Anthology of Russian modernism. Formal method

Letter from critic Viktor Shklovsky (1893-1984) to writer Alexander Fadeev (1901-1956). First published: LG. 1929. April 22 No. 1 (under the name...

Second - go! (Ask for the first volume in the best stores in the capitals!) ===============

Formal method: Anthology of Russian modernism. Volume II. Materials / Ed. S. A. Ushakina - Yekaterinburg; Moscow: Cabinet Scientist, 2016. - 934 p. : ill.
ISBN 978-5-7525-2996-2
The collection includes program articles, interviews, reviews and other important texts by leading formalists of the “golden age” of Russian and Soviet modernism. The works of D. Vertov, S. Tretyakov, B. Eikhenbaum, A. Rodchenko, V. Stepanova are presented. Thematic sections of the book The books and selections of each author are preceded by articles specially written for this anthology by famous contemporary researchers.

We. Manifest version......24
Kinoki, revolution.........29
Speech at the debate “Will there be a Russian
cinematography"......40
Art drama and "Kino-Eye"...45
“Kino-Eye” (newsreel in 6 episodes)....49
Filmmakers and cinematographers..52
“Kino-Eye” is the first movie thing...55
"Kino-Eye"...57
The main “Kino-Eyes”, or the surest path to cinema-October......78
Cinemas of the South......80
For 100% Kino-Eye....82
Khersonsky - Vertov. Vertov - Khersonsky...97

Different ways about one thing......112
Factory of facts..113
"Kino-Glaz" and "11th"....116
About the film “The Eleventh”..118
“Man with a Movie Camera”......121
“Cinema-Eyes” method....124
From “Kino-Eye” to “Radio-Eye”. 127
Against accusations of formalism...134
Pathways Documentaries....137
Documentary films and documentaries....145
Laboratory diagram....147
Latest experience.....149
How did it start?...154
Speech about the creative path.....157
One minute.....172

SERGEY TRETYAKOV: FACT
Devin Fore. Sergei Tretyakov: Fact.....183
"LEF" and NEP....199
Art in revolution and revolution in art......209

Vsevolod Meyerhold......217
Slogan processing.....220
Democracy of helplessness....229
Eisenstein - director-engineer......231
New Leo Tolstoy.....234
Playwright's notes....238
How to turn ten years old.....242
Notebook.....246
Newspaper on poles......252
How cinema is alive......255
Production script.....262
Cinema for the anniversary....268
Good tone......273
Sounding the alarm......278
Clubhouse......284
Five-year plan - under the lens........287
Photo notes........291
Long-term film observation.........294
From photo series to long-term photo observation.......298
Rodchenko........304
Citizens of 1940....310
“LEF” and cinema.....314
Cinema villages......339
About the same thing (writer on a collective farm).......341
Through uncleaned glasses....345
Collective farm rear......352
The Writer and the Socialist Village......359
Image-wrestling......365
Present "Real"....366
To be continued...368
Literary polypoly.....374
Happy New Year! With the “new LEF”!.....376
What happened in proletliterature....381
Beauty lovers......384
The art of being an editor. The price of ideology. About translation.....385
What's new......388
Biography of the item......394
About the pocket......399
Evolution of the genre......407
Speech at the First Congress of Soviet Writers.....413
Archival investigation file of Sergei Tretyakov.....419

BORIS EIKHENBAUM: LITERARY LIFE
Yan Levchenko. Boris Eikhenbaum: from the device of the text
to the construction of everyday life......449
About Chekhov......464
Trumpet voice......471
The fate of Blok......474
A moment of consciousness......488
How Gogol's "Overcoat" was made......494
Young Tolstoy. Diaries (1847-1852).....511
Pushkin's path to prose.....549
Leskov and modern prose......563
Poet-journalist......579
From a military ode to a “hussar song”......582
“Moscow” by Andrei Bely......600
Book about life......602
About “simple things” and elementary truths.......604
Scenery of the era.........606
5 = 100...609
Literary life....611
Literature and writer....620
Literary domesticity..641
Theory of the “formal method”......645

ALEXANDER RODCHENKO: ANGLES
Alexander Lavrentyev. Rodchenko's angles......681
Be creative!...717
To the “original” critics and the newspaper “Monday”...718
Dynamism of the plane.....719
Rodchenko system.....720
From the manifesto of Suprematists and non-subject matterists.....721
From the ship's diaries......723
Everything is experiments......735
Be an inventor......738
Line......739
What Rodchenko first announced and developed..745
Slogans......747
Who are we......749
Discipline: Graphic design on a plane. Initiative...752
Design goal........755
Program for the course “constructions” of the VKHUTEMAS Faculty of Mathematics
Professor A. M. Rodchenko........757
Program for the “composition” course at the VKHUTEMAS Faculty of Mathematics
Professor A. M. Rodchenko.....762
Technical drawing....765
Material design of the item......768
The artist and the “material environment” in a feature film.......772
Notebook "LEF".......776
To the photo in this issue.....782
Versus summed portrait per snapshot..783
Controversy in “New LEF”...788
A. Rodchenko. Major illiteracy or minor disgusting?.....788
B. Kushner. Open letter to Rodchenko.....792
How to work photoLEF......795
A. Rodchenko. The paths are modern oh photos.....797

A. Rodchenko. Caution!...805
Fulfillment of the request. B. Kushner...807
From the editor......808
About the composition......811

VARVARA STEPANOVA: TEXTURE
Natalia Kurchanova. Varvara Stepanova: Texture....816
Pointless creativity...846
About pointless creativity......848
A person cannot live without a miracle......851
Constructivism......853
Aesthetics......860
About the texture........863
Conversation with V.F. Stepanova......867
Today's costume - overalls........871
From costume to design and fabric......875
About the works of constructivist youth......879
Workers' club. (Constructivist A. M. Rodchenko)....882
Photomontage......885
INHUK protocols......889
V. Stepanova - MOSSKH...909

Generally edited by: S. A. Ushakin

The collection includes policy articles, interviews, reviews and other important texts by leading formalists of the “golden age” of Russian and Soviet modernism. The works of D. Vertov, S. Tretyakov, B. Eikhenbaum, A. Rodchenko, V. Stepanova are presented. Thematic sections of the book and selections by each author are preceded by articles specially written for this anthology by famous contemporary researchers.

Book chapters

Logacheva V.K., Klyshinsky E. S., Galaktionov V. A. IPM im. M.V. Keldysh RAS. ::. IPM im. M.V. Keldysh RAS, 2012. No. 14.

The paper proposes a method for automatically generating rules for the transcription of proper names based on analysis of the training sample. The rule generation process is divided into two stages: the selection of simple (primary) rules and the generation of complex rules. A new alignment technique is used to isolate primary rules. To carry out transcription, it is proposed to convert the rules into a finite machine and carry out transcription using it.

Yablokova T. N. Philological sciences. Questions of theory and practice. 2011. No. 2. P. 191-196.

The article describes the patterns of implementation of emotional statements in dialogic and monologue speech. The author's main attention is paid to the characteristic features of the speech of a speaker who is in a state of emotional stress, and to the compositional and pragmatic features of dialogic and monologue text.

An insufficient number of study hours and limited knowledge of a second foreign language do not contribute to full-fledged professionally oriented learning. It is necessary to use only some components of professional training: reading and summarizing texts in the specialty, searching for professional information in its various sources, conducting personal and business correspondence. An important component of professional activity is the ability to analyze information presented in a graph, table or diagram. The need is dictated by the fact that this type of activity is part of the exam to obtain the Test DaF certificate, which gives the right to study or work in Germany.

The analysis of modern society, permeated by media, is carried out from the perspective of an ethnomethodological approach and represents an attempt to answer the cardinal question: what are the observed orderings of events broadcast by mass intermediaries. The study of rituals proceeds in two main directions: firstly, in the organizational and production system of media, focused on constant reproduction, which is based on the transmission model and the information/non-information distinction and, secondly, in the analysis of the perception of these messages by the audience, which is the implementation of a ritual or expressive model, the result of which is a shared experience. This means the ritual nature of modern media.

The book contains complete and comprehensive information on the history of Imperial Russia - from Peter the Great to Nicholas II. These two centuries became the era when the foundations of Russia's power were laid. But this same time also caused the fall of the empire in 1917. The text of the book, presented in the traditional manner of chronological presentation, includes fascinating inserts: “Characters”, “Legends and Rumors” and others.

Humanity is experiencing a change in cultural and historical eras, which is associated with the transformation of network media into the leading means of communication. The consequence of the “digital schism” is changes in social divisions: along with the traditional “haves and have-nots”, the confrontation “online (connected) versus offline (unconnected)” arises. Under these conditions, traditional intergenerational differences lose their significance, and the decisive factor is belonging to one or another information culture, on the basis of which media generations are formed. The work analyzes the diverse consequences of networking: cognitive, arising from the use of “smart” things with a user-friendly interface, psychological, giving rise to networked individualism and the increasing privatization of communication, social, embodying the “paradox of the empty public sphere.” The role of computer games as “substitutes” for traditional socialization and education is shown, and the vicissitudes of knowledge losing its meaning are examined. In conditions of excess information, the scarcest human resource today is human attention. Therefore, new principles of doing business can be defined as attention management.

This scientific work uses the results obtained during the implementation of project No. 10-01-0009 “Media rituals”, implemented within the framework of the HSE Research Foundation Program in 2010-2012.

Aistov A.V., Leonova L. A. OPTIONS Ñвенного ›› P1. 2010, 2010. R1/2010/04.

The work analyzes factors for choosing employment status (based on data from the Russian Monitoring of the Economic Condition and Health of the Population 1994-2007). The analysis carried out does not reject the assumption of the forced nature of informal employment. The work also examined the influence of informally employed status on life satisfaction. It has been shown that informally employed people, on average, are more satisfied with life compared to formally registered workers.

Available in formats: EPUB | PDF | FB2

Pages: 912

The year of publishing: 2016

Language: Russian

The collection includes policy articles, interviews, reviews and other important texts by leading formalists of the “golden age” of Russian and Soviet modernism (1920-1930s). The works of E. Lisitsky, R. Jacobson, V. Meyerhold, O. Brik, V. Tatlin are presented. Thematic sections of the book and selections by each author are preceded by articles specially written for this anthology by famous contemporary researchers.

Reviews

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armchair-scientist.ru THE FORMAL METHOD An Anthology of Russian modernism An Anthology of Russian modernism Edited by Serguei A. Oushakine Ed. Sergei Ushakin Vol. I. SYSTEMS Volume I. SYSTEMS Armchair Scientist Armchair scientist Moscow - Ekaterinburg Moscow - Ekaterinburg 2016 2016 UDC 082.1 BBK 94.3(2) F79 CONTENTS F79 Formal method: Anthology of Russian modernism. Volume 1. Systems / Ed. S. A. Ushakina - Ekaterinburg - Moscow: Office - Sergey Ushakin. “Dream planes that didn’t take off”: about a generational scientist, 2016. - 952 p. formal method................................................... .................................... 9 ISBN 978-5-7525-2995-5 VIKTOR SHKLOVSKY : RECEPTION Ilya Kalinin. Viktor Shklovsky as a technique...................................63 The collection includes program articles, interviews, reviews, etc. Resurrection of the Word.................................................... ...............................................107 Important Texts by Leading Formalists “Golden Age” of Russian About poetry and abstruse language.................................................... ................................114 and Soviet modernism. The works of V. Shklovsky, Art as a technique are presented.................................... ....................................131 S. Eisenstein, Y. Tynyanova, K. Malevich. A. Ghana. Thematic sections of the book and selections of each author are preceded by a special structure of the story and novel....... ........................................................ ..........182 articles written for this anthology by well-known modern- Literature beyond the “plot” ......................... ...................................................198 significant researchers. Towards the technique of non-plot prose.................................................... ...................217 The fight for shape.................................. ........................................................ ..........222 UDC 082.1 Plot in verse (V. Mayakovsky and B. Pasternak)........................ ............226 BBK 94.3(2) Plot in cinema.................................... ...........................................231 Semantics of cinema. ........................................................ ...................................242 Where is Dziga Vertov going? ........................................................ ....................245 About Dziga Vertov......................... .... ........................................................ .......248 Monument to a Scientific Error..................................... ..................................262 Conversation with friends............. ........................................................ ...................268 Story about OPOYAZ........................ ........................................................ .....282 SERGEY EISENSTEIN: CONFLICT Kevin M. F. Platt. Sergei Eisenstein: cross-sectional installation....................315 Installation of attractions.................................... ........................................................ ......337 “Strike”, 1924 .................................... ........................................................ ...342 Application................................................... ........................................................ .......350 Give a Komsomol member to Dristalovka!.................................... .......................353 Dramaturgy of film form.................................. ...................................................357 ISBN 978-5-7525-2995-5 © V. Shklovsky, S. Eisentshtein, Y. Tynya - Installation of movie attractions......................... ...............................................379 new, K. Malevich, A. Gan, heirs, 2016 Behind the scenes................................................. ........................................................ ..........401 © I. Kalinin, K. M. F. Platt, A. Gornykh. Closing speech at the All-Union Creative Meeting K. Romberg, A. Veksler Katsnelson, 2016 workers of Soviet cinematography...................... ...................415 © S. Ushakin, compilation, introductory Montage 1938 .................... ........................................................ ........................423 article, 2016 “Ermolova” ................... ........................................................ ...........................467 © Armchair Scientist, 2016 Chapter on Dostoevsky (Metonymy and metaphor in the plot) ....... ................493 YURIY TYNYANOV: PARODY Constructivism in printing production.................................... ............908 Andrey Gornykh. Yuri Tynyanov: parody.................................................... ..517 “Left Front” and cinematography............................................. ........................915 Dostoevsky and Gogol (to the theory of parody)................................. ...........................530 Along two paths.................................... ........................................................ ...................919 Ode as an oratorical genre.................................. ............ ...................................562 About modern artistic groups.......... ........................922 Nekrasov’s verse forms.................. ........................................................ .592 Information about Kazimir Malevich.................................................... ...................926 About the parody............................ ........................................................ ....................603 What is constructivism? ........................................................ ....................932 Interval................................. ........................................................ .................632 Literary fact.................................... ........................................................ ...663 Information about the authors of the prefaces to the first volume...................................941 About literary evolution........................................................ ........................681 Name and subject index to the first volume.................... ...............943 How we write.................... ........................................................ .............694 KAZIMIR MALEVICH: POINTLESS Anna Veksler Katsnelson. Kazimir Malevich: non-objectivity.............705 From Cubism to Suprematism. New pictorial realism.........................722 “We are the stamp of our time...” .................... ...........................................731 Note on the expansion of consciousness, about color, about young poets...................735 I came......................... ........................................................ ........................740 The world of meat and bones is gone.................. ........................................................ .......742 About the museum.................................... ........................................................ ...............744 Notes................................... ........................................................ ..................748 Monuments not made by hands.................................... ........................................753 18951st “Eugene Onegin” .. ........................................................ ...................756 Suprematism................................. ........................................................ ..............761 Suprematism (Square, circle, semaphore of modernity) ...........................764 Suprematist mirror................................................... ...........................766 Formulas of Suprematism.................................... ................................... ...................767 Suprematism (from works of 1915–1920) .................... ........................768 The world as non-objectivity (Fragments) ............... ...................................771 Letter to the editor. Form, color and sensation.............................................785 An attempt to determine the relationship between color and form in painting......................................................... ........................................................ ........ 799 Russian constructivists and constructivism.................................... .....820 Picturesque laws in film problems.................................................... ............827 Lenin (from the book “On Pointlessness”)................................. .......................835 Follow in my footsteps...................... ........................................................ ......840 The purpose of music.................................... ........................................................ ...842 ALEXEY GAN: TECTONICS Christine Romberg. Introduction to tectonics: Alexey Gan...................845 Proletarian Theater............. ........................................................ ...................859 Our struggle............................ ........................................................ ................861 Constructivists................................ ........................................................ ....864 Constructivism............................................ ........................................867