Woe from mind how old is silent. Characteristics of Molchalin in “Woe from Wit” (with quotes)

In Griboyedov's comedy "Woe from Wit" several typical characters were created that are well recognizable regardless of the era. Molchalin belongs to such images, so now it would be appropriate to briefly consider the characteristics of Molchalin, paying attention to the features that Griboedov endowed this character with.

Biography of Molchalin from the comedy “Woe from Wit”

The play says very little about Molchalin’s life before Famusov’s appearance in the house. The reader learns that Alexey Stepanovich Molchalin is of humble origin, a poor young man.

Famusov took Molchalin as his secretary from Tver and was able to “get” him the rank of assessor, which was highly valued and equated to the army rank of major. Meanwhile, the hero is still listed in the Archives of the College of Foreign Affairs and manages to receive three awards. During Griboedov’s time, the “archive youths” were treated with some contempt, since young people who wanted to avoid military service in this way were enrolled there. This information already helps to create a characterization of Molchalin from the comedy “Woe from Wit.”

In the house of his patron, Molchalin lives on the first floor, where there are servants’ rooms and utility rooms. For the sake of his career, Molchalin starts an affair with Sophia, Famusov’s daughter, while simultaneously caring for the maid Lisa.

Molchalin and Sophia

What else is interesting about Molchalin’s characterization? He admits that he is not interested in Sophia. No matter how hard Molchalin tries to awaken his feelings for her, nothing works, the hero still remains cold: “As soon as I meet, I’ll leave the sheet.” He is chasing the boss's daughter, hoping to benefit. Knowing Sophia’s inconstancy (“they loved Chatsky once, they will stop loving me like him”), he is not worried, he is more worried about Famusov’s reaction to their relationship.

Literary scholars have repeatedly asked the question: what attracted Sophia to Molchalin, why did she choose him over the intelligent and noble Chatsky? Probably the answer is in the words of the heroine herself. Talking about Molchalin, she highlights his qualities such as helpfulness, attentiveness, shyness; he is ready to predict Sophia’s every desire and shows her his tender feelings.

Another quality that is important in Molchalin’s characterization is his hypocrisy and duplicity: pretending to love Sophia, he courts Lisa, seducing her with gifts and not hesitating to quite brazenly and obsessively express his feelings. In Famusov’s house, Molchalin wears the mask of a timid man in love until an accidental revelation occurs.

Characteristic qualities of Molchalin from the comedy “Woe from Wit”

Griboyedov uses a telling surname. Molchalin is silent, quiet, he does not dare to have his own opinion, for fear of not pleasing important people. His main goal is to gain the trust of those who can provide patronage through helpfulness and subservience to them. Chatsky notes bitterly: “The silent ones are blissful in the world.”

To understand the characterization of Molchalin in the comedy “Woe from Wit” by Griboedov, it is necessary to remember what kind of covenant his father gives to Molchalin. The young man says that his father advised him to “please all people without exception”: the owner of the house where he lives, the boss, the boss’s servant, “the doorman, the janitor to avoid harm, the janitor’s dog to be affectionate.” The hero follows this principle. He tries to please Famusov, the “old men” at the balls. For this reason, he gives up dancing and fun, and spends the entire evening playing cards with elderly but noble gentlemen. Through helpfulness and modesty, Molchalin achieved good relations with the influential Tatyana Yuryevna and even the grumpy Khlestova.

Molchalin considers his main talents to be “moderation and accuracy.” Griboyedov in his comedy “Woe from Wit” shows: Molchalin is stupid, his mind is aimed only at searching for advantageous behavior, he is low, has no self-esteem, is capable of meanness and lies.

We hope that our article, which briefly presented the characterization of Molchalin from the comedy “Woe from Wit” by Griboedov, helped you get to know this character better. Also read on our literary blog

Among the heroes of “Woe from Wit” (see summary, analysis and full text), Famusov stands at the top steps of the official and social ladder. Molchalin, being on the lower steps of the same ladder, tries to climb it, following the principles and life rules of his boss. Adulation and servility, common in Famus society, were instilled in him from childhood:

“My father bequeathed to me

says Molchalin,

Firstly, to please all people without exception;
The owner, where he will live,
The boss with whom I will serve,
To his servant, who cleans the dress,
Doorman, janitor, to avoid evil,
To the janitor’s dog, to be more affectionate.”

We can say that Molchalin really fulfills his father’s wills! We see how he tries to please the noble old woman Khlestova, how he praises and caresses her dog; and although Khlestova treats him very condescendingly (“Molchalin, here’s your little closet!”), however, she allows him to lead her by the arm, plays cards with him, calls him “my friend,” “dear,” and probably won’t refuse he has protection when he needs it. Molchalin is confident that he is going the right way and advises Chatsky to go “to Tatyana Yuryevna,” since, according to him, “we often find patronage there where we don’t aim.”

Woe from the mind. Maly Theater performance, 1977

Molchalin himself recognizes two “talents” in himself: “moderation” and “accuracy,” and there is no doubt that with such properties “he will reach the known levels,” as Chatsky notes, adding: “after all, nowadays they love the dumb.” Molchalin is truly dumb, since he not only does not express, but does not even have his own opinion - it is not for nothing that Griboedov called him “Molchalin”:

"At my age one should not dare
Have your own opinion,”

he says. Why risk “having your own judgment” when it is so much easier and safer to think, speak and act as the elders do, as Princess Marya Alekseevna does, as “everyone” does? And can Molchalin have his own opinion? He is undoubtedly stupid, limited, although cunning. This is a small soul. We see the baseness and meanness of his behavior with Sophia. He pretends to love her because he thinks it can be beneficial for him, and at the same time flirts with Lisa; he sneakily crawls on his knees in front of Sophia, begging for her forgiveness, and immediately after that he rushes to hide from Famusov’s anger, like a real coward. The pathetic type of Molchalin is depicted by Griboyedov with merciless realism.

Woe from Wit is a famous comedy by A. S. Griboyedov, which features nobles living in the early 19th century. During this period, the ideas of Decembrism and conservative views began to provoke disagreements. The basis of the theme is the confrontation between modern times and a bygone century; ideals were replaced by new ones, which had a deplorable effect on people. At the same time, most of the representatives of comedy belong to the supporters of the bygone century; this category includes both individuals with weight in society and those who try to serve. And Molchanov is one of those who serve not of their own free will.

Characteristics of the hero

Molchalin Alexey Stepanovich is a man, he is young and works as Famusov’s secretary. Among his main traits are stupidity, meanness combined with cunning, his goal is to gain advantages for himself. To do this, he adapts to the opinions of others and meets not with the woman he loves, but with Sofia Famusova.

Among the positive qualities are:

• modesty. As can be seen from his reaction to drunken behavior, humiliation and affectation, the hero can withstand any quirks;
• tact. Alexey hides his emotions and does not show inappropriate actions towards the owner’s daughter;
• ability to remain silent;
• politeness. Knows how to correctly formulate phrases and present himself correctly;
• ability to make friends;
• calm perception. Even in the most unpleasant situations he does not show his emotions.

There are also negative qualities:

• shyness is only a mask, in fact the hero is two-faced, he behaves depending on his environment;
• pleases and ingratiates for profit. Novels are also built for the purpose of profit; even the smart enough Sofia is ready to be with him, but Molchalin is only pretending;
• He doesn’t have his own opinion, he’s silent more.

Mochalin’s psychological mindset defines a whole category of people; they are ready to do anything for a promotion and forget about their opinion for the sake of this. Alexey gradually lost the ability to judge logically and simply agreed with the public, reaching the maximum in his flattery.

The image of the hero in the work

Alexey is not rich and is a nobleman from Tver, lives in the owner’s house and secretly has a love relationship with his daughter. Molchalin cannot reach the status of a son-in-law, because he has no ranks and stars; society likes him because he is professionally helpful. He fully corresponds to the image of a young nobleman, since he tries to please everyone who can somehow influence his career. He himself believes that small ranks do not provide the opportunity to have one’s own judgment.

Role in society

In public, Molchalin’s true face is hidden, but when communicating with Liza, he shows himself, because the bright contrast of a modest and quiet man with a rake is simply impossible not to notice. This person is dangerous because he is two-faced. He has no love or even respect for Sophia, he is afraid to open a relationship, while at the same time he is building a real performance. He believes that evil tongues are worse than a pistol, but Sophia, on the contrary, does not worry about the opinions of others. Molchalin lives as his father advised him - he pleases everyone.

Alexey is proud of his success, the presence of important connections, and even gives advice to behave similarly to Chatsky, because he believes that his behavior is correct. Although the views of the hero and the conservative nobles are the same, he is harmful to society. Having deceived Famusov's daughter and being her lover more as a job than out of feelings, he ruins the girl's life. Molchalin has an exact correspondence to the ideals of the bygone century; he easily adapts to the situation and values ​​only wealth and titles.

What does Molchalin show?

The basis of the character's character is duplicity and cunning, such people can be blissful, and reach known degrees, since people like such silence. The relevance of the affected feature of the hero remains, his image has been preserved to this day; promotions and enrichment for many are much more important than such eternal concepts as dignity, honesty or love for the homeland. Molchalin clearly divides people by status and treats them accordingly.

In the comedy, Molchalin is not very important for the development of the storyline; he personifies the general spirit of the people of that time, showing their humiliation before the higher ranks. The image also allows you to show Chatsky more clearly, because he is opposite in character, and stands out for his strong soul, pride and confidence.

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In Griboyedov's comedy "Woe from Wit" the main opposing array of events occurs in the images of Chatsky and Famusov. The remaining acting characters help reveal the true state of affairs and the depth of the conflict.

Origin and occupation

One of these characters, with the help of which the tragedy of what is happening is enhanced, is the image of Alexei Stepanovich Molchalin.

We invite you to familiarize yourself with A. Griboyedov’s comedy “Woe from Wit.”

Molchalin does not belong to the aristocracy - he is a man of ignoble origin, but thanks to his service, he has access to high society.

Alexey Stepanovich has not yet managed to rise to significant heights - he currently only holds the position of Famusov’s secretary, but he holds out hope for a quick career advancement, which arouses Famusov’s special love.

Pavel Afanasyevich allocated a room in his house for Molchalin, although it is difficult to call it a full-fledged room: it is most likely a small closet, but Molchalin, deprived of fate, is quite happy with this.

Alexey Stepanovich has been working as Famusov’s personal secretary for three years now, however, he is registered in a completely different position - based on official data, Molchalin works in the archives department, but in practice this is a fictitious thing, he is just listed there. However, not without benefit for himself - during such service he received three awards.

Of course, this was Famusov’s exceptional work. This situation is also beneficial to Famusov and allowed him to get out of a difficult situation - he provided himself with a good secretary and, moreover, he had to pay out of his own pocket.

The text mentions Molchalin's rootlessness, but there is no exact explanation. Based on this, several assumptions can be made regarding the essence of such a statement. The first is that Molchalin is a man of simple origin, the second is that he is an orphan, that is, a person without a family.

The writer portrays Alexei Stepanovich Molchalin as an adult man. At the same time, Molchalin rejects even the possibility of his infantility. Famusov, for whom the hero serves, takes advantage of Alexei’s position. Officially, the hero works in the “Archives” because Famusov agreed so. However, this is a simple formality for obtaining ranks. Molchalin’s real place of work is Famusov’s house. The latter provides its employee with food, drink, shelter, and career advancement. Molchalin, apparently, knows how to please Famusov.

Before working with Famusov in Moscow, the hero lived in Tver. Molchalin, of course, is not a rich man at all. The simplicity of the hero’s origin makes us make the assumption that Molchalin is a tradesman. According to the Table of Ranks, the hero holds the rank of collegiate assessor. This rank gives the right to nobility, which is what Molchalin achieves. The man even manages to receive awards, in which Molchalin was probably helped by his master.

Symbolism of the surname

The image of Molchalin carries symbolic features. This is primarily due to his last name. It is based on the verb “to remain silent.” And indeed, this word is an accurate reflection of the essence of Molchalin. He is Famusov's silent and faceless servant. Even his step is devoid of any sounds. It seems that he wants to be as unnoticed and quiet as possible.

From time to time, Alexey Stepanovich moves on tiptoe so as not to disturb his household. This behavior is one of the ways to achieve his life goal.

The purpose of life

While most aristocrats are devoid of purpose in life and lazily live their lives without filling it with any meaning, Molchalin’s life has a pronounced character. His goal is to succeed and achieve significant achievements in life. Achievements in the eyes of Molchalin are in no way connected with improving the lives of ordinary, ignoble people or promoting the development of morality of the aristocracy. Alexey Stepanovich’s highest goal is to become a full-fledged representative of high society.

Molchalin is ready to die for the next promotion, so he serves Famusov with all his might - it is Pavel Afanasyevich who can help him achieve this goal. And Molchalin had already overcome the first step on this steep ladder - thanks to his ability to suck up and please the Famusovs, he was given the rank of collegiate assessor. Thus, Alexey Stepanovich turned from a commoner into a poor nobleman. Molchalin found a special charm in the fact that his rank tended to be inherited.

Molchalin and Sofya Famusova

You can further improve your position in society through a profitable marriage. For this, girls needed to have a charming figure and an equally charming face. In the case of the male half of society, it was enough to have a helpful character. It is the ability to serve well that becomes the criterion for favor. Despite his low origins and financial insolvency, in the eyes of Famusov, Alexei Stepanovich looks like a more attractive son-in-law than the noble aristocrat Chatsky. The fact is that Pavel Afanasyevich believes that such wealth and diligence, which Molchalin possesses, can compensate for his origin and achieve an advantageous position in society. To achieve a final advantage over other young people, Molchalin can only accumulate significant capital or start attacking Famusov from another front - if Sonya falls in love with Alexei Stepanovich, then she will be able to convince her father to make a decision in his favor.

Alexey Stepanovich accelerates this process by beginning to show interest in Famusov’s daughter, Sophia.

The relationship between young people follows the best traditions of platonic love - Molchalin does not allow anything unnecessary in relation to the girl.

Thus, he demonstrates his respectful attitude towards Sophia and the seriousness of his intentions. In addition, such behavior contributes to achieving his goal with marriage - Molchalin does not need to possess Sonya, he needs to become her husband, so debauchery is an unacceptable thing for him.

We offer a comparison in A. Griboyedov’s comedy “Woe from Wit.”

In communicating with Sophia, Alexey Stepanovich adheres to the same principle as with her father - he pleases her all the time. Naturally, Molchalin’s behavior differs sharply from the behavior of other aristocrats towards her. Young people of noble origin are not ready to grovel before Sonya the way Molchalin does, which is why they do not arouse such interest in her.

To some extent, Famusova’s attachment to Molchalin was caused by the lack of proper candidates - after Chatsky’s departure, the girl chooses the least evil from the remaining ones. At the time of the emergence of attachment and the beginning of communication, Sonya did not experience enthusiasm and love attraction for Molchalin, her act could be regarded as revenge on Chatsky, but as a result, such an act did not bring the desired effect, Sonya eventually got used to Molchalin’s oddities and began to perceive them as ordinary things . In Molchalin, Sonya has found a wonderful “living toy”; he not only treats her with adoration (which, as it turned out, was feigned), but is also ready to fulfill any of her desires.

Chatsky and Molchalin

The conflict between Chatsky and Molchalin was a priori predetermined - an honest and noble aristocrat cannot understand and accept the position of Famusov and his society, Alexey Stepanovich, who is not only dependent on Famusov, but also strives to become like them, could become an excellent opponent to Chatsky , if he had more persistence and individuality, however, since Alexey Stepanovich is used to being a silent observer and never revealing his attitude to certain situations, there is no heated discussion between the characters.

In addition, the insightful Chatsky notices Alexei Stepanovich’s strange attitude towards Sonya Famusova. Over time, he discovers Molchalin's true attitude towards the girl and his ghostly love. Chatsky is amazed by Molchalin’s double standards - on the one hand, he is ready to flatter immensely, but, on the other hand, he immediately does not neglect to publicly announce his disdain and even disgust for those whom he idolized just a couple of minutes ago.

Attempts to open the eyes of others to the fallacy of their opinions do not lead to anything good - it is more flattering for others to perceive their superiority than to realize that all the respect towards them was a farce.

Molchalin and Lisa

No matter how two-faced Molchalin may be, he still sometimes reveals his true feelings and intentions. This state of affairs is not exposed in discussions or small talk (since he tries in advance not to take part in them).

So, for example, Alexei Stepanovich develops a feeling of affection and love towards the maid in Famusov’s house, Liza. The hero of the story is faced with a choice - to play his role as Sonya's lover to the end or to confess his feelings to Lisa.

Unfortunately, as a dishonest person, Molchalin is not limited to this state of affairs and cares for two girls at once.

Thus, Alexey Stepanovich Molchalin is a classic version of a character playing a double game. This trend continues in the case of Molchalin in all types of activities. He is hypocritical towards Famusov and plays with Sonya’s feelings.

Alexei Stepanovich is characterized by resigned and silent servility. For the sake of moving up the social ladder, he is ready to do even the most immoral acts. The image of Molchalin has become a household name and is used in relation to a dishonest, hypocritical person.

Character of Molchalin

The hero makes a double impression. On the one hand, Molchalin pleases everyone (the man is a real master at this), he is shy, helpful, timid, calm, timid, modest, quiet, “wordless.” He is characterized by accuracy, moderation, and lack of criticism of others. This is probably why they love him. But on the other hand, the hero is also characterized by duplicity and hypocrisy. Molchalin is considered a well-mannered and polite person; the hero evokes sympathy among those around him. Society does not see the true nature of the hero. On the contrary, in Molchalin they see a selfless person, ready to forget about his own interests for the sake of others.

However, Molchalin pleases and remains silent for the sake of self-interest, in order to achieve his goal. This was the parting word the father gave to the hero. The hero's behavior depends on the circumstances. For example, with Famusov’s daughter, the man behaves emphatically politely and modestly. But Molchalin does not truly love Sophia. The hero is in love with Lisa. However, there is no need to behave decently with a simple girl. The true face of Molchalin is seen, perhaps, only by Chatsky, who considers the assessor a stupid, cowardly and pathetic person. However, Vyazemsky, on the contrary, emphasizes the hero’s prudence and rational approach to life. Molchalin's soul is cold and callous. The maid Lisa later speaks about this.

The epithets that are awarded to Alexei Molchalin are a flatterer, a sycophant and a heartless rogue. The anti-hero of the comedy “Woe from Wit” appears before readers as a truly grotesque figure, whose description is full of sarcastic clichés. And according to the law of the genre, the unpleasant guy who stole the heart of a naive girl will be exposed. Alas, such a plot is most often only possible in plays.

History of creation

Molchalin is a colorful and vibrant character, with the help of whom he exposed the typical secular society of the times of serfdom. The writer created the first sketches of the comedy “Woe from Wit” back in 1820.

The results of the work, which lasted for four years, did not satisfy the author. In 1824, Griboyedov, while editing the resulting work, partially rewrote the character of Molchalin. The writer adds final scenes to the comedy, thereby exposing the secretary to the other characters.

The first attempts to publish “Woe from Wit” took place in December of the same year. Alas, censorship softened the characters’ remarks, smoothing over the acute social issues that Griboyedov raised. For example, Molchalin’s phrase “After all, you need to depend on others” was replaced with “After all, you need to keep others in mind.”

The comedy, not burdened by censor edits, was published only in 1831, and the play was specially translated into German. The Russian-language version of the poetic work appeared in Moscow in 1833.

Critical remarks about the play mainly affected the confrontation and Molchalin. Despite the secretary’s numerous censures, the hero’s life values ​​are clear and correspond to the spirit of the times. This was subtly noted:

“Chatsky says about Molchalin that he used to be so stupid that he is the most pitiful creature. Molchalin took it as a rule: moderation and accuracy. Let’s ask: what’s stupid and funny here?”

"Woe from Wit"

The plot of Alexander Griboyedov's comedy develops on the territory of a landowner's estate. The elderly man’s household has long been established; the man is assisted in his work by a secretary, whose full name is Alexey Stepanovich Molchalin.

The man lives in his employer’s house, so he easily starts a relationship with Sofia Famusova. Young people spend a lot of time alone, talking about personal topics. Molchalin's biography undergoes drastic changes when Chatsky returns to his homeland.

The men disliked each other from the first minutes. Chatsky intends to understand the reasons for his beloved’s strange behavior. Molchalin is afraid that the secret affair will be revealed. The secretary does not want to lose his advantageous position, but the opportunity to become the son-in-law of a wealthy aristocrat is too tempting.

The girl herself has long lost interest in Chatsky and can hardly restrain herself from revealing her secret. When Molchalin falls from his horse, the younger Famusova cannot cope with her emotions. People around them begin to suspect that there is a secret connection between the heroes.

Having ridiculed the secretary's views on life, Chatsky incurs the girl's wrath. Gossip, intrigue and class prejudice surround people's relationships. Molchalin's well-fed life ends at the moment when, succumbing to feelings, the secretary opens his hands and confesses his insidious plans to the maid Liza.

The intimate conversation and unpleasant statements are heard by Sophia herself and the angry Chatsky. At this moment, the social problems of Russian officials and the love drama are mixed together. Molchalin is expelled from a rich house, and his rival bitterly concludes:

“Silent people are blissful in the world!”

Image and character

The debate about whether Molchalin is pitiful or terrible does not subside among connoisseurs of classical literature. A quotative description of the character will put everything in its place, because Griboedov expressed his attitude towards the character through the remarks of Molchalin himself and the people around him.

The hero of the comedy grew up in Tver and moved to Moscow in adulthood. The young man is poor, grew up in a middle-class family. His father also worked in service, so from childhood Molchalin was accustomed to groveling before the powers that be:

“My father bequeathed to me: firstly, to please all people without exception - the owner where I happen to live, the boss with whom I will serve.”

The secretary follows his father’s precepts, so he settles into Famusov’s house with ease and comfort. Officially, the young man is listed in the “archives,” but in fact, he performs the duties of the landowner’s personal assistant. During his service, the man managed to receive three awards, which Molchalin is boastfully proud of.

Part of the secretary's characteristics are revealed through the character's appearance. An attractive young man with a slender figure. A man dresses neatly and takes care of his own manners:

“Helpful, modest, with a blush in his face...”

The suit is a unique way for Alexei Stepanovich to achieve his own goals in life. A modest frock coat, colored vest and light trousers help Molchalin move up the career ladder. After all, the status of a creeping servant allows you to achieve a promotion faster. And it’s easier for a quiet young man to gain the favor of the boss’s daughter.

The image of a modest and reserved person is exploited by Griboyedov even through the hero’s surname. This is what Chatsky thinks about the unpleasant hero:

“Have you not yet broken the silence of the seal?<...>However, he will reach the well-known levels, because nowadays they love the dumb.”

New sides of Molchalin’s character are revealed in the context of the secretary’s relationships with women. Ambition forces a man to look after Sophia, while Alexey is interested in the maid Lisa. The hero is not embarrassed that such actions are a sign of hypocrisy and duplicity. After all, in the struggle between aristocracy and bureaucracy, any methods are good.

Misbehavior has consequences for a liquid and resourceful person. Alexey Stepanovich was caught red-handed, and various subterfuges will not save the bureaucrat. However, even after excommunication from a rich house, Molchalin will easily arrange his own life, because, as he wrote:

“Molchalin is devilishly smart when it comes to his personal gain.”

Film adaptations

In 2000, a video version of “Woe from Wit” was released, directed by. The play was included in the 5 most expensive stage projects in Moscow. The image of Molchalin was embodied by the actor.

Quotes

“Often we find patronage there where we don’t intend.”

“This frankness would not harm us.”

“What can’t you do to please the daughter of such a man.”

“Ah, evil tongues are worse than a pistol!”

“I dare not pronounce my judgment.”