Yes Vinci's full name. Technical inventions of Leonardo da Vinci

(Leonardo da Vinci) (1452–1519) - the greatest figure, multifaceted genius of the Renaissance, founder of the High Renaissance. Known as an artist, scientist, engineer, inventor.

Leonardo da Vinci was born on April 15, 1452 in the town of Anchiano near the city of Vinci, located near Florence. His father was Piero da Vinci, a notary who came from a prominent family in the city of Vinci. According to one version, the mother was a peasant woman, according to another, a tavern owner known as Katerina. At about the age of 4.5 years, Leonardo was taken into his father's house, and in documents of that time he is named as the illegitimate son of Piero. In 1469 he entered the workshop of the famous artist, sculptor and jeweler Andrea del Verrocchio ( 1435/36–1488). Here Leonardo went through his entire apprenticeship: from rubbing paints to working as an apprentice. According to the stories of contemporaries, he painted the left figure of the angel in Verrocchio's painting Baptism(c. 1476, Uffizi Gallery, Florence), which immediately attracted attention. The naturalness of movement, the smoothness of lines, the softness of chiaroscuro - distinguishes the figure of an angel from Verrocchio’s more rigid writing. Leonardo lived in the master's house even after he was accepted into the Guild of St. Luke, a guild of painters, in 1472.

One of the few dated drawings by Leonardo was created in August 1473. View of the Arno Valley from above, it was made with a pen with quick strokes, conveying vibrations of light and air, which indicates that the drawing was made from life (Uffizi Gallery, Florence).

The first painting attributed to Leonardo, although its authorship is disputed by many experts, is Annunciation(c. 1472, Uffizi Gallery, Florence). Unfortunately, the unknown author made later corrections, which significantly deteriorated the quality of the work.

Portrait of Ginevra de Benci(1473–1474, National Gallery, Washington) is permeated with a melancholy mood. Part of the picture at the bottom is cropped: probably, the hands of the model were depicted there. The contours of the figure are softened using the sfumato effect, created even before Leonardo, but it was he who became the genius of this technique. Sfumato (Italian sfumato - foggy, smoky) is a technique developed in the Renaissance in painting and graphics, which allows you to convey the softness of modeling, the elusiveness of object outlines, and the feeling of an airy environment.

Between 1476 and 1478 Leonardo opens his workshop. This period dates back to Madonna with a flower, so-called Madonna Benoit(c. 1478, State Hermitage Museum, St. Petersburg). The smiling Madonna addresses the baby Jesus sitting on her lap; the movements of the figures are natural and flexible. This painting exhibits Leonardo's characteristic interest in showing the inner world.

An unfinished painting is also an early work. Adoration of the Magi(1481–1482, Uffizi Gallery, Florence). The central place is occupied by the group of Madonna and Child and the Magi placed in the foreground.

In 1482, Leonardo left for Milan, the richest city of that time, under the patronage of Ludovico Sforza (1452–1508), who maintained an army and spent huge amounts of money on magnificent festivities and the purchase of works of art. Introducing himself to his future patron, Leonardo talks about himself as a musician, military expert, inventor of weapons, war chariots, cars, and only then talks about himself as an artist. Leonardo lived in Milan until 1498, and this period of his life was the most fruitful.

The first commission Leonardo received was to create an equestrian statue in honor of Francesco Sforza (1401–1466), father of Lodovico Sforza. Working on it for 16 years, Leonardo created many drawings, as well as an eight-meter clay model. In an effort to surpass all existing equestrian statues, Leonardo wanted to make a grandiose sculpture, to show a horse rearing up. But when faced with technical difficulties, Leonardo changed his plan and decided to depict a walking horse. In November 1493 model Horse without a rider was put on public display, and it was this event that made Leonardo da Vinci famous. About 90 tons of bronze were required to cast the sculpture. The collection of metal that had begun was interrupted, and the equestrian statue was never cast. In 1499 Milan was captured by the French, who used the sculpture as a target. After some time it collapsed. Horse- a grandiose, but never completed project - one of the significant works of monumental sculpture of the 16th century. and, according to Vasari, “those who have seen the huge clay model ... claim that they have never seen a more beautiful and majestic work,” called the monument “a great colossus.”

At the Sforza court, Leonardo also worked as a decorative artist for many festivities, creating previously unseen decorations and mechanisms, and making costumes for allegorical figures.

Unfinished canvas Saint Jerome(1481, Vatican Museum, Rome) shows the saint in a moment of penance in an elaborate turn with a lion at his feet. The picture was painted in black and white colors. But after covering it with varnish in the 19th century. the colors turned olive and golden.

Madonna of the Rocks(1483–1484, Louvre, Paris) is a famous painting by Leonardo, painted in Milan. The image of the Madonna, baby Jesus, little John the Baptist and an angel in a landscape is a new motif in Italian painting of that time. Through the opening of the rock one can see a landscape to which sublimely ideal features are given, and in which the achievements of linear and aerial perspective are shown. Although the cave is dimly lit, the picture is not dark, faces and figures softly emerge from the shadows. The finest chiaroscuro (sfumato) creates the impression of dim diffused light, modeling faces and hands. Leonardo connects the figures not only by a common mood, but also by the unity of space.

LADY WITH ERMINE. 1485–1490. Czartoryski Museum

Lady with an ermine(1484, Czartoryski Museum, Krakow) is one of Leonardo’s first works as a court portrait painter. The painting depicts Lodovic's favorite Cecilia Gallerani with the emblem of the Sforza family, an ermine. The complex turn of the head and the exquisite bend of the lady’s hand, the curved pose of the animal - everything speaks of the authorship of Leonardo. The background was rewritten by another artist.

Portrait of a musician(1484, Pinacoteca Ambrosiana, Milan). Only the young man's face is completed, the rest of the picture is not painted. The type of face is close to the faces of Leonardo's angels, only executed more courageously.

Another unique work was created by Leonardo in one of the halls of the Sforza Palace, which is called Donkey. On the vaults and walls of this hall he painted crowns of willows, whose branches are intricately intertwined and tied with decorative ropes. Subsequently, part of the paint layer fell off, but a significant part was preserved and restored.

In 1495 Leonardo began work on Last Supper(area 4.5 × 8.6 m). The fresco is located on the wall of the refectory of the Dominican monastery of Santa Maria delle Grazie in Milan, at a height of 3 m from the floor and occupies the entire end wall of the room. Leonardo oriented the perspective of the fresco towards the viewer, thereby it organically entered into the interior of the refectory: the perspective reduction of the side walls depicted in the fresco continues the real space of the refectory. Thirteen people are sitting at a table parallel to the wall. In the center is Jesus Christ, to the left and right of him are his disciples. The dramatic moment of exposure and condemnation of betrayal is shown, the moment when Christ has just uttered the words: “One of you will betray Me,” and the different emotional reactions of the apostles to these words. The composition is built on a strictly verified mathematical calculation: in the center is Christ, depicted against the background of the middle, largest opening of the rear wall, the vanishing point of perspective coincides with his head. The twelve apostles are divided into four groups of three figures each. Each is given a vivid characterization through expressive gestures and movements. The main task was to show Judas, to separate him from the rest of the apostles. By placing him on the same line of the table as all the apostles, Leonardo psychologically separated him by loneliness. Creation last supper became a notable event in the artistic life of Italy at that time. As a true innovator and experimenter, Leonardo abandoned the fresco technique. He covered the wall with a special composition of resin and mastic, and painted with tempera. These experiments led to the greatest tragedy: the refectory, which was hastily repaired by order of Sforza, the picturesque innovations of Leonardo, the lowland in which the refectory was located - all this served a sad service to the preservation last supper. The paints began to peel off, as Vasari already mentioned in 1556. Secret supper It was restored several times in the 17th and 18th centuries, but the restorations were unskilled (paint layers were simply reapplied). By the mid-20th century, when last supper fell into a deplorable state, they began scientific restoration: first the entire paint layer was fixed, then later layers were removed, and Leonardo’s tempera painting was revealed. And although the work was severely damaged, these restoration works made it possible to say that this Renaissance masterpiece was saved. Working on the fresco for three years, Leonardo created the greatest creation of the Renaissance.

After the fall of Sforza's power in 1499, Leonardo travels to Florence, stopping at Mantua and Venice along the way. In Mantua he creates cardboard with Portrait of Isabella d'Este(1500, Louvre, Paris), made with black chalk, charcoal and pastel.

In the spring of 1500, Leonardo arrived in Florence, where he soon received an order to paint an altar painting in the Monastery of the Annunciation. The order was never completed, but one of the options is considered to be the so-called. Burlington House Cardboard(1499, National Gallery, London).

One of the significant commissions received by Leonardo in 1502 to decorate the wall of the meeting room of the Signoria in Florence was Battle of Anghiari(not preserved). Another wall for decoration was given to Michelangelo Buonarroti (1475–1564), who painted a painting there Battle of Kashin. Leonardo's sketches, now lost, showed a panorama of the battle, in the center of which a fight for the banner took place. Cartons by Leonardo and Michelangelo, exhibited in 1505, were a huge success. As is the case with Last Supper, Leonardo experimented with paints, as a result of which the paint layer gradually crumbled. But preparatory drawings and copies have survived, which partly give an idea of ​​the scale of this work. In particular, a drawing by Peter Paul Rubens (1577–1640) has survived, which shows the central scene of the composition (c. 1615, Louvre, Paris).
For the first time in the history of battle painting, Leonardo showed the drama and fury of battle.

MONA LISA. Louvre, Paris Mona Lisa- the most famous work of Leonardo da Vinci (1503–1506, Louvre, Paris). Mona Lisa (short for Madonna Lisa) was the third wife of the Florentine merchant Francesco di Bartolomeo dele Giocondo. Now the picture has been slightly changed: originally columns were drawn on the left and right, now cut off. The small-sized painting makes a monumental impression: the Mona Lisa is shown against the backdrop of a landscape where the depth of space and airy haze are conveyed with the greatest perfection. Leonardo’s famous sfumato technique is here brought to unprecedented heights: the thinnest, as if melting, haze of chiaroscuro, enveloping the figure, softens the contours and shadows. There is something elusive, bewitching and attractive in a light smile, in the liveliness of facial expression, in the majestic calm of the pose, in the stillness of the smooth lines of the hands.

In 1506 Leonardo received an invitation to Milan from Louis XII of France (1462-1515). Having given Leonardo complete freedom of action and regularly paying him, the new patrons did not require specific work from him. Leonardo is interested in scientific research, sometimes turning to painting. Then the second version was written Madonnas of the Rocks(1506–1508, British National Gallery, London).

MADONNA AND CHILD AND ST. ANNA. OK. 1510. Louvre, Paris

St. Anne with Mary and the Christ Child(1500–1510, Louvre, Paris) is one of the themes of Leonardo’s work, to which he repeatedly addressed. The last development of this topic remained unfinished.

In 1513 Leonardo travels to Rome, to the Vatican, to the court of Pope Leo X (1513–1521), but soon loses the pope's favor. He studies plants in the botanical garden, draws up plans for draining the Pontine swamps, and writes notes for a treatise on the structure of the human voice. At this time he created the only Self-portrait(1514, Bibliotheca Reale, Turin), executed in sanguine, showing a gray-haired old man with a long beard and a gaze.

Leonardo's last painting was also painted in Rome - Saint John the Baptist(1515, Louvre, Paris). St. John is shown as pampered with a seductive smile and feminine gestures.

Leonardo again receives an offer from the French king, this time from Francis I (1494–1547), successor of Louis XII: to move to France, to an estate near the royal castle of Amboise. In 1516 or 1517 Leonardo arrives in France, where he is given apartments at the Cloux estate. Surrounded by the king's respectful admiration, he receives the title "First Artist, Engineer and Architect of the King." Leonardo, despite his age and illness, is engaged in drawing canals in the Loire River valley and takes part in the preparation of court festivities.

Leonardo da Vinci died on May 2, 1519, leaving his drawings and papers in his will to Francesco Melzi, a student who kept them throughout his life. But after his death, all the countless papers were distributed all over the world, some were lost, some are stored in different cities, in museums around the world.

A scientist by vocation, Leonardo even now amazes with the breadth and variety of his scientific interests. His research in the field of aircraft design is unique. He studied the flight, gliding of birds, the structure of their wings, and created the so-called. ornithopter, a flying machine with flapping wings, never realized. He created a pyramidal parachute, a model of a helical propeller (a variant of a modern propeller). Observing nature, he became an expert in the field of botany: he was the first to describe the laws of phyllotaxy (laws governing the arrangement of leaves on the stem), heliotropism and geotropism (laws of the influence of the sun and gravity on plants), and discovered a way to determine the age of trees by annual rings. He was an expert in the field of anatomy: he was the first to describe the valve of the right ventricle of the heart, demonstrated anatomy, etc. He created a system of drawings that now help students understand the structure of the human body: he showed the object in four views to examine it from all sides, created an image system organs and bodies in cross section. His research in the field of geology is interesting: he gave descriptions of sedimentary rocks and explanations of marine deposits in the mountains of Italy. As an optical scientist, he knew that visual images are projected upside down on the cornea of ​​the eye. He was probably the first to use a camera obscura (from Latin camera - room, obscurus - dark) - a closed box with a small hole in one of the walls - for sketching landscapes; rays of light are reflected on the frosted glass on the other side of the box and create an inverted color image, used by 18th century landscape painters. for accurate reproduction of views). In Leonardo's drawings there is a design for an instrument for measuring the intensity of light, a photometer, which was brought to life only three centuries later. He designed canals, locks, and dams. Among his ideas you can see: lightweight shoes for walking on water, a lifebuoy, webbed gloves for swimming, a device for underwater movement, similar to a modern spacesuit, machines for making rope, grinding machines and much more. Talking to mathematician Luca Pacioli, who wrote the textbook About Divine Proportion, Leonardo became interested in this science and created illustrations for this textbook.

Leonardo also acted as an architect, but none of his projects were ever brought to life. He participated in a competition to design the central dome of the Milan Cathedral, created a design for a mausoleum for members of the royal family in the Egyptian style, and a project he proposed to the Turkish Sultan for the construction of a huge bridge across the Bosphorus Strait, under which ships could pass.

There are a large number of Leonardo's drawings left, made with sanguine, colored crayons, pastels (Leonardo is credited with the invention of pastels), silver pencil, and chalk.

In Milan Leonardo begins to paint Treatise on Painting, work on which continued throughout his life, but was never completed. In this multi-volume reference book, Leonardo wrote about how to recreate the world around him on canvas, about linear and aerial perspective, proportions, anatomy, geometry, mechanics, optics, the interaction of colors, and reflexes.

John the Baptist. 1513-16

Madonna Litta 1478-1482 Hermitage, St. Petersburg, Russia

Leda with a swan 1508 - 1515 Ufizi Gallery, Florence, Italy

The life and work of Leonardo da Vinci left a colossal mark not only in art, but also in science and technology. Painter, sculptor, architect - he was a natural scientist, mechanic, engineer, mathematician, and made many discoveries for subsequent generations. This was the greatest personality of the Renaissance.

"Vitruvian Man"- the generally accepted name for a graphic drawing by da Vinci made in 1492. as an illustration for entries in one of the diaries. The drawing depicts a naked male figure. Strictly speaking, these are even two images of the same figure superimposed on each other, but in different poses. A circle and a square are described around the figure. The manuscript containing this drawing is sometimes also called the “Canon of Proportions” or simply “Proportions of Man.” Now this work is kept in one of the museums of Venice, but is exhibited extremely rarely, since this exhibit is truly unique and valuable both as a work of art and as a subject of research.

Leonardo created his “Vitruvian Man” as an illustration of the geometric studies he carried out based on the treatise of the ancient Roman architect Vitruvius (hence the name of da Vinci’s work). In the treatise of the philosopher and researcher, the proportions of the human body were taken as the basis for all architectural proportions. Da Vinci applied the research of the ancient Roman architect to painting, which once again clearly illustrates the principle of the unity of art and science put forward by Leonardo. In addition, this work also reflects the master’s attempt to relate man to nature. It is known that da Vinci considered the human body as a reflection of the universe, i.e. was convinced that it functions according to the same laws. The author himself considered the Vitruvian Man as a “cosmography of the microcosm.” There is also a deep symbolic meaning hidden in this drawing. The square and circle in which the body is inscribed do not simply reflect physical, proportional characteristics. A square can be interpreted as the material existence of a person, and a circle represents its spiritual basis, and the points of contact of geometric figures with each other and with the body inserted into them can be considered as the connection of these two foundations of human existence. For many centuries, this drawing was considered as a symbol of the ideal symmetry of the human body and the universe as a whole.

There is a theory according to which geniuses are born only at that historical moment when development, cultural and social, has already prepared the ground for them. This hypothesis well explains the emergence of great personalities whose deeds were appreciated during their lifetime. The situation is more difficult with those brilliant minds whose calculations and developments have far surpassed their era. Their creative thought, as a rule, received recognition only centuries later, often being lost over the centuries and revived again when all the conditions for the implementation of brilliant plans appeared.

The biography of Leonardo da Vinci is just an example of such a story. However, among his achievements there were those recognized and understood by his contemporaries, and those that were only recently able to be appreciated.

Son of a notary

Leonardo da Vinci's date of birth is April 15, 1452. He was born in sunny Florence, in the town of Anchiano, not far from the town of Vinci. Most of all, his origin is evidenced by his name, which actually means “Leonardo comes from Vinci.” The childhood of the future genius largely predetermined his entire future life. Leonardo's father, the young notary Piero, was in love with a simple peasant woman, Katerina. Da Vinci became the fruit of their passion. However, soon after the birth of the boy, Piero married a rich heiress and left his son in the care of his mother. Fate would have it so that their marriage turned out to be childless, so at the age of three little Leo was separated from his mother and began to live with his father. These events left an indelible imprint on the future genius: the entire work of Leonardo da Vinci was permeated with the search for the image of his mother, Katerina, abandoned in childhood. According to one version, it was the artist who captured it in the famous painting “Mona Lisa”.

First successes

From childhood, the great Florentine showed a penchant for many sciences. Quickly grasping the basics, he was able to baffle even the most experienced teacher. Leonardo was not afraid of complex mathematical problems; he was able to construct his own judgments based on learned axioms, which often surprised his teachers. He also held music in high esteem. Among the many instruments, Leonardo gave his preference to the lyre. He learned to extract beautiful melodies from it and sang with pleasure to its accompaniment. But most of all he liked painting and sculpture. He was passionate about them, which soon became noticeable to his father.

Andrea del Verrocchio

Piero, paying tribute to his son’s sketches and drawings, decided to show them to his friend, the then famous painter Andrea Verrocchio. The work of Leonardo da Vinci made a great impression on the master, and he offered to become his teacher, to which his father, without thinking twice, agreed. So the young artist began to become familiar with great art. The biography of Leonardo da Vinci covered here would be incomplete without mentioning how this training ended for the painter.

One day Verrocchio was commissioned to paint the baptism of Christ. At that time, masters quite often assigned their best students to paint minor figures or backgrounds. Having depicted Saint John and Christ, Andrea del Verrocchio decided to paint two angels side by side and commissioned the young Leonardo to paint one of them. He did the job with all diligence, and it was difficult not to notice how the student’s skill surpassed that of the teacher. The biography of Leonardo da Vinci, presented by Giorgio Vasari, a painter and the first art critic, contains a mention that Verrocchio not only noticed the talent of his apprentice, but refused to take up a brush forever after that - this superiority hurt him so much.

Not only a painter

One way or another, the union of the two masters brought many results. Andrea del Verrocchio was also involved in sculpture. To create the statue of David, he used Leonardo as a model. A characteristic feature of the immortalized hero is a slight half-smile, which a little later will become almost da Vinci’s calling card. There is also reason to believe that Verrocchio created his most famous work, the statue of Bartolomeo Colleone, together with the brilliant Leonardo. In addition, the master was famous for being an excellent decorator and director of various festivals at court. Leonardo also adopted this art.

Signs of a genius

Six years after starting his studies with Andrea del Verrocchio, Leonardo opened his own workshop. Vasari notes that his restless mind, always eager to achieve perfection in many ways, had some flaw: Leonardo often left his undertakings unfinished and immediately took on new ones. The biographer regrets that much was never created by the genius because of this, how many great discoveries he did not make, although he stood on their threshold.

Indeed, Leonardo was a mathematician, a sculptor, a painter, an architect, and an anatomist, but many of his works lacked completeness. Take, for example, the paintings of Leonardo da Vinci. For example, he was commissioned to depict Adam and Eve in the Garden of Eden. The painting was intended as a gift to the Portuguese king. The artist skillfully painted the trees, which seemed likely to rustle at the slightest breath of wind, and carefully depicted the meadow and animals. However, that’s where he completed his work, without ever finishing it.

Perhaps it was this kind of inconstancy that made Leonardo a jack of all trades. Throwing away the picture, he took to the clay, talking about the development of plants, and at the same time observed the life of the stars. Perhaps, if a genius strived to complete each of his works, today we would know only the mathematician or the artist Leonardo da Vinci, but not both in one person.

"Last Supper"

In addition to the desire to embrace a lot, the great genius was characterized by a desire to achieve perfection and the ability to understand where the limit of his capabilities in this sense was. Leonardo da Vinci's paintings became famous during the master's lifetime. He performed one of his most famous works for the Dominican Order in Milan. The refectory of the Church of Santa Maria delle Grazie is still decorated with his Last Supper.

There is a legend associated with the painting. The artist spent a long time searching for suitable models for the faces of Christ and Judas. According to his plan, the Son of God was supposed to embody all the good that is in the world, and the traitor was evil. Sooner or later, the search was crowned with success: among the choir members, he spotted a model suitable for the face of Christ. However, the search for a second model took three years, until Leonardo finally spotted a beggar in a ditch whose face was more than suitable for Judas. The drunk and dirty man was taken to the church because he was unable to move. There, seeing the picture, he exclaimed in surprise: it was familiar to him. A little later, he explained to the artist that three years ago, when fate was more favorable to him, Christ was drawn from him for the same picture.

Vasari's information

However, most likely, this is only a legend. At least, Vasari's biography of Leonardo da Vinci does not contain any mention of this. The author provides other information. While working on the painting, the genius really could not complete the face of Christ for a long time. It remained unfinished. The artist believed that he would not be able to depict the extraordinary kindness and great forgiveness with which the face of Christ should shine. He didn't even intend to look for a suitable model for it. However, even in such an unfinished form, the picture is still amazing. On the faces of the apostles their love for the teacher and suffering due to their inability to comprehend everything that he tells them are clearly visible. Even the tablecloth on the table is painted so carefully that it cannot be distinguished from the real thing.

The most famous painting

The main masterpiece of the great Leonardo is, without a doubt, the Mona Lisa. Vasari quite definitely calls the painting a portrait of the third wife of the Florentine Francesco del Giocondo. However, it was common for the author of many biographies, in addition to verified facts, to use legends, rumors and speculation as sources. For a long time, researchers could not find a comprehensive answer to the question of who Da Vinci’s model was. Researchers who agreed with Vasari's version dated Giaconda to 1500-1505. During these years, Leonardo da Vinci worked in Florence. Opponents of the hypothesis noted that the artist had not yet achieved such perfect skill by that time, and therefore the painting was probably painted later. In addition, in Florence, Leonardo worked on another work, “The Battle of Anghiari,” and it took a lot of time.

Among the alternative hypotheses were suggestions that the “Mona Lisa” is a self-portrait or an image of da Vinci’s lover and student, Salai, whom he captured in the painting “John the Baptist.” It was also suggested that the model was Isabella of Aragon, Duchess of Milan. All the mysteries of Leonardo da Vinci paled before this one. However, in 2005, scientists managed to find solid evidence in favor of Vasari's version. The notes of Agostino Vespucci, an official and friend of Leonardo, were discovered and studied. They, in particular, indicated that da Vinci was working on a portrait of Lisa Gherardini, the wife of Francesco del Giocondo.

Ahead of its time

If da Vinci's paintings gained fame during the author's lifetime, many of his achievements in other areas were appreciated only centuries later. The date of death of Leonardo da Vinci is May 2, 1519. However, only at the end of the nineteenth century did the recordings of the genius become public. Leonardo da Vinci's drawings describing the devices were far ahead of their time.

If the master inspired many of his contemporaries with his painting and laid the foundation for the art of the High Renaissance, then his technical achievements were impossible to bring to life at the level of technological development that existed in the sixteenth century.

Leonardo da Vinci's flying cars

The brilliant inventor wanted to soar not only in thoughts, but also in reality. He worked on creating a flying car. Leonardo da Vinci's drawings contain a diagram of the structure of the world's first model of a hang glider. This was already the third or fourth version of a flying car. The pilot was supposed to be placed inside the first ones. The mechanism was set in motion by the rotating pedals that he turned. The hang glider prototype was designed for gliding flight. This model was tested in the UK in 2002. Then the world champion in hang gliding managed to stay above the ground for seventeen seconds, while she rose to a height of ten meters.

Even earlier, the genius developed a design for a device that was supposed to rise into the air with the help of a single main rotor. The machine vaguely resembles a modern helicopter. However, this mechanism, which came into motion as a result of the concerted work of four people, had a lot of flaws, and it was not destined to become a reality even after centuries.

War vehicles

Biographers often, when describing Leonardo da Vinci as a person, note his peace-loving nature and condemnation of military actions. However, apparently, this did not stop him from developing mechanisms whose only function was to defeat the enemy. For example, he created a drawing of a tank. It had little in common with the operating mechanisms of the Second World War.

The car was set in motion thanks to the efforts of eight people turning the wheel levers. Moreover, she could only move forward. The tank had a round shape and was equipped with a large number of guns aimed in different directions. Today, almost any Leonardo da Vinci museum can demonstrate such a combat vehicle, made according to the drawings of the brilliant master.

Among the weapons invented by da Vinci was a terrifying-looking scythe chariot and a prototype of a machine gun. All these products demonstrate the breadth of thought of a genius, his ability to predict for many centuries the path of development along which society will move.

Automobile

Among the genius's developments was a car model. Outwardly, it was not much like the cars we are used to, but rather resembled a cart. For a long time it remained unclear how Leonardo intended to move it. This mystery was resolved in 2004, when in Italy a da Vinci car was created according to the drawings and equipped with a spring mechanism. Perhaps this is exactly what the author of the model assumed.

Ideal city

Leonardo da Vinci lived in turbulent times: wars were frequent, and the plague raged in many places. The searching mind of a genius, faced with serious illnesses and the misfortunes they bring, sought to find a way to improve the quality of life. Da Vinci developed a diagram of an ideal city, divided into several levels: the upper one for the upper classes, the lower one for trade. According to the author’s idea, all houses were supposed to have constant access to water using a system of pipes and canals. The ideal city consisted not of narrow streets, but of wide squares and roads. The purpose of such innovations was to reduce disease and improve hygiene. The project remained on paper: the kings to whom Leonardo proposed it considered the idea too bold.

Achievements in other areas

Science owes a lot to genius. Leonardo da Vinci had a great understanding of human anatomy. He worked hard, sketching the features of the internal arrangement of organs and the structure of muscles, and created the principles of anatomical drawing. He also made a description of the thyroid gland and its main functions. Spending time on astronomical research, he explained the mechanism by which the Sun illuminates the Moon. Da Vinci did not deprive physics of his attention, introducing the concept of friction coefficient and identifying the factors influencing it.

There are also ideas in the works of the genius that are characteristic of modern archeology. Thus, he was not a supporter of the official version at that time, according to which shells, found in abundance on the mountain slopes, got there due to the Great Flood. According to the scientist, once upon a time these mountains could have been the shores of the seas or even their bottom. And after unimaginable periods of time, they “grew up” and became what they see.

Secret writings

Among the mysteries of Leonardo, after the mystery of the Mona Lisa, his mirror handwriting is most often discussed. The genius was left-handed. He made most of his notes in reverse: the words went from right to left and could only be read with the help of a mirror. There is a version according to which da Vinci wrote this way so as not to smudge the ink. Another hypothesis says that the scientist did not want his works to become the property of fools and ignoramuses. Most likely, we will never know the correct answer to this question.

No less secret is the personal life of the great Leonardo. Little is known about her, since the genius did not seek to flaunt her. Therefore, today there are a lot of the most incredible hypotheses in this regard. However, this is a topic for a separate article.

Leonardo da Vinci's contribution to world art, his extraordinary mind, which could almost simultaneously comprehend problems from completely different areas of human knowledge, remains indisputable and obvious. Few people in history can compare with Leonardo in this sense. At the same time, he was a worthy representative of his era, incorporating all the ideals of the Renaissance. He gave the world the art of the High Renaissance, laid the foundations for a more accurate representation of reality, and created the canonical proportions of the body, embodied in the drawing “Vitruvian Man”. With all his activities, he actually defeated the idea of ​​​​the limitations of our minds.

His to-do lists were anything but boring. For us, people reading them more than 500 years later, they will seem completely surreal. As if these were the plans of a freedom-loving, overly inquisitive and slightly extravagant character from a film.

Da Vinci carried a notebook with him everywhere. In it he wrote and drew everything that came to his mind. “It is useful,” Leonardo once wrote, “to constantly observe, notice and reflect.” In one such notebook, circa 1490, a list of to-dos was discovered. And what a one!

NPR's Robert Krulwich translated Leonardo's to-do list directly. Not all of it is clear to us - after all, the great genius compiled this list for himself, and not for curious aliens from the future.

Here are the bizarre and amazing deeds of the legendary Italian:

1. [Calculate] the measurement of Milan and its suburbs.
2. [Find] a book that talks about Milan and its churches, which the booksellers should have on their way to Cordusio.
3. [Explore] the dimensions of the Corte Vecchio (courtyard in the Duke's palace).
4. [Explore] the dimensions of the castello (the ducal palace itself).
5. Contact an arithmetic master to show you how to calculate the area of ​​a triangle.
6. Contact Messea Fazio (Professor of Medicine and Law in Pavia) to clarify questions regarding proportions.
7. Contact Friar Brera (at the Monastery of St. Benedict) to view De ponderibus (the medieval text of the treatise On Weights).
8. Contact Bombardier Giannino to find out how the Ferrara Tower, whose walls have no loopholes, was built.
9. [Ask] Benedicta Portinari (Florentine merchant) how he skates on ice in Flanders.
10. *DRAW MILAN*
11. Ask Maestro Antonio how to install mortars on the bastions: day or night.
12. Examine maestro Gianetto's crossbow.
13. Find a hydraulic specialist and ask him to tell you how to fix a sluice, chute and mill in Lombardy.
14. [Ask about] the size of the sun, which maestro Giovanni Francese promised to reveal to me.
15. Try to contact Vitolone (medieval author of a text on optics), who is in the Library in Pavia, which deals with mathematics.

Surprisingly, a significant part of the list consists of consultations with experienced specialists. At the time of compiling the list, Leonard da Vinci was supposedly 38 years old and still had a passion for learning. What is not an example of the fact that learning is possible already at a fairly mature age? The main thing is curiosity.

Other records by Leonardo are also known, around 1510. Da Vinci's love for anatomy is already more clearly visible there. In a notebook filled with beautiful drawings of bones and internal organs, he makes more serious to-do lists. Leonardo's plans include obtaining a skull, describing a crocodile's jaw, a woodpecker's tongue, and assessing a corpse using fingers as a unit of measurement.

In addition, he lists the qualities that he considers important for an anatomical artist. Chief among these are a solid use of perspective, knowledge of the inner workings of the body, and a strong stomach.

When examining the notes of Leonardo da Vinci, it is necessary to remember an important fact: the creator made notes in a mirror image.

Painter, sculptor, architect, anatomist, natural scientist, inventor, engineer, writer, thinker, musician, poet. If you list only these areas of application of talent, without naming the name of the person to whom they relate, anyone will say: Leonardo da Vinci. We will consider only one of the facets of the personality of the “great Leonardo” and talk about his technical inventions.

Da Vinci was a famous figure of his time, but real fame came many centuries after his death. Only at the end of the 19th century were the scientist’s theoretical notes published for the first time. They contained descriptions of strange and mysterious devices for their time.

During the Renaissance, da Vinci could hardly count on the quick implementation of all his inventions. The main obstacle to their implementation was the insufficient technical level. But in the 20th century, almost all the devices described in his works became a reality. This suggests that the “Italian Faust” was not only a talented inventor, but also a person who was able to anticipate technological progress. Of course, this was facilitated by Leonardo's deep knowledge.

The scientist systematized his developments, creating so-called “codes” - books containing records about certain aspects of science and technology. There is, for example, "Leicester Code", in which you can find descriptions of various natural phenomena, as well as mathematical calculations.

It is noteworthy that da Vinci’s notes are made in the so-called “mirror” font. All letters are written from right to left and rotated vertically. They can only be read using a mirror. There are still ongoing debates about why the scientist needed to keep records in this way. Rumor has it that this is how he intended to keep his works secret.

Helicopter and hang glider

No technical invention evokes such awe and admiration as a flying car. That is why special attention has always been focused on da Vinci’s flying machines. The inventor always dreamed of the idea of ​​aeronautics. Birds became the source of inspiration for the scientist. Leonardo tried to create a wing for an aircraft in the image and likeness of bird wings. One of the devices he developed was driven by movable wings, which were raised and lowered by the pilot's rotation of the pedals. The pilot himself was positioned horizontally (lying down).

Another version of the flying machine involved using not only the legs, but also the arms of the aeronaut for movement. Experiments with the “bird” wing did not have practical success, and soon the inventor moved on to the idea of ​​gliding flight. This is how the hang glider prototype appeared.

By the way, in 2002, British testers proved the correctness of the da Vinci hang glider concept. Using a device built according to the master’s drawings, world hang gliding champion Judy Liden was able to rise to a height of ten meters and stay in the air for seventeen seconds.

Of no less interest is the aircraft developed by da Vinci with a main rotor. Nowadays, many consider this machine to be the prototype of a modern helicopter. Although the device looks more like a gyroplane rather than a helicopter. The screw, made of fine flax, had to be driven by four people. The helicopter was one of the first flying machines proposed by da Vinci. Perhaps that is why he had a number of serious shortcomings that would never have allowed him to take off. For example, the strength of four people was clearly not enough to create the thrust necessary for takeoff.

But the parachute was one of the simplest developments of the genius. But this does not at all detract from the significance of the invention. According to Leonardo's idea, the parachute was supposed to have a pyramidal shape, and its structure was supposed to be covered with fabric. In our time, testers have proven that da Vinci's parachute concept can be considered correct. In 2008, Swiss Olivier Tepp successfully landed using a pyramid-shaped tent. True, for this the parachute had to be made from modern materials.

Leonardo da Vinci was the illegitimate (illegitimate) son of the Tuscan notary Piero da Vinci. His mother was a simple peasant woman. Subsequently, Leonardo's father married a girl from a noble family. Since this marriage turned out to be childless, he soon took his son to him.

It is believed that da Vinci was a vegetarian. The following words are attributed to him: “If a person strives for freedom, why does he keep birds and animals in cages?.. Man is truly the king of animals, because he cruelly exterminates them. We live by killing others. We are walking cemeteries! I gave up meat at an early age.”

Automobile

When you get acquainted with the works of da Vinci, you begin to understand why small Italy became the birthplace of legendary automobile brands. Back in the 15th century, an Italian inventor was able to sketch a “self-propelled carriage”, which became the prototype of modern cars. The cart developed by Leonardo had no driver and was driven by a spring mechanism.

Although the latter is just an assumption of modern scientists. It is not known for certain how exactly the master intended to move his invention forward. We also don’t know what the first car should have looked like. Leonardo paid the main attention not to the appearance of the structure, but to the technical characteristics. The cart was three-wheeled, like a children's bicycle. The rear wheels rotated independently of each other.

In 2004, Italian researchers managed to not only build a car designed by da Vinci, but also make it move! Scientist Carlo Pedretti managed to unravel the main mystery of Leonardo da Vinci's carriage, namely the principle of movement. The researcher suggested that the car should have been driven not by springs, but by special springs, which were located at the bottom of the structure.

Tank

Bestialissima pazzia (translated from Italian as “animal madness”) - this is precisely the unflattering epithet that the “Titan of the Renaissance” awarded the war. In his notes, da Vinci mentioned that he hated war and killing machines. Paradoxically, this did not stop him from developing new military equipment.

We should not forget that Leonardo did not live in peacetime. Italian cities had a difficult relationship with each other, and there was also the threat of French intervention. By the end of the 15th century, da Vinci had become a famous and respected military specialist. He presented his numerous military developments in a letter written to the Duke of Sforza in Milan.

One of the scientist's most exciting ideas was... a tank. However, it would be much more correct to call Leonardo’s design a distant prototype of armored vehicles of the 20th century. This structure had a rounded shape and looked like a turtle, bristling with tools on all sides. The inventor hoped to solve the problem of movement with the help of horses. However, this idea was quickly abandoned: in a confined space the animals could become uncontrollable.

Instead, the “engine” of such a tank would have to be eight people who would turn levers connected to the wheels, and thus move the combat vehicle forward. Another crew member had to be at the top of the device and indicate the direction of movement. Interestingly, the design of the armored vehicle allowed it to move only forward. As you might guess, at that time the tank concept had little chance of being realized.

A tank will become a truly effective weapon only when a suitable internal combustion engine can be created. Da Vinci’s main merit was that he managed to lift the curtain of history and look many centuries ahead.

Leonardo da Vinci was a truly versatile person. The inventor played the lyre beautifully and appeared in the records of the Milan court as a musician. Da Vinci was also interested in cooking. For thirteen years, the organization of court feasts rested on his shoulders. He developed several useful devices especially for cooks.

Chariot - scythe

Another very original and at the same time creepy invention of the genius of the Renaissance dates back to 1485. It received the simple name “chariot-scythe”. This chariot was a horse cart equipped with rotating scythes. The design does not at all claim to be the invention of the century. This invention was also not destined to come to fruition. On the other hand, the war chariot demonstrates the breadth of thought of da Vinci as a military specialist.

Machine gun

One of da Vinci's most famous inventions, ahead of its time, is considered to be a machine gun. Although it would be more correct to call Leonardo’s design a multi-barreled gun. Da Vinci had several designs for multiple rocket launchers. His most famous invention in this field is the so-called “musket in the shape of an organ pipe.” The design had a rotating platform on which three rows of muskets (arquebuses) with eleven barrels were placed.

The da Vinci machine gun could only fire three shots before reloading, but they would be enough to kill a large number of enemy soldiers. The main disadvantage of the design was that such a machine gun is extremely difficult to reload, especially in combat conditions. Another version of a multi-barreled gun involved the arrangement of a large number of muskets in a fan-like arrangement. The gun barrels were pointed in different directions, increasing the radius of destruction. Like the previous development, the “fan” gun was supposed to be equipped with wheels to increase mobility.

Cannonballs and "mobile" bridges

Perhaps da Vinci's most insightful invention was the keel-shaped cannonball. Such cannonballs were shaped like artillery shells of the 20th century. This development was many centuries ahead of its time. It demonstrates the scientist's deep understanding of the laws of aerodynamics.

An invention called the “rotating bridge” was of great value for its time. This bridge became the prototype of modern mobile mechanized bridges designed for quickly crossing troops from one bank to another. The Da Vinci Bridge was solid and attached to one bank. After installing the bridge, it was supposed to turn it to the opposite bank using ropes.

"Vitruvian Man" is one of Leonardo da Vinci's most famous drawings. The drawing is notable for its detailed recreation of the proportions of the human body. It simultaneously arouses scientific and cultural interest. It is noteworthy that long before the image of the “Vitruvian Man” by da Vinci, a similar drawing was made by the Italian scientist Mariano Taccola. True, the image of Taccola was only an undeveloped sketch.

The Sforza dynasty was the ruling dynasty of Milan during the Renaissance. The first Duke of Milan was Francesco Sforza, who reigned until 1466. In 1480, the talented cultural figure Lodovico Sforza became Duke of Milan. During his reign, the most capable artists and scientists of their time were invited to the court. One of them was Leonardo da Vinci.

“Mona Lisa” (“La Gioconda”) is perhaps the most mysterious example of painting in the world. The picture still raises many questions. So, it is not known for certain who exactly da Vinci depicted on his canvas. It is believed that the painting depicts the noble Florentine Lisa Gherardini. One of the most incredible theories is that the painting is a self-portrait of da Vinci himself.

Diving suit

Yes, yes, its invention is also attributed to da Vinci. The diving suit was made of leather and equipped with glass lenses. The diver could breathe using reed tubes. The scientist proposed the concept of a diving suit to repel the threat posed by the Turkish fleet. According to the idea, the divers were supposed to dive to the bottom and wait for the arrival of enemy ships.

When enemy ships appeared above the water, the divers had to commit sabotage and send the ships to the bottom. It was not destined to prove the correctness of this concept. Venice was able to resist the Turkish fleet without the help of saboteurs. By the way, the world’s first squad of combat swimmers appeared in Italy, but this happened only in 1941. The very design of the spacesuit, presented by da Vinci, can be considered innovative.

Submarine, mine, gun parts

Leonardo da Vinci's recordings have survived to this day, in which one can clearly see the prototype of a submarine. But there is very little information about her. Most likely, on the surface the ship could move using sails. Underwater, the ship had to move using oar power.

To destroy enemy ships, da Vinci designed a special underwater mine. According to the inventor's plan, such a mine could be delivered to the side of an enemy ship by saboteur divers or a submarine. This idea was first implemented only in the second half of the 19th century, during the American Civil War.

Despite the abundance of inventions, only one of them brought da Vinci fame during his lifetime. We are talking about a wheel lock for a pistol. In the 16th century, this development gave rise to a real technological boom. The design turned out to be so successful that it was used until the 19th century.

All of the above is not a complete list of da Vinci's inventions. In addition to these developments, among the master’s ideas were: a bearing, a mechanical ladder, a rapid-fire crossbow, a steam weapon, a ship with a double bottom, and much more.

Ideal city

If history had taken a different path, the small Italian town of Vigevano near Milan could have become a real wonder of the world. It was there that Leonardo da Vinci intended to realize his most ambitious idea - the ideal city. Da Vinci's project is reminiscent of a high-tech city of the future from literary works of science fiction. Or a utopia generated by the wild imagination of a writer.

The main feature of such a city was that it consisted of several tiers connected by stairs and passages. As you might guess, the upper tier was intended for the upper strata of society. The lower one was allocated for trade and services. The most important elements of transport infrastructure were also located there. The city was to become not only the greatest architectural achievement of the time, but also to embody many technical innovations.

However, the project should not be perceived as a manifestation of soulless technocracy. Da Vinci paid a lot of attention to the comfort of the city's inhabitants. Practicality and hygiene were paramount. The scientist decided to abandon narrow medieval streets in favor of spacious roads and squares.

One of the key aspects of the concept was the widespread use of water channels. Using a complex hydraulic system, water had to be supplied to every city building. Da Vinci believed that in this way it would be possible to eliminate unsanitary conditions and reduce the spread of disease to a minimum.

Having familiarized himself with the scientist’s concept, the Duke of Milan Ludovico Sforza considered the idea too adventurous. At the end of his life, Leonardo presented the same project to the French king Francis I. The scientist proposed to make the city the capital of the monarch, but the project remained on paper.

One of da Vinci's interests was anatomy. It is known that the master dismembered many corpses, trying to understand the mysteries of human anatomy. Most of all, the scientist was interested in the structure of muscles. Leonardo da Vinci wanted to understand the principle of human movement. He left behind many anatomical records.

Genius or plagiarist?

As you know, history develops in a spiral. Many inventions were born long before their development was appropriated by other inventors. Probably Leonardo da Vinci is no exception either. We should not forget that da Vinci had access to the scientific heritage of ancient civilization. In addition, da Vinci lived surrounded by the best minds of his time. He had the opportunity to communicate with outstanding figures of science and culture. The scientist could adopt many ideas from his colleagues.

Artist and engineer Mariano Taccola is a forgotten genius of the Renaissance. He died in 1453 (da Vinci was born in 1452). Unlike da Vinci, Mariano Taccola did not receive recognition during his life and did not gain worldwide fame after it. Meanwhile, many of Taccola's developments were continued in the works of da Vinci. It is known that Leonardo was familiar with the works of Francesco di Giorgio, which, in turn, were based on the ideas of Taccola. For example, in di Giorgio's manuscripts da Vinci had the opportunity to become familiar with Taccola's concept of a diving suit.

It would be a mistake to consider da Vinci the inventor of flying machines. In the 11th century, the monk Aylmer of Malmesbury lived in England. Possessing a wide knowledge of mathematics, he built a primitive hang glider and even made a short flight on it. It is known that Aylmer managed to fly more than two hundred meters.

There is a high probability that Leonardo also borrowed the helicopter concept. But already from the Chinese. In the 15th century, traders from China brought toys that resembled mini-helicopters to Europe. A similar point of view is shared by the British historian Gavin Menzies, who believes that da Vinci adopted his most famous inventions from the inhabitants of the Middle Kingdom. Menzies claims that in 1430 a Chinese delegation visited Venice, passing on to the Venetians many of the developments of Chinese scientists.

Be that as it may, Leonardo da Vinci always remains for us one of the greatest inventors of all times. Many ideas came to life thanks to Leonardo. The scientist improved various inventions and, more importantly, was able to make them visual. Do not forget that Leonardo da Vinci was a talented artist.

The master left many sketches for his developments. And even if the ideas attributed to da Vinci do not belong to him, it cannot be denied that the scientist was able to systematize a huge layer of knowledge, conveying this knowledge to his descendants.

Leonardo da Vinci was born on April 15, 1452 in the small village of Anchiano LU, located near the town of Vinci FI. He was the illegitimate son of a wealthy notary, Piero da Vinci, and a beautiful village woman, Katarina. Soon after this event, the notary entered into a marriage with a girl of noble origin. They had no children, and Piero and his wife took their three-year-old child with them.

The Birth of an Artist

The brief time of childhood in the village is over. Notary Piero moved to Florence, where he apprenticed his son to Andrea del Veroccio, a famous Tuscan master. There, in addition to painting and sculpture, the future artist had the opportunity to study the basics of mathematics and mechanics, anatomy, working with metals and plaster, and methods of tanning leather. The young man greedily absorbed knowledge and later used it widely in his activities.

An interesting creative biography of the maestro belongs to the pen of his contemporary Giorgio Vasari. In Vasari's book “The Life of Leonardo” there is a brief story about how (Andrea del Verrocchio) attracted a student to carry out the order “The Baptism of Christ” (Battesimo di Cristo).

The angel painted by Leonardo so clearly demonstrated his superiority over his teacher that the latter threw down his brush in frustration and never painted again.

The qualification of a master was awarded to him by the Guild of St. Luke. Leonardo da Vinci spent the next year of his life in Florence. His first mature painting is “The Adoration of the Magi” (Adorazione dei Magi), commissioned for the monastery of San Donato.

Milanese period (1482 - 1499)

Leonardo came to Milan as a peace envoy from Lorenzo di Medici to Lodovico Sforza, nicknamed Moro. Here his work received a new direction. He was enrolled in the court staff first as an engineer and only later as an artist.

The Duke of Milan, a cruel and narrow-minded man, had little interest in the creative component of Leonardo’s personality. The master was even less worried about the duke's indifference. Interests converged in one thing. Moreau needed engineering devices for military operations and mechanical structures for the entertainment of the court. Leonardo understood this like no one else. His mind did not sleep, the master was sure that human capabilities are limitless. His ideas were close to the humanists of the New Age, but in many ways incomprehensible to his contemporaries.

Two important works belong to the same period - (Il Cenacolo) for the refectory of the monastery of Santa Maria della Grazie (Chiesa e Convento Domenicano di Santa Maria delle Grazie) and the painting “The Lady with an Ermine” (Dama con l’ermellino).

The second is a portrait of Cecilia Gallerani, the favorite of the Duke of Sforza. The biography of this woman is unusual. One of the most beautiful and learned ladies of the Renaissance, she was simple and kind, and knew how to get along with people. An affair with the Duke saved one of her brothers from prison. She had the most tender relationship with Leonardo, but, according to contemporaries and the opinion of most researchers, their brief relationship remained platonic.

A more common (and also not confirmed) version is about the master’s intimate relationship with his students Francesco Melzi and Salai. The artist preferred to keep the details of his personal life a deep secret.

Moro commissioned the master to create an equestrian statue of Francesco Sforza. The necessary sketches were completed and a clay model of the future monument was made. Further work was prevented by the French invasion of Milan. The artist left for Florence. He will return here again, but to another master - the French king Louis XII.

Again in Florence (1499 - 1506)

Later years (1506 - 1519)

The second Milanese period lasted until 1512. The Maestro studied the structure of the human eye, worked on the monument to Gian Giacomo Trivulzio and his own self-portrait. In 1512 the artist moved to Rome. Giovanni di Medici, the son of Giovanni di Medici, was elected pope and was ordained under the name of Leo X. The pope's brother, Duke Giuliano di Medici, highly appreciated the work of his compatriot. After his death, the master accepted the invitation of King Francis I (François I) and left for France in 1516.

Francis turned out to be the most generous and grateful patron. The maestro settled in the picturesque castle of Clos Lucé in Touraine, where he had every opportunity to do what was interesting to him. By royal commission, he designed a lion from whose chest a bouquet of lilies opened. The French period was the happiest of his life. The king assigned his engineer an annual annuity of 1000 ecus and donated land with vineyards, ensuring him a peaceful old age. The maestro's life was cut short in 1519. He bequeathed his notes, instruments and estates to his students.

Paintings

Inventions and works

Most of the master's inventions were not created during his lifetime, remaining only in notes and drawings. An airplane, a bicycle, a parachute, a tank... He was possessed by the dream of flight, the scientist believed that a person can and should fly. He studied the behavior of birds and sketched wings of different shapes. His design for a two-lens telescope is surprisingly accurate, and in his diaries there is a brief entry about the possibility of “seeing the Moon big.”

As a military engineer he was always in demand; the lightweight saddle bridges he invented and the wheel lock for a pistol were used everywhere. He dealt with the problems of urban planning and land reclamation, and in 1509 he built the St. Christopher, as well as the Martesana irrigation canal. The Duke of Moreau rejected his project for an “ideal city”. Several centuries later, the development of London was carried out according to this project. In Norway there is a bridge built according to his drawing. In France, already an old man, he designed a canal between the Loire and Saône.

The secret of genius

There were plenty of secrets in the life of the Renaissance titan. The main one opened relatively recently. But has it opened? In 1950, a list of Grand Masters of the Priory of Sion (Prieuré de Sion), a secret organization created in 1090 in Jerusalem, was published. According to the list, Leonardo da Vinci was the ninth of the Grand Masters of the Priory. His predecessor in this amazing post was Sandro Botticelli, and his successor was Constable Charles III de Bourbon. The main goal of the organization was to restore the Merovingian dynasty to the throne of France. The Priory considered the offspring of this family to be the descendants of Jesus Christ.

The very existence of such an organization raises doubts among most historians. But such doubts could have been sown by members of the Priory who wished to continue their activities in secret.

If we accept this version as the truth, the master’s habit of complete independence and the strange attraction to France for a Florentine become clear. Even Leonardo's writing style - left hand and right to left - can be interpreted as an imitation of Hebrew writing. This seems unlikely, but the scale of his personality allows us to make the most daring assumptions.

Stories about the Priory cause distrust among scientists, but enrich artistic creativity. The most striking example is Dan Brown's book “The Da Vinci Code” and the film of the same name.

• At the age of 24, together with three Florentine youths was accused of sodomy. The company was acquitted due to lack of evidence.
• Maestro was a vegetarian. People who consume animal food were called “walking cemeteries.”
• He shocked his contemporaries with his habit of carefully examining and sketching the hanged in detail. He considered studying the structure of the human body to be the most important activity.
• There is an opinion that the maestro developed tasteless and odorless poisons for Cesare Borgia and wiretapping devices made of glass tubes.
• Television mini-series "The Life of Leonardo da Vinci"(La vita di Leonardo da Vinci), directed by Renato Castellani, received a Golden Globe award.
• named after Leonardo da Vinci and is decorated with a huge statue depicting a master with a model of a helicopter in his hands.

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