Oleg Rybkin. Other significant directorial works

Biography

Oleg Rybkin was born in the city of Kerch (Autonomous Republic of Crimea, Ukraine).

In 1993 he graduated from the Russian Academy of Theater Arts (GITIS), the workshop of Pyotr Naumovich Fomenko.

The diploma performance - “Krechinsky’s Wedding” based on A. Sukhovo-Kobylin, was staged in the Krasnoyarsk Drama Theater in 1993. A. S. Pushkin.

1994-1997 - Director of the BBC radio station.

1997-2002 - Chief director of the Novosibirsk Academic Theater "Red Torch". He was the first Novosibirsk director to be nominated for the national theater award “Golden Mask”. Oleg Rybkin’s productions participated in international festivals in Europe, the festivals “Real Theatre”, “Ostrovsky in Ostrovsky’s House”, “Siberian Transit”, “International Volkov Festival”, “Rainbow” and others.

Since August 2006 - Chief Director of the Krasnoyarsk Drama Theater. A.S. Pushkin. Since 2008 - artistic director of the Festival of Contemporary Drama “Drama. New Code" (DNA) Oleg Rybkin staged more than fifty performances in theaters in Moscow, St. Petersburg, Omsk, Tomsk, Samara, Novosibirsk, Chelyabinsk, Perm, Stavropol, Yekaterinburg, Ufa, Sofia and other cities.

Directing works

Performances nominated for the national theater award “Golden Mask”:

“Zoyka’s Apartment” after M. Bulgakov, 1997, Red Torch Theater;

“Yvonne, Princess of Burgundy” after V. Gombrowicz, 1998, Red Torch Theater. The performance also took part in the international Gombrowicz Festival in Poland;

“Three Sisters” after A. Chekhov, 1999, Red Torch Theater. Also in 2001, the performance participated in the Siberian Transit festival;

“Invitation to Execution”, play by O. Rybkin based on the novel by V. Nabokov, 2000, Omsk Academic Drama Theater;

“The Seagull” after A. Chekhov, 2007, Krasnoyarsk Drama Theater named after. A. S. Pushkin. The performance also participated in festivals: “Siberian Transit” in Barnaul, “Golden Mask” in the regions of Russia” in Omsk, “International Volkov Festival” in Yaroslavl, “Baltic House” in St. Petersburg and “International Christmas Arts Festival” in Novosibirsk.

“Alice’s Journey to Switzerland” by L. Barfus, 2012, Krasnoyarsk Drama Theater. A. S. Pushkin.

Other significant directorial works:

“Time and Room” by B. Strauss, 1995, Red Torch Theater. The performance took part in the international festivals “Berlin-Moscow. A world without borders" (1995) and "Days of German Culture in Siberia" (1999);

“Genesis”, a stage tetralogy based on the plays of Sophocles and Aeschylus “Oedipus the King”, “Oedipus at Colonus”, “Seven against Thebes”, “Antigone”, 1996, Red Torch Theater. The play took part in festivals in Greece twice: in Piraeus (1996) and in the ancient theater in Epidaurus (1997);

“The Inspector General” after N. Gogol, 1997, Red Torch Theater;

“A Midsummer Night’s Dream” by W. Shakespeare, 1998, Red Torch Theater;

“Presidents” by V. Schwab, 1999, Red Torch Theater. The performance took part in the International Festival NET - “New European Theater” (Moscow);

“Love in Crimea” by S. Mrozhek, 2000, State Theater of Satire (Sofia, Bulgaria);

“Life defeated death” based on the play by V. Verbin based on the works of D. Kharms, 2000, Red Torch Theater;

“The village of Stepanchikovo and its inhabitants” based on the play by O. Rybkin based on the novel by F. Dostoevsky, 2001, Omsk Academic Drama Theater. The performance is a participant in the festival “Siberian Transit - 2002”;

"Roberto Zucco" by B.-M. Koltes, 2002, Red Torch Theater;

“The Power of Habit” by T. Berndhard, 2002, Satire Theater (St. Petersburg). The performance took part in the “Theater Island - 2002” festival;

“Metaphysics of the Two-Headed Calf” by S. Vitkevich, 2003, Satire Theater (St. Petersburg). The performance is a participant in the “Theater Island” and “Golden Sofit” festivals;

“Visitor” according to E. Schmidt, 2004. A joint project of the Austrian Cultural Forum and the Satire Theater on Vasilyevsky. The performance took part in the festivals “Landscapes of Dreams” (2003) and “Austrian Spring in Moscow” (2004);

“Synchron” by T. Hurliman, 2003, Lensovet Academic Theater (St. Petersburg). The performance is a participant in the Golden Sofit festival;

“A Romance with Cocaine” based on the play by N. Skorokhod based on the novel by M. Ageev, 2004, Russian Academic Youth Theater. The performance took part in the International Festival "Rainbow" (2005);

“Anatole” after A. Schnitzler, 2005, Theater for Young Spectators. Bryantseva (St. Petersburg);

“The Creature” after V. Semenovsky (essay on themes by F. Sologub), 2005, Republican Russian Academic Theater of Bashkortostan (Ufa). The performance is a participant in the Real Theater and Open Space festivals (Magnitogorsk, 2005);

“Talents and Fans” by A. Ostrovsky, 2005, Krasnoyarsk Drama Theater. A.S. Pushkin. The performance is a participant in the festivals “Ostrovsky in Ostrovsky’s House” (Moscow, 2006) and “Volga Theater Season” (Samara, 2007);

“The next stop is Heaven” by D. Kharms (play by V. Verbin), 2006, Theater for Young Spectators. A. Bryantseva (St. Petersburg);

“King Lear” by W. Shakespeare, 2006, Krasnoyarsk Drama Theater. A. S. Pushkin;

“Crazy Day or The Marriage of Figaro” by P. Beaumarchais, 2006, Academic Drama Theater (Perm);

“Jacques and His Master” based on the novel by D. Diderot, 2007, Yekaterinburg Theater for Young Spectators;

“The Threepenny Opera” based on B. Brecht, 2007, Krasnoyarsk Drama Theater. A. S. Pushkin;

“There, Away” by K. Churchill, 2008, Krasnoyarsk Drama Theater. A. S. Pushkin;

“Uncle’s Dream” after F. Dostoevsky, 2008, Omsk Academic Drama Theater;

“A Streetcar Named Desire” by T. Williams, 2008, Krasnoyarsk Drama Theater. A. S. Pushkin;

“Dark Alleys”, a play by O. Nikiforova based on a cycle of stories by I. Bunin, 2009, Krasnoyarsk Drama Theater. A. S. Pushkin. The performance is a participant in the “International Volkov Festival - 2011”;

“The Eldest Son” by A. Vampilov, 2009, Krasnoyarsk Drama Theater. A. S. Pushkin;

“The House Where Hearts Break” by B. Shaw, 2010, Krasnoyarsk Drama Theater. A. S. Pushkin;

“The Little Humpbacked Horse” after P. Ershov, 2011, Krasnoyarsk Drama Theater named after. A. S. Pushkin. The performance is a participant in the festivals “Real Theatre”, “Novo-Sibirsk Transit”, “International Volkovsky Festival - 2012”;

“Alice's Journey to Switzerland” based on the play by L. Baerfus, 2012, Krasnoyarsk Drama Theater. A. S. Pushkin;

Recognition and awards

In May 2012 - laureate of the Russian Government Prize named after. Fyodor Volkov "for his contribution to the development of theatrical art"

Links

“50 years of Oleg Rybkin” (“Petersburg Theater Magazine” dated 10/18/2012)

KRASNOYARSK, October 3 – RIA Novosti, Victoria Melnikova. A graduate of GITIS and a student of Pyotr Fomenko, Oleg Rybkin has been the chief director of the Krasnoyarsk Drama Theater for seven years. A. S. Pushkin. During this time, he managed to turn Pushka into one of the best regional theaters in Russia, and therefore was twice nominated for the Golden Mask and even received a prestigious government award for his contribution to the development of theatrical art.

At the opening of the new season at Pushka, Rybkin told RIA Novosti about the reconstruction of the theater building, shared how he sees modern theatrical art, and explained why a mat is needed on stage.

The theater opens the new season in camp conditions due to the reconstruction of the building. How difficult does this make your work as a director?

“This makes the work catastrophically difficult.” Due to reconstruction, we have become highly dependent on others. I have to ask my colleagues to rent space. Someone comes to meet us, and someone says: sorry, we have our own creative plans. And we can understand them; we are not only colleagues, but also, in a sense, competitors.

Today the Pushkin Theater plays performances on ten different stages. We constantly have to transport huge sets, props, and costumes from one end of the city to the other. This also makes the job more difficult. Not to mention the fact that the venues themselves where we have to play (most often, these are old cultural centers) are in terrible condition and require repairs. Not only performing, but also rehearsing on such stages is difficult.

The Palace of Culture is not a theater. During our rehearsals, aerobics, sports dancing or disco take place in other halls. The noise is terrible, and in the meantime we need to practice a quiet, soulful scene.

- Was there a fear that the team would scatter due to such conditions?

- Certainly. But this, fortunately, did not happen. On the contrary, in such field conditions we managed to stage Maxim Gorky’s complex play “Barbarians,” where we assembled a strong cast and built large-scale sets. As a result, the performance turned out even better than many of our Moscow colleagues.

The court dismissed the case to return its building to the Krasnoyarsk theaterThe theater asked to return the theater building to it, including the dismantled elements that constitute the subject of the object’s protection, scientific and design documentation and executive documentation for the dismantling of the object’s protection items.

With “Barbarians” we were invited to a festival in Nizhny Novgorod, the homeland of Maxim Gorky. Another question is that our nomadic life affected the viewer. A certain audience went to the Pushkin Theater for whom theater is a holiday. This audience is accustomed to dressing nicely for the theater, changing their shoes in the lobby, visiting the buffet, and discussing what they saw during intermission.

Unfortunately, our viewer is now deprived of all this. They sometimes come up to us and say: you restore the building and we will come to you again, but we will not go to the right bank.

- It turns out that now the theater has become closer to the audience from the outskirts of the city?

- Exactly. In connection with the reconstruction, a new viewer came to us, who, perhaps, had never been to the theater before. And there are some difficulties associated with this. The original viewer of "The Cannon" knows what modern drama is, he is ready for a variety of directorial decisions. And to a viewer from the outskirts of the city, these decisions sometimes seem extreme.

It happened that people came up to us after the performance and were unhappy, expressed complaints: “What kind of nonsense are you showing us?! This is not how we imagined the theater.”

- What then should a modern repertory theater be like so that a new viewer would be happy to come to it?

— It is important to understand that the theater is not a museum where everything has been static for centuries. The performance can be anything but boring. Personally, I always find a reason to leave a boring performance. Why torture yourself with a bad production? After all, theater should evoke emotions, even negative ones. In addition, I believe that modern theater should provoke the viewer, not console.

- Do you use obscene language in performances specifically to provoke the audience?

— I use swearing on stage with undisguised pleasure, including for this purpose. But I still think that there is no need to abuse it. Such vocabulary is only possible on a small stage, where people who want to hear it will come. I don’t think that modern Russian repertory theater should focus only on plays written in a similar language.

In the Krasnoyarsk theater, for example, on the small stage we use obscenities, and on the large stage we stage Gorky in the classical interpretation, where there are different feelings and a different language.

What do you think of the new form of performing arts that appeared this summer in Krasnoyarsk - the Rooftop Theater?

- This is a very good initiative. The guys stage simple plays in the open air, on the roof of one of the houses. For the off-season, when theaters are on vacation and the audience wants to go somewhere, this is an ideal place. But, of course, this does not mean that performances of this kind will be able to completely replace repertory theater.

For example, we have three performances - “Colonel Bird”, “The Little Humpbacked Horse” and “Night of Errors”, which this season will be or have already been performed for the hundredth time and always with a full house. It is difficult to imagine that any project performance would have successfully existed for so long.

You collaborated with the best theaters in the country: you worked in the Omsk Drama and in the Novosibirsk Red Torch, but settled in Krasnoyarsk. What attracted you to the Pushkin Theater?

— I feel comfortable working here. I can stage what interests me and at the same time not encounter obstacles from the theater management. In addition, “Cannon” has a balanced troupe - there are stars, there are beginning actors. It’s easy and pleasant for me to work with many people.

- What have you achieved in seven years of work at the Krasnoyarsk theater as chief director?

“It seems to me that we managed to create a theater that is ready for a variety of experiments. We have already accustomed the viewer to this, so even the unexpectedly free interpretation of Chekhov's "The Seagull" by true admirers of "The Cannon" is received with a bang. I also think we managed to successfully balance the theater’s repertoire between classics and modern drama.

We stage plays by young playwrights: Yaroslava Pulinovich, Dmitry Bogoslavsky, Pavel Sanaev and classics: Moliere, Chekhov, Vampilov. Now, for example, we are preparing two new performances: a children’s play based on Stevenson’s novel “Treasure Island” and an adult play based on the play “The Dresser” by English playwright Ronald Harwood. And for the opening of the restored theater building, I plan to stage a Shakespeare play.

-Which theaters are closest to you in spirit and mood? Where do you, as a viewer, go with pleasure?

- That's a very difficult question. In short, I love everything talented. Of course, one of my favorite theaters was the workshop of my teacher Pyotr Fomenko. Only he, with his charisma and charm, was able to create a unique theatrical experiment of its kind. Communication with Pyotr Naumovich is an inoculation for life.

He always treated the theater as a miracle. As his student, I, of course, try to match. Make your performances interesting, truthful, and touching the heartstrings. By and large, this correspondence occurs subconsciously. Sometimes, while working on a play, I catch myself thinking that Pyotr Naumovich would have liked this, but he would not have approved of this.

- What did he categorically not approve of?

— The director’s frivolous attitude towards the production and disrespect for the audience.

Oleg Alekseevich Rybkin(b. October 18, 1962, Kerch, USSR) - Russian theater director, chief director of the Krasnoyarsk Drama Theater. A. S. Pushkin.

Oleg Rybkin
Oleg Alekseevich Rybkin

Date of Birth	October 18(1962-10-18 ) (56 years old)
Place of Birth	Kerch, Crimean region, Ukrainian SSR, USSR
Citizenship	USSR USSR→ Russia Russia
Profession
Years of activity	- present tense
Theater	Krasnoyarsk Drama Theater named after. A. S. Pushkina
Performances	“Zoyka’s apartment” (), "Yvonne, Princess of Burgundy" (), "Three sisters" (), "Invitation to Execution" (), "Seagull" (), "Alice's Journey to Switzerland" (2012), other
Awards	Prize of the Government of the Russian Federation “For contribution to the development of theatrical art” named after. Fedora Volkova

Biography

Oleg Rybkin was born on October 18, 1962 in Kerch, Crimean region.

In 1984 he graduated from the Krasnodar Institute of Culture with a degree in theater directing.

In 1994-1997 - director at the BBC radio station.

In 1997-2002 - chief director of the Novosibirsk Red Torch Theater. He was the first of the Novosibirsk directors to be nominated for the national theater award “Golden Mask”. Oleg Rybkin's performances participated in international festivals in Europe, the Golden Mask, Real Theater, Ostrovsky in Ostrovsky's House, Siberian Transit, International Volkov Festival, Rainbow, Biennale of Theater Arts, Camerata and many others.

Since August 2006 - chief director of the Krasnoyarsk Drama Theater named after A. S. Pushkin. Since 2008 - artistic director of the festival of modern dramaturgy “Drama. New Code" (DNA).

Oleg Rybkin staged more than sixty performances in theaters in Moscow, St. Petersburg, Omsk, Tomsk, Samara, Novosibirsk, Chelyabinsk, Perm, Stavropol, Yekaterinburg, Ufa, Sofia and other cities.

Member of the jury of the National Theater Award and the Golden Mask Festival (2014, 2018)

Director's works

Performances - nominees for the national theater award "Golden Mask"

“Zoyka’s Apartment” based on the play by M. Bulgakov, 1997, Red Torch Theater;
“Yvonne, Princess of Burgundy” based on the play by V. Gombrowicz, 1998, Red Torch Theater. The performance is a participant in the international Gombrowicz Festival in Radom, Poland;
“Three Sisters” based on the play by A. Chekhov, 1999, Red Torch Theater. The performance took part in the First Festival “Siberian Transit”, 2001;
“Invitation to Execution”, a play by Oleg Rybkin based on the novel by Vladimir Nabokov, 2000, Omsk Academic Drama Theater;
“The Seagull” based on the play by A. Chekhov, 2007, Krasnoyarsk Drama Theater. A. S. Pushkin. The performance participated in the following festivals: “Siberian Transit” in Barnaul, “Golden Mask in the Regions of Russia” in Omsk, “International Volkov Festival” in Yaroslavl, “Baltic House” in St. Petersburg and “International Christmas Arts Festival” in Novosibirsk.
“Alice's Journey to Switzerland” based on the play by L. Baerfus, 2012, Krasnoyarsk Drama Theater. A. Pushkin;
"Rosencrantz and Guildenstern are Dead" based on the play by T. Stoppard, 2017, Krasnoyarsk Drama Theater. A. Pushkin; The performance took part in the international festival "Rainbow", 2018, St. Petersburg

OTHER DIRECTOR'S WORKS

“Edward the Second” based on the play by K. Marlow, 1994, Moscow, New Drama Theater;
“Each in His Own Way” based on the play by L. Pirandello, 1994, Moscow, theater “On Malaya Bronnaya”;
“Time and Room” based on the play by B. Strauss, 1995, Red Torch Theater (Novosibirsk). The performance took part in the international festivals “Berlin-Moscow. A world without borders" (1995) and "Days of German Culture in Siberia" (1999);
“Genesis”, stage tetralogy based on the plays of Sophocles and Aeschylus “Oedipus the King”, “Oedipus at Colonus”, “Seven against Thebes”, “Antigone”, 1996, author of the version for the stage - O. Rybkin, Red Torch Theater. The play took part in festivals in Greece twice: in Piraeus (1996) and in the Ancient Theater of Epidaurus (1997);
“The Inspector General” based on the play by N. Gogol, 1997, Red Torch Theater;
“A Midsummer Night’s Dream” based on the play by W. Shakespeare, 1997, Red Torch Theater;
“My Life with Bing” based on the book by K. Crosby, 1998, Red Torch Theater. The performance is a participant in the special program “Golden Mask”;
“Madeleine and Moses” P.-O. Scotto, 1998, Red Torch Theater;
“Love Round Dance” based on the play by A. Schnitzler, 1999, drama theater, Tomsk;
“Illusion” based on the play by P. Corneille, 1999, Red Torch Theater;
“Playboy” based on the play by D. Singh “The Daring Young Man, the Pride of the West”, 1999, Red Torch Theater;
“The Presidents” based on the play by V. Schwab, 2000, Red Torch Theater. The performance took part in the International Festival NET - “New European Theater” (Moscow);
“Love in Crimea” based on the play by S. Mrozhek, 2000, State Theater of Satire (Sofia, Bulgaria);
“Life defeated death” play by V. Verbin based on the works of D. Kharms, 2000, Red Torch Theater;
“The village of Stepanchikovo and its inhabitants”, a play by O. Rybkin based on the novel by F. Dostoevsky, 2001, Omsk Academic Drama Theater. The performance is a participant in the festival “Siberian Transit - 2002”;
“Roberto Zucco” based on the play by B.-M. Koltes, 2002, Red Torch Theater;
“The Power of Habit” based on the play by T. Berndhard, 2002, Satire Theater on Vasilievsky (St. Petersburg). The performance took part in the “Theater Island - 2002” festival;
“Metaphysics of the Two-Headed Calf” by S. I. Vitkevich, 2003, Satire Theater on Vasilievsky (St. Petersburg). The performance is a participant in the “Theater Island” and “Golden Sofit” festivals; m
“King, Queen, Jack” play by A. Getman based on the novel by V. Nabokov, 2003, Stavropol Drama Theater;
“The Visitor” based on the play by E. I. Schmidt, 2004. A joint project of the Austrian Cultural Forum and the Satire Theater on Vasilyevsky. The performance took part in the festivals “Landscapes of Dreams” (2003) and “Austrian Spring in Moscow” (2004);
“Synchron” based on the play by T. Hurliman, 2004, Theater named after. Lensoveta (St. Petersburg). The performance is a participant in the Golden Sofit festival;
“A Romance with Cocaine” play by N. Skorokhod based on the novel by M. Ageev, 2004, Russian Academic Youth Theater. The performance took part in the International Festival "Rainbow", St. Petersburg (2005);
“Anatole” based on the play by A. Schnitzler, 2005, Theater for Young Spectators. Bryantseva (St. Petersburg); participant of the international festival "Rainbow"
“The Creature” based on the play by V. Semenovsky (essay on themes by F. Sologub), 2005, Republican Russian Academic Theater of Bashkortostan (Ufa). The performance is a participant in the Real Theater and Open Space festivals (Magnitogorsk, 2005);
“Talents and Fans” based on the play by A. Ostrovsky, 2005, Krasnoyarsk Drama Theater. A. S. Pushkin. The performance is a participant in the festivals “Ostrovsky in Ostrovsky’s House” (Moscow, 2006) and “Volga Theater Seasons” (Samara, 2007);
“Six Characters in Search of an Author” based on the play by L. Pirandello, 2005, Academic Theater. N. Orlova (Chelyabinsk, 2005);
“The next stop is Heaven” based on the works of D. Kharms (play by V. Verbin), 2006, Theater for Young Spectators. A. Bryantseva (St. Petersburg);
“King Lear” by W. Shakespeare, 2006, Krasnoyarsk Drama Theater. A. S. Pushkin;
“Crazy Day or The Marriage of Figaro” based on the play by P. Beaumarchais, 2006, Academic Drama Theater (Perm);
“Colonel Bird” based on the play by Hristo Boychev, 2006, Krasnoyarsk Drama Theater. A. S. Pushkin;
“Jacques and His Master”, a play by M. Kundera based on the novel by D. Diderot, 2007, Yekaterinburg Theater for Young Spectators. Participant of the Real Theater festival, Nizhny Novgorod;
“The Threepenny Opera” based on the play by B. Brecht, 2007, Krasnoyarsk Drama Theater. A. S. Pushkin;
“There, Away” based on the play by K. Churchill, 2008, Krasnoyarsk Drama Theater. A. S. Pushkin;
“Uncle’s Dream” play by Y. Lottin based on the story by F. Dostoevsky, 2008, Omsk Academic Drama Theater; Participant of the Real Theater festival, Yekatirburg;
“A Streetcar Named Desire” based on the play by T. Williams, 2008, Krasnoyarsk Drama Theater. A. S. Pushkin. The performance is a participant in the Real Theater festival, Yekaterinburg;
“Dark Alleys”, play by O. Nikiforova, with the participation of O. Rybkin, based on the stories of I. Bunin, 2009, Krasnoyarsk Drama Theater. A. S. Pushkin. The performance is a participant in the “International Volkov Festival - 2011”;
“The Eldest Son” based on the play by A. Vampilov, 2010, Krasnoyarsk Drama Theater named after. A. S. Pushkin;
“Night of Errors” based on the play by W. Goldsmith, 2010, Krasnoyarsk Drama Theater. A. Pushkin. Participant of the international ethno-folklore festival “Spirit of the Earth”, Abakan, Republic of Khakassia;
“The House Where Hearts Break” based on the play by B. Shaw, 2010, Krasnoyarsk Drama Theater. A. S. Pushkin;
“The Little Humpbacked Horse” based on the fairy tale by P. Ershov, 2011, Krasnoyarsk Drama Theater named after. A. S. Pushkin. " Harlequin", St. Petersburg, (special jury prize, critics prize, audience award), festival "Tsar Fairy Tale", Veliky Novgorod, International Festival of Performances for Children and Teenagers "Korchak", Warsaw
“Bullets over Broadway” based on the play by V. Allen, 2011, Krasnoyarsk Drama Theater. A. Pushkin;
“God of Carnage” based on the play by Yasmina Reza, 2011, Krasnoyarsk Drama Theater. A. S. Pushkin;
“Barbarians” based on the play by M. Gorky, 2012, Krasnoyarsk Drama Theater named after. A. S. Pushkin; The performance took part in the Gorky Festival, 2013, Nizhny Novgorod;
“Viy” based on the play by Natalia Vorozhbit, 2013, Krasnoyarsk Drama Theater named after. A. S. Pushkin;
“The quiet rustle of departing steps” based on the play by D. Bogoslavsky, 2013, Krasnoyarsk Drama Theater. A. S. Pushkin;
“The Dresser” based on the play by R. Harwood, 2013, Krasnoyarsk Drama Theater. A. S. Pushkin;
“Proof to the contrary” based on the play by O. Chiakyari, 2014, Krasnoyarsk Drama Theater. A. S. Pushkin.
“XII Night, or as you please” based on the play by W. Shakespeare, 2015, Krasnoyarsk Drama Theater. A. S. Pushkin.
“Chick.” Goodbye, Berlin" R. Koal, W. Herrendorf, 2016, Krasnoyarsk Theater named after. A. Pushkin. The performance is a participant in the Children's Weekend program of the Golden Mask festival (Moscow), the international Christmas Arts Festival (Novosibirsk), the international Camerata festival (Chelyabinsk) - prize for best director, prize for best acting duet.
“Days of Our Lives” play by O. Rybkin based on the works of L. Andreev, 2016, Krasnoyarsk Theater named after. A. Pkshaina. The performance is a participant in the grant project of the Russian Ministry of Culture “We turned history around”, dedicated to the 100th anniversary of the Russian Revolution. Longlist of the Golden Mask festival;
“Pokrovsky Gate” based on the play by L. Zorin, 2017, Krasnoyarsk Theater named after. A. Pushkin; the performance is a laureate of the First Interregional Comedy Festival "Audience Success", Krasnoyarsk, 2018;
“Rosencrantz and Guildenstern are Dead” based on the play by T. Stoppard, 2017, Krasnoyarsk Theater. A. Pushkin. “Best performance of the season” (large form) at the regional festival “Theater Spring”. Participant of the international festival "Rainbow", St. Petersburg; First prize of the competition “Polyus. Golden Season”, participant of the festival-school of contemporary art “Territory. Krasnoyarsk" "Golden Mask" award ("best work by a lighting artist" (D. Zimenko)
“Three days in the village” play by P. Marber (based on the play by I. Turgenev “Three days in the village”), 2018, Krasnoyarsk Theater. A. Pushkin; The performance is a participant in the festival "Lessons in Directing" as part of the Biennale of Theater Arts, Moscow, 2018, director O. Rybkin - laureate in the nomination "For a lesson in transforming a classical text into a lyrical statement"; "The best performance of the season in the drama theater" regional festival "Theater Spring"
"Dangerous Liaisons" play by K. Hempton (based on the novel by Chaderlos de Laclos), 2018, Krasnoyarsk Drama Theater. A. Pushkin;
“We, the Heroes” play by Jean-Luc Lagarce, 2019, Krasnoyarsk Drama Theater named after. A. Pushkin