True friendship between fathers and sons. Essay on the topic “Friendship between Bazarov and Kirsanov

In the novel “Fathers and Sons,” published in 1862, I.S. Turgenev revealed the image of a new hero of Russian life. Bazarov is a nihilist, revolutionary democrat. This is a strong personality capable of influencing other people. Bazarov is self-confident, endowed with a natural mind, and educated. In the novel, he is shown accompanied by a younger, naive and simple-minded friend - Arkady Kirsanov.
The young people studied together: they attended a course of lectures at the university. After studying, the two of them take turns visiting their relatives and moving from one place to another. Analysis of the relationship between the two heroes allows us to understand their characters, the strength of their beliefs and the strength of their friendship.
Bazarov is the leader in this pair. He treats Arkady condescendingly and patronizingly. Kirsanov called his friend a mentor; he “respected his teacher” and considered Bazarov “one of the most wonderful people.” Arkady's still unformed nature is entirely under the influence of Bazarov, who, although he is frank with him, always keeps him in a secondary role. Arkady does not notice and does not understand this. He tells Odintsova about his friend “in such detail and with such delight that Odintsova turned to him and looked attentively.”
In disputes with Bazarov, Arkady “usually remained defeated, although he spoke more than his comrade.” However, this does not bother him at all, since he sees in Bazarov a man for whom “a great future awaits.”
Arkady loves to talk a lot and beautifully. Bazarov is restrained, although he is trying to explain a lot about himself to his student. Therefore, young Kirsanov skillfully formulates Bazarov’s credo, implying that he himself adheres to the same principles. “A nihilist is a person who does not bow to any authority, who does not accept a single principle on faith, no matter how respectful this principle may be.” At the same time, Arkady does not notice that he himself is just an echo of Bazarov. The latter clearly sees this and, on occasion, unambiguously makes it clear to Arkady that in his judgments he does not rise above “opposite commonplaces,” and believes that Arkady’s “beautiful” speeches are simply “indecent.”
The attitude of friends towards Pavel Petrovich Kirsanov and Odintsova first gave a crack in their friendship, and then completely led to a break. The merciless battles between the democrat Bazarov and the liberal conservative Kirsanov upset Arkady and were unpleasant to him; he tried to soften the conflict between his uncle and friend. Thus, he characterizes his uncle, whom Bazarov immediately began to despise: “... He has a kind heart. And he is far from stupid."
Gradually, the young man realizes that he cannot, like Bazarov, hate people, much less his loved ones. It has a strongly related element. Arkady's beliefs are essentially the same as Pavel Petrovich's. Nihilism for him is a fashionable hobby. In addition, Bazarov is hardworking, and Arkady, like his uncle, is a sybarite. On his father's estate he leads an idle life. Bazarov almost stops communicating with him, and in rare moments of revelation, Bazarov does not stand on ceremony with his friend, does not spare his pride. He directly tells his friend: “You are a gentle soul, a weakling, where can you hate!.. You are timid, you have little hope for yourself...”
During Pavel Petrovich's duel with Bazarov, Arkady was on Odintsova's estate. But when he found out about this, he “even became saddened... he smiled forcedly, but his heart felt terrible and somehow ashamed.” Arkady was very worried that because of his friend, towards whom he was already beginning to feel an almost hostile feeling and annoyance, his uncle almost died.
Bazarov’s hostility towards his friend also intensifies. He does not hide his ironic attitude towards Arkady when he fell in love with Odintsova. Both young people are tested for the strength of their friendships through their love for Anna Sergeevna. At first, Eugene denied love, considered this feeling “romanticism, nonsense, rottenness, art.” Subsequently, he was overcome by a strong feeling. Bazarov fell in love with Anna Sergeevna Odintsova truly, deeply, passionately. And Arkady convinced himself that he was in love with Anna Sergeevna. His feelings for her are superficial, not like those of a friend. Nevertheless, Arkady wants to free himself from Bazarov’s despotism and runs away from him to Nikolskoye. He wanted to test his strength alone, to make at least one independent decision, without the patronage of Eugene. However, one addiction in Arkady is immediately replaced by another. He quickly realized that he felt good and easy with his sister Odintsova. Now Katya began to lead him in life.
When parting with Bazarov, Arkady forgets all his bilious and sometimes hostile antics. He threw himself on his neck “and tears flowed from his eyes.” But already in the evening of the same day, Arkady completely forgot about his mentor. Arkady Bazarov did not leave any trace or even memories of himself in the life of Arkady. After his marriage to Katya and the birth of his son, Arkady “became a zealous owner.”
Before his death, Bazarov does not even want to see Arkady. He gives him a derogatory description: “... this chick! Now he’s in trouble.” For Bazarov, the jackdaw is a symbol of comfort, peace, and family happiness. This destiny is not for him.
There was no true friendship in the life of the main character. Relations with Arkady very quickly exhausted themselves. Bazarov's fate is tragic. This is an “extra person”. Therefore, he has no real like-minded friends. Turgenev believed that Bazarov's time had not yet come. The main character, endowed with a stronger character, finds himself idle in Russia in accordance with his role as an “extra person,” and Arkady finds his place in life

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Bazarov learns about the existence of Anna Odintsova from Kukshina, an acquaintance of his friend Sitnikov. The first time he sees her is at a ball hosted by the head of the regional administration, where he arrived together with Arkady. “What kind of figure is this? - he said. “She’s not like other women.”...

Friendship, like love, is an eternal feeling. Years pass, life changes, new interests appear, new ideas are born, but the problem of relationships between people connected by mutual attraction and spiritual kinship will always worry humanity. Castor and Pollux - this is the name of the mythological twin brothers Vasily Ivanovich Bazarov calls his son Evgeniy and his friend Arkady Kirsanov.

An idealist and romantic, he admires their strength and blooming youth, not even suspecting what tests their friendship is being subjected to at this moment.

What connects Bazarov and Kirsanov, what is the basis of friendship between people? It can be assumed that, firstly, this is an interest in the personality of another person; secondly, sincerity and honesty in relationships. On the first pages of the novel, Bazarov seems more interesting to readers than Arkady. He suppresses his friend by his strength of character and unusual worldview. One may recall that Odintsova, Bazarov’s failed love and Kirsanov’s first passion, admits that at first Arkady seemed insignificant to her.

But the author depicts heroes in various life situations, and we see in Arkady such character traits that cannot but arouse sympathy and affection for him. Arkady adores his “good friend”, almost reveres him. He asks his father to pay attention to his friend, about whom he talked so much in his letters: “Please, dad, caress him. I can’t tell you how much I value his friendship.”

Arkady is a devoted like-minded person of Bazarov, his diligent student. In a dispute between “fathers and sons,” he takes the side of his friend. Following Bazarov, he repeats all his sayings, although they sound very unnatural for a sincere young man who loves nature, music, and art.

They argue a lot, but in disputes Bazarov always turns out to be right, and Arkady gives in to him. So, he decides to “enlighten” his father when he replaces a volume of Pushkin with a scientific monograph. Nevertheless, in some cases, Arkady categorically disagrees with his friend: for example, Bazarov’s mockery of his father playing the cello in the village does not evoke sympathy in him. Kirsanov is trying to convince Bazarov that people, in particular his uncle Pavel Petrovich, must be treated fairly, their lives must be understood, and not just condemned. He even shows more attention and sensitivity to Bazarov’s parents than Evgeniy himself, who does not want to delve into their feelings and experiences. Arkady speaks glowingly of Bazarov when his father asks him about Evgeniy: "Your son is one of the most wonderful people I have ever met."

But from a certain point in their relationship, Arkady begins to understand “the whole bottomless abyss of Bazarov’s pride.” He reflects on who he is to his friend: Are you and I gods? that is, you are a god, and am I not a fool?”

Thus, Bazarov, with all his intelligence, uniqueness, and brightness of personality, often causes bewilderment of others with his actions and speeches. But what is most surprising is the limitation of his interests to a certain professional framework and complete indifference to everything else, that is, to life itself, to its endless diversity and beauty. Yes, in some ways Bazarov is right and in some ways he is really great (where is the “liberal baric” Kirsanov before him), but there is something in which Arkady surpasses him.

It is generally accepted that Bazarov fails in both friendship and love, alienating his devoted friend. But is it? Friendships arise between people when their interests, attractions, and activities intersect. Bazarov and Kirsanov met at the university and became close on the basis of nihilism and reasoning about the usefulness of things, people, relationships, but then their views diverged. Arkady still wanted to devote himself to the search for truth, but not where before. And Bazarov tells him: “We say goodbye forever... you were not created for our bitter, tart, stale life.”

The heroes' life paths diverged, but was their friendship in vain? Here Arkady reproaches Bazarov for the lack of sincere words, to which Bazarov replies: “I have other words, but I won’t express them, because this is romanticism.” This is how Arkady’s sincerity and youthful ardor influenced his friend, who was restrained in expressing his feelings.

And although Arkady, carried away by love, quickly forgets his mentor, Bazarov’s influence on his attitude to life also does not pass without a trace. In the epilogue, Turgenev shows his hero as a passionate farmer, happy in family life and love. But Arkady and Katya understand that their friend who left early meant a lot to them and raise a toast: “In memory of Bazarov...”

Effective preparation for the Unified State Exam (all subjects) -

Arkady and Bazarov are very different people, and the friendship that arose between them is all the more surprising. Despite the young people belonging to the same era, they are very different. It is necessary to take into account that they initially belong to different circles of society. Arkady is the son of a nobleman; from early childhood he absorbed what Bazarov despises and denies in his nihilism. Father and uncle Kirsanov are intelligent people who value aesthetics, beauty and poetry. From Bazarov’s point of view, Arkady is a soft-hearted “barich”, a weakling. Bazarov does not want to admit that the liberality of the Kirsanovs is a consequence of deep education, artistic talent and high spirituality of nature. Bazarov denies such qualities as completely unnecessary. However, in this case we are talking not only about intelligence, but also about the deep continuity of the experience of previous generations, about the preservation of traditions and the entire cultural heritage.

The family theme played a big role in Russian literature, so the demonstration of intra-family conflict turned out to be revolutionary. The integrity and harmony of society was measured by the unity of the family. Consequently, such problems turned out to be not just family problems, but also problems of the entire society.

Bazarov attracted Arkady with his sharpness, originality and courage. For the young “barich” such personalities were a novelty. Arkady has become a kind of embodiment of youth, which is drawn to everything new and unusual, is easily carried away by new ideas, and has a keen interest in life in all its manifestations. Arkady is looking for his own path in life through trial and error. His attitude towards traditions, authorities and other things important to his father is quite frivolous. He lacks the wisdom of age, tolerance and consideration for other people that his father has. The conflict between Arkady and Nikolai Petrovich does not contain any political origin; it is cleared of social motives. Its essence is the eternal misunderstanding between youth and old age. However, this situation does not at all contradict the nature of things. On the contrary, old age is a guarantor of the preservation of moral values, cultural heritage and traditions in society. Youth, in turn, ensures the movement of progress with its craving for everything new and unknown.

Evgeny Vasilyevich Bazarov is a completely different matter. He came from a simple family, he is even somewhat ashamed of his parents. He is harsh, at times rude, decisive, categorical in his judgments and categorical in his conclusions. He quite sincerely believes that a good chemist is worth twenty poets. He does not understand the role of culture in society. He proposes to destroy everything in order to start writing history anew from scratch. This sometimes drives Pavel Petrovich, with whom he argues, into despair. We see maximalism on both sides taken to the extreme. Neither one nor the other wants to give in to each other and admit that their opponent is right. This is their main mistake. All sides are right up to a point. Pavel Petrovich is also right when he speaks of the need to preserve the heritage of his ancestors, and Bazarov is also right when he speaks of the need for change. Both of these sides are sides of the same coin. Both are sincerely concerned about the fate of their native country, but their methods are different.

The friendship of Bazarov and Arkady Kirsanov begins to crack when Bazarov falls in love with Odintsova, and Arkady with Katya. Here their differences are fully revealed. If feeling is difficult for Bazarov, he cannot surrender to love, then Arkady and Katya learn to be themselves. Bazarov moves away from his friend, as if feeling his rightness, and not his own.

The image of Arkady was drawn in order to highlight the image of Bazarov and show the versatility of human nature and the same social problem. This makes the image of Bazarov even more lonely and tragic. Bazarov is considered, like Rudin, Pechorin, Onegin and Oblomov, a “superfluous man.” He has no place in this life, although such rebels always arise in troubled times.

All essays on literature for grade 10 Team of authors

29. Friendship between Bazarov and Arkady in I. S. Turgenev’s novel “Fathers and Sons”

Arkady and Bazarov are very different people, and the friendship that arose between them is all the more surprising. Despite the young people belonging to the same era, they are very different. It is necessary to take into account that they initially belong to different circles of society. Arkady is the son of a nobleman; from early childhood he absorbed what Bazarov despises and denies in his nihilism. Father and uncle Kirsanov are intelligent people who value aesthetics, beauty and poetry. From Bazarov’s point of view, Arkady is a soft-hearted “barich”, a weakling. Bazarov does not want to admit that the liberality of the Kirsanovs is a consequence of deep education, artistic talent and high spirituality of nature. Bazarov denies such qualities as completely unnecessary. However, in this case we are talking not only about intelligence, but also about the deep continuity of the experience of previous generations, about the preservation of traditions and the entire cultural heritage.

The family theme played a big role in Russian literature, so the demonstration of intra-family conflict turned out to be revolutionary. The integrity and harmony of society was measured by the unity of the family. Consequently, such problems turned out to be not just family problems, but also problems of the entire society.

Bazarov attracted Arkady with his sharpness, originality and courage. For the young “barich” such personalities were a novelty. Arkady has become a kind of embodiment of youth, which is drawn to everything new and unusual, is easily carried away by new ideas, and has a keen interest in life in all its manifestations. Arkady is looking for his own path in life through trial and error. His attitude towards traditions, authorities and other things important to his father is quite frivolous. He lacks the wisdom of age, tolerance and consideration for other people that his father has. The conflict between Arkady and Nikolai Petrovich does not contain any political origin; it is cleared of social motives. Its essence is the eternal misunderstanding between youth and old age. However, this situation does not at all contradict the nature of things. On the contrary, old age is a guarantor of the preservation of moral values, cultural heritage and traditions in society. Youth, in turn, ensures the movement of progress with its craving for everything new and unknown.

Evgeny Vasilyevich Bazarov is a completely different matter. He came from a simple family, he is even somewhat ashamed of his parents. He is harsh, at times rude, decisive, categorical in his judgments and categorical in his conclusions. He quite sincerely believes that a good chemist is worth twenty poets. He does not understand the role of culture in society. He proposes to destroy everything in order to start writing history anew from scratch. This sometimes drives Pavel Petrovich, with whom he argues, into despair. We see maximalism on both sides taken to the extreme. Neither one nor the other wants to give in to each other and admit that their opponent is right. This is their main mistake. All sides are right up to a point. Pavel Petrovich is also right when he speaks of the need to preserve the heritage of his ancestors, and Bazarov is also right when he speaks of the need for change. Both of these sides are sides of the same coin. Both are sincerely concerned about the fate of their native country, but their methods are different.

The friendship of Bazarov and Arkady Kirsanov begins to crack when Bazarov falls in love with Odintsova, and Arkady with Katya. Here their differences are fully revealed. If feeling is difficult for Bazarov, he cannot surrender to love, then Arkady and Katya learn to be themselves. Bazarov moves away from his friend, as if feeling his rightness, and not his own.

The image of Arkady was drawn in order to highlight the image of Bazarov and show the versatility of human nature and the same social problem. This makes the image of Bazarov even more lonely and tragic. Bazarov is considered, like Rudin, Pechorin, Onegin and Oblomov, a “superfluous man.” He has no place in this life, although such rebels always arise in troubled times.