Presentation on the topic of fathers and sons of Turgenev. Bazarov and the generation of fathers"
Topic: The history of the creation of I. S. Turgenev’s novel “Fathers and Sons” ( 1862) . Composition of the novel.
Shcherbakova Liliya Vladimirovna,
teacher of Russian language and literature.
Epigraph
"Fathers and Sons"
Perhaps the noisiest
and a scandalous book
in Russian literature.
P. Weil, A. Genis.
PROBLEM QUESTION:
Is it really a novel?
“Fathers and Sons” by I.S. Turgenev
is a scandalous work
The appearance of the novel “Fathers and Sons” occurred at a turning point for Russia. The role and place of Turgenev’s novel can only be compared with the comedy “Woe from Wit”
A.S. Griboedova.
- The idea for the novel arises from I. S. Turgenev in I860 in the small seaside town of Ventnor, in England. “...It was in the month of August 1860, when the first thought of “Fathers and Sons” came to my mind...” It was a difficult time for the writer. His break with Sovremennik magazine had just occurred. The novel “Fathers and Sons” was an attempt to comprehend the character and direction of the activities of the “new people,” a type of which was just beginning to emerge in Russian society. “...At the base of the main figure, Bazarov, lay one personality of a young provincial doctor that struck me. (He died shortly before 1860.) This remarkable man embodied - to my eyes - that barely born, still fermenting principle, which later received the name of nihilism. The impression made on me by this person was very strong and at the same time not entirely clear; At first, I myself could not give myself a good account of it - and I listened intensely and looked closely at everything that surrounded me, as if wanting to check the veracity of my own feelings,” wrote I. S. Turgenev in an article about “Fathers and children."
“Well, he got it for Bazarov...” F.M. Dostoevsky
- The novel was published in 1862 in the Russian Messenger magazine. I. S. Turgenev dedicated it to V. G. Belinsky.
- He caused such a storm that no other book has ever caused
"Air of the era"
Time of writing
novel - 1861
Time of action -
1855-1861 – time,
difficult for Russia;
Governing body
Alexandra II
Pursuit
to the formation of various
layers of the population
Are changing
centuries-old foundations
Russia
Writer - visionary
Turgenev, with his characteristic social acuity, grasped and developed the main conflict of the crisis, revolutionary era - the uncompromising struggle of democratic revolutionaries with liberals
Rasnochintsy Democrats
RAZNOCHINETS– in pre-revolutionary Russia: a person from unprivileged classes, from petty bureaucracy, engaged in mental work, usually a bearer of democratic ideology. Common writers.
What are they?
- “Everyone... had to devote all their abilities to natural science. Everyone was mesmerized by the great significance of this science. “(from the memoirs of a contemporary)
- It is not surprising that Turgenev made his hero a physician and forced him to work on serious experiments to study various patterns of the structure of organisms.
Let's get acquainted with the word
Who is called a nihilist?
NIHILIST – 1) A supporter of the democratic movement, denying the foundations and traditions of noble society, serfdom. 2) A person who has a sharply negative, skeptical attitude towards everything
In a letter to K.K. Sluchevsky from Paris dated April 14, 1862, Turgenev names the true “deniers,” the leaders of the democratic movement.
In their teachings, commoner democrats drew material for their theories, for building political and aesthetic programs
"Deniers, or Nihilists"
Dobrolyubov N.A. (1836-61), Russian critic, publicist, revolutionary democrat. Since 1857, a permanent contributor to the Sovremennik magazine.
"Deniers, or Nihilists"
Chernyshevsky Nikolai Gavrilovich(1828-89), writer, literary critic. One of the leaders of the Sovremennik magazine. The ideological inspirer of the revolutionary movement of the 1860s.
"Deniers" or nihilists
Belinsky Vissarion Grigorievich(1811-48), Russian literary critic. Collaborated in the magazines “Telescope”, “Otechestvennye zapiski” and “Sovremennik”
Turgenev knew them personally
The political and philosophical views of Chernyshevsky and Dobrolyubov served as materials and sources for creating the ideological image of the main character of the novel
Great writer
“Turgenev himself will never be Bazarov, but he thought about it and understood it in a way that none of our realists will understand,” – wrote Pisarev
“The connection of times has broken down...”
Time “split,” separating liberal nobles and democratic commoners, fathers and sons on opposite sides of the historical barrier...
"Retired people" and "heirs"
- It was belonging to time that was the source of the conflict between Pavel Petrovich Kirsanov and Evgeny Bazarov
- In the novel, people of the 40s and 60s found themselves face to face. XIX century
Who is right?
As a great artist, overcoming his likes and dislikes both in the depiction of fathers and in the depiction of children, he tried to paint a true picture of the life of Russian society in the 60s XIX century.
Conclusion:
Turgenev's novel reflects the ideological struggle between the main social forces in Russia in the 50s – 60s years XlX centuries.
The composition of the novel “Fathers and Sons” is monocentric: the main character is in the center, and all the “formal” elements of the work are aimed at revealing his character.
During his “wanderings,” Bazarov visits the same places twice: Maryino, Nikolskoye, Bazarova. Thus, we first get acquainted with the hero, and then we witness how, under the influence of circumstances (a duel with Pavel Petrovich Kirsanov, a quarrel with Arkady, love for Anna Sergeevna Odintsova, etc.) his views and beliefs change.
The novel consists of 2 parts
(28 chapters)
Ring composition
Maryino
(Kirsanov estate)
Nikolskoye
(Odintsova’s estate)
Bazarov's parents
(small house
small landed gentry)
The meaning of the novel's title "I tried to imagine conflict of two generations" (I.S. Turgenev)
Fathers children
Social
(conflict of aristocrats
commoners)
Psychological
conflict (conflict
generations)
FATHERS
CHILDREN
RELATIONSHIPS
FATHERS AND SONS
Young people
Aged people
Different generations.
Those who don't understand
each other
Hostility
Indifference
Opposing.
Parents
Frivolous
Hatred
Always arguing.
Wise with experience
Reckless
People in need
Respect
Engines of progress.
Conservatives
Progressive
Symbol of life.
People are outdated
views
Addiction
People of new views
Active
Bazarov Vasily Ivanovich
Very funny, good, old man, dad, nothing, was in the sieve and in the sieve, poor fellow, old man, kindest, eccentric, talks a lot, has no prejudices, etc.
I don’t remember that any literary work caused so much noise and aroused so many conversations as Turgenev’s story “Fathers and Sons.” It can be said positively that “Fathers and Sons” was read even by people who had not picked up books since school.
A. Panaeva
Bazarov faces...
Old men
Bazarovs
Arkady
Fenechka
Bazarov
Odintsova
Kirsanovs
people
False -
nihilists
Turgenev's skill in creating images of a novel
Portrait characteristics
Pavel Petrovich
The face is “long and thin, with a wide forehead, a flat upward, pointed nose downward, with large greenish eyes and hanging sand-colored sideburns... enlivened by a calm smile and expressing self-confidence and intelligence... His dark-blond hair, long and thick , did not hide the large protuberances of the spacious skull.”
“His short-cropped gray hair shone with a dark shine, like new silver; his face, bilious, but without wrinkles, unusually regular and clean, as if carved with a thin and light chisel, showed traces of remarkable beauty; The light, black, oblong eyes were especially beautiful. The whole appearance, graceful and thoroughbred, retained youthful harmony and aspiration upward, away from the earth, which for the most part disappears after twenty years.”
Homework
Using the table, describe the images
Portrait details
Area of interest
I am a hero concept
Hero's story
The fate of a hero
Characteristics given by other heroes.
- re-read chapters VI - X,
- draw up a comparative table: the views of Bazarov and Pavel Petrovich, into which include quotes characterizing the heroes’ attitude to art, love, the Russian people, nature, aristocracy and liberalism and other things that the heroes will argue about.
- individually: Characteristics of images:
- -Pavel Petrovich Kirsanov;
- - Nikolai Petrovich Kirsanov;
- - Arkady Kirsanov;
- - Anna Sergeevna Odintsova;
- - Katya is the younger sister of Anna Sergeevna Odintsova;
- -Fenechka.
Slide 1
Slide 2
Slide 3
Childhood According to his father, Turgenev belonged to an old noble family; his mother, nee Lutovinova, was a wealthy landowner; On her estate, Spasskoye-Lutovinovo (Mtsensk district, Oryol province), the childhood years of the future writer passed, who early learned to have a subtle sense of nature and to hate serfdom.
Slide 4
Slide 5
Slide 6
Education In 1827 the family moved to Moscow; At first, Turgenev studied in private boarding schools and with good home teachers, then, in 1833, he entered the literature department of Moscow University, and in 1834 he transferred to the history and philology department of St. Petersburg University. Moscow Petersburg
Slide 7
The beginning of creativity. In 1836, Turgenev showed his poetic experiments in a romantic spirit to the writer of Pushkin’s circle, university professor P. A. Pletnev; he invites the student to a literary evening (at the door Turgenev ran into A.S. Pushkin). In 1838, Turgenev’s poems “Evening” and “To the Venus of Medicia” were published in Sovremennik (by this time Turgenev had written about a hundred poems, mostly not preserved, and the dramatic poem “Wall”).
Slide 8
In May 1838, Turgenev went to Germany (the desire to complete his education was combined with rejection of the Russian way of life, based on serfdom). The disaster of the steamship “Nicholas I”, on which Turgenev sailed, will be described by him in the essay “Fire at Sea” (1883; in French).
Slide 9
Until August 1839, Turgenev lived in Berlin, attended lectures at the university, studied classical languages, wrote poetry, and communicated with T. N. Granovsky and N. V. Stankevich. After a short stay in Russia, in January 1840 he went to Italy, but from May 1840 to May 1841 he was again in Berlin, where he met M. A. Bakunin. N. V. Stankevich T. N. Granovsky Italy
Slide 10
In 1843, a poem based on modern material, “Parasha,” appeared, which was highly appreciated by V. G. Belinsky. Acquaintance with the critic, which turned into friendship (in 1846 Turgenev became the godfather of his son), brings him closer to his circle (in particular, N. A. Nekrasov). V. G. Belinsky N. A. Nekrasov
Slide 11
On November 1, 1843, Turgenev meets the singer Pauline Viardot (Viardot-Garcia), whose love will largely determine the external course of his life. In May 1845 Turgenev retired. From the beginning of 1847 to June 1850, he lives abroad (in Germany, France; Turgenev is a witness to the French Revolution of 1848): he takes care of the sick Belinsky during his travels; communicates closely with P. V. Annenkov, A. I. Herzen, gets acquainted with J. Sand, P. Mérimée, A. de Musset, F. Chopin, C. Gounod. Polina Viardot P. V. Annenkov
Slide 12
The main work of this period is “Notes of a Hunter,” a cycle of lyrical essays and stories. “Notes of a Hunter” was written in France “from a beautiful distance.” A book about Russia, its past, present, future. Russian people are talented, moral, capable of understanding and creating beauty. But they are crippled by serfdom. The series “Notes of a Hunter” reflects a living sense of Russia as a whole.
Slide 13
In April 1852, for his response to the death of N.V. Gogol, which was banned in St. Petersburg and published in Moscow, Turgenev, by the highest command, was put on the congress (the story “Mumu” was written there). In May he was sent to Spasskoye, where he lived until December 1853.
Slide 14
Until July 1856, Turgenev lived in Russia: in the winter, mainly in St. Petersburg, in the summer in Spassky. His closest environment is the editorial office of Sovremennik; acquaintances took place with I. A. Goncharov, L. N. Tolstoy and A. N. Ostrovsky; Turgenev takes part in the publication of F. I. Tyutchev’s “Poems” (1854) and provides it with a preface.
Slide 15
Turgenev is a novelist. After a series of stories, Turgenev strives for relevance, topicality, looking for a modern hero who would be “on the eve” of future events, one foot in the future of Russia. Turgenev is concerned about what a nobleman can do in modern conditions, when society faces specific practical issues. “Rudin” “Noble Nest” “On the Eve” “Fathers and Sons” “Smoke” “New”
Slide 2
Novel "Fathers and Sons"
Purpose of the lesson: to consider the essence of the conflict between the main character of the novel Evgeny Bazarov and the generation of “fathers”
Main tasks: characterize the participants in the conflict, analyze the dispute between Pavel Petrovich Kirsanov and Evgeny Bazarov.
Slide 3
Lesson Plan
- "Transformation is necessary."
- Biography of the "fathers"
- "Strong Man" Bazarov.
- The ideological center of the novel.
- Dispute between Bazarov and Pavel Petrovich. Who are nihilists?
- Bazarov and parents.
Slide 4
Transformations are needed
Drawing the path of Bazarov and Arkady Kirsanov to Maryino, I.S. Turgenev draws the reader’s attention to the appalling poverty of the peasantry on the eve of the reform: tiny ponds with thin dams, “villages with low huts,” “subjugated threshing sheds.”
Slide 5
Nikolai Petrovich Kirsanov
Nikolai Petrovich Kirsanov knows about the new law and sells timber from “foreign” land. The peasants are also “preparing” for reform: they do not show their former hard work, hoping for an easy life in the near future.
Slide 6
Kirsanov estate
Describing the Kirsanovs' estate, I.S. Turgenev uses the technique of social contrast: on the one hand, the manor's house is decorated with taste, on the other hand, the peasant buildings are about to fall apart. We see the same thing in Nikolskoye and Bazarovka. And therefore the conclusion that Arkady comes to, looking around his native places from the tent, seems fair: “transformations are necessary.”
Slide 7
Biography of the "fathers"
The pages of the novel dedicated to the past of Nikolai Petrovich and Pavel Petrovich Kirsanov can be called a generalized biography of the “fathers”. It is obvious that their lives changed depending on external circumstances.
Pavel Petrovich and Nikolai Petrovich Kirsanov.
Slide 8
Pavel Petrovich Kirsanov
Pavel Petrovich's beloved left Russia - he retired, learned of her death - and settled in Maryino.
At first glance, Pavel Petrovich does not look like his brother. He knows how to behave in society, even in the village he takes care of his appearance, but in fact, his life is meaningless. Describing the hero after the duel, I.S. Turgenev notes: “his beautiful, emaciated head lay on the pillow like the head of a dead man... Yes, he was a dead man.”
Slide 9
Nikolai Petrovich Kirsanov
Nikolai Petrovich broke his leg in childhood - he did not go into the army, his wife died - he began to get ready to go abroad.
I.S. Turgenev wrote that the personality and fate of Nikolai Petrovich Kirsanov was close to him: “Nikolai Petrovich is me, Ogarev and many others.” At the same time, the writer recognized the inability of such people to take decisive actions, so he brought it to the pages of the novel representative of a different generation and different views.
Slide 10
Strong man Bazarov
Evgeny Bazarov is a democrat by origin and conviction. He is proud of his grandfather, who plowed the land, knows how to communicate with ordinary people and is not afraid of any work. “Bazarov is a strong man,” wrote V.V. Nabokov, “and even if he crosses the thirty-year mark<…>“I certainly could have become a great thinker, a famous doctor or an active revolutionary.”
Slide 11
The ideological center of the novel
Special life principles make it impossible for Bazarov to exist with Nikolai Petrovich and, especially, with Pavel Petrovich Kirsanov. The unkempt appearance and plebeian manners of Arkady's university friend make an unpleasant impression on Pavel Petrovich from the very beginning. Bazarov, in turn, looks at his polished nails and smart suit with irony. Secret hostility gradually develops into open conflict. The dispute between Bazarov and Pavel Petrovich Kirsanov becomes the ideological center of the novel. During the argument, the heroes raise several important issues.
Slide 12
The role of the aristocracy in Russian society
Pavel Petrovich sees the aristocracy as the main social force. Its representatives, he argues, have an exceptional sense of self-esteem. Bazarov does not agree with him. In his opinion, aristocrats do nothing and, therefore, do not bring any benefit to society.
Pavel Petrovich Kirsanov.
Slide 13
Who are nihilists?
Pavel Petrovich believes that a nihilist is a person who does not respect anything and who has no principles. Bazarov proves that the nihilist acts deliberately: the main principle of his activity is public benefit. Arkady gives a more precise definition of a nihilist: a nihilist is a person who approaches everything from a critical point of view.
Slide 14
Dispute between Bazarov and Pavel Petrovich Kirsanov
The fate of the Russian people.
- According to Pavel Petrovich, the Russian people are patriarchal and religious; his main conquest is the peasant community, so all innovations will only bring him harm.
- Bazarov believes that the Russian people cannot but be despised, but advocates for speedy changes in their destiny.
Slide 15
What is art, nature, love?
- Bazarov denies art, claims that “nature is not a temple, but a workshop and man is a worker in it”; considers love to be physical pain.
- Pavel Petrovich adheres to traditional views: art for him is a creative activity, nature is an object of contemplation, and love is the meaning of life.
Slide 16
Old parents at their son's grave
Bazarov's parents are good people. They are ready to fulfill any wish of their son. However, the hero feels awkward at home. Using the example of the Bazarov family, I.S. Turgenev shows the conflict of generations at the turn of the era: between parents and son there is love, respect, but there is no mutual understanding.
Slide 17
Conclusion
The novel by I.S. Turgenev reflected the real events that took place in Russian society in the late 50s and early 60s of the 19th century: the ideological struggle of liberal nobles and revolutionary commoner democrats on the eve of the peasant reform.
At the same time, as the critic N.N. Strakhov rightly writes, I.S. Turgenev in his novel “had the proud goal of pointing to the eternal in the temporal.” The conflict between “fathers” and “children” here has not only a historical, but also a universal basis: we are talking about the problems of relationships between children and parents in the family.
View all slides
Slide 1
I.S. Turgenev novel “Fathers and Sons” Author: Polomoshnova T.A.
The most “sensational” novel by I.S. Turgenev (1818 – 1883) was the novel “Fathers and Sons” (1862). Reviews appeared in criticism: “Fathers and Sons” is perhaps the most noisy and scandalous book in Russian literature.” Antonovich called the main character of the novel, Yevgeny Bazarov, “a caricature of the younger generation.”
Slide 2
In the summer of 1860, Turgenev turned to the study of German materialists, who convinced that “one should not listen to the experience of the fathers, but should believe only in the cycle of chemical matter and physiology...”. Turgenev created a young hero who is convinced that natural scientific discoveries explain absolutely everything in man and society, and who rejects the experience of generations, the soul, feelings, art, and authorities. Nihilist-destroyer Bazarov believes only in “matter and force.”
Slide 3
The tragic nature of the conflict in the novel
The nihilist-materialist Evgeny Bazarov is contrasted with the conservative and romantic nature - Nikolai Petrovich Kirsanov. But his main opponent is the esthete and aristocrat Pavel Petrovich. Ideological differences between generations are strengthened by family differences. The clashes between the son, Arkady Kirsanov, and his father Nikolai Petrovich gradually give way to living standards and mutual respect.
Slide 4
Liberal Pavel Petrovich Kirsanov talks about the need to follow norms and trust authorities, reproaches Bazarov for contempt for the common people. Bazarov claims that “the people deserve contempt,” and “a chemist is more useful than any poet or philosopher.” But Bazarov also has attractive sides: a habit of work and determination. For Kirsanov, principles and faith are important, for Bazarov - the destruction of authorities and principles. These are extreme positions that elude the truth.
Slide 5
The novel presents a world on the verge of social catastrophe: strained relations between masters and servants, rollicking peasants going to the city to drink, serf-dominated desolation, poor villages. “Transformations are necessary,” thinks Arkady Kirsanov, but does not know how to implement them. Evgeniy is convinced that he knows: burn everything and build something new.
Slide 6
The author of the novel takes his hero through a series of tests. Anna Sergeevna Odintsova becomes the culprit of Bazarov's mental torment. Love for Odintsova splits Bazarov: one half of his soul does not recognize romantic feelings, the other loves passionately and strongly. Odintsova is a beautiful and strong woman. Her beauty is capricious and unyielding. Bazarov's passion frightens Anna, like a fire or a flood.
Slide 7
Parallel to the story of Bazarov and Anna, the story of Arkady’s rapprochement with Katya Odintsova unfolds in the novel. This is a story about friendship that gradually develops into pure and tender love. Bazarov always reproached Arkady for being “excessive,” in his opinion, kindness: “You are a gentle soul, a weakling...”. But it is Arkady who finds mutual love, family happiness, and his son is born. Bazarov is deeply unhappy and lonely.
Slide 8
Bazarov says that he loves his parents, but rarely visits them, he is bored in his father’s house, he is dissatisfied with everything... The Bazarovs’ servant Timofeich reproaches Evgeniy: “Do you believe God, your heart is tired of looking at your parents.” Having become infected during an autopsy, Bazarov loses his confidence and self-control, asking himself: “Does Russia need me?” And he answers: “No, apparently it’s not needed...”
Slide 9
At the end of the novel, life returns to everyday life: Nikolai Petrovich marries the commoner Fenechka. Arkady Kirsanov - on Katya Odintsova. Anna Sergeevna also marries “not out of love, but out of conviction.” According to Turgenev, a person can never come to terms with lack of spirituality and denial of life values; he believes in the omnipotence of devoted love.
Slide 10
With Bazarov's departure, the poetic tension of the novel subsides. With his death, it was as if life was “orphaned.” Like orphans, parents come to their son’s grave. Pavel Petrovich Kirsanov was also orphaned when he went abroad: “It’s worth looking at him in the Russian church, when, leaning against the wall, he thinks, bitterly clenching his lips...” Turgenev “punishes” his heroes, but also sympathizes with them.
Slide 11
“Fathers and Sons” in Russian criticism
“When Bazarov falls ill, the life around him becomes more intense... Bazarov’s grave is illuminated with light and peace... Bazarov turns away from nature, Turgenev does not reproach him for this, but only paints nature in all its glory...” (N.N. Strakhov) “Hero” - a triumphant nihilist. He remains true to himself until the last minute...” (D. Pisarev) “No one seems to suspect that I tried to present a tragic face in him - but everyone interprets: - why is he so bad? or - why is he so good? (I.S. Turgenev)
Roman I.S. Turgenev “Fathers and Sons” Bazarov and Kirsanovs “The connection of times has broken down...”
- Literature lesson in 10th grade
- Teacher, Municipal Educational Institution Secondary School 17 Tyrma
- Kulygina E.G.
- continue observing the text of the novel,
- find out the reason for mutual rejection of P.P. Kirsanov and E. Bazarov,
- determine the author’s attitude towards his characters,
- note the means of creating images used by I.S. Turgenev;
- work on developing the ability to analyze and compare.
- The novel “Fathers and Sons” was completed by the author in July 1861 and published in 1862. , the action takes place in May-August 1859. Why are these years important? Why is the author so precise in dates?
- What is the significance of the novel's title?
- What was the internal political situation in Russia? What were they arguing about in advanced circles?
- How does the novel relate to this?
- Have you noticed where the action takes place?
- Yes. In the Russian province, outback, on an estate whose name, Maryino, was invented by the author.
- Why do you think the action does not take place in the capital? not in a provincial town?
- In the second half of the 19th century, “time split,” separating the liberal nobles and the “new” people of Russia on opposite sides of the historical barrier.
- common democrats,
- "fathers" and "children".
- “...Transformations are necessary...”
- Who “uttered” (thought) these words?
- Why him?
- What gave him this idea?
- Let’s read an excerpt from the novel with the words “The places they passed through...” Let’s analyze..
- Bazarov is in no hurry to greet Father Arkady,
- emphasizes its simple origins,
- abruptly interrupts Nikolai Petrovich when he quotes lines from “Eugene Onegin”
- There is a noticeable feeling of Arkady’s internal superiority over his father.
- Nikolai Petrovich does not understand his son, notices dramatic changes in him, cannot “establish” a conversation, is embarrassed, timid, silent
- Turgenev masterfully uses the “talking detail” technique.
- Tell us about this using an example from the first chapters of the novel.
- What character traits of Nikolai Petrovich Kirsanov are manifested in his words and behavior?
- What is most important in his life?
- What dictated such goodwill when meeting Bazarov?
- How do Arkady Kirsanov and Bazarov relate to each other?
- What connects them?
- Do you agree with the statement that in friendship one rules, the other obeys?
- Is this noticeable in this case?
- In Chapter V we again have two central figures
- Pavel Petrovich Kirsanov
- and Bazarov.
- Find their description
- In different illustrations and in different films, P.P. Kirsanov appears like this. Is it similar to yours?
- Through what details do we understand that they have a harsher attitude?
- Analyze the episode of their first meeting
- What question did Kirsanov the Great ask about Bazarov? What is hidden in this question?
- The question sounded like this: “ What's happened?"
- And further: “is this hairy one?”
- How did Kirsanov P.P. react? to the fact that Bazarov is a nihilist?
- What does this mean in his concept?
- Who, why and why is telling the life story of Pavel Petrovich Kirsanov?
- What do we learn about fate?
- Tell this story in your own words...
- What conclusion did Bazarov make from this story? Do you agree with him?
- Between whom will the main conflict unfold? Why?
- They are the most irreconcilable representatives of their generation
- What kind of relationship developed between P.P. Kirsanov from the first minutes? and Bazarov?
- Disliked
- re-read chapters VI, X,
- make a comparative description of the heroes:
- views of Bazarov and Pavel Petrovich,
- their attitude to art, love, the Russian people, nature, aristocracy and liberalism and other things that the heroes will argue about.
- Those interested can add material to our presentation
- http://www.kostyor.ru/biography/?n=57 - biography of Turgenev I.S. , portrait of a writer
- http://www.2do2go.ru/uploads/full/a6fc62ea59ed9b7a3a6010d8737b8db5_w960_h2048.png
- http://hcenter-irk.info/sites/default/files/000000.jpg - portrait of I.S. Turgenev
- http://www.2do2go.ru/msk/events/5043/film-otcy-i-deti
- http://static.kinokopilka.tv/system/images/screenshots/images/000/066/064/66064_original.jpg
- http://show.afisha.ru/show/4358-otci-deti - Arkady Kirsanov and A.S. Odintsova at the governor’s ball (film “Fathers and Sons”, 2003)
- http://fenixclub.com/index.php?showtopic=62313 (Film "Fathers and Sons" 1958)
- http://fenixclub.com/uploads/707/img-38691-59d941e149.jpg - portrait of Bazarov (Film “Fathers and Sons”, 1958)
- http://img1.liveinternet.ru/images/attach/c/10/110/485/110485479_408299.jpg - portrait of A.S. Odintsova (film "Fathers and Sons" 1958)
- http://images.16x9.tv/products/product_thumb_823.jpg - meeting of Kirsanov N.P. and Bazarov
- http://www.kinodisk.com/shots/7654_02.jpg - the Kirsanov brothers on the veranda (film “Fathers and Sons”, 2003)
- http://icdn.lenta.ru/images/2013/12/20/20/20131220204438120/pic_c6bad8f1d593a362212a554a4fa792c7.jpg - Bazarov’s declaration of love (Film “Fathers and Sons” 1958)
- http://s1.stc.all.kpcdn.net/f/3/image/85/06/1400685.jpg - Arkady Kirsanov Film “Fathers and Sons” 1983)
- http://img15.nnm.me/1/c/f/2/2/1cf226dff82483d526ab8f11dbdb3338_full.jpg - illustration for the novel, episode - parents at the grave of A. Bazarov
- http://www.a4format.ru/book-titles.php?lt=210&author=62&dtls_books=1&title=159&submenu=5 Illustrations by Russian artists based on the novel -
