One of the best still life masters is Jan Davids de Heem. One of the best masters of still life Jan Davids de Hem Jan Davids de Hem description of paintings

Jan Davidsz. de Heem, 1606 - 1683-84. Holland

Jan Davidsz. de Heem, 1606 - 1683-84. Holland

Chalice and host above it in a garland of fruit

Set table with a parrot. Vienna, Academy of Arts Gallery

Self-Portrait

Jan Davidsz de Heem ; April 1606, Utrecht - 1683/1684, Antwerp) - Dutch artist and son of the artist David de Heem, the most significant representative of the de Heem family

He studied with Balthasar van der Ast in Utrecht. He worked in Leiden (1625-1636), Antwerp, where he lived in 1636-1658 and after a short stay in Utrecht in 1669-1672 and again in 1672-1684.

Receptive to the influence of various artistic movements, de Hem created paintings initially in the spirit of the carefully painted archaic flower and fruit still lifes of Balthasar van der Ast, then in Leiden he turned to the genre of Vanitas (allegory of mortality) still lifes in the manner of a group of artists influenced by Rembrandt. In Antwerp, having gained wide fame, he became close to the traditions of the Flemish still life painter Frans Snyders and the creator of flower garlands, Daniel Seghers.

De Heem's paintings in a large horizontal format depicting festive tables, architecture and conventional landscapes are filled with expensive utensils and items of a lavish meal. The understanding of the unity of the light and shadow and pictorial environment, typical of Dutch still life masters, was combined here with a purely Flemish attraction to the abundance and luxury of earthly goods.

His works, designed primarily to create a spectacular spectacle, lacked, however, the sense of spontaneous fullness of life so typical of Flemish painting. The combination of decorative splendor and dry rationalism distinguishes the floral still lifes that made de Hem famous, combining in a complex, skillfully constructed composition numerous plants blooming at different times of the year, with carefully depicted smallest details, including all kinds of insects - flies, butterflies, caterpillars, dragonflies and etc. Endowed with a subtle sense of color, de Hem’s luxurious bouquets not only gave aesthetic pleasure, but also immersed the contemporary viewer into the world of multi-valued symbolic images associated with the idea of ​​frailty, the transience of everything earthly, blossoming and withering, life and death. The high culture of floriculture in Holland, the love of flowers, their hidden religious and secular language of allegory contributed to the exceptional success of this genre in various circles of society; the works of de Heem, his students and followers, who painted pictures based on the master’s sketches, were widely distributed in the art centers of Holland and Flanders.

Bouquet of flowers in a glass vase (Still Life with Flowers in a Glass Vase)Amsterdam, Rijksmuseum

Still Life (Still Life) Madrid, Prado Museum

A Banqueting Scene New York, Metropolitan Museum of Art

Still life with dessert_Paris, Louvre

Fruits and a richly served table (Fruits et riche vaisselle sur une table) Paris, Louvre

Still life with a silver glass

Garland of Fruit and

Luxurious fruit still life (Sumptuous Fruit Still Life)The Hague, Royal Gallery Mauritshuis

Vegetables, fruits and flower cartouche with Berkemeier (Fruchte und Blumenkartusche mit Weinglas) Berlin, Old Masters Gallery

Still life with ham, lobster and fruit Rotterdam, Boijmans van Beuningen Museum

Still life with fish, shrimp, onion, lemon, cherry and other objects Private collection

Still Life with Oysters and Grapes (Still Life with Oysters and Grapes) Los Angeles, LACMA Museum

Fruit and a Vase of Flowers St. Petersburg, Hermitage

Vase of Flowers, Washington, National Gallery

Still Life (Still Life) London, National Gallery

Flowers in a glass Vase with Fruit Madrid, Thyssen-Bornemisza Museum

Garland of flowers and fruits (Festoen van vruchten en bloemen)Amsterdam, Rijksmuseum

Vase of Flowers, The Hague, Royal Gallery Mauritshuis

A festoon of fruit and flowers in a marble niche (a festoon of fruit and flowers in a marble niche)Private collection

Bouquet of flowers in a glass vase on a stone ledge with a pipe, oysters and orange Private collection

Still life with mushrooms and fruits in a landscape (A hare, ducks, other fowl and a brace of hounds, in a fore)

Still life with a box, oysters, fruit, fried chicken, silver jug ​​and other objects Private collection

Still life with lemon, oyster, plums, glass of wine and other objects Private collection

Still life with lobster, fruit, glass glasses, silver tazza and other objects Private collection

Still life with peeled lemon (Nature morte au citron pele)Paris, Louvre

Still life with a peeled lemonPrivate collection

Still life with shells, oysters, fruit, ham, gilded goblet and other objects Private collection

Still life with Roemer, chestnuts on a tin dish, bread, oranges and other objects Private collection

Still life with oysters, crayfish on a tin plate, fruit, gilded goblet and other objects Private collection

Still life with fruit (Stilleben med frukter)Private collection

Still life with fruit and lobster (Stillleben mit Fruchten und Hummer)Berlin, Old Masters Gallery

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Still Life with Lemons Pomegranates and Grapes on a TablePrivate collection

Still life with fruit, a glass of wine and a mug of beer on a partially draped table. Private collection

Still life with fruit, oysters, gilded cup and other objects Private collection

Still life with bread, oysters, crayfish, pipe, mug of beer and glass of wine Private collection

Nautilus, roemer, fruit, oysters by the window overlooking the vast landscape Private collection

Fruit in a porcelain bowl, oysters and nuts on a stone ledge Private collection

Flowers in a Vase, St. Petersburg, Hermitage

Flowers in a glass vase on a draped table with silver tazza, fruit, insects and birds. Private collection

Flowers in a glass bowl on a stone ledge with butterfl)Private collection

Flowers in a glass vase on a marble pediment Private collection


Still life with fruit, oysters, gilded goblet and other objects

Jan Davidsz de Heem (Dutch. Jan Davidsz. de Heem; April 1606, Utrecht - 1683/1684, Antwerp) - Dutch artist and son of the artist David de Heem. Presumably a student of Balthasar van der Ast.

Originally from Utrecht, the artist worked for some time in Leiden. In 1635 he joined the Antwerp guild of artists and the following year became a citizen of Antwerp. Around 1667 he returned to Utrecht, and in 1672 he fled to Antwerp from the French who had captured the city.

De Heem gained worldwide recognition for his magnificent images of flowers and fruits. He combined the detail of the image down to the smallest detail with a brilliant choice of colors and refined taste in composition. He painted flowers in bouquets and vases, in which butterflies and insects often fluttered, flower wreaths in niches, windows and images of Madonnas in gray tones, garlands of fruit, still lifes with glasses filled with wine, grapes and other fruits and products. Hem masterfully used the possibilities of color and achieved a high degree of transparency; his images of inanimate nature are completely realistic. His paintings are in almost all major art galleries.

Jan de Hem's son Cornelis, born in April 1631 in Leiden, studied painting with his father, worked in The Hague and Antwerp, died in May 1695. He painted still lifes with flowers and fruits in the style of his father.

Still life with fruit (Stilleben med frukter)
31 x 46_х.,м.
Private collection



Still Life
first half of 17th century
oil on canvas 47 cm 61 cm
St. Gallen Museum of Art

Still life with Roemer, chestnuts on a tin plate, bread, oranges and other objects
38 x 47_d., m.
Private collection


Jan Davidsz. de Heem (1606-1683/1684)
Still Life
1653
oil on canvas 46 cm 75 cm
Private collection

Still life with bread, oysters, crayfish, pipe, mug of beer and glass of wine
34.2 x 42.1_d.,m.
Private collection

JAN DAVIDSZ. DE HEEM (1606-1683/4)
STILL LIFE OF FRUIT RESTING ON A LEDGE, WITH

Still life with a box, oysters, fruit, fried chicken, silver jug ​​and other objects
114 x 168_х.,м.
Private collection


Jan Davidsz. de Heem (1606-1683/1684)
Still Life
oil on panel, circa 1660
Bergen Kunstmuseum

Still life with books
(Still Life with Books)
1625-1630_26.5 x 41.6_d.,m.
Amsterdam, Rijksmuseum

Still life with fruit and lobster
(Stillleben mit Fruchten und Hummer)
95.4 x 120.6_h., m.
Berlin, Old Masters Gallery

Fruits and vase with flowers
(Fruit and a Vase of Flowers)
1655_95 x 124.5_h., m.
St. Petersburg, Hermitage

Follower of Jan Davidsz. De Heem
A STILL LIFE WITH APRICOTS, CHERRIES AND GRAPES IN A SILVER TAZZA, CHERRIES IN A PORCELAIN DISH, RED AND WHITE GRAPES, TOGETHER WITH A LOBSTER, A SHRIMP AND A PARTLY PEELED LEMON ON A SILVER DISH, ON A PARTIALLY DRAPED TABLE
oil on canvas
39.5 by 57 cm.; 15 1/2 by 22 3/8 in.

Still life with books and violin
(Still Life with Books and a Violin)
1628_36.1 x 48.5_d., m.



Still Life with a Lobster
Perth & Kinross Council, Perth, UK


Teniers the Younger, David
Heem, Jan Davidsz
1643 oil on oak panel. (48.26x64.14 cm).
An Artist in His Studio
LACMA (Los Angeles)


Jan Davidsz. de Heem (1606-1683/1684)
Festoon with Flowers and Fruit
1660s
oil on panel 26 cm x 48 cm
Staatliches Museum Schwerin

Fruit in a porcelain bowl, oysters and nuts on a stone ledge
31.5 x 39.6_d., m.
Private collection

Still life with mushrooms and fruits in a landscape
(A hare, ducks, other fowl and a brace of hounds, in a fore)
48.2 x 63.5_h., m.
Private collection

Manner of Jan Davidsz. De Heem
A BANKETJE STILL LIFE WITH A LOBSTER, TAZZA AND FRUIT
bears signature lower left: J.D. de Heem
oil on canvas
42.5 by 52.2 cm.; 16 3/4 by 20 1/2 in.



Garland of Flowers and Fruit, Detail
(ca. 1672)
Kunsthalle Karlsruhe<



(Eucharist in Fruit Wreath)
1648_138 x 125_h., m.
Vienna, Kunsthistorisches Museum


Jan Davidsz de Heem, Utrecht 1606 - Antwerpen 1683 oder 1684
Garland of Flowers and Fruit, Detail (ca. 1672)
Kunsthalle Karlsruhe

Maria Johanna Wilhelmina Becht
after Jan Davidsz de Heem
THE HAGUE 1881-1953
A GARLAND OF FLOWERS AND FRUIT
oil on panel, in an elaborate gilt frame
54.5 by 72 cm.; 21 1/2 by 28 3/4 in.


Hem, Jan Davids de (1606 Utrecht - 1684 Antwerp)
Still life with fruit, lobster and goldfinch, (fragment)
Louvre


Jan Davidsz. de Heem, Utrecht 1606 - Antwerpen 1683 oder 1684

(1660 - 1670)
Rijksmuseum, Amsterdam


Luxurious fruit still life (detail)
(Sumptuous Fruit Still Life)
1650-1660_94.7 x 120.6_h.,m.
The Hague, Royal Gallery Mauritshuis


Vase with flowers (detail)


Da Jan Davidsz de Heem, secolo XIX / XX
NATURA MORTA CON FRUTTA, OSTRICHE E UN PAPPAGALLO (detail)
olio su body
115 x 169 cm


Jan Davidsz. de Heem, Utrecht 1606 - Antwerpen 1683 oder 1684
Festoon with fruits and flowers (detail)
(1660 - 1670)
Rijksmuseum, Amsterdam


Chalice and host above it in a garland of fruit (detail)
(Eucharist in Fruit Wreath)
1648_138 x 125_h., m.
Vienna, Kunsthistorisches Museum

Garland of fruits and flowers in a stone niche (detail)
(a festoon of fruit and flowers in a marble niche)
1675_67 x 82.5_h., m.
Private collection


Hem, Jan Davids de
Vase with flowers (detail)
National Gallery of Art (Washington)


Chalice and host above it in a garland of fruit (detail)
(Eucharist in Fruit Wreath)
1648_138 x 125_h., m.
Vienna, Kunsthistorisches Museum


Chalice and host above it in a garland of fruit (detail)
(Eucharist in Fruit Wreath)
1648_138 x 125_h., m.
Vienna, Kunsthistorisches Museum


Jan Davidsz de Heem
Flowers in a glass vase (detail)
c.1660


Vase with flowers (detail)
National Gallery of Art (Washington)


Vase with Flowers
(Vase of Flowers)
1670 (approx)_74.2 x 52.6
The Hague, Royal Gallery Mauritshuis


Self-portrait (c. 1630–40)

Jan Davidsz de Heem \ Jan Davidsz de Hem (1606-1684)

Jan Davidsz de Heem (Dutch. Jan Davidsz. de Heem; April 1606, Utrecht - 1683/1684, Antwerp) - Dutch artist and son of the artist David de Heem. Presumably a student of Balthasar van der Ast.

Jan Davidsz de Heem Maria van Oosterwyck

Hem, Jan Davids de (1606 Utrecht - 1684 Antwerp)
Still life with dessert
Louvre

He studied first with his father, David de Heem Sr., and then with Balthasar van der Ast. Around 1625 - 1629 he lived in Leiden and underwent further training with David Bailey. The artist’s first marriage was registered in this city, from which three sons were born. One of them, Cornelis de Heem, later became a famous artist.

Almost nothing is known about his studies in Leiden, but it was here that the artist painted his first canvases. The influence of van der Ast's floral still lifes and the monochrome "breakfasts" of Heda and Pieter Claes is particularly noticeable in them.

Already in 1635 or 1636 he became a member of the guild of artists in Antwerp, and a year later he became a citizen of this city.

Jan Davids de Hem visits Utrecht from time to time, where he lives for quite a long period of time. In Antwerp he became acquainted with Flemish painting and collaborated with artists of this school. This could not but affect the artist’s work.

In the 1640s, a lush, richly decorated still life appeared, which made the master famous.

After the death of his first wife, the master married again in 1644, when French troops were getting closer to Antwerp. Jan Davids de Heem was forced to move to Utrecht in 1667, and in 1669 he joined the guild of painters of this city. Here he opened his workshop , where, in addition to his sons, artists studied, who later made a name for themselves. When French troops occupied Utrecht, the artist returned to Antwerp, where he remained until his death - April 26, 1684.

The path to glory was thorny and difficult. Jan Davids de Heem became famous as a mature artist after he began painting his decoratively rich still lifes. These works had a colossal influence on all Dutch painting, making Dutch still life colorful, lush and elegant.

The artist’s still lifes impress with their abundance and luxury, harmoniously combined with the chiaroscuro unity of the picturesque environment. His still lifes are filled with air and diagonally flowing light. One of the artist’s favorite objects is lobsters. placed in compositions with rich utensils. An organic and unusual combination of Flemish precision in the depiction of the smallest details and Dutch geometric rigor in the composition, Jan Davids de Heem created a unique style, significantly enriching the pictorial palette with lush, bright works filled with the sybaritic joy of life and characteristic of time symbols.

Jan Davidsz de Heem (Dutch. Jan Davidsz. de Heem; April 1606, Utrecht - 1683/1684, Antwerp) - Dutch artist and son of the artist David de Heem. Presumably a student of Balthasar van der Ast.


Jan Davidsz. de Heem (1606-1683/84).
Self portrait
1630-1635 (1630-1650) oil on wood 24 × 19 cm
Rijksmuseum (Amsterdam)
Amsterdam

For some time the artist worked in Leiden, in 1635 he joined the Antwerp guild of artists and the following year became a citizen of Antwerp. Around 1667 he returned to Utrecht, where he was from, and in 1672 he fled to Antwerp from the French who had captured the city.

De Heem gained worldwide recognition for his magnificent images of flowers and fruits. He combined the detail of the image down to the smallest detail with a brilliant choice of colors and refined taste in composition. He painted flowers in bouquets and vases, in which butterflies and insects often fluttered, flower wreaths in niches, windows and images of Madonnas in gray tones, garlands of fruit, still lifes with glasses filled with wine, grapes and other fruits and products. Hem masterfully used the possibilities of color and achieved a high degree of transparency; his images of inanimate nature are completely realistic. His paintings are in almost all major art galleries.


Still life with dessert, 1640
Louvre Museum, Paris

De Heem is recognized by many as the greatest master of still life in Holland. The brilliant, rich colors in the artist’s paintings and a confident brush suggest that Jan Davids de Heem studied the works of Jan Vermeer. De Heem was the most gifted of the family of artists and inspired still life painters of the 17th and 18th centuries, as well as Henri Matisse, who so admired in particular Jan Davids de Heem's Still Life with Dessert that he made two copies of the painting.


"Still-Life with Fruit and Lobster"
1648-49
Oil on canvas, 95 x 120 cm
Staatliche Museen, Berlin



Set table with a parrot c.1650
150.5 x 116.2
Vienna, Academy of Arts Gallery


"Flower Still-life with Crucifix and Skull"
1630s
Oil on canvas, 102.8 x 84.9 cm
Alte Pinakothek, Munich


Still life with ham, lobster and fruit, c.1653
75 x 105
Rotterdam, Museum Boijmans van Beuningen

De Heem's paintings in a large horizontal format depicting festive tables, architecture and conventional landscapes are filled with expensive utensils and items of a lavish meal. The understanding of the unity of the light and shadow and pictorial environment typical of Dutch still life masters (Pieter Claes, Willem Heda) was combined in the work of Jan Davids de Heem with a purely Flemish attraction to the abundance and luxury of earthly goods.


Still life with books c.1628
36.1 x 48.5


Still life with books c.1630
26.5 x 41.5
Amsterdam, Rijksmuseum


"Still-Life with Lobster and Nautilus Cup"
1634
Oil on canvas, 61 x 55 cm
Staatsgalerie, Stuttgart


Artist: Jan Davidsz. de Heem
Date made: about 1664-5

An abundance of fruits and exotic treats is interspersed with a selection of richly decorated goblets, jugs, and wine bottles on a lushly set table. This luxurious spectacle glows with extravagant, generous, sensual colors and, although it appears random, is in fact composed with great care. In the Netherlands at that time, artists demonstrated their skill by painting a wide variety of subjects, often with polysemantic implications and hidden symbolism of Christian, philosophical and metaphysical ideas. This picture, however, is a pure celebration of the senses.


Still life with fruit and a glass of wine


Still life with fruit and a glass of wine-2


Still life with fruit and pipe ca.1650-1655
94.7 x 120.5
The Hague, Royal Gallery Mauritshuis

It's time to take a look at the work of Jan Davids de HEMA. He was a student of Balthasar van der Ast. De Heem is considered by many to be the greatest master of still life in Holland. In the third quarter of the 17th century, Jan Davids de Heem is a central figure in the painting of fruits and flowers.

Jan Davids de Heem 1606-1684 Self-portrait.

He combined the detail of the image with a brilliant choice of colors and refined taste in composition.

Still life with a flower vase. OK. 1645.

He painted flowers in bouquets and vases, in which butterflies and insects often fluttered, flower wreaths in window niches, garlands of fruit, still lifes with glasses filled with wine, grapes and other fruits and products.

Sometimes flowers and fruits hang in clusters and are tied with ribbon.

Bouquet of flowers and fruits.

Hem masterfully used the possibilities of color and achieved a high degree of transparency; his images of inanimate nature are completely realistic. His paintings are in almost all major art galleries.


Richly set table and parrot

Dutch painter. Born in Utrecht.He worked in Leiden, Antwerp, and Utrecht. De Heem's paintings in a large horizontal format depicting festive tables, architecture and conventional landscapes are filled with expensive utensils and items of a lavish meal.


Garland of flowers and fruits with a portrait of Prince William III of Orange

The understanding of the unity of the light and shadow and pictorial environment typical of Dutch still life masters (Pieter Claes, Willem Heda) was combined in the work of Jan Davids de Heem with a purely Flemish attraction to the abundance and luxury of earthly goods. Some of the best still lifes are considered:


"Still Life with Dessert", 1640, Louvre Museum, Paris;

Henri Matisse really liked this still life. He made two copies of it.

An abundance of fruits and exotic treats is interspersed with a selection of richly decorated goblets, jugs, and wine bottles on a lushly set table. This luxurious spectacle glows with extravagant, generous, sensual colors and, although it appears random, is in fact composed with great care.

This painting is a pure celebration of the senses.

"Still Life with Lobster", 1634, City Museum, Stuttgart;


"Still Life with Ham, Lobster and Fruit", circa 1660, Amsterdam, Rijksmuseum).

OTHER STILL LIFE:


Still life with fruit and lobster.

Vase with Flowers.

Garland of fruits and flowers.Detail.

Vase with Flowers.

Fruits.

His still lifes are filled with air and diagonally flowing light.
He loved to depict lush bouquets or luxurious compositions of flowers and fruits.

Flower bouquet in a glass vase,

Large still life with a bird's nest.


Endowed with a subtle sense of color, de Hem’s luxurious bouquets not only gave aesthetic pleasure, but also immersed the modern viewer in the world of multi-valued symbolic images associated with the idea of ​​frailty, the transience of everything earthly, blossoming and withering, life and death


Still life


Still life with parrots, flowers and fruit

The artist’s still lifes impress with their abundance and luxury, harmoniously combined with the chiaroscuro unity of the picturesque environment.

Still life with flowers and fruit.

Glass vase with flowers including roses, tulips, and thistles, snail, butterflies and caterpillars.

Fruit composition


Still life with musical instruments

Combining Flemish precision with geometric rigorLandsev, Hem created the originala style that stands out in the ant traditionWerpen school. Worked togetherwith his sons Jan and Kornelicatfish, as well as his grandson DavidCornelis and a large workshop, heinfluenced such artistslike A. Mignon, J. B. Lust, Joris andJan van Son, Gillemans, Kosemans, Jan van den Hecke.