Color gray blue. Main color range

Take paints. Any kind of paint will do - even those used on furniture or walls - but it's best (and cleanest) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing existing colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to obtain dark colors by mixing transparent primary colors: shadows also have shades, depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue when mixed make purple, right? Indeed, but it's not that bright, vibrant purple. Instead they form something like this:

   • Not very pleasing to the eye? This is because red and blue absorb more and reflect less of the spectrum, producing a dark, dirty purple instead of a vibrant and bright one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green shade, often called royal blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (producing color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using true primary colors - magenta and cyan - results in a much brighter, more vibrant hue. If you want a deeper purple, add more blue. For a deep purple, add black.

3. Mix pigments to create primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "Read the information below. The Mixing Paints section provides more detailed guidance on how to achieve a wide range of shades, including light, dark and greyish. The Tips section provides an extensive list of colors and combinations you can use to get those colors on your palette.

   Light mixing: additive colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. When you bring your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, meaning it works by adding up light streams. Cinema screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display in your iPhone, use an additive method of mixing colors.

      Mix light to create primary and secondary colors. As with subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing the primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Please note that primary additive colors are secondary subtractive colors, and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what remains, that is, reflected light. Reflected color is the color of the luminous flux that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. Human perception and identification of color depend on both objective and subjective factors. While scientists can detect and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also color saturation and brightness. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are some examples: Pink refers to a magenta or red tone (or anything in between). Brown refers to the orange tone because brown is dark orange.
      • Saturation- This is what produces rich, vibrant color, like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness shows how close a color is to white or black, regardless of color. If you take a black and white photograph of flowers, you can tell which ones are lighter and which ones are darker.
        • For example, bright yellow is a relatively light color. You can lighten it up even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow these instructions to get any color you want. Magenta, yellow and cyan are primary subtractive colors, which means that they can be mixed to create any other color, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Low saturation colors (soft colors) come in three main types: light, dark and muted.

      Add white to get lighter colors. Any color can be lightened by adding white to it. To get a very light color, it is better to add the base color to the white a little at a time so as not to waste excess paint.

      Add black to get dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary color that is opposite a given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color to the original) to create muted, grayish colors. By varying the relative amounts of black and white added, you can achieve any desired level of lightness and saturation. For example: add white and black to yellow to get light olive. Black will darken yellow, turning it into olive green, and white will lighten that olive green. Different shades of olive green can be achieved by adjusting the amount of color added.

      • To achieve a desaturated color such as brown (dark orange), you can adjust the hue in the same way as to achieve bright orange - by adding small amounts of colors nearby on the color wheel: magenta, yellow, red or orange. They will make the brown brighter while changing its shade. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two colors that are mutually complementary, as well as three or more colors that are equidistant from each other on the color wheel. Just don't add white or any color containing white unless you want a shade of gray. If the resulting black leans too much toward a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you are working with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the hue, lightness, and saturation of the color you have and the color you want, and make adjustments accordingly.

      • For example, the shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or a complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make the desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm shade, you will have to add a little magenta. To tone down hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), a grayish pink (add white and the complementary color), or just a lighter pink (add only the white). If you plan to adjust the hue with magenta and tone down the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all of this seems overwhelming, you just need a little practice. Creating a color guide for your own use is a good way to practice using color theory principles. Even by printing it from your computer, you will provide yourself with useful information at a time when you do not yet have practice and cannot work on an intuitive level.

   Samples of colors and methods for obtaining them

   • Select the color you want and follow the instructions below. Each sample provides a range of possibilities; you can adjust the amount of paint you use to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors that are opposite each other on the RGB/CMY color wheel.
   • Red: Add a little yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add a little black (or cyan) to the red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You'll have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add a little black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or violet-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add a little black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You'll have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add a little black (or red) to the cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to the cyan.
   • Purple Blue: Mix magenta with cyan or blue.
     • Light violet blue (lavender): Add white to the purple-blue.
     • Dark violet blue: Add a little black (or yellow) to the purple-blue. Yellow is complementary to violet.
     • Grayish-violet-blue: Add white and black (or yellow) to the purple-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark purple: Add some black (or lime green) to the purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to the purple.
   • Black: Black can be created by mixing any two complementary colors or three equidistant colors on the precise CMY/RGB color wheel, such as red, green and blue. If you end up with a dark color instead of pure black, correct it by adding a color that is complementary to it.
   • White: White cannot be obtained by mixing other colors. You'll have to buy it. For a warm white (such as cream), add a little yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add a little at a time to adjust the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you achieve the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at a color, then look away at a white surface. Due to “color fatigue” in the eyes, you will see the opposite color.
   • Choosing primary colors when purchasing can be difficult. Look for magenta that does not contain white or blue pigments (PW and PB). The best pigments are violet and red pigments such as PV19 and PR122. Good cyan PB15:3. PB15 and PG7 are also good. If you need artist paints or glazes, you can try using a printer to match the colors. Print a sample from your computer to take with you to the store, or look for primary colors on the sides of a cereal or cookie package.
   • You need one color triangle of colors that provide visual balance to the painting, and another color triangle to identify pairs of colors that neutralize each other, since the complementary colors for these tasks are slightly different. So, ultramarine goes well with lemon yellow and other beautiful yellows, but to darken those yellows, use purple. More information on this subject can be found online.
   • How many tubes of different paints do you actually need to paint a picture? Jean-Louis Morell's book on watercolor painting shows how, using the cyan-yellow-magenta color triangle, you can get almost any color you want from just four or five, but it can also be done using these three plus white (as white in watercolor painting is paper)!
     • The best range of shades can be achieved by mixing colors close to the CMY primary colors, but to get a darker shade, one - or better yet, two - must be darker than these primary colors, for example, Persian blue or cobalt blue, alizarin crimson.
   • What are you writing? The colors you need depend entirely on what you're writing. For example, ultramarine, Neapolitan yellow, burnt sienna and whitewash are useful for distant landscapes if bright greens and yellows are not needed.

   What you will need

   • Palette - a disposable paper palette works well.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (you can buy these from your local art store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels for removing dirt and cleaning brushes
   • Color circle
   • Paints
   • A robe or an old shirt that you don’t mind getting dirty
   • Gloves

When choosing paint for the interior, even for watercolor paintings, it is easy to make a mistake with the shade. Paper testers may not match the tone in reality.

Don't worry, there is a way to achieve the desired shade! Read on to find out what paints to mix to get blue.

In contact with

Creating a classic shade

Unfortunately, no matter what components are mixed, without the primary tone itself it will not be possible to even come close to creating the required shade .

Red and yellow colors follow the same rule.

If the color in your palette is too dark, then white paint will help to lighten it a few tones.

If, on the contrary, you need to darken the shade, then you need to add more dark tones to the mixture - black, gray or brown.

Important! If you are mixing colors to create a small pattern in the interior, then you can mix them in a small bowl by hand. If you want to paint an entire wall, tint the ingredients in a bucket using a mixer.

How to maintain proportions

How to get blue color by mixing:

1. Get delicate ultramarine by mixing blue and white parts in a 3:1 ratio.
2. To create a shade with a slight blue, increase the portion of white color. The ratio of blue to white is 2:1.
3. To obtain a more transparent, light tone, mix them in equal proportions.

WITH Hello! The heavenly color is perfect for painting a boy’s nursery.

A turquoise tone will help you get a more saturated heavenly tone.

A complex recipe of three ingredients will help you create an aqua color. How to make blue using turquoise and white? Take 2 parts blue paint, 1 part white and turquoise. Enjoy the blue of the sea.

This is interesting! Red, blue, yellow are called primary, because by mixing other tones it is not possible to achieve the desired shade. Why do you need to know what colors need to be mixed to make blue? To achieve a play of shades and original texture, create artistic masterpieces.

Dark shade

In the case when you want to make the color darker, the mixing recipe is a little more complicated. It all depends on what the final result is and how rich the tone you are trying to achieve. How to successfully mix different tones to get a dark blue color:

1. You will need two paints: black and aquamarine. If the tone is made to decorate parts, then stir the mixture with a brush or stick in a small container. To paint walls, you need to tint the shade with a construction mixer, a special attachment for an angle grinder.
2. There are no exact proportions. Add black color to the base paint drop by drop or a few milliliters.
3. It is better to test the resulting mixture on a sheet of white paper and let it dry. If you are satisfied with the shade, then stop tinting. If not, add even more black.

Advice! Did it get dark? Lighten the mass by several tones using white. Stir in gradually so you don't have to add black again.

Violet

Ultramarine is similar to artificial, which does not occur in nature. Purple will help create paint the color of a dark sky. Magic coloring will help create an interesting tone that can be used to paint the ceiling in the nursery, and bright luminous star stickers will create an imitation of the night sky. How to get blue from purple:

1. Mix blue paint with purple in proportions 3:1.
2. For the ceiling, knead the dye with a construction hook for about 10 minutes.
3. Test the finished mixture on a small section of the wall. Do not forget that you need to apply the interior color in 2-3 layers.

A woman's favorite shade is royal ultramarine.

To get such a noble tone on the verge of night blue and sea wave, you need an acidic violet color or pink. The recipe is similar to the previous tinting:

1. You will need 2 tones: acid violet (pink) and ultramarine.
2. The proportions of blue and pink are 3:1. Sometimes you need a little more pink.
3. Evaluate the result by applying the dye to a small area.

Advice! To get purple, mix red and blue in equal proportions.

From yellow

To create an emerald blue color based on ultramarine, you need yellow. The resulting shade is similar to the shine of precious stones. It is appropriate to use it for decorating small elements to create a fantastic picture. How to get blue from yellow:

1. Mix yellow and ultramarine colors in equal parts.
2. For a pastel look, add white. The proportion recipe depends on the desired degree of pallor.

Advice! To create a fantastic shimmery color, do not stir the paint too thoroughly. A lazy tinting method will create an interesting mother-of-pearl effect.

From green

Prussian blue is a favorite of designers not only for interior design, but also for clothing.

The deep color is associated with the depths of the sea and a distant galaxy. How to easily turn green into blue:

1. We combine two colors: aquamarine and green in equal parts.
2. Mix using a technique to ensure uniform texture.

Surprisingly, when adding a third white ingredient, the color does not fade.

How to make paint the right shade

What if there is no main color, but you need to make blue paint? An interesting tone, similar to sapphire shine, is obtained by mixing red and green. This tinting will not give pure ultramarine, but by adding black and white paint you can achieve interesting and unusual shades.

Useful video: how to mix colors

Combine combinations of warm shades with delicate pastels, blue tones with cold ones. Change the proportions to your liking; proper tinting is the key to successful repairs. Experiment and create your own color scheme!

The color mixing table allows you to learn how to get the right one when mixing two or more colors and shades.

This table is used in various fields of art - fine art, modeling, and others. Can also be used in construction when mixing paints and plasters.

Color Mixing Chart 1

Color mixing chart 2

Mixing paints
black= brown+blue+red in equal proportions
black= brown+blue.
gray and black= blue, green, red and yellow are mixed in equal proportions, and then one or the other is added by eye. it turns out we need more blue and red
black= it turns out if you mix red, blue and brown
black=red, green and blue. You can additionally add brown.
bodily= red and yellow paint... just a little bit. After kneading, if it turns yellow, add a little red, if a little yellow paint turns pink. If the color turns out to be very saturated, add a piece of white mastic and mix again
dark cherry= red + brown + a little blue (cyan)
strawberry= 3 parts pink + 1 part red
Turkiz= 6 parts sky blue + 1 part yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 part red + a little black
rust color= 8 hours orange + 2 hours red + 1 hour brown
greenish= 9 hours sky blue + a little yellow
dark green= green+a little black
lavender=5 parts pink + 1 part purple
bodily= a little copper color
nautical=5h. blue+1 hour green
peach=2h. orange + 1 tsp. dark yellow
dark pink=2h. red+1 hour brown
Navy blue=1h. blue+1h. Sereneviy
avocado= 4h. yellow + 1 part green + a little black
coral=3 hours pink + 2 hours yellow
gold= 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 part purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red and blue, with red predominating
Pistachio paint obtained by mixing yellow paint with a small amount of blue

Hair coloring is based on a scientific basis - knowledge of color and chemical laws, the skill of a hairdresser-colorist.

Modern coloristics – fashion for uniqueness and absolute individuality

Colors are divided into several varieties, the main ones of which are:

• armoring;
• highlighting;
• balayage;
• ombre

When blonding, the master carefully distributes various shades of light tones over the entire length of each strand of hair. This look looks beautiful on light brown hair.

Bronzing on light brown straight hair. Results before and after coloring

When performing hair highlighting, the hairdresser bleaches the selected strands. The number of light strands depends on the client’s wishes and can range from 10% to more than 50%.

Sometimes, for dyed strands, the shades obtained during dyeing are additionally neutralized using color rules.

When performing the ombre technique, the master achieves a smooth transition, starting from the very dark root zone to the lightest ends of the hair.

Features of color according to appearance color types

To obtain the required tone, the paint is diluted with certain pigments:

1 package of paint (60 ml) corrects the color with 4 grams of pigment. If you get an ugly or not the desired hair color, experts do not recommend lightening it; you will end up with a dirty, unattractive color.

In this case, it is better to correct the coloring by professional craftsmen who have extensive experience and the necessary funds.

Why is it important to know color theory, about color combinations, how to apply it in coloristics

It is important to know! For hair coloring, mixing dyes and colors, it is important to select matching tones and combine them in exact proportions. Professionals mix paints that are similar in tone and that meet the rules of correct combination:

• copper shade with brown;
• eggplant with dark purple;
• caramel with golden brown.

It is not allowed to mix more than 3 paints of different colors. The hairstyle will gain contrast if you apply white strands to dark hair.

Note! Proper mixing of paints and colors in color scheme can visually change the shape of the face and adjust parts of the hairstyle with certain color shades.

Rules for mixing paints of different shades

Experienced professionals who know the rules of the most complex technology for mixing different shades of paints know how to evaluate:

• hair – condition, structure;
• scalp – sensitive, dry, irritated.

Experts note 4 color types: cold - summer and winter, warm - autumn and spring.

It is undesirable to change the natural color type to the opposite one.

For fair-haired women belonging to the “summer” color type, it is better to dye with wheat, ash and platinum tones. Dark-haired representatives of the fair sex belonging to this color type will suit various brown tones.

Blonde hair of the “spring” color type is dyed with dyes that match the natural color, golden and honey tones. For dark hair of this color type, choose caramel and walnut.

Bright representatives of “autumn” are especially suitable for rich tones of colors – red, golden, copper.

Experienced stylists determine the color scheme of hair dyes based on the eyes.

Green-eyed women are offered warm shades. If there are yellowish inclusions in the iris of the eyes, paint in the orange and red palette is recommended. If the eyes have a malachite tint, a chestnut, dark brown tone will harmonize.

Light colors look beautiful with blue eyes. Brownish inclusions on the iris of blue-eyed people suggest coloring with caramel or red shades. Bright blue eyes - brown tones work well. Gray-blues are best painted in light colors.

For dark brown eyes with dark skin– chestnut or chocolate tones. If you have dark brown eyes and light skin, you should paint them with red shades. For light brown eyes, golden tones are recommended.

All shades suit gray-eyed women, but it is better not to use too dark shades.

Mix dyes for hair coloring with colors of the palette that are similar in tone, exact selection is carried out using the attached color shade tables.

You cannot mix paints produced by different companies.

Manufacturers have their own palette, different from others. The desired result is obtained by correctly calculating the proportion and amount of paint.

For unevenly colored and gray hair, experts recommend that you first dye it a natural color, and then select and mix shades. On hair of different types and textures, the same shades look different, and time exposure affects the color saturation.

It is forbidden to dilute paint in metal containers; glass, ceramics, and plastic are suitable.

In what proportions should you mix paints?

Different amounts of dye are used for hair of different lengths:

• short hair – 1 package (60 ml);
• medium hair – 2 packs (120 ml);
• long hair – 3 packs (180 ml).

To obtain the shade indicated on the package, add a 3% oxidizing agent when diluting the paint. When mixing hair coloring dyes, take them in equal proportions or add more dye, the color you want to achieve.

For example, when mixing caramel and golden brown, adding more golden brown creates a richer golden shade.

Important to remember! The color palettes developed by manufacturers are paints that are complex in tone, containing different quantitative contents of pigments: gray-green, blue, red and yellow.

The molecules of these dyes vary in size:

1. The smallest molecule belongs to the gray-green pigment, which colors the hair and is the first to be distributed in it.
2. Next in size is blue, which will be the next one to take up space in the hair structure.
3. Red is larger than the first two, it still has a small opportunity to take up space in the colored hair.
4. The yellow pigment is the largest pigment; it has no place at all in the inner part of the hair, it envelops its outer side. The shampoo quickly washes away the yellow pigment.

Composition of dyes - what is important to know?

Undyed natural hair contains 3 primary colors. Their different combination determines the natural hair color.

In hair coloring, when mixing dyes and colors, the range of colors is distributed according to levels from 1 to 10: starting with 1 - very black and ending with 10 - the lightest. Hair from levels 8-10 contains 1 yellow pigment, from levels 4-7 there is red and yellow color, resulting in brown shades.

The highest levels 1-3 have a blue pigment combined with red, yellow is completely absent.

Hair dyes from all manufacturers are indicated by numbers, and their tone is determined by them:

• the first is belonging to the degree of lordship;
• the second - to the main color (up to 75% of the paint composition);
• the third is the nuance of color.

Secondary colors

By mixing adjacent colors they acquire secondary colors:

• orange – yellow and red;
• purple – red and blue;
• green – blue and yellow.

Each of the 3 primary colors has an opposite color (countercolor), helping to neutralize various shades:

• red is extinguished by green;
• blue – orange;
• yellow – violet.

Professionals calculate and remove unsuccessful shades using this principle.

Tertiary colors

By connecting primary and secondary color boundaries, tertiary shades are acquired.

When coloring your hair, mixing dyes and colors, you get beautiful shades, for example, combining a beige shade with a cold violet - exquisite platinum. A blonde with gray-green hair is corrected by adding red, the redness is neutralized with a tobacco tint.

Important to remember! On completely bleached hair, the desired shades are not obtained; they become lighter, for example, a purple tint on white hair turns into lilac. With a low content of yellow pigment in the hair, the result is:

1. The pink color takes on a reddish tint.
2. Lilac neutralizes yellowness, platinum remains.

Darker shades appear on natural, undyed hair.

Harmonious colors

The harmony of nearby colors is the presence of one primary color. Harmonious colors are taken from the intervals of one main color to the next main color. They have 4 subspecies.

The harmony of these colors leads to balance, changing their lightness and saturation when coloring the hair, mixing paints and colors. When adding white or black colors to them, the combination becomes harmonious, highlighting one rich color.

Monochrome colors

With a monochrome combination, colors of the same color scheme are combined with light and rich shades. In hairdressing, a similar calm combination is often used.

Achromatic colors

An achromatic combination of colors is essentially close to a monochromatic combination; in some sources it is not distinguished separately. It is based on two or more achromatic colors.

The classic combination of this harmonic series is a gradual transition from white to black. Hairstyles done in this style emphasize dignity and stability.

Each manufacturer produces complex color shades using different proportions, which gives the product its own shade.

Some companies add a neutralizing pigment, but not always. The difficulty of painting to obtain the desired effect is to carefully study the composition of the paints.

Ash shades

Ash shades are popular in hair coloring in salons, especially with ombre.

The results of staining with ashy shades may differ from those expected. Therefore, a number of nuances should be taken into account :

• an ashy shade on bleached hair looks overly gray or dirty;
• it darkens the hair;
• in the presence of yellowness it creates a green tint;
• suitable for young girls, other women look older.

The skillful hands of a professional will help you avoid side effects and get the desired result by taking into account the following features of ash paint:

• the ashen shade contains a lot of blue pigment;
• a feature of the paint is that different manufacturers have different shades;
• ash shades from different companies vary in pigment density;
• This paint, when lightened, removes the orange tint.

Before you start coloring your hair, you should determine a few points:

• correctly set the depth of tone in the hair;
• understand what hair color the client wants to get;
• decide on additional hair lightening;
• understand whether after the procedures there will be an unnecessary shade that needs to be neutralized, and determine the color.

Hair coloring, mixing several dyes of different colors in a hairstyle helps create a unique individual image. This type of coloring is suitable for hair of different lengths: from short creative haircuts to beautiful curls.

Experts insist on maintaining a sense of proportion so that there is no overflow of tasteless bright spots. The theory of color, an invaluable practice that brings experience, helps masters maintain balance.

Qualified hairdressers warn - You cannot experiment thoughtlessly without a clear knowledge of the laws for obtaining color combinations.

How to properly dye your hair using color techniques

Before coloring your hair, mixing dyes and colors, follow the advice of experts:

1. It is not recommended to use masks for a week before coloring, as the special substances they contain envelop the hair and can change the expected coloring result.
2. Do not wash your hair before dyeing: the skin on your head will not be damaged by the oxidizing agent, thanks to the released fat.
3. The dye is applied to dry hair; wet hair dilutes it; the color will lose its saturation.
4. For easier distribution of dye, the hair is divided into strands and the dye is applied evenly and quickly.
5. The paint is reapplied, first to the root zone, after 20 minutes, spread over the entire length.
6. Perform the procedure wearing gloves to protect your hands.
7. Wash off the paint gradually, moisten, foam. Then rinse your hair with shampoo and apply conditioner.

Paints must be intended for professional use and belong to the same manufacturer .

Mixing dyes and colors in hair coloring should be done step by step:

1. Read the instructions carefully. Mix the colors separately.
2. Mix paints together in the selected proportion.
3. Stir the composition thoroughly and distribute the mixture throughout your hair. The paint is applied immediately after preparation, because... The shelf life of the diluted coloring composition is short.
4. Keep the dye on your hair according to the instructions, then wash your hair.

Note! Diluted and mixed paints cannot be stored. After 30 minutes, a reaction will occur with air masses and the paint will deteriorate. The multi-colored mixture must be used in one go.

The records determine:

• the color you like, no need to remember what shades were used when mixing;
• duration - how long the coloring does not wash off;
• unsuitable shade - which colors should not be mixed.

Professionals warn – It’s difficult to get rid of some color tones. First, you will need to remove the color you don’t like, and then dye your hair again. These actions will affect the condition of the scalp and hair.

By consulting with experts, you can understand which colors best suit your skin type and face shape and find a special individual hair color that emphasizes a unique female image. Be healthy and beautiful!

Useful video materials on the topic: Hair coloring. Mixing paints and colors

How to mix hair dyes correctly:

A short course on the basics of color:

You can see how to choose a hair shade here:

We will send the material to you by e-mail

You don’t always have the right paint at hand, but do you have a couple of others? Let's use the magic available in everyday life and find out how to get the color purple by mixing other colors.The editors of the online magazine website invite you to plunge into artistic realities and get the necessary shade.

Such a different purple

Our eye sees short-wave monochromatic radiation with a wavelength of 380-440 nm as violet.Since this tone is obtained mainly by combining blue and red, it means that it has absorbed hot passion and deep serenity. A person who is in a room with a lavender shade begins to philosophize, hear himself better, and relate to problems more calmly.

What colors do you need to mix to get purple?

How to get purple? What colors should you mix to enjoy the shades of lilac and lavender?It all depends on what tone we want to achieve: light, dark or rich.

What colors to mix to get dark purple?

How to get dark purple color? Only by adding dark colors to the tone.

If the desired shade is not there at all, then we will go the long way. First, mix red and blue in equal proportions or 100% of one color, 50% of the other. Using more blue will result in a cooler tone, while using 100% red will result in a warmer tone.We will gradually add black or green to the resulting shade. The key word is a little bit!

How to get light purple color

What colors can make light purple?

Whitewash will turn the usual tone into a light lavender or soft lilac. If you take the colors in half, you will get a medium-saturated shade. The more white, the lighter the final result.

What colors should be mixed to get a bright purple shade?

If you don’t have the entire possible palette, but you do have pink, cornflower blue or blue, you can experiment and get a beautiful rich shade.

How to adjust the shade of purple

We've sorted out the combination of red and blue. But if you change the proportions, then the shade will change: when mixing paints, be sure to notice what has been added and in what quantities.

• to make the tone closer to burgundy, add more red;
• excess blue will give purple;
• scarlet and blue will give a beautiful purple tone;
• By adding a little yellow, brown or green, you can get original shades.

When mixing, take into account the type of paints: correcting a defect when working with gouache is much easier than correcting watercolor stains.

How to make purple: we work with different types of paints

We learned how to get purple color. It's time to move on to the nuances.

Oil paint

The most important thing in mixing oil paints is the quality of the material itself. If it turns out to be of poor quality, then you shouldn’t complain that what ended up on the canvas was not a wonderful purple tone, but a dirty mess.

There are three mixing options: complete, glaze, and completely original, when the colors are not mixed, but are simply drawn with strokes close to each other. To get purple, you can use the first method if you lack skills in the other two.

Acrylic paint and gouache

The principles of working with acrylic paints and gouache are the same. Therefore, the tips on how to get a purple color when mixing acrylic gouache are the same.

To create purple, lilac or lavender shades, take a base blue and add either pink or red to it. If you also include a little black or white, the tone will become darker or lighter.