What paints to mix to get other colors. Yellow and purple

In the interior of premises, it is becoming fashionable to decorate walls with various types of plasters and paint them with paints. But it’s not always possible to choose the palette you like in hardware stores. Don't despair. Modern technologies allow you to get the desired result. Mixing colors of standard shades allows you to achieve the desired result. The next question arises, how to mix paints to get a beautiful tone? Let's try to get an answer.

There are quite a lot of tones. But the production of paints is based on the use of standard colors. Nowadays, non-standard colors are in fashion, which can be obtained by mixing dyes. The following expert recommendations will tell you how to mix colors correctly.

It has been known since childhood that the basis of all tones are three colors: red, blue, yellow.

To get other options, you need to know the rules for mixing paints. The combination of basic dyes gives a wide range of different undertones.

The secret to creating a new color scheme by mixing colors is to use basic dyes in different proportions. For example, when mixing the colors blue and yellow, we get green. If you continue to add yellow to the resulting substance, you can get tones that are increasingly closer to it. It all depends on the volumes that are connected.

On video: how to get a new color.

The nuances of combining dyes

Mixing colors of chromatic shades, which are placed next to each other on the color wheel, gives a fairly bright palette. If you mix dyes that are on opposite sides of the circle, we get achromatic tones, that is, with a predominance of gray.

To get the desired result, you need to understand not only the color scheme, but also ensure that the solutions match the chemical composition. Otherwise, you may get unexpected results. If the color initially turns out bright when mixing paints, then over time it begins to darken and turn gray. For example, a combination of lead white and cinnabar red color initially gives a bright pink, but after a while it will lose its saturation. This also applies to oil paints. They are very susceptible to solvents.

The best option for achieving high-quality rich colors is to combine a minimum amount of paints. Comparability of materials is required. A color mixing table will help you select them.

Traditional palette mixing options

When getting a color yourself, you need to know the rules for mixing paints. Let's look at common options for getting the desired color.

Reds

Red is a representative of the main color. To obtain different red shades, you must follow the following rules:

• The tone of carmine, which is as close as possible to fuchsia, is combined with yellow 2:1. The result is red.
• Combining pink with yellow produces orange.
• To get scarlet, you need to take red and yellow in a 2:1 ratio.
• To achieve a red palette with a soft effect, red and pink paint are mixed. To achieve a lighter tone, it is better to add white paint.
• If you add a dark dye to the main red paint, you get burgundy.
• You can achieve dark red by mixing red and purple colors in a 3:1 ratio.

Blue

There are primary colors, which include blue. To obtain the desired blue color, you must use this primary color. We get blue by adding white to the blue palette. As the volume of white increases, the shade will become lighter. To obtain a moderate tone, use turquoise instead of white.

To obtain blue colors and shades, you must follow the following scheme. Add to blue:

• yellow and we get blue-green;
• red, we end up with purple;
• orange will provide gray;
• black will give the opportunity to form dark blue.

Greens

How to properly mix paints to obtain green and its shades. The basic rule is to mix yellow and blue dyes. A bright palette of green shades is achieved by combining primary colors in different volumes and adding additional dyes. Additional colors are black and white.

How to get khaki color? To do this, two elements are combined: yellow and blue, with the addition of brown tinting. The amount of substance is important for the result obtained. Olive color can be obtained by taking green and yellow tones. Making a mustard shade is more difficult. Red, black and a little green are added to yellow.

Green is not a primary color. To obtain it, paint colors of yellow and blue are mixed. But, to obtain a rich green tone, it is necessary to use green paint prepared in production. If you made the green paint yourself, the tones will not be bright.

Mixing dyes that have white and green tints makes it possible to get light green, and if you add a little yellow, you can admire light green.

Other shades

Let's look at other tones. Which shade is one of the most popular? Gray tone is very often used in the interior. It turns out if black is mixed with white. The more white, the lighter the result will be.

Gray, which has a silvery metallic tint, is also very often in demand. When mixed, a silver color can be obtained if you use different additives, for example, antimony.

So, in order to have the color that suits a particular interior, you need to mix dyes. The recommendations given above will tell you which colors to mix to get everything right. The resulting colors will delight the owners for a long time.

How to get the right shade (1 video)

“We touched on the basic principles of drawing - what you need to do to draw approximately what you want. And they did this using the example of pencil and paper. Why? Because it is easier than learning how to paint with paints, since in the case of using paints in addition to the problem " How should I draw this? the problem “” appears - so that what comes out is very similar to what was intended. And in this article we will try to give an accurate answer to this question.

How to get the right color? There are two ways. The first is traditional, using the well-known color wheel:

So, there are primary colors:

• yellow
  
• blue
  
• red .

Which when mixed give

• orange
  
• green
  
• violet
  
• brown .

Moreover, the shades of mixed colors depend on the proportion of primary colors. And, using the color wheel, you can get the desired color like this:

1. Take a certain amount of the main color (for example, blue )
2. Add some second primary color (for example, yellow )
3. Compare the result green with what you wanted to get
4. Add one or another primary color to correct the shade.
5. Or simply take the desired shade of green from a tube jar.

Why does the last point arise? take the desired shade from the jar? Because getting the desired color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill increases, the need for more precise color selection increases. Indeed, with the help of the described principles, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it difficult to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of “dirt” and still learn how to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirtyness” of the standard color wheel were discovered not by us, but by Michael Wilcox. Who wrote the book " . How to get the color you really need". By the way, you can download this book by Michael Wilcox from the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material in the book in one article, so we will limit ourselves to the main points, and we recommend getting the details from this very book by Michael Wilcox, “Blue and Yellow Don’t Make Green.”

So, how can you reliably and accurately get the color you want?

To do this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface of, for example, a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bathtub appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot doesn't reflect anything. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because light is reflected from pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray it turns out - due to the fact that more and more white light reflected by the white particles is absorbed by the soot particles.

The exact same principle works for colored pigments. Thus, red paint is red because it primarily reflects red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. It “works” exactly the same way yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. Mix them and get dirt. Why? Because the reflected color is red ABSORBED blue pigment in the same way as all the falling color. Accordingly, the red pigment absorbs all the radiation is blue - because the nature of its surface is designed so that predominantly red pigment is reflected.

But you may ask: “What nonsense, because mixing blue And yellow we still get green, and according to your theory, it should also turn out to be dirt?” Well, if truly pure colors existed in nature, then we would see the formation of dirt. But there is one thing But, which makes it possible not only to mix colors, but also to carefully and reliably select the truly desired shade of color.

So, the pigment reflects more than just light. Light of the same wavelength is reflected in greater least. Thus, the red pigment mainly reflects red color. But nevertheless, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - the pigment predominantly reflects yellow, but nevertheless it can be reflected in sufficiently large quantities orange or green. WITH blue same thing - it can carry additional “harmonics” green or purple .

So there is Not three primary colors. Eat six primary colors:

1. Mainly reflective paint red and to a lesser but significant extent orange .
2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
3. A pigment that primarily reflects yellow and in addition green .
4. A pigment that primarily reflects yellow and plus an additive orange .
5. Mainly reflective material blue and partially violet .
6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. Blue pigment neutralizes yellow, yellow pigment absorbs blue. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing blue from point 5 and red from point 2, you neutralize the blue and red colors, and a rich and rich color appears violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb radiation from the yellow pigment, and yellow will absorb the reflected radiation from the red pigment.

The result was NEW color wheel of six primary colors:

The colors have arrows that indicate the path for optimal manifestation of the “mixed” color. Respectively, variety of shades is born as a result of one or another combination of these SIX primary colors. “Wrong” combinations (for example, blue 6 and red 1) produce dull shades of colors (for example, dirty purple). The combination of one “correct” color and one “wrong” color (for example, blue 6 and red 2) produces more pronounced shades (for example, a brighter purple). And finally, the combination of the “right” dyes (for example, blue 5 and red 2) produces a pure and bright color (bright and beautiful purple).

Naturally, reading the article is not enough to master getting the desired color. It is best to read the book " Blue and yellow do not give green» by Michael Wilcox plus do the practical color matching exercises described in the book. But nevertheless, the answer to our question has been received.

The brown color and its shades, although not too bright, are quite popular due to their use in the design of residential premises, in the colors of furniture, and when drawing paintings. Therefore, the question of how to get a brown color when mixing paints will interest everyone.

Coloristics and obtaining a certain color from others is a science based on the color wheel. There are only 3 primary colors: yellow, blue and red. The rest can be made by mixing them together and are called secondary (purple, orange and green). Therefore, before answering questions about how to get brown paint, what primary or other colors are needed, you need to understand the rules for mixing colors.

Basic laws of mixing:

1. One color in a circle is a symbiosis of tones opposite to it relative to the center, the resulting additional tone is called achromatic. There are also complementary colors. For example, red is opposite green, yellow is opposite blue.

2. When paints adjacent to each other in a circle are mixed, new ones appear. So, to get orange, you combine red with yellow; green paint is obtained by mixing yellow with blue.

3. When the same shades are combined, similar mixtures can be obtained.

Color Mixing Methods

To achieve brown color, there are several methods. You can mix either construction paints (acrylic, oil), or those intended for painting and drawing (watercolor, oil, gouache, etc.). It is important to take clean and classic tones.

Let's see how to get brown color when mixing paint:

• Classic method- mix green and red paint together.
• Using three colors- combine yellow and blue with red in equal proportions (as you know, yellow and blue together give a green color).
• Intermediate option– combine blue with orange or gray with orange.
• Complex combination- yellow and magenta, instead of magenta you can use violet, i.e. yellow and orange with purple - this option is less popular; it is difficult to control the resulting paint and its nuances.
• Additional method– mix green and purple with the orange tone of the gouache.

It is worth noting that to obtain brown, both dark and light tones of primary or additional colors can be used when mixing.

In the video: obtaining brown of different saturations.

Dark brown tones

How to get dark brown color? This issue can be solved simply: you need to add black paint to regular brown paint, but do the addition drop by drop so as not to spoil it, thoroughly mixing the mixture each time.

Other possible dark shades:

• Mustard - made by combining red, yellow and black with the addition of a drop of green.
• Chocolate - from a combination of blue and orange, slightly lightened with white. The result will be a milk chocolate shade.
• Marsala - red and brown are mixed (its shade is darker, almost chocolate).
• Brown - made by adding a little red paint to brown.

• Chestnut - can be obtained by dropping a little red into dark brown.

Light brown tones

Adding a white color will help make the brown color lighter. There are other popular light shades. For example, a brown tone with copper, gray or honey nuances, coffee and milk - these shades can be used if you add white paint in different proportions.

The addition of yellow makes the color ocher, and tobacco is obtained by mixing 4 colors: yellow, green, red and white.

Use of natural raw materials

Since ancient times, the question of how to create a brown color was solved with the help of plant ingredients: beet juice, onion peels, sorrel, blackberries or blueberries. Nowadays, hardly anyone would want to dye their sweater or other clothes by squeezing out natural juices. It is easier to buy a ready-made chemical dye. However, such information may be useful.

One of the well-known methods is dyeing with natural coffee. How to do this for a blouse is explained below:

1. First you need to brew coffee (for 100 g of ground coffee you need 2 liters of water).
2. Cool the coffee broth and strain through 3-4 layers of gauze.
3. Place the resulting solution in a bowl and heat it over a fire to 80ºC.
4. Place the blouse to be dyed in the hot solution and bring to a boil.
5. Boil for 15 minutes, constantly stirring the contents, which is necessary for uniform coloring.
6. The fabric or item is removed from the basin and the water should be allowed to drain.
7. It is better to dry the blouse flat on hangers.

When deciding how to get original shades of brown, it is better to learn how to find the correct and balanced ratios of the main colors to be mixed. There are a large number of options for light or dark brown, and the required shade can only be obtained by experimenting with primary and additional colors. Now you know the nuances of getting brown from what colors, what colors are used for this.

Everyone knows that by combining 3 primary colors (red, yellow and blue), you can achieve any other color. This theory was developed in ancient times by Leonardo da Vinci. The conclusion from the theory can be drawn that it is impossible to obtain primary colors by mixing others. But what to do and, for example, how to get red? To solve the issue, let's approach it from a practical side and consider how red is made in a printing house, how artists get it and what needs to be done for this.

Red color in printing is made by mixing other basic colors. The CMYK color model is used here. All differences in the colors of the model used are made by mixing the desired base colors:

• Blue - cyan
• Magenta (violet) – magenta
• Yellow
• Black

As in other color models, you need to take at least 2 colors, and in our case, red on printed products is made by combining 2 process colors: violet (magenta) and yellow. This method is also used to make color engravings. If you acquire these paints, you can make not only red, but also achieve shades of it by adjusting the ratio of yellow and magenta (violet). The range of red colors will be from pale purple to rich orange-red.

Mix yellow and magenta to get red

Information: In addition to printing, the CMYK model underlies the operation of most printers. It is also used for professional painting of cars, decoration of interiors and facades of buildings, and in fabric production.

Natural red

In addition to artificially obtaining color, it can easily be made from natural materials. This is how bedstraw flowers allow you to paint objects bright red. To prepare this paint, flowers are dried and boiled with alum for half an hour. Safflower and St. John's wort flowers are also suitable for making red paint by boiling water until thick. Cherry paint, similar in color, is made from orange lichen. You need to finely chop the lichen and mix it with baking soda (it is better to use a solution), wait 3-4 minutes and you can use it.

In nature, red color can be found quite often. Therefore, its different shades are sometimes named based on their natural hosts: fruits, minerals and berries. Among them you can find such names as: raspberry, pomegranate, cherry, coral, blue, wine, burgundy. All similar colors form the red spectrum.

Red shades in painting are made based on pigments of warm and cold shades. Quinacridone ruby ​​or violet should be considered cold, and light cadmium, orange sienna (natural and burnt) should be considered warm.

RGB and CMYK color models

Interaction with other colors

Many people wonder whether it is possible to make red from other colors, for example, pink. Our answer is no! If you replace purple with pink and mix it with yellow, then you won’t see red, only a semblance of it.

Burgundy is made from red by mixing with black. Depending on the types of paints, the ratio can reach up to 2:1 (you need 2 parts red and 1 black). By changing the concentration you can create different shades of burgundy.

Another question is, what happens if you mix red and yellow? Answer: we get orange.

The most popular question is: “what do we get when mixing red and blue paints?” To clarify, let's look at the RGB color model (red, green, blue), where you can clearly see that using blue in combination with red, we get purple.

Conclusion

The basic colors for red are yellow and magenta (violet). To create the desired color when mixing, you don’t have to use artificial paints; you can use natural ones. Red is the base color in the RGB model and must be mixed with green and blue to make other colors.

We offer you an interesting video to watch

Learning to draw: mixing acrylic, oil, watercolor paints. All kinds of shades from three primary colors.

Without creativity, human life is empty and uninteresting. Painting, like music, is learned not only in order to be realized in life, but also in order to find an outlet in life, a hobby that will bring joy and peace to life. And where there is drawing, so is mixing colors. This is exactly what this article is dedicated to. In it we will tell you how to mix and obtain new colors and shades of the most common paints in painting.

How to properly mix acrylic, oil and watercolor paints to obtain the desired color: table, proportions

Mixing acrylic paints

We suggest you familiarize yourself with the lesson of the famous artist and called teacher, author of the book “Acrylic Painting with Lee Hammond”. Lee Hammond warns that although we supposedly know from childhood that mixing red and blue will get purple, acrylic paints have a different pigmentation and most likely you will find brown on the palette.

Important: read the pigments on the packages. Have you seen on store shelves there are up to 15 types of the same shade? Do you think this is to fill a display case? No, it is the same color with different pigments. Therefore, we write down or photograph on a smartphone the color - the necessary pigment - and with this we go to the store to replenish the paints.

Also note that the pigments are transparent, translucent and dense in consistency. Therefore, you can buy completely different structures from the same paint manufacturer. This is not a defect, but the properties of the pigment.

So, in order to get an almost full range of colors, only 7 colors are enough. For beginners, it is recommended to purchase exactly these colors, and in the future, at your own discretion, purchase additional shades.

Please note that we do not specifically translate the names of the primary colors so that you can name them in the store and purchase the necessary pigments:

• Base: Cadmium Yellow Medium
• Base: Cadmium Red Medium
• Main: Prussian Blue
• Additional: Alizarin Crimson
• Additional: Burnt Umber
• Neutral: Ivory Black
• Neutral: Titanium White

We bought, prepared the canvas for the experiment and move on to the magic.

Experiment one - mix each color with white and get new, amazing pastel and delicate shades. We provide a table of strokes with a caption of what we mixed.

Well, now, from left to right, from first to bottom, let’s look at the shades that we managed to get: fawn; peach or as it is also called coral; light pink; beige; sky blue; gray or light asphalt.

Now we try to mix all the colors with black, the result is in the table below.

And we got these colors: khaki or dark green; chestnut; plum; deep brown; Navy blue.

But this is all simple, now let’s move on to a more complex version of mixing acrylic paints, but an interesting one! Mix and get all shades of green.

As we already did, we mix the two colors that are under the stroke and get exactly this shade.

Additionally we received: olive green color; a gray-green tint reminiscent of asphalt after rain reflecting the green crowns of trees; bottle green; mint.

The next step is purple and violet tones and midtones. In order to obtain such shades, you will need to have Prussian blue or alizarin pink or cadmium red in the work kit. Two examples for mixing: Prussian Blue + Cadmium red medium or Prussian Blue + Alizarin Crimson.

The colors we got were chestnut, rich warm grey, plum and a touch of lavender.

Now add white pigment and stir, add another drop to each option. Notice what a riot of color appears in your hands!

Sunny shades. This is what artists like to call shades of orange; these are wonderful uplifting tones. They are made by mixing red with complementary colors.

On this table we got: orange as it is, peach, brick, coral.

Earthy tones can be achieved by adding burnt umber (international meaning Burnt Umber). If there is a need to get pastel shades of these tones, then just add a drop of white pigment.

In this case, we got earthy shades: umber; brick; dark turquoise; dark sepia; dirty beige; pastel lilac; steel blue; Warm grey.

Mixing oil paints

In oil paints, the situation with the palette is a little simpler and one pigment is used in one color, so we will not give the main colors, but will leave only the name of the color. The rules that we remember from childhood are precisely the rules of oil paints.

Mixing watercolor paints

Watercolor paints are mixed according to the same principle as oil paints, except that watercolors are translucent and the shades are more muted. We recommend working through the table above first, and only then moving on to drawing on canvas.

Basic colors for mixing paints

There are only three primary colors in paint mixing. These are red, blue and yellow. White and black are considered additional. Thanks to these colors you can get absolutely all shades of the rainbow.

This article does not provide ready-made solutions, because it is impossible to squeeze out paint or smear a certain amount of milligrams; this article gives a direction in which you can work and develop. Try, experiment and you will definitely end up with a delicious creation. And painting works much better than any psychologist, relieves stress, distracts from problems and helps you see the beauty in the ordinary!

Video: How to get brown, purple, blue, red, beige, orange, pink, gray, lilac, black, turquoise, mint, green, olive, blue, lilac, pistachio, khaki, yellow, fuchsia, cherry, marsala, white when mixing paints?