rus' as his personal paradise, in which he finds peace of mind and spirituality. The poem successfully combines heart-aching sadness and at the same time real pride and love for one’s native land. The author managed to show in one verse the entire diverse palette of his feelings towards Russia.

In the mid-20s of the 20th century, society began to take stock of the revolutionary upheaval in Russia. In the poem " Soviet Rus'", which was created in 1924, the author, with his characteristic lyrical touch, describes his excitement in connection with a new stage in the life of his state. Yesenin greets Soviet Russia with both joy and sadness. After all, the change of government and its establishment on a new path of development raised fears for the future of both the people and the state as a whole. But, despite his fears, Yesenin boldly says goodbye to old Russia and accepts a renewed Russia, sincerely believing in its bright future.

Analysis of the poems “The feather grass is sleeping”

In 1925, after returning to his parents’ home, S. Yesenin created the poem “ The feather grass is sleeping..." With trembling reverence, the author describes the picturesqueness of his native land: the endless expanses of forests, meadows, fields, and the magic and delight of the Russian night. Unlike earlier works, in the poem “The Feather Grass Sleeps” love for the Motherland is depicted as hard-won, having gone through many obstacles, but still not leaving the heart of the faithful son of his Fatherland. The lyrical hero reflects on the purpose in life that is predetermined for him by fate. The poem very clearly shows sadness about the past, which can no longer be returned. Dawn symbolizes the onset of a new era in which the author cannot find his place.

The poem “Go away, my dear Rus'” was written by Yesenin in 1914. This poem is about endless love for one's homeland. The poet describes Rus' in all its glory:

Huts - in the robes of the image...

No end in sight -

Only blue sucks his eyes.

The lyrical hero admires his homeland with its fields, “low outskirts” and churches. He enjoys spending time here:

I'll run along the crumpled stitch

Free green forests

The poet very subtly feels everything that Rus' is “rich” with. Every sound, smell - nothing goes unnoticed:

The poplars are withering loudly...

Smells like apple and honey...

And it buzzes behind the bush

There's a merry dance in the meadows...

Yesenin, as the most outspoken poet of the Silver Age, wanted to express his sincere love and reverence for his homeland. This poem can be called one of the most powerful declarations of love and loyalty to Russia.

The poet is ready to give up heavenly life, just to never leave his native land.

I will say: “There is no need for heaven,

Give me my homeland."

To better express his warm feelings for Russia, the poet uses various artistic means. Addressing Rus', Yesenin uses the Old Russian word “Goy”, thereby showing respect for ancient traditions and folklore. He compares himself to a “passing pilgrim” to emphasize his admiration for the faith of the Russian people, because Russians are Orthodox. The poet uses the metaphors “the blue sucks the eyes”, “the poplars are withering ringingly”, “a merry dance is humming”, “a girl’s laughter will ring out” - for the greatest expression of the imagery and unusualness of the most ordinary things. The poem is written in iambic tetrameter, the rhyme is feminine, alternating with masculine. This is done to maintain rhythm and melody; the poem is easy to read and remember.

The poem produces a pleasant feeling from the very first lines. A feeling of lightness and happiness is created, enjoying the expanses of a beautiful country. And at the same time, this work is strong and filled with a sense of patriotism. Endless respect and love for the homeland is what we should strive for.

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Updated: 2018-01-27

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Analysis of Yesenin’s poem “Go you, my dear Rus'...”

One of the works in which the author glorifies his land is the poem “Go you, my dear Rus'...”, written in 1914. By this time, Sergei Yesenin was already living in Moscow, having become a fairly famous poet. Nevertheless, large cities brought melancholy to him, which Yesenin unsuccessfully tried to drown in wine, and forced him to mentally turn to the recent past, when he was an unknown peasant boy, free and truly happy.

In the poem “Go you, Rus', my dear...” the author again recalls his past life. More precisely, the sensations that he experienced while wandering through the endless Russian meadows and enjoying the beauty of his native land. In this work, Yesenin identifies himself with a “wandering pilgrim” who came to worship his land, and, having performed this simple ritual, will go to foreign lands. The poet’s homeland, with all its shortcomings, is associated with one huge temple, bright and pure, which is capable of healing the soul of any wanderer and returning him to his spiritual roots.

As a matter of fact, before the revolution, Russia was a single temple, which Yesenin emphasizes in his poem. The author emphasizes that in Rus' “the huts are in the vestments of the image.” And, at the same time, he cannot ignore the poverty and primitiveness of the Russian way of life, where “near the low outskirts the poplars wither loudly.”

Thanks to his skill and poetic talent in the poem “Go you, Rus', my dear...” Yesenin manages to recreate a very contrasting and contradictory image of his homeland. It organically intertwines beauty and wretchedness, purity and dirt, earthly and divine. However, the poet notes that he would not exchange for anything the aroma of apples and honey that accompanies the summer Savior, and the girlish laughter, the ringing of which the poet compares to earrings. Despite the many problems that Yesenin sees in the life of the peasants, their life seems to him more correct and reasonable than his own. If only because they honor the traditions of their ancestors and know how to enjoy little things, they appreciate what they have. The poet kindly envies the villagers, who have their main wealth - fertile land, rivers, forests and meadows, which never cease to amaze Yesenin with their pristine beauty. And that is why the author claims that if there is a paradise in the world, then it is located right here, in the rural Russian outback, which has not yet been spoiled by civilization, and has managed to maintain its attractiveness.

“There is no need for paradise, give me my homeland,” - with this simple and devoid of “high calm” line, the poet completes the poem “Go away, my dear Rus'...”, as if summing up some conclusion. In fact, the author only wants to emphasize that he is immensely happy to have the opportunity to live where he feels part of his people. And this awareness for Yesenin is much more important than all the treasures of the world, which can never replace a person’s love for his native land, absorbed with mother’s milk, and protecting him throughout his life.

“Go away, Rus', my dear...” Sergei Yesenin

Goy, Rus', my dear,
Huts - in the vestments of the image...
No end in sight -
Only blue sucks his eyes.

Like a visiting pilgrim,
I'm looking at your fields.
And at the low outskirts
The poplars are dying loudly.

Smells like apple and honey
Through the churches, your meek Savior.
And it buzzes behind the bush
There is a merry dance in the meadows.

I'll run along the crumpled stitch
Free green forests,
Towards me, like earrings,
A girl's laughter will ring out.

If the holy army shouts:
“Throw away Rus', live in paradise!”
I will say: “There is no need for heaven,
Give me my homeland."