What do the scribbles we unconsciously draw mean? What do you see first in the picture? Psychological definition of personality Determine the psychological state of a person from the picture.

Every person would like to know the secrets of his character and see himself from the outside. The best way for self-knowledge is a psychological projection drawing that will reflect all the features of your personality.

When we do something we don't think about, the result shows not the logical side of the brain, but the emotional side of the brain. Our experiences, joy, anger and everything else can break through and are unconsciously projected on paper.

To take the test below, you need privacy. No one should distract you from the process. Take piece of paper, preferably A4, handle or pencil. Divide the sheet into equal four parts and number them so that it looks something like this:

The final preparation of the sheet will look like this:

• in the first sector draw a dot in the middle
• in the second sector draw a small square or rectangle
• the third sector should contain something similar to the “=” sign
• the fourth sector remains empty

You should end up with something similar to this:

So, free your thoughts, there will be no difficult tasks - draw only what comes to your mind right away.

In the first three sectors, just finish drawing what you want. Draw what you feel without thinking. There is no need to draw anything complicated - spend about 10 seconds per sector. After that, move on to the last task.

In the fourth sector, draw a boat that floats on the waves. The drawing should also be primitive - also don’t spend a lot of time on it.

Interpretation of drawings

Sector one

This sector represents your isolation or openness. If there are round figures in this sector, then you are a closed person. The same applies, for example, to a drawn spiral leading to the center (point). If you just drew a lot of dots, then you are very sociable and open. Roughly speaking, the more elements you apply, the better. The only exception is circles. There should be as few of them as possible.

Sector two

This sector shows your kindness and responsiveness, as well as the level selfishness. You can consider yourself a kind person if what you drew is somehow connected to the original rectangle. The smaller the contact area, the more selfish you are. Open people often draw a wall, which indicates their focus on the company and team. Many people draw a house, which is also very good. If your drawing does not touch the rectangle, then this indicates that you need to think about it - maybe you are an egoist.

Sector three

This sector will show how much you consider yourself successful or successful with the opposite sex - is it easy for you to communicate and flirt. There should be as few additional drawing elements as possible and they should not touch the equal sign (as most people call it). People who are satisfied with their relationships with the opposite sex usually add a smiling emoticon to make it look like “=).” The worst thing is if the drawing turns out to be symmetrical and heavily cluttered - this is an indicator of your lack of self-confidence in communicating with the opposite sex.

Sector four

Everything here is extremely simple. This sector shows you what you are like love and in relationships. If the sea turns out to be turbulent, then you prefer dynamic love that blows your mind. If the sea is calm, then love for you is calm, warmth and only pleasant, orderly emotions. As for the boat itself, you should pay attention to whether it is complexly drawn, as well as what is happening around it. Any excesses like sails or people (which were not discussed), stars, living creatures, the Moon, the Sun - speak of your romance. If you don’t have any of this, then you are strong in character and romance is alien to you.

Thus, the simplest test at first glance can show each person his true face. Psychological personality tests of this kind are the most accurate because the test taker does not need to think - he is driven only by the emotional part of the brain. We wish you good luck and don't forget to press the buttons and

Unconscious scribbles can reveal a lot about a person's psychological state.

Let's look at the pictures that we automatically draw at meetings or during business conversations on the phone.

At work we make a lot of calls. As a rule, we have a notepad in front of us, in which during a conversation we automatically draw various figures, lines and even entire pictures. And at meetings, my hand often draws patterns on sheets of paper. It turns out that each such sign can indicate hidden experiences, joys, and some even a predisposition to one or another type of activity.

The images that we display on paper reflect the internal state of a person, says practicing psychologist Vera Bekreeva.- Events happen in everyone’s life, as well as certain emotional reactions to these events. The need to draw is the need to transfer these emotions outward. We make drawings unconsciously when we are busy with something. When we are automatically distracted from this matter, then we manifest what is really inside us.

Let's look at groups of drawings that can tell about your emotional state.

Geometric figures- figures of our emotional reactions. There is even a psychogeometric test that determines the type of person based on their emotional state: a triangle person, a circle, a square, etc. You can also determine a person’s emotions by drawings on automatic.

Circles or information circled- such a person tends to smooth out corners, avoid conflicts and difficulties, they are in favor of not provoking any conflict or difficult situation. But any drawing has two polarities. The second interpretation of the image of circles is that a person cannot cope with the current situation, task, and tries to circle it in order to give integrity. He circles the negative feelings and experiences associated with the inscription.

Square- efficiency, consistency, focus, clarity, consistency. People who depict such drawings are accustomed to living according to plan; they are not characterized by spontaneous emotionality and unpredictable reactions to events. Such people are more predictable themselves and want the same from others. Any event that goes beyond the system causes internal discomfort in them. They usually choose professions that pose specific solvable problems. Moreover, when such people are given emotional tasks instead of specific ones, they get lost. For example, system administrators belong to this type. It is better to give them clear tasks: the keyboard, mouse, etc. does not work. In this case, a specialist will quickly solve everything. If they call and say: “Something is broken here, I can’t understand what, there’s some kind of nonsense on the screen” - in general, they give emotions - then the system administrator will not understand what they want from him.

Triangles- people who know what they want and how to achieve it. They are committed to achieving a goal. If a leader automatically draws triangles, then he is moving towards his goal; in this case, his subordinates show an unexpressed ability to show their capabilities. These are people who can do a lot of things, but don’t know how to say it. Afraid of not expressing themselves at all, they grab onto many things. Such people need to clearly define the vector of their movement and direct all their efforts to where they can easily make a successful career.

Straight lines- a person wants peace and balanced thoughts. Such people have a lot of worries in their heads, they take on a lot. Drawing lines calms them down, thereby balancing themselves, putting everything in its place, within its framework.

Nature paintings (flowers, plants, sun)- people with positive emotionality, energetically strong, internally tuned to constant positivity, aiming to move forward. Such people always have a need for beauty, joy, they strive to bring positive emotions into their lives. If at a meeting a person begins to draw flowers or the sun, this indicates that he wants to complete this task as quickly as possible, he wants everything to end well. It is not typical for such an employee to get stuck in one state, he does not like long negotiations or meetings, he needs a change of activity.

If the sun and flowers often appear together in a drawing, then such people are usually called “saviors of humanity.” They are ready to give all their energy to others and make them happy. Sometimes this need to make everyone happy turns into the concept of selflessness and sacrifice. But we should not forget that if you want to make others happy, you must first be happy yourself. By giving energy to people, in the end you yourself will need recharge, and others are no longer ready for this: after all, you give them energy, they see you exclusively as a giver. You need to love yourself, and then you will involuntarily give joy to others, think about yourself.

Abstractions They are usually drawn by creative people who can find the unusual in ordinary things. Such people can look at things from a different angle. It is extremely difficult to work in the system because they can achieve results in their work in different ways. For example, a boss gives a task, and people drawing an abstraction can achieve the goal using different solutions. They are not used to working according to a given schedule; they can be successful in work where the result is important. Creative employees will find their own ways to achieve goals. Therefore, it is important for a boss to see such people and allow them to create.

Images, faces, emoticons- human observer. The internal state and emotions are important for him; he is more inside himself, creates a protective shell - he does not take his experiences and impressions outside, and is not ready to share them with others. Drawings of faces are a search for yourself, new facets of your soul. Smiley- fixed emotions, most often people draw smiling emoticons when they feel good and calm.

Circled dates, numbers, names- the need to focus attention on this, “I want to remember this.” Writing and circling one's own name indicates a lack of attention to oneself; the person does not value himself. Therefore, it is necessary to respect your actions, praise yourself for them, and pay more attention to yourself than to other people.

They don’t draw on the machine at all- people are as secretive as possible, they keep everything to themselves, they control everything. Such people are afraid that their actions may be assessed and used against them. Therefore, they do not draw, do not show their feelings and emotions, so that, God forbid, someone would declassify them. They are also secretive in life, they live in such a way as to meet general requirements and norms, without standing out, to be good and correct.

By the way

A person can identify a pattern in his drawings,” Vera Bekreeva sums up. - If for several years he draws the same images, it means that he is accustomed to this state and remains in it, he needs to reconsider his attitude towards his life. Also, the same drawings that have been accompanying your life for a long time may indicate that you do not want to change anything in it, that you have no need to stand out and you do not know how to behave if you take the initiative.

Drawing for a child is not art, but speech. Drawing makes it possible to express what, due to age restrictions, he cannot express in words. In the process of drawing, the rational goes into the background, prohibitions and restrictions recede. At this moment the child is absolutely free. A child's drawing most often clearly demonstrates the area of ​​interest of the youngest artist. In the early stages of development (up to three years) these are dashes, lines, circles. The child “tests” a pencil or brush and experiments. Usually he first makes a drawing, and then comes up with what he depicted, what This it might be similar. Later (by the age of four) appears concept of the drawing . From a certain age (3.5 – 4 years), a person becomes the object of close attention and study. From the point of view of psychodiagnostics, a person’s drawing is one of the most accurate and reliable sources of information. The only difficulty is that the information contained in such a message is figuratively “encoded”, and the drawing must be “read” correctly. Psychologists who use drawing techniques in their work must have sufficient qualifications and experience working with children. However, attentive parents can always notice something unusual in a child’s creative work, sense his mood, and sense hidden tension. Therefore, as “first aid”, we offer several lessons on analyzing a child’s drawing.

The details of a child's drawing depend on age

The child should be asked to draw his family. Moreover, so that everyone is busy with some kind of activity. Let him have a selection of colored pencils and enough paper - a regular landscape sheet (A4 format) will do just fine. Do not rush your child or comment on his drawing during the drawing process. And when he finishes the family portrait, it’s time to ask questions: who exactly did he paint and what are all these characters doing? When starting to analyze a drawing, adults should take into account that its content and, relatively speaking, quality depend on the age of the young artist. In three-year-old children, people most often look like “cephalopods”: certain creatures whose body and head are a single “bubble” with legs. A face may also appear. But, strictly speaking, It will be more accurate to analyze a drawing from the point of view of personal development and psycho-emotional state from the age of 4-5 . By the age of four, a child usually already depicts a person in the form of two ovals with arms and legs - sticks. In the drawings of five-year-old children, the head, eyes, torso, arms, and legs appear. At six years of age, the nose, mouth, and fingers are added to the above (their number is not significant). By the age of seven, “painters” no longer lose sight of such details of the human image as the neck, hair (or hat), clothing (at least in schematic form), and depict arms and legs with double lines. Typically, these criteria are used when assessing a child’s mental development.

Analysis of a child's drawing based on... one's own feelings

Home hierarchy

Particular attention is paid to the analysis of the structure of the family picture. It is necessary to compare its real composition with that depicted by the child on paper. You should also evaluate the order of drawing, the size of the figures and their location on the sheet. The first and largest, as a rule, is depicted the most significant family member in the understanding of the young artist. Children usually draw themselves next to those to whom they feel the greatest affection. And farthest away in the picture is the child’s most unsympathetic relative. The image in profile or from the back also indicates a tense relationship between this family member and the author of the drawing. Children live by momentary experiences. And often an emotional relationship with someone close (a recent quarrel, resentment) can make adjustments to the drawing. In this case, the baby may even “forget” someone. For example, 6-year-old Alyosha does not draw his father, who pays little attention to him and is rude. And his absence in the picture is explained by the fact that “dad went on a business trip.” Alisa (4 years old) did not draw her little sister Ksyusha, explaining her absence by saying that the baby was “sleeping in another room.” The girl cannot come to terms with the fact that her mother does not pay as much attention to her as before because of her sister. The opposite situations also occur, when the child depicts in the drawing really non-existent family members. Sasha (5 years old) surprised his mother a lot when he drew a picture of a baby playing next to him and announced that he finally had a brother! Such “adjustments” to the composition of the family are made by children who are dissatisfied with their emotional situation. They need more friendly attention from adults and games “on equal terms”, or better yet, entertainment in the company of other similar kids. What family members are doing also plays an important role when analyzing a child’s drawing. If they are united by some common cause, most often this indicates a favorable family climate. Very significant an indicator of psychological closeness is the real distance between the depicted figures . By drawing himself separately from others, a child can “signal” his isolation in the family. If he separates his family from each other with partitions or places them in different “rooms,” this may indicate problems in communication. The size of the image indicates the place this person occupies in the emotional life of the family. For example, if a child draws a younger brother or sister larger than himself, then we can assume exceptional attention to him from his loved ones. He "occupies a lot of space in their lives." The absence of the smallest artist in the drawing is a frequent sign that the child feels lonely in the family and has “no place” in relationships between loved ones. You can check this by asking your child the question: “Perhaps you forgot to draw someone?” It happens that a child ignores even a direct instruction: “you forgot to draw yourself” or explains: “there is no space left,” “I’ll finish drawing it later.” This situation is a serious reason to think about family relationships. A very dense image of figures, as if overlapping each other, speaks of equally close relationships between people close to the baby or his need for such connections.

“Writing manner” assessment

A fairly common sign of increased anxiety in a child is self-correction. Especially those that do not lead to improved image quality. There are drawings made from individual small strokes - the child seems to be afraid to draw a decisive line. Sometimes the entire drawing or some of its parts is hatched. In such cases, one can also assume increased anxiety in the young artist. It is worth paying attention to the exaggeratedly large eyes in the portrait, especially if their pupils are densely shaded. Perhaps the baby is experiencing a feeling of fear. Numerous decorations, the presence of additional details and elements of the costume from the author of the drawing indicate the child’s demonstrativeness, his desire to be noticed, and his craving for external effects. This is more common in girls. Very weak pencil pressure, low (not for age) detail pattern is found in children who are asthenic, prone to fatigue, emotionally sensitive, and psychologically unstable. And children, whose mood changes easily, for no apparent reason, usually often change the pressure during the drawing process: some lines are barely noticeable, others are drawn with noticeable effort. Impulsive kids often do not complete the lines or, conversely, draw in a sweeping manner, which is why their drawings give the impression of being careless and uncontrolled. Here, strong pressure and gross violations of symmetry attract attention. Sometimes the drawing “does not fit” on the sheet. There are drawings where everything the figures are depicted very small. Usually the entire composition is oriented towards some edge of the sheet. This means that the baby feels weak and does not believe in his own strength. Perhaps one of his relatives is very strict with him or the requirements for the child do not correspond to his real capabilities. If baby depicts himself in an open pose (arms and legs are widely spaced, the figure is large, often round), this indicates his sociability and cheerfulness. On the contrary, a “closed” pose (arms pressed to the body or hidden behind the back, elongated, angular figure) rather indicates a closed person who tends to restrain his feelings and thoughts. Both in the drawings of boys and in the drawings of girls one can often notice symbols of aggressive tendencies behavior: large accented fists, weapons, intimidating pose, clearly drawn nails and teeth. Despite the apparent hostility, they can be an expression of defensive behavior . Adults should figure out what is a source of increased emotional danger for their child, and why he needed such a demonstration of his strength. A special place is occupied drawings that violate accepted image standards . In particular, the image of the genitals. For young children (under 4 years old) this is rather a common occurrence. This reflects the tendency towards naturalness of life in all its manifestations. For older preschoolers, such a drawing speaks of demonstrativeness, a desire to attract attention in a provocative way, and serves as an expression of aggression.

Is the palette a mirror of the soul?

Children very early begin to “feel” color and select it according to their mood and attitude. Dr. Max Lüscher, a psychologist and color researcher, studied different people's color choices. He came to the conclusion that the choice of color reflects the psychological qualities of a person and his state of health. Number of colors the child uses can be viewed from several perspectives. First of all, this is a characteristic of the level of development of the emotional sphere as a whole. Usually children use 5-6 colors. In this case, we can talk about a normal average level of emotional development. A wider palette of colors suggests a sensitive nature, rich in emotions. If a child over 3-4 years old draws with 1-2 colored pencils, this most likely indicates his negative state at the moment: anxiety (blue), aggression (red), depression (black). Using only a simple pencil (if there is a choice) is sometimes interpreted as a “lack” of color, thus the child “reports” that there is a lack of bright colors and positive emotions in his life. The most emotionally significant figures are highlighted with a large number of colors. And openly rejected characters are usually drawn in black or dark brown. Colors can also convey certain character traits and states. Each color has its own symbolic meaning :

• Navy blue – concentration, focus on internal problems, need for peace and satisfaction, introspection;
• green – balance, independence, perseverance, stubbornness, desire for security;
• red – willpower, eccentricity, outward focus, aggression, increased activity, excitability;
• yellow – positive emotions, spontaneity, curiosity, optimism;
• violet – fantasy, intuition, emotional and intellectual immaturity (children often prefer this color);
• brown – sensory support of sensations, slowness, physical discomfort, often negative emotions;
• black – depression, protest, destruction, urgent need for change;
• grey – “lack” of color, indifference, detachment, desire to leave, not to notice what is disturbing.

From theory to practice

So, the kid spent a few minutes over a sheet of paper with pencils in his hands, and the picture is ready. How much that is important for him and for his parents is hidden in this drawing! Let's try to read it? Here the child has depicted himself, but the pose is unstable and there is no face. How to communicate without a face? - Difficult! Here is the baby in the crib, lying down to rest. Perhaps he was tired. Or maybe he's sick? And the color I chose was brown. Yes, that’s right – temperature! Why do all the girls draw princesses? This is exactly how they feel or...really want it. Just to be in the center of attention, to be the most... And what is the demand for a princess? Here is a boy, armed to the teeth. He needs protection. Maybe someone offended him.

Examples of analysis of specific drawings:

Children's drawing 1

The author of this “family portrait” is Alyosha (6 years old).

Age criterion The child’s behavior contains features characteristic of an earlier age; the emotional-volitional sphere is characterized by immaturity. All characters in the picture are depicted in the same way. Clothing, with its inherent details, is missing. Hairstyle acts as a symbolic sign of gender. The characteristic absence of a neck in the depicted people in this case indicates the difficulty of controlling the mind over bodily impulses, that is, Alyosha’s behavior is characterized by high mobility, and at times, disinhibition and impulsiveness. Emotional characteristics The drawing is bright, light, cheerful, orderly, rather friendly. Features of the family image The family in the picture is shown in its entirety. In the center of the composition is dad as an important subject in the domestic hierarchy. We can assume with reasonable confidence that mother is physically and emotionally closer to Alyosha. The pairs formed are noteworthy: mother - son (the youngest in the family), father - daughter. Sister Lena is the furthest from the author of the drawing. Probably, not everything is going well in their relationship. It is significant that of all the family members, only dad “stands firmly on the ground.” The rest are floating, a little “in the clouds.” In general, we can talk about fairly warm and close relationships between family members. This is evidenced by the small distance between them, the choice of a common color and the image in the same color scheme of a house with smoke from a chimney, symbolizing the “warmth of the family hearth.” "Manner of writing" All lines of the drawing are made with confident, decisive movements. It is probably this style of behavior that is most characteristic of Alyosha. But strong pressure and accentuated shading of the boy’s body speak of internal restlessness, anxiety, perhaps physical (literally bodily) malaise. The hairstyle reveals an active, sometimes perhaps aggressive, nature. An interesting detail is the peculiar antennas (according to Alyosha), which in the picture “grow” from the boy’s ears. They symbolize the need for information to compensate for difficulties in communication (the child in the image does not have a face). The poses of all the characters are open, their figures are round, which suggests cheerful, sociable people. In the case of Alyosha, this apparent contradiction may mean: “I want to communicate, play, but they don’t always understand me.” Palette The color scheme of the picture is very symbolic. The little artist chose the signal red color for all family members, especially for himself. This indicates an outward orientation, sociability, and increased activity of the author of the drawing. Additional green emphasizes the desire for independence and the desire to insist on one's own as a habitual way of behavior. An important detail of the drawing is the clearly drawn surface of the earth. If Alyosha spent a lot of time on her image, this is probably something important to him. In this case, we can consider the earth as a need for support, greater stability and stability. The goal of analyzing a drawing is always to gain a deeper understanding of the child, look at the family through his or her eyes, and identify paths to positive change. In this case, I would like to recommend to Alyosha’s parents that they pay more attention to deep, confidential communication with their son, talk to him more often just like that, and ask his opinion on various issues. They should also consider what is the difficulty of contact between son and daughter. And active recreation and outdoor games can significantly reduce emotional and physical stress.

Children's drawing 2.

Its author is Maxim (4 years 10 months)

Age criterion This pattern is more typical for six-year-old children. We can say that the boy is developing intellectually ahead of his age. Emotional characteristics The drawing is bright, dynamic, but restless. Features of the family image. The family is depicted in its entirety. Noteworthy is the sexual identification of the young author with his father (see clothes). However, emotionally the child is still closer to his mother, which is typical for a preschooler. It’s interesting that the boy doesn’t seem to have enough space in the drawing; he’s unsteady on his feet. His position is unstable and changeable. Palette The child chose the color purple for himself, which, combined with his insecure position in the family (this was mentioned above), indicates possible psycho-emotional instability and frequent mood swings. For mom, the little artist chose an energetic, somewhat chaotic, yellow color. Dad is brown. In his image, attention is concentrated on the physical body. This is how a child sees his parents. "Manner of writing" The figures are large, angular - most likely, in the child’s communication there is some straightforwardness and a tendency to conflict (sharp corners). Noticeable shading and clearly drawn pupils suggest the presence of hidden anxiety.

Children's drawing 3

Petya, 6 years old.

The drawing is bright, rich, energetic, well organized. It is quite consistent with the artist's age. The family structure is divided into “adult” and “children” groups. The younger brother and sister strive to be emotionally and physically closer to Petya. Probably the family has psychologically close, equal relationships. Mom is the most vivid, emotional image. The child identifies the image of the mother with the help of color and draws it first. Petya portrays himself as an adult. The arms are somewhat shortened compared to other images. This is usually found in the drawings of children who consider themselves insufficiently skilled and are critical of their practical skills and capabilities. The sun and flowers are very often found in children's drawings. It is worth paying attention if their appearance is unjustified by the situation. For example, the sun appears in a drawing of a room. Then we talk about the need for warmer relationships in the family. In Petya’s drawing, these symbols most likely indicate a positive attitude towards his family.

Children's drawing 4

Polina, 7 years old.

Often children draw arbitrarily, without a special task or request: “I’m drawing a girl like me.” In this case, we observe a somewhat idealized child’s idea of ​​himself. Let's pay attention to Polina's drawing. It is located at the top of the leaf, quite large and bright. We can talk about the child’s positive self-esteem, activity, and emotionality. The girl is probably distinguished by high self-control, developed intelligence, and sociability. But she lacks stability (note the accentuated drawn line of the ground and the child’s small legs). From a psychological point of view, we are talking about self-doubt. This usually happens in a family where one child is being raised: he is given, as paradoxical as it may sound, too much attention, every step is controlled and directed. Thus, the child is deprived of the opportunity to somehow demonstrate independence. Gradually getting used to this situation, the child is afraid to take the wrong step and waits for “valuable instructions.” Maybe Polina should sometimes make her own mistakes and learn from them?

Children's drawing 5

Alexandra, 4 years old.

The drawing is dynamic, bright, somewhat chaotic. The emotional center of the family is undoubtedly the mother: warmth (the sun), the child, and the dog are concentrated around her. Her dress is decorated with a pattern. Please note that Sasha portrays herself as equal to adults and only her legs do not reach the ground. The girl's character is probably combative, impulsive, and boyish. The lines of the drawing are sweeping, with strong pressure, suggesting a low level of self-control. For such children, games with simple rules and involving several players are useful. Active sports will also teach you to better understand yourself and relate your desires to the interests of the team.

Children's drawing 6

Petya, 4 years 6 months

A completely unusual drawing for a 4.5 year old child. The cephalopods immediately turned into mature drawings. This is especially true for images of adults. Undoubtedly, this is a drawing of a very observant, developed and at the same time anxious child. Abundant shading, density, tightness of the image, and emphasized eyes indicate the presence of anxiety. The most prominent and significant figure is the pope. Pay attention to how the shading of clothing varies among family members. Dad’s is in a strictly defined direction, his suit is official. Probably in life, dad is a very organized, business person. The figures in the figure are depicted very tightly. This may indicate an equally close relationship in reality. But our main character seems to need more physical and psychological space for an active life. At first glance, it may seem that analyzing children's drawings is not such a difficult task. However, I would like to warn parents against harsh formulations and making a psychological diagnosis. Indeed, behind the apparent simplicity and elegance of the method there are many nuances, interconnections of individual manifestations and features. In addition, the person analyzing the drawing views it through the prism of his personal experience and state at a given moment in time. Therefore, you should not draw far-reaching conclusions on your own. And if something in the child’s drawing alarms or puzzles the parents, it is better not to postpone a visit to a specialist. Let him help you figure it out!

Surely the first manifestations of human creativity were drawings, not writing. Today, while talking on the phone, being at a meeting, discussing a new hobby with a friend, we often draw. These designs can be abstract, consisting of individual lines and geometric shapes. What are we drawing and what does such modern “rock painting” mean?

While studying a fairly extensive scientific and popular literature, I noticed that often, when analyzing drawings, some scientists do not consider some of the factors that are interesting from a diagnostic point of view.Firstly , for example, not everyone studies the question of whetherwhen and under what conditions was the drawing made? , what happened at the same time. It’s one thing when the image was “born” in a relaxed atmosphere, and quite another if at the same time you had to listen, for example, to instructions from your boss. This situational mood will certainly be reflected in the theme of the drawing, the force of pressure on the surface of the sheet, the sharpness of some lines, and much more.Secondly , we must take into accountwas the topic predetermined? drawing: whether something specific was depicted or simply what the subconscious dictated.

While studying psychology, I obliged myself not to use vulgar popular publications for my work. The latter may entertain the reader, but at the same time they give a clearly erroneous interpretation of the psychological characteristics of the individual. This disappoints some and pleases the morbid ambition of others. Therefore, in this article I tried to present something that is both scientifically proven and may be of interest to those interested in studying other people.

Features of “unconscious drawings”

Unconscious drawing should be consideredas a psychophysiological act , defined by a conditioned reflex system of movements, and not as an image of a specific semantic object.

Forming the skill of fairly fast, clear and at the same time harmonious drawing movements (as well as writing) is associated with the formation of a certain image in the brain. Until this motor image of movement and the drawing itself are thought out and composed, carrying out the movement will be impossible. On this occasion, the famous psychophysiologist Nikolai Bernstein noted that when training any movement, it is not the hands that are trained first, but the brain. Those who are interested in psychophysiology know thatthe formation of an imaginary image of movement entails changes in the somatic, autonomic and psychological systems of the body .

Each movement is closely related to the corresponding processes in the psyche through the levels of construction of movements of the central nervous system (so called by N. Bernstein -approx. author). These levels provide individual movements during the drawing process. The individuality of such movements determines the specificity of the image of the drawing, which, in turn, depends on the same individuality of individual character traits.

Without delving into the scientific details of the theory of the levels of structure of the nervous system, we note the following. The areas of the brain and other organs of the body assigned to these levels provide the general tonic background of the writing limb. They support the necessary working position of the body, fine motor skills of the forearm muscles, and contribute to the gradual transition of tension from some muscles involved in drawing to others. In addition to these, at first glance, purely mechanical moments that help to draw, there is an analysis and semantic assessment of what will be drawn, because the image is not only a graphic configuration, but has a certain symbolic or concrete meaning. Since this is due to the psychophysiological characteristics of the body, the drawings, being a projection of our internal experiences, show purely personal interests, problems and much more. Thus, our drawings must be considered taking into account individual psychophysiological characteristics. According to scientists Lyudmila Lebedeva, Yulia Nikonorova and Natalya Tarakanova, the psychological principle of projection is found at the basis of all types of artistic creativity. A person who creates displays or projects in this way his unconscious or hidden complexes, experiences and motives. The main mechanism of visual activity is projection. That is, what we draw consciously or automatically, while doing other work along the way, is a reflection of our individual psychological properties and worldview.

Principles for interpreting drawings

When interpreting drawings, the author’s previous emotional experience, his individuality, and possible neurotic reactions are assessed. For example, if in a simple conversation many people behave quite constrained, then in a drawing they can manifest themselves much more widely. Let us dwell on the consideration of drawings or scribbles made involuntarily during conversations with other people on the phone, at meetings in the process of thinking, etc. Such drawings, first of all, reflect the background emotional state of their author while drawing, and, consequently, the attitude to what was happening to him at that very moment or shortly before that.

Stages of interpretation

Images must be interpreted according to a certain scheme: from assessing the general appearance of the drawing to studying the details and features of the lines. Let's look at this scheme in more detail.

Evaluation of the drawing as a whole. First, the entire drawing is assessed for its integrity, harmony, aesthetic completeness, unusualness or ordinaryness. Such componentsdetermine the degree of a person’s giftedness, the development of mental abilities, the presence of taste, the level of internal culture .

Aesthetic completeness is evidence of the level of volitional development, the supply of neuropsychic energy, a person’s ability to work and the state of his nervous system as a whole. Strict adherence to the accepted canons of drawing does not demonstrate personal characteristics or indicates “average” abilities for everything. And in some cases, this indicates excessive pedantry, reluctance, and sometimes fear of change, and the manifestation of initiative.

The non-standard nature of the drawing shows the level of identity of the individual. The more noticeable the unusualness of the drawing, the more original the personality in different spheres of life. But everything is fine to a certain extent. Too unusual drawings, “encrypted” abstractions may indicate accentuation (overly pronounced mental qualities of one direction), a mental state close to pathology. Suffice it to recall the bright, incomprehensible paintings of Van Gogh, who suffered from psychopathology, Salvador Dali and some other famous artists whom society admires to this day.

Location of the drawing. The option of placing an image on a sheet of paper is psychologically associated with self-esteem and self-realization, the subjective perception of integration into the world around us.

When placing a picturein the central part of the sheet one can judge the desire and a certain ability to find a balance between one’s egoistic needs and the desires of others, the ability to find compromises, and defend one’s interests. In addition, this arrangement of the picture is evidence of a subjective feeling of security. If the drawing located in the center occupies almost the entire sheet of paper, then this indicates pronounced egocentrism, possibly aggressiveness and inflated self-esteem. The same can be said about a person posting his drawing.at the top of the sheet . This placement of the image indicates a desire to dominate and meet a high social standard. According to the above-mentioned scientists, drawings arranged in this way, related in theme to the depiction of people, often indicate a tendency to escape reality and the presence of defense mechanisms such as fantasy.

From the left sidePictures are posted by those who connect everything good in life with the past. For such people, the emotional sphere dominates. Most of them are dreamy introverts prone to inactivity.

Drawings on the right side of the sheet for the most part belong to those who have a predominant expression of the intellectual sphere, aspirations are directed towards the future. Such people are active and active. If the drawing is located in the upper right corner of the sheet, we can talk about the author’s tendency towards insubordination, unpredictability, and excessive conflict. Some scientists (Lyudmila Lebedeva, Yulia Nikonorova, Natalya Tarakanova) say that such people in extreme situations can direct aggression towards themselves. In my opinion, they may have injuries when performing activities in extreme conditions, for example, when skydiving or performing work related to urban mountaineering.

Posted at the bottom of the sheet the image shows a person with low self-esteem, who is constantly dissatisfied with himself and his life, feels dependent, oppressed and depressed. Such individuals often have depressive moods, feelings of insecurity, and sometimes increased levels of anxiety.

Emotional background of the drawing. Regardless of your own experiences, you should give it an objective assessment. For example, a smiling kind animal or a calm sea will indicate a similar state of the artist, and the wind tilting the trees to the ground, the toothy mouth of a shark, the crying sun will in no way be a sign of a peaceful attitude towards the process or event during which the drawing was created.

Drawings that express our emotions are a reflection of our internal state or situational attitude towards the time during which they were created. We can talk about a cheerful little devil as a projection of a good emotional background, a perky mood, a desire to “do something special.” A crying sun will be a sign of internal hidden or obvious frustration or resentment. In principle, it is not difficult to assess the emotional coloring of a drawing.

Analysis of individual parts of the image. If the drawing consists of multiple details, then this indicates the author’s energy, activity, and initiative. Hands or paws characterize the communicative sphere of the individual. They are typically portrayed as extroverts. The absence of arms or paws expresses problems in the sphere of communication, or simply the author’s inability to draw these parts of the body. For example, tentacles indicate courage and, possibly, enterprise, ears indicate the desire to receive and possess information. Horns express aggressive defensive aspirations. Paws, if they are stable and clear, show an attentive attitude to the basics of activity and the validity of decision-making. Weak, unconnected with the body, on the contrary, thoughtlessness of decisions, inability to be consistent. Eyes are the mirror of the soul. In a drawing of an adult, empty eye sockets drawn in the form of identical circles may indicate internal emotional emptiness, dullness, sometimes degradation, asociality and fear. Beautiful and well-drawn - a symbol of the desire to please others, to be attractive. “Dots” or “dashes” instead of eyes indicate an internal prohibition on showing emotions, possibly paranoid traits. Blackening the eyes and depicting them in dark glasses are associated with the fears of the author of the drawing, Lyudmila Lebedeva, Yulia Nikonorova, Natalya Tarakanova talk about this in the book “Encyclopedia of signs and interpretations in projective drawing and art therapy.”

Analysis of drawing lines. Next, the lines of the drawn image are evaluated: broken, sharp-angled or smooth, rounded, individual clear and neat, or multiple, randomly intersecting each other. As a rule, the features of drawing lines reflect such properties of the nervous system as its strength or weakness, inertia, dynamism. Some psychologists, analyzing the lines, associate them with the properties of a person’s temperament and say that the sharpness of the lines is evidence of a choleric temperament, and excessive smoothness - a phlegmatic one. In my opinion, such an assessment “works” when interpreting the characteristics of handwriting, but not always when studying a drawing.

In general, when depicting something, we, without realizing it, are drawing either ourselves or our inner state, or rather both. As a result, the outer lines (contours) of the central or only figure in the drawing are initially a symbolic boundary between us and the world around us, and the nature of these lines often reflects our attitude to this world, its subjective perception. For example,confident, bright and light lines indicate self-confidence to the point of self-confidence.

Uneven, unclear lines indicate fearfulness and timidity, especially clearlyunderlined and highlighted - a sign of increased self-control, the desire to hide one’s problems and experiences from others.Darkening, "smudging" - expresses increased levels of fear and anxiety.Clear, framing the image of lines drawn as if in one movement is an indicator of self-isolation from society, or the subjective perception of one’s state as isolated.Unfinishedlines, as if the author did not have enough strength to complete them - a frequent sign of an asthenic* state. Unconscious tendencies towards extreme economy of strength, the desire to conserve the remainder of psychic energy.

Pressure force.I always additionally consider such a feature of the drawing as pressure. With the help of pressure, you can evaluate the nature of the author’s external emotional and volitional manifestations. Both in handwriting and in drawingstrong pressureis characteristic of people who are emotionally active, mobile, distinguished by bright gestures and articulation. Those who draw withlight pressure, are in an emotionally depressed mood, do not like to speak in front of an audience, and are “pale” in emotional manifestations. Such weak pressure characterizes an anxious person. If these lines can be called “web-like,” then there is an asthenic, weakened state both physically and mentally, depression. A tree trunk drawn with the help of such lines indicates a person’s fear of self-affirmation and avoidance of independent actions. Foliage depicted in this way speaks of developed sensitivity, impressionability, and susceptibility to outside influence.

Impulsive, fickle In terms of force, the pressure of the drawing is the most undesirable. After all, constant, sustained pressure is evidence of a balanced character, the ability to think through your decisions. And fickle indicates nervousness, impulsiveness, excessive emotionality when making vital decisions, impetuosity, and often an inability to work systematically. If the pressure in the lines of the drawing is weak and at the same time uneven, then this may indicate uncertainty, sometimes neurasthenicness and, possibly, mental masochism. The last statement is usually confirmed if the picture as a whole is emotionally “sad” and expresses negative moods or tendencies.

Strong, but not very differentiated pressure is observed in individuals who are characterized by fixation on a problem, some experience, and a difficult transition from one type of activity to another. But such people successfully get to the bottom of certain ideas and almost never give up what they have started.

Very strong pressure on the drawing indicates that a person has a sharp rise in anxiety, probably attempts to aggressively suppress the source of fear, and great emotional tension. Broken and shaky lines drawn slowly indicate indecisiveness, self-doubt, increased levels of anxiety or even pronounced worry. Howeverthin and graceful lines drawn quickly and energetically are proof of the author’s confidence in what he is doing, the absence of embarrassment, and the desire to achieve the goal.

Thick lines framing the central figure of the picture indicate a tendency to impulsive behavior, sometimes thoughtlessness of actions and deeds, and some aggressiveness, including verbal. In part, this may be a desire to maintain independence from the environment, as if to preserve one’s integrity and originality. But sometimes, the desire to draw with very thick, bold lines has not entirely socially acceptable forms.

Thick lines, without strong pressure, can be found in those who like to eat delicious food and get some physical pleasures from life.

In many drawings, their authors not only depict the contours of a figure or a drawing as a whole, but also hatch, highlight some parts by blackening, in this way indicating shadows, etc. Dark tones that predominate in shading, tracing the internal space with broken lines of different lengths and directions indicate the presence of internal conflict and an increased level of anxiety. If such shading is done with strong pressure, then the author may be in a state of forced aggression towards someone.

Color drawings. A separate topic is the color of the drawing, lines or sketches, if any. As a rule, drawings that “came to light” during a telephone conversation or meeting are made in one color, whatever is at hand. Therefore, the appearance of color is in itself evidence that a person wanted to especially emphasize something. Preference for the color black indicates compensatory behavior, a desire to reject (for example, what is being discussed at the time of drawing), to show aggression, and active opposition.

White color is a symbol of purity and openness. If you mix all the colors of the rainbow, you get white. It is important to know that the attitude towards these, and some other colors, is different, for example, among Europeans and the peoples of the East. In China, white is the color of mourning, and black, on the contrary, is the color of joy and celebration. Therefore, studying the drawings of representatives of other nations requires knowledge about their archetypal and national attitude to color.

Red is the color of aggressiveness, offensive activity and sexuality, sensual passion, but also anger and violence. Sometimes the choice of this color indicates the presence of a “burning” problem, emotional tension, reaction to danger,

According to I. Goethe, the orange color of the picture creates the impression of warmth and satisfaction, as it is a shade of fire, characteristic of the setting sun.

Blue color is a projection of depth, the desire to withdraw into oneself, peace and quiet, reliability, harmony and hope. It is also the color of introspection and self-deepening.

All the same authors express the idea of ​​the association of yellow with warmth and light, the sun, which feeds life with energy. This is the color of clarity, joy and fun, openness, determination and the desire for active creation, as well as pleasure from the results of this activity. Commenting on the drawings with a predominance of yellow color, we can say that their author is an inquisitive, active person, sometimes fickle in his secondary attachments, striving for new interesting activities and hobbies. Such people easily establish contacts with others and often try to take relationships into a relaxed direction. It can also be assumed that the author has a visual-figurative, artistic type of thinking. It is quite possible that those selected by the author sent to the competitionFigures 6–9the background and color of the paper indirectly indicate the presence of the mentioned qualities and aspirations.

The same I. Goethe associated his idea of ​​harmony with the color green, believing that in it there is a reconciliation of opposites, male and female, black and white, soul and body.

When talking about the use of color, it is necessary to pay attention to the fact that green grass, red or yellow sun are natural uses of color. It’s another matter when a person with normal color perception (not colorblind) draws a black sea with a blue pencil, brown grass, etc.

Theme of the drawing.And the last thing that is evaluated and interpreted is the theme of the drawing, what is depicted in it. What we draw directly reflects our inner world and its state.

We have already talked about lines. However, I would like to add that drawing straight lines with sufficient pressure shows a certain degree of irritation towards the subject of the conversation or the person with whom it is being conducted. This is especially noticeable when the lines cross each other. A typical example isFigure 6. Such drawings are created by people who endure long enough and try to avoid conflicts, but experience them inside and sooner or later throw out all their emotions on the offender. Such an offender can be either a specific person or a job. On the other hand, such drawings are a reaction to aggression, a kind of protective, psycho-corrective technique that promotes relaxation.

Wavy lines are evidence of peace, calm, diplomacy, and the ability to find reasonable compromises in the current situation.

A drawing of the sun with a kind expression on your face indicates that you are in a good mood, full of energy, communication at the moment is enjoyable or promises good prospects.

Let's pay attention tofigure 7. It shows two faces from the front. Such an image reveals a person who knows how to communicate, who easily finds common ground with other people; a similar interpretation is outlined by Alina Lanskaya in the book “The Language of Drawing. A person’s character is in full view.” But the faces are clearly distorted, which indicates an interpersonal conflict with a loved one, dissatisfaction with oneself. The specificity of the image of eyes (glasses) is a sign of the author’s awareness of his wrongness in this conflict. Either the author is tired of frequent discussions of common mistakes in relationships, stupidity that can ruin them. The drawing also expresses a certain degree of internal anxiety and tension. Other drawings by this author speak of conflict not only interpersonal, but also within oneself.

Author Figures 1–5clearly loves to depict polygons, complementing them with ornate lines that decorate the picture. Polygons are drawn by people who are quite demanding of themselves and others, who achieve success in life not only thanks to patronage, but also to their own strength. When polygons have five, six or more angles, and are connected with decorations, then we can say that they were drawn by an emotional person who sometimes makes intuitive decisions. If such people are not raised correctly in childhood, they can be conflicting, uncompromising, and picky. Analyzing the drawings of our contestant, painted in color, we can assume that she is active and cheerful, sometimes she is overwhelmed with energy, but there is not always a person nearby who can understand and accept her wishes and aspirations.

Figures 10–11They give off as a sociable, interesting person, inquisitive, who loves to travel. Such people know how to give gifts, not only material ones, but also emotional ones. In combination with the chosen color of the drawing, we can talk about a large supply of neuropsychic energy and the sexuality of the author.

Our drawings are a treasure trove of information. Having studied unconsciously made drawings, you can “read a person” like an open book, understanding his problems and joys, states and hidden desires.

Judging by the nature of the lines and arrows (which contain numbers) in the figure, their direction in different directions from the same center, we can say that the author of this figure (rice. 1) person is sufficient, proactive and decisive . But in life prefers second roles , wanting to stay “behind the scenes.” Sketches in the form of rectangles with smoothed edges are one of the evidencesresponsible attitude to business , in particular to the one shown in numbers and letters in the figure. However, for the author, this work is already boring, or is associated with communication with unpleasant people, or insufficient appreciation of her contribution. However, there may be many reasons, but the essence is the same - something in this process causes negative emotions. A small, carefully hidden and sometimes unconscious anxiety arises, which haunts from all sides, both from leaders and from the environment. In the figure, this is manifested in careful shading, darkening with straight and broken lines of almost all corners and sides of rectangles. The author seems to be hiding in these rectangles, closing himself off from everyone. Small “spiny” hedgehogs or stars from many lines are another confirmation of this.

Despite the above, the authoran optimistic and lively person, active and attentive to work, down to the smallest detail, eager for changes that will help harmonize relationships, first of all, with himself .

The unusual configuration of the various components of the picture indicatescreativity, good level of intelligence . But the ability to create is not used for various reasons, full self-realization does not occur, which may be the cause of the already mentioned anxiety. The girl who drew this drawing is quite stubborn, always strives to finish the job she has started and achieve her goal, putting a lot of effort into achieving it. But, often, she hides her desires, grievances, and sorrows, while others take it for granted, regardless of her.

A drawing depicting a flower reaching towards the sun (rice. 2) - harmonious and holistic. It contains not only a form depicting flowers, the sun, grass, but also a unique, visually perceptible movement. Such kinesthetic features of drawings are rare. A person who is able to express them is distinguished by artistic taste, imagination, and often lives in a world of abstract ideas, as the famous German psychologist Hermann Rorschach believes. Most likely this is expresseddesire to pay more attention to the spiritual side of life, originality in relationships and at work . Based on the general assessment of the nature of the drawing, we can say thatthe creator of the drawing wants more warmth, intimacy, something that will touch the delicate strings of the soul, and not everyday routine . This warmth and attention is lacking primarily from a figure that is stronger, in the author’s subjective understanding. Perhaps this person or organization is not attentive to the artist and is to a certain extent authoritarian. If we consider the drawn sun as a source of heat, then in most cultures close to us, primarily Slavic ones, the sun personifies the male, strong, energetic half. In our case, the sun can just be a symbolic image of a person, whose warmth and understanding helps to find psychological peace and balance. For such complete balancethe author lacks emotionally warm communication, sincere understanding of emotions .

It can be said with a reasonable degree of certainty that the author is goodcopes with work that requires creativity, the ability to use associative thinking, see well and highlight the main thing . The girl probably needs it more oftenlisten to your intuition and to your dreams, peculiar clues from the unconscious. She can be receptive to inner experiences and contemplations, without which both scientific discoveries and deep feelings are impossible.

Well crafted shapes and patternsFigure 3 They say about the desire for harmony, about a calm and organized life , which does not at all indicate a desire to do nothing and sit with arms folded. But some people like constant travel, noisy entertainment and big companies, but our author would probably preferlook at the sea, the sunset and the fire in a group of close friends . She's got enoughhigh level of intelligence , but it is not fully used in everyday work. She alsocapable of long concentration of attention, has good performance, prefers quiet work , where thoughtfulness and attentiveness of activities with simple results are required. The author is a personsociable, romantic .

Figure 4, depicting a clown with wings, is interesting because its author actually painted herself and her inner state. It can be assumed, thatthe artist has a high supply of neuropsychic energy, is interested in many areas of human activity, tries to take part in as many different activities and events as possible . All this is aimed at winning a place in the sun, explainspassion for your activities .

The author expresses wellcommunication skills , communication for her means work, rest, development, and much more. Whereinshe is interested in all aspects of communication , be it a meeting with friends or a discussion of the latest interesting films and exhibitions, a one-on-one conversation. Such communication also performs a kind of protective function. The shading of the picture indicatesconstant fear . It's quite possible thisassociated with the fear of not being accepted, misunderstood or abandoned by a psychologically significant person . Therefore, in order to establish and maintain the contacts she needs,Both light coquetry and childish whims are used . Multifaceted communication gives self-confidence, and the main way she uses to maintain relationships is to be an interesting interlocutor with a lot of knowledge,the ability to present oneself , just be an interesting person.The author has a very well developed active imagination, her curiosity “fuels” the intellect, makes it possible to generate ideas, be inspired and inspire others, and be interesting to the interlocutor.

Based on the nature of the drawing and its theme, we can say that the artist still, when making vital decisions, subconsciously turns to a psychologically stronger female figure for approval. For example, to your mother, grandmother, sister, friend. On the one hand, there is nothing wrong with this, but on the other, the author finds herself in a situation of a kind of psychological prison, from which she is not allowed to leave, or she herself does not want to,afraid of responsibility for decisions made , the likelihood of a conflict occurring. Perhaps you need to win, and not beg, the respect of this person, stop being afraid of being misunderstood or not accepted, becoming yourself, stop suppressing those wonderful impulses that prevent you from living the way you want.

An artist at heart, positivelyambitious and ambitious , with desire achieve and possess . For this she is ready to work hard and well, to grow upward like her flower (rice. 5).

Incredible facts

We often doodle unconsciously when we're talking on the phone or sitting in a boring meeting. We may not realize it, but these doodles can actually tell a lot about personalities and the mood of the painter.

The size, position, and object of the drawing gives us some key clues. With doodles, as with dreams, there are some that occur quite frequently, and as such are easier to interpret.

Size and placement

Large scribbles that take up most of the page indicate that you are drawn to nature. In addition, this may be a signal that you are withdrawn, but want communication.

Small drawings in the corner of the sheet indicate that the person is neat and organized in his own way. Finding scribbles on the sides of a sheet is a sign that a person likes everything to be in its place.

Those who place their drawings in the center of the page are often extroverts who need attention. This is a common trait among people who work in fields where there is a constant need to speak publicly (lawyers, teachers, various government officials, etc.). The center of the page is also the need for personal space.

The scribbles at the top of the page show confidence and an abundance of ideas. If the drawing is drawn right next to the title of the text on the sheet, it means that the “artist” does not consider what is written on the paper to be important.

The left side of the sheet is the most common place where scribbles are usually located. This speaks of nostalgic feelings for the past in a person. Using the right side of the sheet is not so common; mostly left-handed people draw on the right. This may indicate a desire to express oneself or talk about secret thoughts.

What do unconscious drawings mean?

Objects and items

So what exactly are you drawing?

Animals

Those who paint animals tend to be very sensitive to any living thing. The type of animal that a person draws speaks about his mood, and, often, about the type of personality he would like to have.

Read also:Do you like to draw doodles? Google will hire you

Drawings of small, weak and passive animals indicate slowness, lack of self-confidence, and also that the person is more of an introvert. Images of aggressive animals speak of self-confidence, funny and cute animals represent the playful nature of the person drawing, and slow animals represent an insolent, contemplative personality.

Separately, it is worth mentioning the elephant. It is powerful and dominant, demonstrating the inner strength of a person that can overcome any obstacle. Those who draw elephants are often cheerful and slightly mischievous individuals.

Arrows

Arrows represent drive and a high degree of motivation. These people are aggressively ambitious.

Chains

Chains generally indicate that a person has a feeling of limitation, especially in relationships or at work. Limitations can also refer to a person’s beliefs that do not allow him to do what he wants. If a person appears in the picture at one of the links in the chain, this indicates a very tense state.

Circles

Circles are a need to find unity and peace. They can indicate a person who is trying to put all the pieces of the puzzle together and understand everything.

They may also indicate a strong intuitive feeling that the pieces of the puzzle must fit together just right to form a whole. It doesn't matter whether it applies to relationships or life in general.

Circles also symbolize lighter feelings compared to angles. They are associated with sociability, talkativeness, friendliness, and the desire to be flexible and loving.

The meaning of unconscious drawings

Clouds

Fluffy clouds indicate that the person drawing is happy, a little dreamy, but has a strong sense of freedom. “Angry”, clouds before rain, represent depression or difficulties in everyday life.

Cubes

The cubes indicate a person's desire to be constructive. If they are three-dimensional, then this indicates the ability or attempt of the artist to see the problem from all sides. Drawing cubes is often a sign that a person feels trapped and powerless in the face of a situation.

In combination with circles and spirals, cubes indicate that the person drawing would actually prefer to be somewhere else, doing something more interesting.

Boxes and cubes are the most common designs that people draw unknowingly.

It is important to add that boxes, squares and other three-dimensional objects are an indicator of masculinity. Moreover, if you draw boxes, you most likely have a practical, organized and methodical approach to various things.

Points

Dots indicate anxiety and instability.

Ears

They indicate the need to listen to someone for too long and too much.

Eggs

Eggs symbolize a new beginning. There may be a new talent that you didn't know about. Eggs can also indicate that you have a need and desire to settle down and build your own stable, secure nest.

Pictures we draw unconsciously

Eyes

The eyes often speak about the inner self of the painter. Large eyes are drawn by open people, and small eyes are drawn by closed ones. Closed eyes indicate a refusal to look within. Sad or happy eyes are a reflection of how a person feels deep inside.

Eyes are often painted by people who want to be attractive. Many people who draw immediately assume that perhaps the drawing of the eye is connected with the feeling that they are being watched. In severe cases, the eyes may indicate a person's paranoid tendencies.

Persons

The expression of a drawn face is a good indicator of the mood and character of the person who drew it. A well-drawn, beautiful face shows that you see the good in other people.

If you draw strange or ugly faces, then this indicates your distrust. Comic faces are a desire to be the center of attention. Children's faces represent a desire to feel needed. Drawing a person's profile indicates that you are an introvert.

Flowers

Flowers represent the feminine side of man and the desire to see growth, nature and procreation. If the painted flowers are a harmonious bouquet, then the person is attached to his family and feels complete unity with it. Jung believed that if flowers appear in a dream, it is due to the need to release emotions that a person cannot express openly.

Unconsciously drawing flowers is femininity. This is the reason why most often it is girls who draw them. In addition, flowers are an understanding of one’s personality and the expectation of blooming.

Food

The image of food or drink suggests that a person is hungry for feelings and needs love.

Hearts

Hearts indicate that a person is currently experiencing romantic feelings.

Houses or buildings

They reflect a person’s attitude towards his family life. Homes must have doors and windows that indicate that a person can see what is happening outside, and his loved ones can see and hear him.

A warm, welcoming home that seems lived-in, perhaps with smoke curling from the chimney, suggests that the painter is completely satisfied with his family life and is happy.

Chaotic, gloomy houses speak of the artist’s difficult associations with home life. A house depicted on top of a hill indicates that you are very lonely.

Also, drawing houses suggests that you attach a lot of importance to shelter and safety. What you paint on houses speaks volumes about the things you value most. For example, numbers and dollar signs indicate your preoccupation with money.

Planes, cars, ships and other vehicles can indicate your desire to travel, change something in your relationships or change your life.

If you are drawing a simple house with no doors, no windows, no curtains, no chimney with smoke, you are most likely at this point in your life very upset, feeling lonely and would like to talk to someone.

On the other hand, if you drew a big house, with flowers and a garden around it, you are almost certainly happy. It may also indicate that the person is materialistic and loves luxury.

Some people draw thin and tall houses. This indicates a critical mind. Such people do not show an open approach to various things.

Names and initials

Drawing your name or initials is typical for people who like to be the center of attention. Teenagers often draw only their first name, without a last name, thereby demonstrating their desire to break away from their family and do their own thing.

On the other hand, drawing someone else's name says two things: either it is the name of a person you have romantic feelings for, or it is the name of a person associated with a problem you need to deal with.

Lines

Some people just draw lines. If at the same time they press hard on the handle, then they are overcome by aggression and are afraid of something. This pressure determines your mood. The more easily you move your pen across the sheet, drawing lines, the more peace you have inside.

People

Drawing only a person's profile suggests that the person drawing doesn't like the way he or she looks, or the person realizes that they can't draw well. In complete drawings, but when, for example, the person drawn has no arms, this speaks of a feeling of being unable to do anything.

Having no legs is the feeling of having no roots, even if you have them. It is important how a person draws his face, it speaks about his emotions. Missing parts of the face indicate a person who does not feel complete or whole.

Emphasizing and drawing exclusively the eyes indicates caution and suspicion of the drawer. Finishing the ears, as a rule, indicates the need to listen to someone for too long.

A child’s drawing: if a drawn person is floating in the air, then it means a lot to the child. Very large ears that are not adorned with earrings may indicate verbal abuse. Sometimes the lines leading to the ears demonstrate a frequently occurring insulting tone.

A mouth covered with a long slit can be drawn by an anxious child, and the complete absence of a mouth means an inability to communicate. Empty eyes indicate difficulty in perceiving the surrounding reality; they are blind to what is happening.

Large, irregularly shaped teeth are a tendency toward aggressive behavior, especially when combined with other jagged graphic symbols such as spiky fingers, feet, ears, and hair.

Fun fact: Children draw pictures of feelings they cannot express.

Stars

The stars speak of a feeling of hope, looking forward to something, optimism. People who draw stars in groups are irresistibly romantic.

Web

It usually symbolizes the feeling that either the person himself has fallen into a trap, or wants to lure someone into a certain relationship or situation.

Transport

Drawings of any type of transport indicate a desire to get away from something or to achieve a goal. The faster the type of vehicle, the higher the speed at which a person operates.

Triangles

Triangles are the second most common unconscious pattern. They speak of a rational state of mind and a desire to know what will happen.

Trees

Trees represent our ego and our ambitions, so pay special attention to the health of the tree! Trees with leaves and fruits show that the painter considers love, sexual relations and children to be part of a single whole.

Bare, drooping branches indicate depression and lack of morale. Barren trees may indicate that the artist does not feel his roots.

The tree also indicates a person or thing from the past that you cannot forget. Moreover, you are afraid of getting into trouble and want to be protected if your tree stands alone. If the tree is surrounded by flowers, it indicates happiness and love for family.

Zigzags

Zigzags are discomfort in life that you want to escape from. They can also talk about the energy of a person who wants to learn to get along with others. If a zigzag has soft, flowing lines, this speaks of a romantic, feminine approach to things. Zigzags drawn with a large number of straight lines indicate a more aggressive masculine nature.

What do the pictures we draw unconsciously mean?

Colors

When people draw unconsciously, they usually do so with whatever they have on hand. Depending on cultural differences, the same colors can mean different things.