Educational theater of the Konstantin Raikin theater school. Theater of the High School of Performing Arts
HSSI Konstantin Raikin: admission rules, requirements for applicants, necessary documents, program, tuition fees, contacts
About the Higher School of Performing Arts - Konstantin Raikin Theater School. It is a non-state institution of higher professional education “Higher School of Performing Arts”. HSSI Konstantin Raikin carried out the first intake of students in 2013, formed by 30 students. Now it is planned to include the Konstantin Raikin Theater School into the program under the auspices of UNESCO.
Faculties of the Higher School of Performing Arts Konstantin Raikin: acting (2013), management (2013), theater technique and technology (created in 2014)
Acting department of the Higher School of Performing Arts Konstantin Raikin.
The acting department of the Higher School of Art and Design, the Konstantin Raikin Theater School, prepares students in the specialty “acting art” and the specialization “Artist of dramatic theater and cinema.” The duration of study at the acting department of the Higher School of Art and Cinematography by Konstantin Raikin is 4 years with full-time or part-time study. Studying at the acting department of the Higher School of Art and Cinematography by K. Raikin can take place on a budgetary or commercial basis, depending on the results of entrance examinations.
Rules for admission to the acting department of the Higher School of Art and Design of K. Raikin:
Admission to the Shchepkin VTU takes place in 4 stages: a qualifying round, a practical exam on the artist’s skill, an oral colloquium and the provision of Unified State Examination results in Russian and literature:
1. Qualifying consultations (tours). Starts in March. Applicants prepare a program for performance from a number of literary works of various genres: fable, prose, poem, monologue.
Applicants who have passed the qualifying round are admitted to the entrance examination stage:
2. Artist's skill (practical exam). Evaluated on a 100-point scale. Involves performing by heart several literary works: fables, poems, prose, monologues. It is desirable to include in the program short excerpts from works of classical, modern Russian and foreign literature, fables, prose, which differ from each other in content and genre.
At the practical exam on the skill of an actor at the K. Raikin Higher School of Performing Arts, the following are assessed: the applicant’s abilities, the breadth of his creative range, the depth of the work performed, and the ability to interest listeners in it.
3. Colloquium (oral). Evaluated on a 100-point scale. Reveals: knowledge of the main events of international and social life, the ability to correctly navigate issues of modern theatrical life (theater, literature, music, fine arts, cinema and television; additionally, questions can be asked about the socio-political life of the country, international situation, etc. .).
At the oral colloquium of the Higher School of Cinematography of the K. Raikin Theater School, the cultural level and aesthetic views of the applicant are assessed.
4. Unified State Examination results in Russian and literature for students graduating in 2017-2018.
If you have a higher education, graduated from a secondary educational institution (school) before 2009, have a secondary vocational education in your specialty of entry, or are citizens of neighboring countries, the applicant does not need Unified State Examination results. In this case, in addition to clauses 2 and 3, he takes general education exams at the Higher School of Social Studies of K. Raikin: Russian language (essay) and literature (oral).
List of documents to the Admissions Committee of Konstantin Raikin's Higher School of Art and Design for applicants to the full-time and part-time department of the acting department of Konstantin Raikin's Higher School of Art and Design:
Deadline for selection consultations: March-June
Pre-registration is carried out by email. To address [email protected] The applicant must send a letter indicating:
Consultation date (select 1 day from those offered)
Last name
Name
Surname
Place of registration according to passport
When consulting with yourself, you must have a passport and a photo 3*4
Acceptance of applications from applicants admitted to the competition: from June 15 to July 6, 2015 (full-time), from July 6 to August 31, 2015 (part-time)
1. Application addressed to the rector (using a single form);
2. Certificates of Unified State Examination results in Russian language and literature or their copies, certified in the prescribed manner (they must be replaced with originals before enrollment). Persons who successfully passed the entrance exams, but for objective reasons did not have the opportunity to participate in the Unified State Exam during the final certification period, can take the Unified State Exam after the completion of the entrance exams in the direction of the University, in July of the current year. They will be enrolled upon presentation of the certificate;
3. Certificate or diploma ((original) or diploma);
4. 8 photographs 3x4 cm (photos without headgear, on matte paper);
5. Medical certificate (form 286 or 086), dated the current year;
6. Photocopy of passport (all completed pages);
7. Young men present a military ID or registration certificate and hand over copies of these documents.
8. Information about the applicant’s individual achievements (if any, indicate information about them)
The young talented actress can be seen in premiere performances, where Matsenova played Angelika and the role of Rita. Varvara Yurievna is also involved in productions where Luke Skywalker plays, “The Dowry” - she embodies the image of Kharita Ogudalova, a plastic performance, where she embodies the image of Carmen’s mother, and a musical and poetic production.
The bright, charismatic actress completely devotes herself to the stage - Varvara Matsenova’s experience in film was her only role to date in Oksana in the detective story “The Precinct”, filmed in 2011. Fans of the artist are sure that her list of filmography will certainly be replenished with new titles of films and TV series.
The talented actress of the Satyricon Theater is not limited to dramatic activities - she is also the director of the acting course at the School of Journalism. Vl. Mezentsev in the capital's Central House of Journalists.
((togglerText)) ((togglerText))The young talented artist began his career on the professional stage with such performances as Othello, where he played Lodovico, and Don Giovanni, the role of an oarsman. He also took part in a musical and poetic production. In “The Dowry” his hero was Yuliy Kapitonich, and in the premiere performance he played Pasha and Karim.
Kirill Gennadievich devotes all his energy to dramatic art and has not yet acted in films. However, his fans are firmly convinced that they will soon see their favorite actor not only on stage, but also in the best film projects.
((togglerText))The actress began acting in films in 2004. Her first leading role was Katya in the melodrama “All for You.” In 2013, she played another main movie character, Natasha, in the military drama “Stalingrad.” The actress's filmography includes more than twenty works.
((togglerText))On this stage, Alina Alekseevna got used to it quite quickly and established herself as a promising actress. Among her first performances in which she took part was the plastic performance “#Nonballet”, where she superbly played the role of Carmen, as well as the musical and poetic performance “#Nepushkin”. In the production of “Game Over” Alina played several heroines at once - Lyubasya, a Girl who looks like an angel, a Girl who doesn’t look like an angel, and Neli’s Mother.
Dotsenko is also busy with premiere performances - in the teenage drama she played the Boy, in the frantic comedy her heroine was Angelika, and in the production Alina Dotsenko plays Rita.
((togglerText))On this stage, Shcherbakova is busy in a plastic performance - the role of her friend Carmen, as well as in a musical and poetic performance. In the production she embodies the image of Nina. Shcherbakova is also involved in two premiere projects of the theater - in the play she plays Lisa, and in the role of Maturina.
In films, Sofya Andreevna played two roles - Lydia in the detective story “The House on the Edge of the Forest,” filmed in 2016, and Dasha in the crime drama “The Seal of Cain,” which was released in 2017.
((togglerText))Sergei Viktorovich dreams of being an opera soloist. Now he teaches stage speech to students of the Moscow Art Theater. For some time he worked in the Star Factory project as a vocal teacher.
The artist actively acts in films. To date, his filmography includes more than twenty projects. Sotnikov’s main film characters were Sanya in the military comedy “Tanks Are Not Afraid of Dirt” and Artem in the family drama “Everything is for the Better.”
((togglerText))The actress has fourteen films to her credit. The debut film role was the great-granddaughter in the drama “Essay for Victory Day”, Vera in the detective story “Safety”, Yulia in the drama “Sinner”, Alina in the drama “The Miracle Worker”, Lisa in the detective story “Non-Candidal Meeting”, etc.
((togglerText))Over the years of work as part of this legendary Moscow troupe, Sergei Mikhailovich played Guinea Fowl in the dramatic show “Chantecleer”, Gremio in “The Taming”, Monsieur in “The Maids”, Tom in “The Imaginary Invalid”, Head waiter in “Kitchen” and the Minister of Tender Feelings in "The naked king." Now Zarubin is busy in the play “Game Over”, where he plays Oleg Pavlovich and Konstantinov, as well as in the premiere production - the role of the Commander.
Working with the Art-Partner XXI Theater Agency, Zarubin played Alben in the play “Trouble in the Dovecote.” In 2005, the artist was awarded the title of Honored.
Fans of Sergei Mikhailovich first saw him on television in 1992 - the artist took part in the film “Your Exit, Girls...”. A year later, he played the Mouse King in the children's film Ballerina. Later he played Glen in “Kilometer Zero”, Georgy in “First Love”, Inessa Feliksovna in the comedy “Step by Step”, Cagliostro in the historical drama “Ekaterina. Imposters."
((togglerText))Smolyaninov began acting in films in 2013 - his first role was Sergei, the main character in the melodrama “Lie if you love.” He also played Matvey in “Curious Varvara”, Artem in “Jackals”, Sasha in the melodrama “Petersburg. Only for love”, etc.
((togglerText))In the cinema, Rogov played resident Tolik Alenikov in the series “Sklifosovsky-7”, filmed in 2019.
((togglerText))The talented, charismatic actress often accepts offers from film directors and stars in domestic films and TV series. The first work in this field was the role of Verka from the melodrama “KostyaNika. Summer Time,” filmed in 2006. A year later, Zdor embodied the image of the leading heroine of the lyrical comedy “Vorozheya” - Zhenya. Later, such main characters as Nadya from the series “My Favorite Witch”, Masha in the melodrama “The Best Summer of Our Lives”, Alexandra in the mystical melodrama “The Man in Me”, Lyuba in the melodrama “Love and Romance” appeared on the screen in her performance. , as well as Tanya in “Parisian Woman” and Natalya in the melodrama “Turn the Page.”
((togglerText)) ((togglerText))A private Higher School of Performing Arts is opening in Moscow, its other name is the Konstantin Raikin Theater School. The acting department will be the first to open, where the only tuition fee will be the applicant’s talent. Then the rest (already paid) will follow - the Faculty of Management, Sound Engineering and Lighting Engineering. Today, no theater university in the country offers such a set of specialties. In addition, departments of professional retraining and additional education will be opened at VHSSI, where they teach a variety of theatrical specialties - from make-up artist to show program director.
Konstantin Raikin said Theater. about the goals and objectives of the new school:
“The idea of creating my own school came to me a long time ago, although for a long time it seemed unlikely. I have been teaching for many years, but one day a certain milestone arises, after which I want more independence. It seems to me that a developed drama theater generally gravitates towards having a school with it: the Vakhtangov Theater or the Moscow Art Theater during their maturity experienced the need to create their own school. Now “Satyricon” has also acquired its own style, its own image, and it needs appropriate personnel. This does not mean at all that I will no longer watch diploma performances of other masters and accept their graduates into the troupe.
In addition, over twenty-five years of artistic management, I have accumulated vast experience in communicating with young people - not only with actors, but also with artists, technologists - on all fronts of theatrical activity. After all, a theater is a huge factory with many workshops, and each workshop makes me want to pass on my accumulated experience. So I plan to participate in the work of the sound engineering, lighting, and management departments. Ideally, I would like to have a department of theater studies - I am absolutely convinced of the necessity of this profession, but I want to bring into it some kind of living, loving current, which, it seems to me, is sorely lacking today. If I see that some student has a “director’s” brain, I’m ready to study with him separately.
As for acting, I will teach in the same way as I taught at the Moscow Art Theater School-Studio, to which I am very grateful: for the instant support of my aspirations by Oleg Pavlovich Tabakov (which I did not meet, for example, at my native Shchukin Institute when I came there with an offer to create your own course); for twelve years of working together with people who are kindred to me in spirit and having a wonderful attitude towards me; for the invaluable experience that I gained there. But now I’m going to leave the walls of the Studio School: it seems to me that if there is an opportunity to run an independent business, I should take advantage of it. Especially in connection with the current trend towards the reduction of creative universities, which I want to resist.
In addition, the relative independence of a private educational institution from the state makes it possible to experiment more freely, look for new ways of learning, and at the same time not have to report every second to people of different levels of training who control us on behalf of the state. Although our release parameters will be completely “according to GOST”.
If we talk about the teaching system, then, of course, I will teach according to the Stanislavsky system, as before. Although, if we talk specifically about acting transformation, here I am closer to the system of Mikhail Chekhov, who believed that the image is “I” in the proposed circumstances of the role, that the image has nothing to do with the actor at all. You need to imagine this image, ask it a lot of questions, look closely at it and thus get closer to it.”
Literary recording - Olga Fuks
Self-show by McDonagh
At a show of independent works based on the works of McDonagh, who is rightfully one of the outstanding representatives of modern drama, by 3rd year students of the Acting Faculty - workshop of People's Artist of the Russian Federation K.A. Raikin presented 11 excerpts:
1. "Beauty Queen" (Rybolovleva A., Ershova L., Khanjyan A.)
2. "Pillowman" (Grigoriev N., Teplov D.)
3. "The cripple from the island of Inishmaan" (Zolotukhina M., Teplov D.)
4. "Pillowman" (Khanjyan A., Grigoriev N., Zenin Y.)
5. "Beauty Queen" (Zolotukhina M., Musa K., Zenin Y.)
6. "Lieutenant from the island of Inishmore" (Rogozhan S., Kurandin P., Alekseev P.)
7. "Lieutenant from the island of Inishmore" (Potapova E., Nazarov D.)
8. "Lonely West" (Nazarov D., Iskhakova A.)
9. "Lonely West" (Voitovich A., Zenin Y.)
10. "Lieutenant from the island of Inishmore" (Voitovich A., Kurandin P.)
11. "Executioners" (Popov V., Grigoriev N.)
We invite those who wish to attend a screening of independent works for viewers on November 25 at 19.00, room 307
"We just lived our lives..."
On November 18, the Educational Theater of the Higher School of Performing Arts hosted the premiere performance of a new performance by 3rd year students of the Acting Faculty (workshop of K.A. Raikin) “In the Shadow of Brodsky” directed by Svetlana Vasilievna Zemlyakova (Kuznetsova). The fates of the most interesting representatives of the poetic underground of Leningrad in the 1950s-1980s, poets of the “café period of Russian literature” (K. Kuzminsky) were shown by the actors vividly, caringly, and vividly.
The performance evoked the most positive emotions among the audience, who enthusiastically followed the life and creative vicissitudes of the broken destinies of Gleb Gorbovsky, Leonid Aronzon, Oleg Grigoriev, Alexei Khvostenko, Alexander Mironov in the shadow of the great Joseph Brodsky.
What is the play about? About the peculiarities of the poetic happiness of the underground, about that specific joy that accompanied the work of many uncensored poets and was associated with freedom at a time when the corridor of opportunities was narrow, but the poets managed to find spaces where they were left to themselves.
Come and plunge into this wonderful world and stay a little in the shadow of Brodsky...
THEATER MAY
Friends, in May we invite you to the performances of the Educational Theater.
On May 17 and 26, the 2nd year of Konstantin Raikin's workshop will play a class-concert "SCHOOL. METRO. DREAMS." - a vivid performance, born from many acting fantasies and observations, dance and speech compositions.
The 4th year workshop of Oleg Topolyansky and Kama Ginkas will present their diploma works:
May 18, 22 and 27 - “THE TWO PEOPLE OF VERONA” - a performance based on the witty and light romantic comedy of the young William Shakespeare.
May 19 and 28 - “OH, HOW BEAUTIFUL THE VAUDEVILLES ARE!” The performance in the vaudeville genre is filled with music, humor and good mood.
May 20 - "DEAD SOULS". The performance won the Grand Prix of the XV Moscow International Festival of Student Performances “Your Chance”.
May 21 and 29 - "FARYATYEV'S FANTASIES" - a story about the torture of being happy and making others happy. The story is about how people, even very close ones, do not understand each other, about how difficult it is for them to reach understanding.
Waiting for you!
All performances start at 19.30.
You can PURCHASE TICKETS ONLINE here:
http://school-raikin.com/theatre/afisha/
SEE YOU!
SCENE GRAPHER – it sounds proud!
At the end of April, the training of students under the professional retraining program “Scenography in the Modern Theater” was completed.
Seven people from different parts of Russia went through a journey of six months, dozens of ideas, hundreds of drawings, together with the master of the course - theater artist Boris Leonidovich Valuev and other teachers.
A number of classes (“Design and equipment of the stage”, “Technology of artistic and lighting design of a performance”, “Technology of production of scenery. Modern theater technologies”) were held on the basis of the State Academic Bolshoi Theater of Russia and its workshops. The guys were able to watch the rehearsal of the ballet “The Flames of Paris” and discuss its stage and lighting design.
However, the main work was done in the School’s workshop both on weekdays and on weekends - from morning to evening. The results of this work - a miniature world that the students embodied in their models - were evaluated by the final certification commission.
The chairman of the commission is Igor Vladimirovich Suvorov, Honored Worker of Culture of the Russian Federation, head of the artistic and production part of the main stage of the State Academic Bolshoi Theater of Russia.
Members of the commission:
Konstantin Arkadyevich Raikin, People's Artist of the Russian Federation, professor, artistic director and head of the acting and directing department of the Non-state educational private institution of higher education "Higher School of Performing Arts";
Boris Leonidovich Valuev, theater artist, head of the architectural and design workshop “Art Trading Contract”;
Yuri Arkadyevich Fainkin, assistant director of the Russian State Theater "Satyricon" named after Arkady Raikin.
Young directors were also invited to defend their projects in the hope of their fresh, “not washed-out” look and pressing questions.
The final certification included the presentation of a preliminary design of the scenography of the performance for the selected plays in the form of a layout with an explanatory note. All students successfully defended their projects, presented their models with dignity, and answered questions from the commission.
“At the final viewing, the students presented to the members of the final certification commission everything that they managed to do during the autumn and spring sessions and the internship period as part of the professional retraining program “Scenography in the Modern Theater.”
The exposition of each listener included, first of all, a mock-up of the stage design for a dramatic performance based on a play, which each artist could choose from the proposed twenty plays by such authors as W. Shakespeare, J.-B. Moliere, A. Ostrovsky, A. Chekhov, E. Schwartz.
In these models, in fact, decorative solutions for the selected literary material were realized, often unexpected and all original.
In addition to the models themselves, their step-by-step photographs were shown, demonstrating all the pictures of scenographic projects. It was the form and method of change from painting to painting, their spatial and technical structure, their organic nature and artistic expressiveness that were also a very important part of the work for us. Many also exhibited mounting plans (well done!).
In the exhibition we also included the results of work on additional short-term assignments - clauses, in which, for the most part, the originality and creativity of the artists were revealed even more noticeably than in the main projects.
I congratulate our entire team of students and teachers on this important result for all of us.
Thank you".
B.L. Valuev
“I write these lines with a sense of pride and gratitude, because I still feel an inextricable connection with the school. This powerful energy that nourished us during our studies opened up new horizons for us in our profession!
Low bow to the school teachers and my colleagues with whom fate brought me together! You will always remain in my heart as the brightest moments in my life.”
Mikhail Kangin
“I want us to be able to infect you with theater, so that it becomes not just a profession, but a way of life, a way of existence, a way of understanding reality. So that it is not just a service, but a service, faith is akin to religion.” Konstantin Raikin
The Raikin Theater School is a relatively new, promising non-state university that trains specialists in all areas of performing arts. If you have not yet decided which institute to apply to, be sure to consider this option.
The Konstantin Raikin Higher School of Performing Arts accepts applicants for training in three main areas:
- Acting department. Trains theater and film actors. The basis of training are the following disciplines: acting skills, stage speech, history and theater studies, dance, vocals.
- Management. Everything related to management and organization in the theater and concert field.
- Technics and techology. Sound engineering, general artistic design of performances, use of modern technologies.
The university also offers a wide program of additional education - professional retraining in the following areas:
- acting skills;
- directing and organizing performances;
- sound and light engineering;
- management;
- scenography;
- retraining of teachers.
Official advanced training in the following areas:
- makeup;
- oratory;
- script and director organization of events;
- pedagogy.
Acting department
At the acting department, two main directions are available to applicants: acting, specialty “Artist of Dramatic Theater and Cinema” and directing, specialty “Drama Director”. In addition to specialized subjects, students study in many humanitarian areas, such as foreign languages, history, philosophy, cultural history and others.
Practical classes are held in the areas of stage movement, stage combat, choreography, vocals, acting, plastic education. There is a special Educational Theater for students at the school. In addition, close cooperation has been established with the Satyricon Theater; part of the practice takes place on its stage.
Admission to the acting department of the Konstantin Raikin Higher School requires, in addition to the Unified State Exam, passing a creative exam and a colloquium interview. The exam program is formed by the applicant arbitrarily, but must include:
- song;
- dance;
- fable;
- poem;
- monologue;
- prose excerpt;
- acting sketch.
Faculty of Management
This faculty trains management specialists, organizers, producers and managers of major projects in the theater and entertainment industry. The Konstantin Raikin Theater School trains not just future businessmen and high-level managers, but also cultural figures, continuers of the rich traditions of Russian theatrical art, people with an active civic position and a reverent attitude towards creativity.
Master classes and creative meetings with directors of other theaters are held for students. Already at the training stage, you have the opportunity to make acquaintances and observe the work of practicing organizers from the inside.
Training programs:
- theater management and production;
- performing arts management.
Faculty of Theater Engineering and Technology
“The main task of our department in training future stage specialists is to teach our students to see the elegance of constructing structures in the spatial solution of the stage volumes of the performance, the optimality of its technological techniques” Konstantin Raikin
The stated task of the Faculty of Theater Engineering and Technology is to train a wide range of technical specialists: graphic designers, light and sound directors, theater organizers, and decorators. The training covers all the technical aspects necessary for the functioning of a modern theater, plus a broad humanitarian program, since even a theater technologist must love the art of the stage and understand it well. The training of a performance lighting designer includes 19 different disciplines. Upon completion of their studies at the institution, students will find employment in the Satyricon Theater under the direction of Konstantin Raikin or offers from leading theaters in Moscow.
According to official information, the faculty has two educational laboratories:
- educational laboratory of stage equipment and technologies;
- training laboratory for artistic and lighting design of a performance.
It is also noteworthy that the acting course will help you learn to resolve conflict situations, maintain composure in a stressful atmosphere, get rid of many complexes associated with communication and public speaking, you will become more relaxed and can become the life of the party.
