Tatiana and Olga Larina comparative characteristics table. Essay on the topic “Comparative characteristics of Olga and Tatyana
Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that appears in the reader’s imagination is like the antipode of Olga’s younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described suddenly gives way to serious intonation:
Allow me, my reader,
Take care of your older sister.
And she appears on the pages of the novel.
Not your sister's beauty,
Nor the freshness of her rosy cheeks,
She wouldn't attract anyone's attention.
Dick, sad, silent,
Like a forest deer is timid,
She is in her own family
Seemed like a stranger to the girl
This is not the heroine to whom the novel is dedicated. There is another, to whom “we willfully dedicate the tender pages of the novel.” Olga’s beauty is familiar, but Tatyana’s is different, memorable. But Pushkin still notes some kinship between the sisters. And besides the external similarity (“movement, voice, light body” is inherent in both), there is a spiritual unity between them:
...friend of many years,
Her dove is young,
Her dear confidante...
Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Pale is Tatyana’s constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatiana is still the same “old Tanya, poor Tanya” “sits unkempt, pale.” Pushkin does not give a direct description of Tatyana’s appearance, does not compare himself to a painter with his specific image of an object, but “relying on a specific force, conveys the impression made by the object.” The poet creates an image using a method inherent only in verbal art. The image is conveyed through impressions, sensations, and the attitude of the author. 3. The time has come, she fell in love.
The image of the moon in “Eugene Onegin” is inextricably linked with the internal experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side,
She trembled and turned pale.”
Illuminated by the moon,
Tatiana writes a letter to Onegin.
And my heart ran far
Tatyana, looking at the moon...
Suddenly a thought appeared in her mind...
...the moon is shining on her.
Leaning on her elbows, Tatyana writes.
Tatyana writes without a lamp. Her state of mind takes her far from the world of reality that daylight generates. This is the highest degree of abstraction.
Tatiana's letter is in front of me;
I cherish it sacredly,
I read with secret longing
And I can’t read enough.
It should be noted that Tatiana’s letter is a translation from French. Writing in French and thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin’s work, in particular Lotman, argue that “a whole series of phraseological clichés go back to Rousseau’s “New Heloise.” For example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement.
for example, “This is the will of heaven; I’m yours,” “...The soul of inexperienced excitement. Coming to terms with time (who knows?).” Pushkin defines such clichés as Gallicisms:
Gallicisms will be sweet to me,
Like the sins of past youth,
Like Bogdanovich's poems.
In addition to the influence of “Heloise” by Rousseau, Tatiana may have read poetry by the French poetess. Tatyana understands what she is dooming herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it was a shame to write to a young stranger declaring your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own destiny. Subsequently, the decision about the wedding and moving to Moscow depended only on her.
me with tears of spells
The mother begged; for poor Tanya
All the lots were equal... The mother did not order, but begged. Tatyana is sure that after reading the letter, Evgeny will not reject her: “Even if you keep a drop of pity, you will not leave me.” So, she knew that they would love her. Intuition? Or is it not confidence at all, but hope, a prayer. Belinsky will say: “Onegin did not recognize his soul mate; Tatyana recognized her own soul in him, not as in its full manifestation, but as in its potential...” Tatyana guessed about this possibility. At the beginning of the letter, Tanya’s self-evident unity with her loved ones appears in childish simplicity. Yes, Tatyana saw Eugene briefly, several times, she listened to him carefully, but is this enough for the emergence of real high love? Who is this stranger to whom Tanya turns to you? He is much older than the 18-year-old heroine, he was raised in the capital. She is right:
In the wilderness, in the village, everything is boring for you.
She can only “Think everything, think about one thing
And day and night until we meet again.
The works of Alexander Sergeevich Pushkin were on various topics. Most of them are poems. One of the poet's most famous works is the novel in verse "Eugene Onegin", written in 1823-1831. The remarkable thing about this novel is that it is written in a special “Onegin stanza”, which no one has been able to repeat.
All events unfolded around Onegin himself and the girl in love with him.
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Tatyana truly loved Onegin, she was the first to open up to him in her feelings. And after the main character rejected her feelings, she did not stop loving him. But years later, when Evgeny realized how he felt for her, Tatyana was married and could no longer be with Onegin (I love you, / But I was given to someone else; / I will be faithful to him forever.") Tatyana knows how to truly love and always remains true to her choice.
Despite the society in which the girl was brought up and lived, she did not like noisy balls, small talk, or coquetry.
But Tatyana was not the only girl in the novel. What was the beloved of Onegin's best friend like? Olga is Tatyana's younger sister. Sometimes they can be opposed to each other. She is sociable, playful, cheerful. Likes to be in noisy companies. But only behind the mask of fun lies emptiness. Olga does not know how to love and treats feelings superficially. She became the muse of the young poet: “She gave the poet his first dream to the young delights...”. But after Lensky’s death, Olga will mourn and very soon forget him “with a smile on her lips,” and almost immediately gets married.
She looks like an ideal girl, but she quickly becomes uninteresting to society because of the emptiness in her soul.
Tatyana and Olga Larina are sisters, but how different even the most related people can be. Sensitivity and emptiness, modesty and sociability. But at any time, such modest, but smart, loving girls like Tatyana will be the best wives and mothers, because it’s not for nothing that the author calls Tatyana a “sweet ideal.”
Updated: 2017-12-14
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About Tatyana Larina, A.S.’s favorite heroine. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they so accurately reflect the author’s attitude to the role of women in noble society that they are perceived only in comparison, less favorable for Olga than for Tatiana.
About the characters
Olga Larina- a literary character in the novel in verse “Eugene Onegin”, the younger sister of the main character of the work Tatyana Larina, a typical representative of the noble environment, who inherited her morals and moral values.
Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.
Comparison
They are almost the same age, raised in the same conditions, surrounded by the love and care of loved ones.
But Olga grew up as an ordinary girl, a little spoiled, but cheerful, eagerly perceiving the world around her in all its manifestations.
From an early age, Tatyana was distinguished by her reticence, did not like noisy games and entertainment, listened with pleasure to her nanny's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.
The meeting with Evgeny Onegin shocked Tatiana and awakened a deep feeling in her inexperienced heart. Love revealed in her extraordinary strength of character, fostered self-esteem, forced her to think, analyze, and make decisions.
Tatyana's simplicity and sincerity are not perceived as weakness. Only an extraordinary woman could preserve these qualities in the false splendor of palace halls, accepting secular flattery and the pompous arrogance of high society with equal indifference. This is exactly how Evgeny Onegin saw her years later, who did not consider in young Tatyana the spiritual subtlety and selfless readiness to share any fate with him.
Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the advances of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.
Lensky’s death did not overshadow Olga for long: a year later she got married and left her parents’ house quite happy.
Tatyana's marriage became a deliberate step: having no hope of Onegin's reciprocal feelings, she gave her consent to a man with undoubted merits. She learned to value and cherish her husband’s honor above all else, not wealth, not social splendor, but the honor of her husband, despite the emotional drama of which Eugene Onegin remained the hero.
Conclusions website
- Tatyana is a deep person with strength of character and strong will. Olga perceives life superficially, easily endures shocks and values pleasures too much.
- Tatyana reads, thinks, analyzes a lot. Olga loves entertainment, accepts male advances without a shadow of a doubt and does not show any inclination to seriously evaluate her actions.
- For Tatyana, love is a test of mental strength. For Olga, it is a romantic feeling that does not leave a truly deep mark in her soul.
- Tatyana is a bright personality, her merits are recognized by a demanding secular society. Olga is one of many, who does not attract the attention of others except for her appearance and easy disposition.
STATE OF MIND:
Tatyana: she was withdrawn and silent, removed from society and even from her family: “she seemed like a stranger in her own family.” She liked peace and solitude more, in which she found a certain comfort, which was also decorated with her dreams. She was still a child at heart. She fell in love with the “deceptions of Richardson and Rousseau” - with novels that replaced everything for her. With their help, she created her own world, fictional and ideal, not like the real world.
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She did not understand THEM and THEY did not understand her - Tatyana was completely different from secular girls. Having fallen in love with Onegin, she suffered, worried, suffered, like the heroine of the French novels on which Tatyana grew up.
Olga: When reading the description of Olga in the novel, an image of easy ease is created. She is always cheerful, “like the morning”; simple-minded, “like the life of a poet,” simple. Even her movements and voice were light, and she was characterized by “ruddy freshness.” However, Onegin believed that “Olga has no life in her features.” She was not alarmed by anything - Pushkin in the novel does not talk about any of her mental anguish or tragedies. “Like windy hope, playful, carefree, cheerful.” At one ball, her frivolous attitude and frivolity, quite typical of many society ladies, are especially revealed: “Barely out of diapers, a coquette, a flighty child! She knows cunning, she’s already learned to cheat.” Olga reacted quite simply to Lensky’s death: “Yawning, she cried for a short time. Alas! The young bride of her sadness is unfaithful. Another captivated her attention.” And soon she got married.
Tatyana: Pushkin loved her very much, he could not stop writing about her. Even if we compare the description, the poet gave the older sister a more voluminous description, several times more than the younger one. Pushkin treated her very tenderly, with love and understanding: “Tatyana, dear Tatyana! Now I’m shedding tears with you.” And he admits, apologizing to the reader: “Forgive me, I love my dear Tatyana so much.”
Olga: In the very first lines of Olga’s description, Pushkin gives her a very pleasant description. However, he considers her flighty, frivolous, and eventually admits that he is very tired of her. Pushkin enclosed all her beauty in her appearance, but there was nothing left for her soul. She was not a bad person for the poet, he just saw her as empty.
COMMUNICATION, RELATIONS WITH SOCIETY:
Tatyana: The society to which her sister was drawn was alien to her. Since childhood, she “was a child herself; she didn’t want to play or jump in a crowd of children, and often sat alone all day silently by the window.” Even in the family, she felt like she didn’t belong; she didn’t consider the interests of society similar to her own. And “from the most lullaby days, thoughtfulness is her friend.” She was not looking for other friends.
Olga: She fit into secular society, was sociable, cheerful, in childhood the nanny gathered a wide circle of all her friends for Olga, they played happily. She belonged in this society, loved evenings, balls, was flirtatious with guys, friendly with her friends.
INDIVIDUALITY:
Tatyana: absolutely not like others. Even her name was used for the first time on the pages of a Russian novel. While others preferred fun, Tatyana chose solitude and reflection. She was incomprehensible to everyone, she tried to understand herself and life, she was often sad, she was “wild” (as the author writes) in the sense that “alien, unknown to people.” She was an excellent dreamer.
Olga: Pushkin says that Olga is “as sweet as the kiss of love, eyes like the sky, blue, smile, flaxen curls, movements, voice, light figure - everything in Olga...” However, you will meet such a person in any novel, there are plenty of them, that’s why Pushkin was immensely tired of it. He had met her more than once on the pages of books. Olga is the same as everyone else, influenced by public opinion and the desire to join secular society.
INTERESTS, FAVORITE ACTIVITIES, EDUCATION:
Olga: loved fun, holidays, balls, activities of the secular youth of that time, games and amusements, entertainment, fashion, girlfriends. Raised by society, adjusted to its laws.
