Build d. What tuning do famous rock bands play in?

And he even posted it, albeit in English.
In general, today I decided to touch upon this topic again and consider the most common of them.

It wouldn't hurt to remind you of simple things. If you decide to tune lower, then it is better to take a thicker one, otherwise in some Dropped the usual nine will just dangle and ring on the frets. If you decide to make the tuning of your guitar higher, then in this case you can take thinner strings, because Large gauge strings, in this case, can be very tight. Well, no one has canceled the excess load on the bar either.

Also, if there is a radical change in the system, be prepared to do it again, although you may not have to do this.

So, let's go.

Standard tuning: E-A-D-g-b-e

In standard guitar tuning, all string intervals are perfect fourths (five semitones), except for the interval between the third string (g) and second string (b), which is a major third (four semitones).

Down a semitone: Eb-Ab-Db-gb-bb-eb

This guitar tuning is also called "Eb" - based on the note to which the thickest string is tuned. Tuning the guitar is exactly the same as in standard tuning. The sound intervals between the strings remain exactly the same, but each string is tuned exactly one semitone lower than the standard tuning. Eb tuning can be used for many reasons, such as making the strings softer and bending easier, or to better suit a singer's vocal range. There can be many reasons. This tuning was used by Jimi Hendrix and Stevie Ray Vaughan.

Down a whole tone: D-G-C-f-a-d

This tuning is also called “Tuning D” - based on the note to which the thickest string is tuned. Everything is the same as in the previous case, except that each string is tuned a tone lower than the standard tuning. This tuning is used for the same reasons as "E?", it causes the strings to sag even more and makes bending even easier. At this point I would think about using thicker gauge strings.
If this is not enough for you, then you can continue further. Those. lower or lower each string at an equal interval relative to the standard tuning. The algorithm is simple, the main thing is to choose the appropriate size strings.

Drop-D: D-A-d-g-b-e

Drop-D is probably one of the most popular tunings in hard rock, alternative and other motherfuckers. By the way, folk guitarists do not disdain them either. Although they are generally big fans of alternative and non-standard guitar tunings.
By lowering the low E string one step to D, we can make power chords easier to play. Now they can be played with one finger, simply by plucking three thick strings, the 4th, 5th and 6th, respectively. Drop-D tuning gives a meatier sound and extends the overall range of the guitar towards the bottom compared to standard tuning.
By the way, this system does not require a large and lengthy restructuring, which allows you to change the system right on the fly, with the proper skill, of course.
To facilitate this procedure, a special device was even invented and made - the D Tuner, which will allow you to literally rebuild the sixth string in a second.

Double Drop-D: D-A-d-g-b-d

Double drop D is Neil Young's favorite tuning. It is identical to the regular Drop-D, except that the high e is also lowered one tone from the standard tuning - to d. With this setup, it turns out that the 4th high strings form a G major chord, and this can be convenient when playing with a slide. This tuning is also quite quick and easy to get from the standard one.

Drop-C: C-G-c-f-a-d

This tuning will help make your guitar sound lower and meatier when overdriven. This tuning is obtained if you first tune the guitar a tone lower than the standard one, and then lower the 6th string another tone.
Quite low, don't you think? With this tuning, thicker strings are clearly needed. Thin ones will obviously hang around like snot.
In general, the technique is simple. We already understand what Drop is. But whether to lower it by one tone, 2 or more - that’s up to you. Everything will depend on the gauge of the strings and your desire.

Tuning D5: D-A-d-d-d-d

This tuning is classified as an open tuning, because If all the strings are open, the chord D5 sounds. This tuning is quite often used when playing slide. To get this tuning you need to lower the 3rd string by 5 semitones, raise the 2nd string by 3 semitones and lower the 1st string by a tone.
There are variations of this tuning in which the 3rd string is raised to A instead of lowered to D. This gives two fifths of a step in different octaves, which gives the sound some depth.

Ostrich formation: D-D-d-d-d-d

In this tuning, all strings are tuned to the same note. Lou Reed is said to have invented this tuning while he was with the Velvet Underground. Important note: With this tuning, you will definitely need to build your own set of strings.

I guess I'll stop for today. Of course, all alternative and non-standard guitar tunings are not limited to this.
I think I’ll throw in a dozen more soon.

Guitar tuning

If you picked up a guitar for the first time, then most likely you will not be able to tune the guitar right away without the help of someone, even if you know the rules. All this will come with time.
Tuning methods will be discussed below, but first you should familiarize yourself with the different guitar tunings.

Classic build.

Also known as "Spanish" tuning or E (E) tuning. The most popular tuning, most tablatures and fingerings are given specifically for this tuning.

"Drop D" formation.

This tuning differs from the classical tuning by lowering the sixth string one tone. It is often used by musicians who play hard rock on the electric guitar, as it makes it easier to play power-chords, and some classical guitar works have been written for it (in the keys of D major and D minor).

Build "Drop C".

Used to produce an even lower and “heavier” sound on an electric guitar. Unlike the classical tuning, all strings except the sixth are tuned one tone lower, and the sixth string is tuned two tones.
Like the Drop D tuning, it is used to play fifth chords.

Double Drop-D formation.

A tuning similar to Drop D, except that the first string is lowered a tone. To tune from the classical tuning, the first and sixth strings are lowered a tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play slide. Double drop D was often used by performer Neil Young.

Build "DADGAD".

The tuning most often used in folk music. It was invented by British guitarist David Graham for more convenient playing from notes recorded for violin or bagpipes.
To change to the “DADGAD” tuning from the classical one, you need to lower the first, second and sixth strings one tone.

Build "DADDAD".

The “Papa-Papa” tuning is most suitable both for use in folk music (Celtic) and for playing rhythm guitar parts in “heavy” (alternative) music, 4 notes at a time. To change to the “DADDAD” tuning from the classical one, you need to lower the first, second and sixth strings one tone. and tune the third in unison with the fourth.

Build "Open D".

In this tuning, the open strings form a D major chord. It is used primarily on slide guitars.
To change to this tuning from the classical one, the first, second and sixth strings are lowered by a tone, the third is lowered by a semitone.

There is also a build option Open D-minor, where the third string is tuned to the note F of the small octave.

Build "Open G".

In this tuning, the open strings form a G major chord.
To change to the “Open G” tuning from the classical one, the first, fifth and sixth strings are lowered a tone.

"The New Standard"

Also known as "Crafty tuning". A tuning developed by musician Robert Fripp and used by him since 1983. Unlike the classic “quart” tuning, the tuning proposed by Robert Fripp is closer to bowed string instruments, with the first, second and third strings being tuned similarly to a violin. Tuning to this tuning may require replacing the lower strings with thicker ones and the upper strings with thinner ones.

"Alternate tuning Cross A."

E-A-E-A-E-A."Sitar A" is an alternative lowered guitar tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.

Seven-string (Russian).

The structure of the strings of a seven-string guitar is mixed - third-fourth, so the chord of the open strings is consonant (major quarter-sixth chord), unlike a six-string guitar. This system is considered classical (academic).

Guitar tuning methods (classical tuning)

1. The most common method.

To tune in the traditional way, it is advisable to find an analogue of the sound of the first string, for example, a tuning fork for the note E or a tuning fork for the note A (but then 1 string must be clamped at the fifth fret). Any tempered (i.e. already tuned) musical instrument that can produce an accurate E note will also work. It could be a piano, a synthesizer, an accordion. Like another guitar, violin and the like will not work, because it may itself be out of tune.
If you are in “fire conditions” and there is nothing like this at hand, then adjust 1 string approximately so that it does not sag too much and is not too tight. Of course, this is far from the best way, but what can you do?
Next we follow the rules:
- the 2nd string, pressed at the 5th fret, should sound in unison (the same) with the 1st open string;
- the 3rd string, pressed at the 4th fret, should sound in unison with the 2nd open string;
- the 4th string, pressed at the 5th fret, should sound in unison with the 3rd open string;
- the 5th string, pressed at the 5th fret, should sound in unison with the 4th open string;
- The 6th string, pressed at the 5th fret, should sound in unison with the 5th open string.

2. Tuning the guitar using a tuner.

The easiest way to tune a guitar. You don't need to have any hearing skills, just have a tuner on hand - a device for tuning your guitar. There are many similar devices on the market. For example, this:

Guitar tuner YAMAHA YT-150

With this tuner you can tune both acoustic and electric guitars. There is a built-in microphone for tuning an acoustic guitar; for an electric guitar, you can use the line input for the instrument cable.
The bottom line is that when you extract the sound of a string, the tuner shows the note that corresponds to the frequency of vibration of the string (such frequencies are indicated in the tuning tables above. Therefore, such devices can be used to tune guitars with alternative tunings). This way you can easily tune all six strings. The tuner shows you the note and what you need to do with the string, lower it or raise it. Turn the pegs until the indicator is exactly in the center of the note you want and the green LED lights up steadily. Detailed instructions are usually included with such devices.

3. Tuning with a harmonic.

A harmonic is an overtone sound produced on stringed, bowed and plucked instruments and is reminiscent of the timbre of a flute (hence the name). Various techniques for performing harmonics are based on lightly touching the string at the point where its length is divided in half (at the frets).

- the 2nd string on the 5th fret should sound in unison (the same) as the 1st string on the 7th fret;
- the 3rd string on the 4th fret should sound in unison with the 2nd string on the 5th fret;
- the 4th string on the 5th fret should sound in unison with the 3rd string on the 7th fret;
- the 5th string at the 5th fret should sound in unison with the 4th string at the 7th fret;
- The 6th string at the 5th fret should sound in unison with the 5th string at the 7th fret.

4. This is how professionals set it up.

With this method, all open strings are tuned to each other. This method is the fastest and most accurate (of course, if the guitar simply builds along the frets). This method is based on the ratio of pure intervals between strings. If you can’t immediately tune the new strings in this way, then it is advisable to first tune the guitar in a simpler way, using any of the above methods (except for tuning using a tuner), and then fine-tune it more subtly.
We tune the first string as in method 1 and then follow in this order:
- the 6th open string should sound two octaves to the 1st open string;
- the 5th open string should sound in fifth through the octave to the 1st open string;
- the 4th open string should sound a fourth down to the 5th open string;
- the 3rd open string should sound a fourth down to the 4th open string;
- The 2nd open string should sound a fourth to the 1st open string.

5. Tuning the guitar using tempered intervals.

We tune the first string as in method 1 and then follow in this order:
- the 6th open string, taken with a harmonic at the 12th fret, should sound in unison with the 1st open string;
- the 4th string at the 2nd fret should sound in unison with the 6th string taken with a harmonic at the 12th fret;
- the 2nd string at the 3rd fret should sound in unison with the 4th string taken by the harmonic at the 12th fret;
- the 3rd string at the 7th fret should sound in unison with the 4th string taken by the harmonic at the 12th fret;
- the 5th string taken with a harmonic should sound in unison with the 3rd string at the 2nd fret;

What if the guitar can't be tuned?

Sometimes it happens that, despite all the tried and tested methods of tuning a guitar, it still “doesn’t work.” There can be many reasons. The most painless of them is the aging of strings. Worn strings are subject to microdeformations when they come into contact with the frets, and because of this, the sound frequency changes. Replacing the strings solves the problem.
If replacing the strings does not solve the problem, then the instrument must be shown to a guitar specialist. Most likely the guitar does not build “fret by fret”, i.e. incorrect installation of frets (metal saddles), neck, stand, etc. In most cases, this is a factory defect. So if you just bought such a guitar, the best way out is to replace it with another model.

Guitar tuning is the tuning of unfingered (open) strings to a certain height. Moreover, each of them must correspond to a specific note, due to which scales and chords are played. In other words, guitar tuning is tuning each string to its own note. There are a huge number of tuning varieties of the guitar, which is a transposing instrument. This suggests that the notes of musical compositions for it are written an octave higher than they actually sound, in order to avoid adding lines below.

A simple six-string guitar has a standard tuning (classical, “Spanish”) - this is how it happened historically. In some cases, non-standard tuning is used - if this way it is easier to play certain musical genres. After adjusting the tuning, the sound of the instrument changes dramatically.

Guitars are mostly tuned and played in classical E (E) tuning. This name comes from the numbering of the strings, starting with the thinnest and highest in sound.

Types of standard guitar tuning

Varieties of classical guitar tuning include:

Low tuning guitar

The strings must be lowered below the standard level. After the manipulations have been performed, the sound becomes lower and even somewhat rough, acquiring a heavy tint, which is quite often adopted by rockers. To change tuning from normal to low tuning, you will need to lower all the strings of the instrument by a certain interval. Let's look at an example: lowering the strings by one key we get D (D) tuning.

If there is a need to lower the tuning by more than one key, you will need to replace the strings: put them thicker than the previous ones, since after replacement the tension will be weak;

Increased guitar tuning

The strings rise an order of magnitude above the classical level. Such structures are rarely in demand. To re-tune in this case, it is recommended to switch to thinner strings, otherwise use may lead to injury from their breakage or malfunction of the instrument.

The most convenient way to use a capo is a clamp that changes the pitch by installing it on one of the frets of the neck of a six-string guitar.

Capo

Other types of guitar tuning

Some of the most famous types of guitar tuning are also:

Drop D build. How to set up.

It differs from the standard one by lowering string No. 6 by one key. This tuning is used very often by rock musicians, including using various guitar effects; the tuning also makes it easier to play fifth chords.

Build Drop C. How to set up.

Gives the sound low and heavy shades, most often used when performing works belonging to heavy musical styles performed on an electric instrument. The strings, compared to the classic tunings (all except six), are tuned to a lower key, string number six is ​​two keys lower, the tuning is used most often for playing fifth chords.

Double Drop D tuning. How to set up.

Reminiscent of Drop D, the difference between the double drop is the tuning of the number one string, which moves down a key in the same way as the six. This tuning was often used by famous guitarist Neil Young.

Cortez The Killer song played in Double Drop D tuning

Build DADGAD. How to setup.

Widely used by folk musicians, it was invented by the English musician David Graham for comfortable playing according to the notes of musical works written for bagpipes and violin.

Build DADDAD. How to setup.

DADDAD – Best suited for playing Celtic and other folk music, rhythm guitar parts in alternative or heavy music. From the classics it is translated by lowering strings No. 1, 2, 6 by one tone, string number three is tuned to play similarly to the four.

Non-classical settings are used for the convenience of playing certain musical genres or pieces of music.

Classic setting method

1. tuning fork
2. The 1st string is used to tune the 2nd string, which, being pressed at the V fret, should sound the same as the 1st open (not pressed) string.
3. The 3rd string, pressed at the 4th fret, is tuned to the 2nd open string.
4. The 4th string, pressed on the V fret, is tuned to the 3rd open string.
5. The 5th string, pressed at the V fret, is tuned to the 4th open string.
6. The 6th string, pressed at the V fret, is tuned to the 5th open string.

Tuning with harmonics and temperament

Allows for much more precise tuning, since the accuracy of the frets is not always sufficient.

1. The 1st string is tuned using the reference sound - the sound of a tuning fork - or the sound of an already tuned musical instrument.
2. The 6th string is tuned so that its harmonic at the 5th fret sounds in unison with the 1st string.
3. The 5th string is tuned so that its harmonic at the 7th fret sounds in unison with the 1st string, and then it is slightly pulled up so that a beat occurs with a frequency of 0.372 Hz (one beat in 2.7 seconds).
4. The 4th string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 5th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.497 Hz (one beat per 2.01 seconds).
5. The 3rd string is tuned so that its harmonic at the 7th fret sounds in unison with the harmonic of the 4th string at the 5th fret, and then slightly tightened so that a beat occurs with a frequency of 0.664 Hz (one beat per 1.51 seconds).
6. The 2nd string is tuned so that its harmonic on the 5th fret sounds almost in unison with the harmonic of the 1st string on the 7th fret, but is slightly shortened so that a beat with a frequency of 1.12 Hz is heard (one beat per 0.9 seconds).

When tuning using the tuning fork A (“A”), the 5th string is tuned first (the harmonic on the V fret in unison with the tuning fork), then the 1st and 6th, and then the 4th, 3rd and 2nd.

With good hearing, and having accumulated sufficient experience, you can do without using harmonics, catching the beat of overtones in the sound of open strings.

Since changing the string tension leads to deformation of the guitar body and detuning of the remaining strings, it is recommended to tune the guitar in 2-3 iterations, the first of which can be done without temperament (without carefully calculating the beat frequency).

Lower tunings of a six-string guitar

Lower (that is, lower than the usual EBGDAE tuning) tunings are used for more convenient playing in a certain key, or to obtain a lower, “heavy” sound. In particular, many rock guitarists love the so-called. Drop tunings, which are named by adding to “Drop” a note on the 6th string that drops 1 tone below the first (for example: Drop C = DAFCGC). To change from a classical tuning to some lower tuning, all the strings of the guitar are lowered by a certain interval (for example, to change to tuning D, you need to lower all the strings of the guitar by a tone). To lower the guitar's tuning by more than a tone, you may need to change the strings to thicker ones due to the weakening of their tension. Also, for tunings below B (B), mostly baritone guitars are used.

String	Scale E♭ (E-flat)		Build D (re)		Scale D♭ (D-flat)		Build C (before)		System B (si)
	Note	Frequency (in hertz)	Note	Frequency	Note	Frequency	Note	Frequency	Note	Frequency
First	e♭¹ (E-flat first octave)	311.13	d¹ (D first octave)	293.66	d♭¹ (D-flat first octave)	277.18	c¹ (to the first octave)	261.63	b (B small octave)	246.94
Second	b♭ (B-flat small octave)	233.08	a (A small octave)	220.00	a♭ (A-flat small octave)	207.00	g (small octave sol)	196.00	g♭ (G-flat small octave)	185.00
Third	g♭ (G-flat small octave)	185.00	f (f small octave)	174.62	e (minor octave E)	164.81	e♭ (small octave E-flat)	155.56	d (small octave D)	147.83
Fourth	d♭ (D-flat small octave)	138.59	c (to small octave)	130.82	B (big octave B)	123.48	B♭ (B-flat major octave)	116.54	A (A major octave)	110.00
Fifth	A♭ (A-flat major octave)	103.80	G (major octave G)	98.00	G♭ (G flat major octave)	92.50	F (major octave F)	87.31	E (major octave E)	82.41
Sixth	E♭ (major octave E-flat)	77.78	D (major octave D)	73.91	D♭ (D-flat major octave)	69.30	C (to major octave)	65.41	B¹ (B counter octave)	61.74
Notes

Open C

One of the characteristic features is the ease of extracting basic major chords. A simple barre at the 2nd fret will give "D", 4th fret will give "E", 5th fret will give "F" and so on. Open strings will give you "C".

In order to tune a guitar in “Open C”, you need (starting from the “standard tuning”): 1st string (thin) Leave as in the “standard tuning” - “E” (“E”)
2nd string. Raise half a step to “C” (“C”)
3rd string. Leave as in “standard tuning” - “Salt” (“G”)
4th string. Lower one step to “Before” (“C”)
5th string. Lower one step to “Salt” (“G”)
6th string (thick). Lower by two steps from “E” to “Do” (“C”)

Raised tunings of a six-string guitar

Tuning a guitar, especially a classical one, can damage the instrument., as well as to injuries due to a sudden break of a tightened string.

To increase the tuning, you can use a capo. If rebuilding your guitar is necessary, it is recommended to use a thinner set of strings.

String	Build F (fa)		Tuning F# (F-sharp)		Tuning G (sol)		G# scale (G sharp)		System A (la)
	Note	Frequency (in hertz)	Note	Frequency	Note	Frequency	Note	Frequency	Note	Frequency
First	f¹ (fa first octave)	349.23	f¹# (F-sharp first octave)	369.99	g¹ (sol of the first octave)	392.00	g¹# (G-sharp first octave)	415.30	a¹ (A first octave)	440.00
Second	с¹ (to the first octave)	261.63	с¹# (C-sharp of the first octave)	277.18	d¹ (D first octave)	293.66	D¹# (D-sharp first octave)	311.13	e¹ (E first octave)	311.13
Third	g# (G-sharp small octave)	207.00	a (A small octave)	220.00	a# (A-sharp small octave)	233.08	b (B small octave)	246.94	c¹ (to the first octave)	261.63
Fourth	d# (d-sharp small octave)	155.56	e (minor octave E)	164.81	f (f small octave)	174.62	f# (F-sharp small octave)	185.00	g (small octave sol)	196.00
Fifth	A# (A-sharp major octave)	116.54	B (big octave B)	123.48	c (to small octave)	130.82	c# (C-sharp small octave)	138.59	d (small octave D)	147.83
Sixth	F (major octave F)	87.31	F# (F-sharp major octave)	92.50	G (major octave G)	98.00	G# (G-sharp major octave)	103.80	A (A major octave)	110.00
Notes

"Drop D" formation

This tuning differs from the classical one in that it is lowered by tone sixth string. It is often used by hard rock electric guitarists because it makes it easier to play 5th chords. power-chord), also some classical guitar works were written for him (in the keys of D major and D minor).

"Drop C" formation

Used to produce an even lower and “heavier” sound on an electric guitar. Unlike the classical system, all strings except the sixth tune in to tone below and sixth string- on two tones.
Like the Drop D tuning, it is used to play fifth chords.

Double Drop-D formation

The tuning is similar to Drop D, differing in that the first string is lowered a tone. For tuning from classical tuning first And sixth the string is lowered to tone.
In this tuning, the top four open strings of the guitar form a G major chord, making it easier to play with slide. Double drop D was often used by performer Neil Young.

Build "DADGAD"

The tuning most often used in folk music. It was invented by British guitarist David Graham for more convenient playing from notes recorded for violin or bagpipes.
To change the “DADGAD” system from the classic one, you need to lower it to tone first, second And sixth strings.

Build "DADDAD"

The “Papa-Papa” tuning is most suitable both for use in folk music (Celtic) and for playing rhythm guitar parts in “heavy” (alternative) music, 4 notes at a time. To change the tuning “DADDAD” from the classical one, you need to lower it to tone first, second And sixth strings. A third tune in unison with fourth.

Build "Open D"

In this tuning, the open strings form a D major chord. It is used primarily on slide guitars.
To rebuild into this system from the classical first, second And sixth strings drop to tone, third goes down to semitone.

"Open G" build

In this tuning, the open strings form a G major chord.
To change to "Open G" tuning from the classic first, fifth And sixth strings drop to tone.

"New Standard"

Also known as "Crafty tuning". A tuning developed by musician Robert Fripp and used by him since 1983. In contrast to the classical “quart” tuning, the tuning proposed by Robert Fripp is closer to bowed string instruments, and first, second And third the strings are tuned similarly to a violin. Tuning to this tuning may require replacing the lower strings with thicker ones and the upper strings with thinner ones.

"Alternative tuning Cross A"

E-A-E-A-E-A. "Sitar A" is an alternative lowered guitar tuning. Reminds me of the sound of an Indian sitar. Great for creating Indian (oriental) music.

Seven-string tunings

Standard

The structure of the strings of a seven-string guitar is mixed - third-fourth, so the chord of the open strings is consonant (major quarter-sixth chord), unlike a six-string guitar. This system is considered classical (academic).

In this article on the site we will talk about alternative guitar tunings.

Unusual guitar tuning is a type of tuning that differs from the classical and generally accepted fourth tuning.

It is important to understand that we are talking here about open strings, that is, notes will be extracted from open strings without pressing.

The classic tuning of a six-string guitar in notes looks like this (from the first string to the sixth): E (mi), H (si), G (sol), D (re), A (la), E (mi).

This tuning is used by guitarists 95% of the time and is considered the default tuning.

For example, if you see a chord grid with the indicated finger placement, it means that this classical tuning is implied, and you only need to use it.

On the other hand, there are a lot of musical groups that take advantage of their individual tuning of instruments. Often, such an alternative tuning differs little from the generally accepted one, and the changes affect only individual strings.

For example, the sixth bass string in heavy musical styles is often lowered a tone lower - from MI - to RE, and an additional seventh string SI (the thickest) is added.

Similar techniques of alternative tuning are used on the bass guitar, especially the five-string, where instead of the classical MI there is a SI or even a SI-flat in the bass.

If you look at the tabs of the same Korn, Sepultura or Cannibal Corpse, you will definitely notice the use of alternative guitar tuning.

However, custom guitar tuning is not limited to just one string. The same metal bands, in order to give the music more heaviness and darkness, rebuild the entire guitar.

For example, the classical guitar tuning often shifts entirely down a semitone or tone, moving from the general tuning of fourths MI to the general tuning of RE.

All this is implemented simply: all the strings of the guitar are lowered at the same interval lower, which achieves a special lowered sound.

On the other hand, alternative guitar tunings are often used in other styles.

In jazz, in blues, in grunge and even in rock.

For example, when playing with a slider (a special tip placed on the guitarist’s finger), it is very convenient to line up the guitar in fifths, so that when the fret is pressed, a whole chord can be heard without dissonant notes. Similar practices are found in other styles of music.

Unusual guitar tuning, alternative tuning

In order not to bore the reader with long stories, we will present several alternative tuning options for a six-string guitar. You can use these settings variations at your own discretion.

For example, to diversify your playing, to find new musical ideas, to change the monotonous classical sound of an instrument...

Alternate tuning of a guitar is usually implemented so that all of the open strings of the instrument produce a specific minor or major chord.

When playing in this tuning, you can simply press entire frets of the guitar and get new chords.

For example, by tuning a guitar in D major and plucking all the strings at the fifth fret, you will get a pure G major, and at the seventh fret you will get an A major.

Note: The examples below indicate an alternative order of notes from the SIXTH string to the FIRST string (the sixth is the far left and the first is the far right).

To perform the correct tuning you will have to either tighten or loosen individual strings, going beyond the generally accepted tuning.

1. Alternative guitar tuning in D major (D):

2. Unusual guitar tuning in G major (G):

3. Tuning a six-string guitar in the key of C major (C):

4. Alternative tuning E major (E):

5. Non-standard tuning G minor (Gm):

6. Alternative guitar tuning in D minor (Dm):

7. Unusual tuning of a six-string guitar in the key of A minor (Am):

And a few more completely unusual configuration options:

8. SOL fret tuning (G):

9. Alternative tuning in PE fret (D):

10. Guitar stand in A major (A major):

11. Tuning a guitar with sol bass:

12. Unusual tuning of an instrument with bass BEFORE:

13. Bass retuned to PE (D):

14. Guitar tuning with a lowered first string:

Note: "B" is the symbol for B-flat, and simply B is written as "H". Moreover, in the pictures for this article, “B” indicates the note SI.

This confusion is associated with the notation of the SI note in various forms of musical notation, but don’t let this scare you. In the article, the pure note SI is designated exclusively as “H”.

As you can see, there are different approaches to rebuilding a six-string instrument. In some cases, all notes are changed, and in some situations, only some strings are twisted (not all).

For example, changes are often made to the bass strings, and you may see this option especially often. The most problematic type of guitar tuning is adding strings.

To implement such a tuning, you will either need to use a seven-string instrument, or shift all the strings, adding a thick B string in the bass.

In general, you could come up with such alternative tunings yourself, experimenting with different guitar tunings.

Do not think that all possible options are limited to only the 14 examples described above. In fact, there are many, many more alternative configuration methods!