School Powerpoint Presentations. Aivazovsky - “fiery poet of the sea” Aivazovsky beautiful titles for the presentation

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Ivan Konstantinovich Aivazovsky (1817-1900) The work was carried out by a 7th grade student of the MKOU Secondary School with. Zamankul Dudiev Vadim

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Hovhannes Konstantinovich Gaivazovsky (Ivan Aivazovsky) was born on July 17, 1817 in Feodosia in the family of a poor Armenian merchant, who later went bankrupt. Already at the age of ten, need forced him to go to work in a coffee shop. In a coffee shop, he met a man who radically changed his life - the architect Koch, who saw a future master in the young artist. He picked him up from the coffee shop and began teaching him how to draw. With his help, Ivan, as the artist began to be called, moved to Simferopol, where he received his first painting lessons. In 1833 he entered the St. Petersburg Academy of Arts, where from 1833 to 1839 he studied with M. N. Vorobyov in the landscape class. Subsequently, the painter said more than once that the happiest day for him was when he was informed of his admission to the academy at a government boarding school. “Sunrise in Feodosia.” 1855 “View of Feodosia.” 1845 “Feodosia. Moonlight night". 1880 Life and work of I.K. Aivazovsky

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Aivazovsky’s first painting, “Study of Air over the Sea,” which appeared at an academic exhibition in 1835, immediately received praise from critics. In 1837, the painter was awarded a large gold medal for three of his works with sea views. Soon Aivazovsky went to Crimea, receiving the task of painting a series of landscapes with Crimean cities. There he met Kornilov, Lazarev, Nakhimov. The artist’s Crimean works were also successfully presented at an exhibition at the Academy of Arts. In 1840, Aivazovsky was sent to Italy on instructions from the Academy. There he works a lot and fruitfully, studying classical art. Successful exhibitions of his works are held in Rome and other European cities. His paintings, exhibited at the Roman exhibition, attracted everyone's attention. Pope Gregory XVI purchases the painting “Chaos” for the Vatican Art Gallery. Gogol joked about this: “You, little man, came from the banks of the Neva to Rome and immediately created Chaos in the Vatican.” "Chaos". 1841 First steps in the artist’s work “View of Constantinople by moonlight.” 1846 "Venice". 1842 "Vesuvius". 1841 “Moonlit Night on Capri.” 1835 “Study of air over the sea.” 1835

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European recognition comes to the master. The artist is enthusiastically received in European capitals. He was the first Russian painter to exhibit his paintings at exhibitions in the Louvre and was awarded a gold medal. The Amsterdam Academy of Arts elects him as a member. The Paris Council of Academies awards him a gold medal. Upon returning to Russia, Aivazovsky received the title of academician and was sent to the Main Naval Headquarters, where the artist was instructed to paint a number of Baltic views. Being a painter of the Main Naval Staff, Aivazovsky takes part in a number of military operations, creating paintings with battle scenes. One of the most famous works, written in 1848, was “The Battle of Chesme”. Aivazovsky portrays the sea as the basis of nature; in his depiction the artist manages to show all the vital beauty of the mighty element. One of Aivazovsky’s most famous paintings was “The Ninth Wave,” painted in 1850. "The Ninth Wave" 1850 “Battle of Chesme”. 1848 Brig "Mercury", attacked by two Turkish ships. 1892 “View of the seaside in the vicinity of St. Petersburg.” 1835

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The defense of Sevastopol in 1854-1855 occupied a special place in Aivazovsky’s work. The artist repeatedly came to the besieged city, wrote sketches right at the positions, and questioned the participants in the battles. In the films “The Battle of Sinop”, “The Death of the Turkish Fleet at Balaklava”, “Malakhov Kurgan”, he sought to capture the most dramatic and vivid pages of the heroic epic. "Battle of Sinop" 1853 “Malakhov Kurgan”. 1883 Meeting of the brig "Mercury" with the Russian squadron after the defeat of two Turkish ships. 1848 "Rainbow". 1873 “Death of the Turkish fleet at Balaklava.” 1854

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Speaking about the work of Aivazovsky, one cannot help but dwell on the great graphic heritage left by the master. His drawings are of wide interest both for their artistic execution and for understanding the artist’s creative method. For graphic works, Aivazovsky used a variety of materials and techniques. A number of finely painted watercolors done in one color - sepia - date back to the sixties. Using usually a light fill of the sky with highly diluted paint, barely outlining the clouds, barely touching the water, Aivazovsky laid out the foreground in a broad, dark tone, painted the mountains in the background and painted a boat or ship on the water in a deep sepia tone. With such simple means, he sometimes conveyed all the charm of a bright sunny day at sea, the rolling of a transparent wave onto the shore, the radiance of light clouds over the deep sea. In terms of the height of skill and subtlety of the conveyed state of nature, such sepia by Aivazovsky go far beyond the usual idea of ​​​​watercolor sketches. In 1860, Aivazovsky wrote a similar kind of beautiful sepia “The Sea after the Storm.” Aivazovsky was apparently satisfied with this watercolor, since he sent it as a gift to P.M. Tretyakov. Aivazovsky widely used coated paper, drawing on which he achieved virtuoso skill. Such drawings include “The Tempest,” created in 1854. Graphics by I.K. Aivazovsky “The Sea after the Storm”. 1860 "Storm". 1854 “Sorrento. Sea view." 1842

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Wave and Thought, 1851. Thought after thought, wave after wave - Two manifestations of the same element: Whether in a cramped heart, or in a boundless sea, Here - in prison, there - in the open - The same eternal surf and rebound, The same the whole ghost is alarmingly empty. Fyodor Ivanovich Tyutchev In 1881, Aivazovsky created one of the most significant works - the painting "The Black Sea". In the painting, the sea is depicted on a cloudy day: waves, appearing at the horizon, move towards the viewer, creating with their alternation a majestic rhythm and sublime structure of the picture. It is written in a spare, restrained color scheme, which enhances its emotional impact. The picture testifies that Aivazovsky knew how to see and feel the beauty of the sea element close to him, not only in external pictorial effects, but also in the subtle, strict rhythm of its breathing, in its clearly perceptible potential power. And, of course, in this picture he demonstrates his main gift: the ability to show the water element permeated with light, ever moving. I. Kramskoy said about Aivazovsky’s painting “The Black Sea”: “This is a boundless ocean, not stormy, but swaying, harsh, endless. This is one of the most grandiose paintings I know.” Wave and sky - two elements fill the entire space of the picture, somewhere far away there is a small silhouette of a ship. Barely outlined with a brush, it already introduces a human element into the landscape, sets the scale of the work and makes us, the viewers, accomplices of the image, empathizing not only with the elements of nature, but also with the person inside it. Moreover, the Black Sea itself is not calm. Aivazovsky called the painting "The Black Sea". "A storm is beginning to break out on the Black Sea." Some viewers saw in the picture an emerging revolutionary element, while others saw an emotional image that conveys emotional experiences, showing the inextricable connection between man and nature: the sea is agitated, the rhythm of its waves is so accurately captured by the artist that the viewer begins to feel the restlessness, the “breadth of breath” of nature. Sea waves, like precious stones, absorb many shades of green and blue, they can no longer be described in words. Transparent matter turns glassy before our eyes, it is forever frozen under the master’s brush. Foggy in the depths, glowing from within, it magically hides the underwater kingdom of mermaids and newts, mysterious pearls and bizarre plants. “The Black Sea” is not the largest canvas in the artist’s work, but it is the result of his experiences, comprehension of his favorite image of the elements and the pinnacle of Aivazovsky’s mastery.

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Ivan Aivazovsky. “Black Sea” (A storm begins to break out on the Black Sea). 1881. Oil on canvas. Tretyakov Gallery, Moscow, Russia.

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My sincere desire is that the building of my art gallery in the city of Feodosia, with all the paintings, statues and other works of art in this gallery, be the full property of the city of Feodosia, and in memory of me, Aivazovsky, I bequeath the gallery to the city of Feodosia, my native city. From the will of I.K. Aivazovsky, Aivazovsky left a mark on history not only as a talented painter, but also as a philanthropist. Having accumulated considerable capital thanks to the popularity of his works, Aivazovsky generously engaged in charity work. With his money, the building of the archaeological museum in Feodosia was built, and a large number of works were carried out to improve the city. Many famous artists came out of his Feodosia workshop - Kuindzhi, Lagorio, Bogaevsky. In 1880, Aivazovsky added an art gallery to his workshop, the official opening of which was timed to coincide with the artist’s birthday and took place on July 17. This was the first peripheral art gallery in Russia, which enjoyed great fame even during the life of the marine painter. The collection of paintings in it was constantly changing, as the artist’s works were sent to exhibitions and never returned. Their place was taken by new ones, just written. Legacy of I.K. Aivazovsky

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Here, on a specially built stage, many musicians performed, and among them were the famous pianist A. Rubinstein and composer A. Spendiarov, actors of the Mariinsky and Alexandria theaters of St. Petersburg M. and N. Figner and K. Varlamov, the Armenian artist tragedian Petros Adamyan and violinist Hovhannes Nalbandyan. Already at that time, the Aivazovsky Gallery was the center of artistic, musical and theatrical art in the city. These traditions live to this day. During his life, the master painted more than six thousand paintings. The master marine painter lived a wonderful creative life, became the founder of the Russian romantic movement in sea landscape painting, trained talented students, opened a painting school in Feodosia, and was loved and revered by the people. Even death did not separate him from the sea. The bronze artist with a palette and brush in his hands stared into the sea. On the pedestal there is a short inscription: “Theodosius to Aivazov.” Ivan Konstantinovich Aivazovsky died on April 19, 1900.

Aivazovsky was especially famous not only in Russia, but also in Turkey. His acquaintance with the Ottoman Empire began in 1845. The Mediterranean geographical expedition led by F.P. Litke, which included Ivan Konstantinovich, went to the shores of Turkey and Asia Minor. Then Istanbul conquered the artist. After the end of the expedition, he wrote a large number of works, including views of the capital of the Ottoman Empire. After the end of the war in 1856, on his way from France, where his works were exhibited at an international exhibition, Aivazovsky visited Istanbul for the second time. He was warmly received by the local Armenian diaspora, and also, under the patronage of the court architect Sarkis Balyan, was received by Sultan Abdul-Mecid I. By that time, the Sultan’s collection already had one painting by Aivazovsky. As a sign of admiration for his work, the Sultan awarded Ivan Konstantinovich the Order of Nishan Ali, IV degree.

• MBOU Kirov Gymnasium named after Hero of the Soviet Union S. Baimagambetov
• Smolyarenko Ksenia Vitalievna
• I.K. Aivazovsky
• Annual project of a primary school graduate
• within the framework of the topic “I am a citizen of my country”
• Head: Khoroshavina R.B.
• 2015-2016 academic year

• Introduction.
• Prerequisites for the formation of I.K. Aivazovsky’s talent.
• Educational institutions and early work of I.K. Aivazovsky.
• Traveling around Europe and Crimea.
• Contribution to the development and prosperity of Feodosia.
• The last days and paintings of the artist Aivazovsky.
• My favorite picture.
• Conclusion.
• Conclusion.

• Perhaps, Ivan Konstantinovich Aivazovsky is the artist that every resident not only of our country, but of the whole world should know and knows about.

• The Aivazovskys' house stood on the outskirts of the city, on an elevated place. From the terrace, twined with grapevines, a wide panorama of the smooth arc of the Feodosian Gulf opened up.
• Aivazovsky's childhood passed in an environment that awakened his imagination. Tarred fishing feluccas came by sea to Feodosia from Greece and Turkey, and sometimes huge warships of the Black Sea Fleet dropped anchor in the roadstead.
• The romance of the exploits of heroes fighting at sea awakened Aivazovsky’s desire for creativity and determined the formation of many unique features of his talent.

• Even as a child, Ivan showed creative abilities. He loved music and even knew how to play the violin. The architect Koch was the first to notice the young talent and gave the boy paints, pencils and paper (Ivan’s father went bankrupt).
• Koch advised the local governor Treasurer to pay attention to the young talent. He did not disdain this advice, Ivan Konstantinovich was enrolled in the Simferopol gymnasium, and after graduation, in the Academy of Arts of St. Petersburg.

• Kokh Yakov Khristianovich

• Alexander Ivanovich Kaznacheev

• In 1835, Ivan Aivazovsky received a silver medal for the landscapes “View of the seaside in the vicinity of St. Petersburg” and “Study of air over the sea”.
• In September 1837, Aivazovsky received the Big Gold Medal for his painting “Calm.” This gave him the right to a two-year trip to Crimea and Europe.

• Aivazovsky traveled a lot, visited different countries, and took part in military operations on the coast of Circassia.
• Upon returning to Russia, for his outstanding success in painting, he was awarded the title of academician and entrusted with an “extensive and complex order” - to paint all Russian military ports on the Baltic Sea. The Navy Department awarded him the honorary title of artist of the Main Naval Staff with the right to wear an admiralty uniform.

• From 1845 he lived in Feodosia, where he used the money he earned to open an art school, which later became one of the artistic centers of New Russia. He became the founder of the Cimmerian school of painting. He was the initiator of the construction of the Feodosia - Dzhankoy railway, built in 1892. He was actively involved in the affairs of the city, its improvement, and contributed to prosperity. He was interested in archaeology, dealt with issues of protecting the monuments of Crimea, took part in the study of more than 90 burial mounds (some of the items found are stored in the Hermitage storeroom).

• In addition to opening an art gallery in Feodosia, Aivazovsky in 1871, according to his own design and at his own expense, built the building of an archaeological museum and became one of the organizers of the first public library. He constantly cares about the architectural appearance of his native city. With his participation, the concert hall buildings were designed and built. According to the artist's design and thanks to his energy, a sea trade port and a railway were built.

• A fountain was built in Feodosia with funds and according to the design of I.K. Aivazovsky. The city has long experienced difficulties with water supply; there was a catastrophic shortage of fresh water.
• There was a charge for using the water supply, but drinking water from the fountain was free. In the center of the fountain, above the tap, there was a silver mug with the inscription: “Drink to the health of Ivan Konstantinovich and his family.” After some time, an oriental style pavilion appeared near the fountain.
• Fountain of I.K. Aivazovsky
• - a kind of business card
• Feodosia card.

• The artist died on May 2, 1900 in Feodosia, at the age of eighty-two.
• Just before his death, Aivazovsky painted a painting called “The Bay of the Sea,” and on the last day of his life he began painting “The Explosion of the Ship,” which remained unfinished.
• Ivan Aivazovsky was married twice. He left four daughters.
• "Ship Explosion" "Sea Bay"

• My favorite picture
• at I.K. Aivazovsky -
• "The Ninth Wave" This is
• The painting was written in 1850.
• The sea is depicted here,
• which has not yet had time
• calm down after a night storm, and people shipwrecked in the ocean. The sun's rays illuminate the rolling waves. The largest of them - the ninth wave - is ready to fall on people again. Using all visual means, Aivazovsky emphasizes the greatness of the sea and the tenacity of people.
• “The Ninth Wave” is a hymn to human courage.

• So, Ivan Konstantinovich Aivazovsky is a great Russian marine painter who painted about 6,000 paintings on a marine theme. Such as:
• Tower. Shipwreck 1847 Marine view 1841 View of Feodosia 1845
• Fishermen on the seashore 1852 In a storm 1872 Sunny day 1884

• I really love going to the sea. I like to watch seascapes, look at the quiet, calm surface of the sea. But most of all I am interested in the raging sea, with its waves, seething, boiling.
• And so, when I saw I.K. Aivazovsky’s painting “The Ninth Wave” in the Russian Museum, I wanted to know about this artist. I found a lot of interesting information about Aivazovsky on the Internet and looked at his other paintings.
• It turned out that in our home library we have a book “Great Artists”, which describes in detail the life and work of the great master, giving examples of I.K. Aivazovsky’s enormous contribution to the development and prosperity of Feodosia and Russia as a whole.

• I hope my story interested someone and aroused the desire to see the paintings of Ivan Konstantinovich Aivazovsky in the museum.
• After all, such a person as I.K. Aivazovsky is a worthy citizen of Russia!
• And our country is proud of this great artist!
• Thank you for your attention!

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