Comedy Club is no time for jokes: how the writers switched to competitors. Mot compared rapper Face with the group USB from Comedy Club Comedy with Face full release
Instructions
To write jokes, you need to have not only a sense of humor, but also some experience, so as not to write "bayans". You can write it in different ways. For example, a team selects several authors who will write jokes, but others will perform. This method has its minus and plus. The advantage is the division of labor, that is, while the authors write jokes, the rest are free. However, there is also a minus. The author puts a special meaning into his joke, which only he can truly convey. But when participating in KVN, you need to understand that a lot depends on the intonation with which a joke is delivered.
It is strongly recommended that before the performance, or better yet, immediately after writing a joke, you check it on the Internet, in order to thus protect yourself from embarrassment at the performance. Usually, before the performance itself, there are general run-throughs, at which experienced representatives of the KVN movement are present, who can point out accordions or uninteresting jokes. Just before the performance, check your jokes by entering part of their text into a search engine. This will be additional insurance.
There are many different methods of writing jokes. It is worth noting that under no circumstances should you try to use other jokes to write a new one. This will be plagiarism, even if hidden. It is also highly recommended not to listen to the jokes of other teams before writing, since then you simply will not notice how you are using someone else’s technique or joke in your work.
One of the most common methods for writing jokes is brainstorming. It is carried out by the whole team. Everyone sits down at the table with pens and sheets of paper. For five to ten minutes, everyone writes what they consider funny or unusual. After the specified time has passed, the sheets are passed around in a circle. The next person reads what a friend has written and refines the joke, that is, either writes it in his own words or adds the missing text. This way you can pass the leaves around in a circle as many times as you like. However, you must not overdo it, otherwise the jokes will be too loaded with information.
The most common question when writing jokes is what to write about? Yes, about anything, about everything that comes to your mind. At the same time, you need to try to make the meaning of the joke clear to as many people as possible. Also, don’t come up with specific jokes or jokes with hidden meanings. You can use a little trick. Usually teams know approximately what type of audience they will have to perform in front of. Therefore, you can write jokes based on this. Brainstorming can be modified. For example, assign a topic on which jokes will be written. Or ask everyone to write some theses or funny situations, which they can then put together and discuss with the whole team.
The artist gave an interview on the eve of a big solo concert. Mot talked to journalists about his work, the rap industry as a whole, and also talked about what he thinks about his colleagues.
Matvey Melnikov, better known by his stage name Mot, is preparing for a big solo concert. On the eve of a significant day for the musician, he gave a long interview about creativity and life.
According to the artist, many modern rap artists work in the new school genre. Almost nothing remains of the past aggressive recitative, but, nevertheless, their videos are in rotation on television, their songs can be heard on the radio, and they easily win awards at various awards in the category “Best Hip-Hop Project.” Matvey can only name the rapper Face as an exception to the rule, whom he treats with suspicion and does not understand his work.
Face is one of the brightest representatives of the new school.
Photo: Social networks
“I perceive his work, and I think he himself too, as shocking. “Something from the area of the USB group from the Comedy Club,” the artist emphasizes. - This is the prism through which I view his work. Or rather, his loud hits, he didn’t dig deep. But he presents his creativity with some tasty interesting sauce, there is a phenomenon, this cannot be denied. I'm not close. It seems like he’s just messing around for now, and then it might develop into something more interesting from a semantic point of view. Then it will be presented in the nominations.”
The interviewers also did not miss the opportunity to talk with the performer on the topic of Russian rap. Mot did not find it difficult to answer questions about what is happening in hip-hop culture now. In his opinion, this genre is now undergoing some metamorphoses in Russia.
“If you open the iTunes hip-hop top, the first four places are occupied by dance tracks in which there is nothing left of hip-hop. I don’t consider myself a hip-hop artist: I release hip-hop, dance, and pop-lyrical tracks,” explains Mot.
As for the upcoming concert, on which Mot is placing big bets, he admits that not all the seats have been sold yet, although there is very little time left before the event, but he is confident that the soldout will still take place.
“Last year we took Crocus and did a soldout a month before the concert,” says Matvey in an interview with The Flow. - Seven thousand tickets. We thought about taking two in a row this year, but realized it too late. There were no longer two good days free in a row. We had to get out and found this Arena. As for me - cold and unfamiliar for now, but there was no choice. First I have such an experiment, and in April Yegor Creed will do it.”
Television holdings continue to poach personnel from each other. In September, scriptwriters from the Gazprom-Media-owned Comedy Club went to work at STS Media. Previously, TNT stars Sergei Svetlakov and Alexander Nezlobin became the faces of STS
A group of authors of the Comedy Club program, broadcast on the TNT channel (part of Gazprom-Media), in the new television season will create humorous content for the STS Media holding, which manages STS, Domashniy, Che, CTC Love and CTC Kids. This was reported to RBC by a source in the media market and confirmed by the general producer of the STS TV channel Anton Fedotov.
The team led by Radion Bigulaev began work on September 19, Fedotov specified. Bigulaev is one of the authors of the Comedy Club, artistic director and “resident” of the Comedy Club Garik Martirosyan told journalist Yuri Dudy in an interview. Before joining Comedy in 2013, Bigulaev was the artistic director of the Vladikavkaz KVN team “Pyramid”. “The group of authors, despite the rumors that are creeping around the country, is not billions, but several people. You can count them on your fingers,” Martirosyan said then.
The group of authors headed by Bigulaev includes, in particular, screenwriters Timur Aristanbaev, Sergei Kashnikov, Dmitry Dobrolyubov, Artem Kirsanov, Alexey Leonov and Alexander Ivanchenko. In this composition, they have been collaborating with the Comedy Club for the last three years, mainly writing jokes for residents, Radion Bigulaev clarified to RBC.
Bigulaev’s writing group left the project, the Comedy Club press service reported. According to her, this group of writers had the same responsibilities as all the others: generating ideas for acts, writing scripts, participating in brainstorming sessions and working “in conjunction with the creative producer and artists.” More than 250 authors are working on Comedy Club Production projects, the Comedy Club representative clarifies, emphasizing that the main role in the creative process is played by creative producer Alexey Lyaporov.
Bigulaev’s team will primarily work on projects for the STS television channel, the first of which will be the relaunch of the humorous show “Thank God, you came!”, Fedotov said.
This show aired on STS in 2006-2010. His return to the airwaves was announced in July. Popular comedians Sergei Svetlakov and Alexander Nezlobin will be involved in the restart, as CTC Media announced. Previously, they collaborated with the TNT television channel, but since July they have been working with STS Media.
Gazprom-Media begins
Last October, the largest Russian television holdings agreed not to poach each other’s personnel, as well as shows and series, Vedomosti wrote, citing its own sources. The reason for the discussion was the launch of the new federal channel “Gazprom-Media” “Super”. The general producers of Yellow, Black & White studio Eduard Iloyan, Vitaly Shlyappo, Alexey Trotsyuk and Denis Zhalinsky took part in it. Before this, the studio was the main content producer for the STS TV channel: the TV series “Kitchen”, “Hotel “Eleon””, the show “Six Frames”, etc.
At the end of last year, the founders of YBW began working at Gazprom-Media. It was assumed that the basis of the new channel would be the Yellow, Black & White library, but CTS Media managed to retain the rights to the series aired on its channels.
The main asset of television production is “people, a team of like-minded people, their brains,” one of the founders of the Yellow, Black & White studio, Eduard Iloyan, said in an interview with RBC. General Director of World Russian Studios Yuri Sapronov agrees with him. He explains: screenwriters are an important part of the creative team, and each author or writing group, as a rule, has its own genre specialization: some write comedies, some write dramas, some write action films. The transition of script groups working in the comedy genre from project to project indicates a shortage of such specialists on the market, Sapronov stated.
Authors for television are as important as fields for Rosneft, producer Igor Mishin told RBC. However, film and television production have, as Mishin argues, some differences: in the first case, the author can indeed be an independent creative unit, in the second, he is part of the creative team. The transfer of such a creative group of authors to CTC Media is a strong acquisition for the channel, Mishin believes. But in order for the project to really take off, creative producers are also needed, who are superior to screenwriters in their status and competence, Mishin concluded.
Your share up to 100%.
Since its launch, Comedy Club has largely ensured the success of TNT. For example, last year in the target audience of TNT - viewers 14-44 years old - the average share of all Comedy Club releases, taking into account repetitions and non-standard projects (The best of, Jurmala music, etc.) was, according to Mediascope, 11.6 %. In other words, the program was watched by 11.6% of all Russians of the specified age who had their TV turned on at that moment. In January-August of this year this figure was 10.4%. For the entire TNT channel, the average daily share of the target audience was 10.6% last year, in January-August of this year - 9.9%, respectively.
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